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[Holy, holy holy, Lord]
Appears in 15 hymnals Composer and/or Arranger: A. S. Cooper Tune Key: D Major Incipit: 33551 54343 32556 Used With Text: Sanctus
[Holy, holy holy, Lord]
[Holy, Holy, Holy, Lord]
Appears in 186 hymnals Composer and/or Arranger: Marcia Pruner; Richard Proulx; Kelly Dobbs-Mickus Tune Key: F Major Incipit: 51123 51165 51123 Used With Text: Holy, Holy, Holy-Land of Rest
[Holy, Holy, Holy, Lord]
Come, Go with Me: Holy, Holy, Holy
Author: ICEL Hymnal: Lead Me, Guide Me (2nd ed.) #123 (2012) First Line: Holy, Holy, Holy Lord God of hosts Languages: English Tune Title: [Holy, Holy, Holy, Lord God of hosts]
Come, Go with Me: Holy, Holy, Holy
Holy, holy, holy, Lord God of Hosts
Hymnal: The Hymnal 1982 #S113 (1985) Lyrics: Holy, holy, holy, Lord God of Hosts;
Heaven and earth are full of thy glory.
Glory be to thee, O Lord Most High.
Blessed is he that cometh in the name of the Lord.
Hosanna in the highest. Languages: English Tune Title: [Holy, holy, holy Lord God of hosts]
Holy, holy, holy, Lord God of Hosts
Holy, holy, holy, Lord God of Hosts
Hymnal: The Hymnal 1982 #S114 (1985) Lyrics: Holy, holy, holy, Lord God of Hosts;
Heaven and earth are full of thy glory.
Glory be to thee, O Lord Most High.
Blessed is he that cometh in the name of the Lord.
Hosanna in the highest. Languages: English Tune Title: [Holy, holy, holy Lord God of Hosts]
Holy, holy, holy, Lord God of Hosts
Thomas Tallis
1505 - 1585 Composer of "HOLY, HOLY, HOLY" in Services for Congregational Worship. The New Hymn and Tune Book Thomas Tallis (b. Leicestershire [?], England, c. 1505; d. Greenwich, Kent, England 1585) was one of the few Tudor musicians who served during the reigns of Henry VIII: Edward VI, Mary, and Elizabeth I and managed to remain in the good favor of both Catholic and Protestant monarchs. He was court organist and composer from 1543 until his death, composing music for Roman Catholic masses and Anglican liturgies (depending on the monarch). With William Byrd, Tallis also enjoyed a long-term monopoly on music printing. Prior to his court connections Tallis had served at Waltham Abbey and Canterbury Cathedral. He composed mostly church music, including Latin motets, English anthems, settings of the liturgy, magnificats, and two sets of lamentations. His most extensive contrapuntal work was the choral composition, "Spem in alium," a work in forty parts for eight five-voice choirs. He also provided nine modal psalm tunes for Matthew Parker's Psalter (c. 1561).
Bert Polman
Thomas Tallis
William F. Sherwin
1826 - 1888 Person Name: W. F. Sherwin Composer of "SANCTUS" in The Century Hymnal Sherwin, William Fisk, an American Baptist, was born at Buckland, Massachusetts, March 14,1826. His educational opportunities, so far as schools were concerned, were few, but he made excellent use of his time and surroundings. At fifteen he went to Boston and studied music under Dr. Mason: In due course he became a teacher of vocal music, and held several important appointments in Massachusetts; in Hudson and Albany, New York County, and then in New York City. Taking special interest in Sunday Schools, he composed carols and hymn-tunes largely for their use, and was associated with the Rev. R. Lowry and others in preparing Bright Jewels, and other popular Sunday School hymn and tune books. A few of his melodies are known in Great Britain through I. D. Sankey's Sacred Songs and Solos, where they are given with his signature. His hymnwriting was limited. The following pieces are in common use:—
1. Grander than ocean's story (1871). The Love of God.
2. Hark, bark, the merry Christmas bells. Christmas Carol.
3. Lo, the day of God is breaking. The Spiritual Warfare.
4. Wake the song of joy and gladness. Sunday School or Temperance Anniversary.
5. Why is thy faith, 0 Child of God, so small. Safety in Jesus.
Mr. Sherwin died at Boston, Massachusetts, April 14, 1888.
-- John Julian, Dictionary of Hymnology (1907)
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Sherwin, W. F., p. 1055, i. Another hymn from his Bright Jewels, 1869, p. 68, is "Sound the battle cry" (Christian Courage), in the Sunday School Hymnary, 1905, and several other collections.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
William F. Sherwin
Marty Haugen
b. 1950 Adapter of "[Holy, holy, holy, Lord God of hosts]" in Oramos Cantando = We Pray In Song Marty Haugen (b. 1950), is a prolific liturgical composer with many songs included in hymnals across the liturgical spectrum of North American hymnals and beyond, with many songs translated into different languages. He was raised in the American Lutheran Church, received a BA in psychology from Luther College, yet found his first position as a church musician in a Roman Catholic parish at a time when the Roman Catholic Church was undergoing profound liturgical and musical changes after Vatican II. Finding a vocation in that parish to provide accessible songs for worship, he continued to compose and to study, receiving an MA in pastoral studies at the University of St. Thomas in St. Paul Minnesota. A number of liturgical settings were prepared for the Evangelical Lutheran Church in America and more than 400 of his compositions are available from several publishers, especially GIA Publications, who also produced some 30 recordings of his songs. He is composer-in-residence at Mayflower Community Congregational Church in Minneapolis and continues to compose and travel to speak and teach at worship events around the world.
Emily Brink
Marty Haugen
