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Text Identifier:"^i_sing_the_birth_was_born_tonight$"

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I Sing the Birth Was Born Tonight

Author: Ben Jonson, 1573-1637 Meter: 8.8.8.8.8.8 Appears in 19 hymnals Lyrics: 1. I sing the birth was born tonight, The Author both of life and light; The angels so did sound it, And like the ravished shepherds said, Who saw the light, and were afraid, Yet searched, and true they found it. 2. The Son of God, th’eternal King, That did us all salvation bring, And freed the soul from danger; He whom the whole world could not take, The Word, which Heaven and earth did make, Was now laid in a manger. 3. The Father’s wisdom willed it so, The Son’s obedience knew no No, Both wills were in one stature; And as that wisdom had decreed, The Word was now made flesh indeed, And took on Him our nature. 4. What comfort by Him do we win? Who made Himself the Prince of sin, To make us heirs of glory? To see this babe, all innocence, A martyr born in our defense, Can man forget this story? Used With Tune: MELITA Text Sources: appeared in his Underwoods, in the second volume (folio) of his Works, published in 1640

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MELITA

Meter: 8.8.8.8.8.8 Appears in 488 hymnals Composer and/or Arranger: John Bacchus Dykes Tune Sources: Hymns Ancient and Modern, 1861 Tune Key: C Major Incipit: 13355 66551 25554 Used With Text: I Sing the Birth Was Born Tonight
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OLD 113TH

Appears in 128 hymnals Tune Sources: German (1540) Incipit: 11231 34554 32134 Used With Text: I sing the birth was born tonight
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ASCENDIT DEUS

Appears in 21 hymnals Composer and/or Arranger: Johann Gottfried Schicht Incipit: 56717 12335 43143 Used With Text: I sing the birth was born tonight

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I sing the Birth was born tonight

Hymnal: Christmas Carols New and Old #55 (1878) Languages: English Tune Title: [I sing the Birth was born tonight]
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I Sing the Birth Was Born To-night

Author: Ben Jonson Hymnal: Hymns of the Advent #311 (1881) First Line: I sing the birth was born tonight Languages: English Tune Title: [I sing the birth was born tonight]
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I Sing the Birth Was Born Tonight

Author: Ben Jonson, 1573-1637 Hymnal: The Cyber Hymnal #3046 Meter: 8.8.8.8.8.8 Lyrics: 1. I sing the birth was born tonight, The Author both of life and light; The angels so did sound it, And like the ravished shepherds said, Who saw the light, and were afraid, Yet searched, and true they found it. 2. The Son of God, th’eternal King, That did us all salvation bring, And freed the soul from danger; He whom the whole world could not take, The Word, which Heaven and earth did make, Was now laid in a manger. 3. The Father’s wisdom willed it so, The Son’s obedience knew no No, Both wills were in one stature; And as that wisdom had decreed, The Word was now made flesh indeed, And took on Him our nature. 4. What comfort by Him do we win? Who made Himself the Prince of sin, To make us heirs of glory? To see this babe, all innocence, A martyr born in our defense, Can man forget this story? Languages: English Tune Title: MELITA

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John Bacchus Dykes

1823 - 1876 Composer of "MELITA" in The Cyber Hymnal As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

Arthur Sullivan

1842 - 1900 Composer of "[I sing the birth was born tonight]" in Hymns of the Advent Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army band­master and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he com­posed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman

Ben Jonson

1573 - 1637 Person Name: Ben Jonson, 1573-1637 Author of "I Sing the Birth Was Born Tonight" in The Cyber Hymnal Jonson, Benjamin, commonly known as Ben Jonson, the son of a clergyman, was born at Westminster in 1573, and educated at Westminster School, and St. John's, Cambridge. He died in London, Aug. 6, 1637. His history and dramatic abilities are well known to all students of English literature. He is known in association with hymnody mainly through his carol, "I sing the birth—was born tonight," which is still in use. It is given in his Underwoods in the 2nd vol. (folio) of his Works, 1640, and entitled "A Hymn on the Nativity of my Saviour." Two additional hymns therein, "The sinner's sacrifice" and "A Hymn to God the Father," have much merit, but are unsuited for congregational use. His Works have been edited by Gifford, and more recently by Lieut. Col. Francis Cunningham. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ================= Jonson, Ben, p. 606, i. His “Hymn to God the Father," beginning “Hear me, O God. A broken heart," is in Turing's Collection, 1882, in an abridged form. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
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