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Text Identifier:"^lord_you_have_searched_me_and_you_know$"

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Lord, Thou Hast Searched Me

Meter: 8.8.8.8 Appears in 29 hymnals First Line: Lord, Thou hast searched me and dost know

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TENDER THOUGHT

Meter: 8.8.8.8 Appears in 15 hymnals Tune Sources: Kentucky Harmony, 1816 Tune Key: E Flat Major Incipit: 12175 71242 1 Used With Text: Lord, thou hast searched me and dost know
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SOLDAU

Meter: 8.8.8.8 Appears in 40 hymnals Tune Sources: "Wittenberg Gesangbuch," 1524 Tune Key: G Major Incipit: 12216 56135 65316 Used With Text: Lord, Thou hast searched me, and dost know
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PUER NOBIS NASCITUR

Meter: 8.8.8.8 Appears in 210 hymnals Composer and/or Arranger: Michael Praetorius; George R. Woodward Tune Key: D Major Incipit: 11234 32115 55671 Used With Text: Lord, Thou Hast Searched Me

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LORD, You Have Searched Me

Hymnal: Trinity Psalter Hymnal #139B (2018) Meter: 8.8.8.8 First Line: LORD, you have searched me and you know Lyrics: 1 LORD, you have searched me and you know where'er I rest, where'er I go; you search my thoughts and know my plans, and all my ways are in your hands. 2 My words from you I cannot hide, you hem me in on ev'ry side; O wond'rous knowledge, awesome might, unfathomed depth, unmeasured height! 3 Where can I from your Spirit be? Where can I from your presence flee? In heav'n? it is your dwelling fair; in death's abode? lo, you are there. 4 If I the wings of morning take, and in the seas my dwelling make, e'en there your faithful hand shall lead, your right hand, LORD, is holding me. 5 If deepest darkness cover me, to you the darkness light shall be; if light about me be as night to you both night and day are bright. 6 Within the womb you knitted me so fearfully and wondrously; I give my maker thankful praise, whose wondrous works my soul amaze. 7 When in the depths my frame was wrought, your eye did see, and in your thought my life in all its perfect plan was ordered ere my days began. 8 Your thoughts, O God, how manifold, more precious unto me than gold! They number more than all the sand; awaking, still I'm in your hand. 9 Oh, that the wicked you would slay! From men of blood I turn away; they speak against the name divine, I count God's enemies as mine. 10 Do I not hate your haters, LORD? Those fighting you have I abhorred. I hate them all most fervently and count them as my enemies. 11 O search me, God, my heart discern, and try me, God, my thoughts to learn; and lead me, if in sin I stray, to choose the everlasting way. Topics: God as Guide; God Omnipresence of; God Omniscience of; God As Searcher of Hearts; Preparatory Service; Preservation of Christians; Self-Examination Scripture: Psalm 139 Languages: English Tune Title: WOODWORTH
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Lord, You Have Searched Me

Author: Marie J. Post Hymnal: Psalms for All Seasons #139B (2012) Meter: 8.8.8.8 First Line: Lord, you have searched me, and you know Topics: Church Year Lent; Daily Prayer Evening Prayer; Daily Prayer Night Prayer; Darkness; Discipleship; Elements of Worship Baptism; Elements of Worship Call to Confession; Elements of Worship Lord's Supper; God Desire for; God Light from; God as Spirit; God as Creator; God as Guide; God as Judge; God's Seeing; God's Sovereignty; God's Triumph; God's Knowing; God's Love; God's Protection; Grace; Humanity Created by God; Jesus Christ Healer; Jesus Christ Way, Truth, and Life; Lament False Accusation; Lament Individual; Life Stages Birth; Life Stages Death; Mercy; New Creation; Occasional Services Christian Marriage; Occasional Services Funerals; Occasional Services Ordination and/or Installation; People of God / Church Citizens of Heaven; Servants of God; Suffering; Temptation And Trial; Ten Commandments 10th Commandment (do not covet); The Creation; The Fall; Year A, Ordinary Time after Pentecost, July 17-23; Year B, Ordinary Time after Pentecost, 2nd Sunday; Year B, Ordinary Time after Pentecost, May 29-June 4 (if after Trinity Sunday); Year C, Ordinary Time after Pentecost, September 4-10 Scripture: Psalm 139 Languages: English Tune Title: FEDERAL STREET
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Lord, You Have Searched Me

Author: Marie J. Post Hymnal: Lift Up Your Hearts #337 (2013) Meter: 8.8.8.8 Topics: God's Will; Walk with God Scripture: Psalm 139 Languages: English Tune Title: FEDERAL STREET

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William B. Bradbury

1816 - 1868 Composer of "WOODWORTH" in Psalter Hymnal (Blue) William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry

Michael Praetorius

1571 - 1621 Adapter (melody) of "PUER NOBIS NASCITUR" in Trinity Hymnal (Rev. ed.) Born into a staunchly Lutheran family, Michael Praetorius (b. Creuzburg, Germany, February 15, 1571; d. Wolfenbüttel, Germany, February 15, 1621) was educated at the University of Frankfort-an-der-Oder. In 1595 he began a long association with Duke Heinrich Julius of Brunswick, when he was appoint­ed court organist and later music director and secretary. The duke resided in Wolfenbüttel, and Praetorius spent much of his time at the court there, eventually establishing his own residence in Wolfenbüttel as well. When the duke died, Praetorius officially retained his position, but he spent long periods of time engaged in various musical appointments in Dresden, Magdeburg, and Halle. Praetorius produced a prodigious amount of music and music theory. His church music consists of over one thousand titles, including the sixteen-volume Musae Sionae (1605-1612), which contains Lutheran hymns in settings ranging from two voices to multiple choirs. His Syntagma Musicum (1614-1619) is a veritable encyclopedia of music and includes valuable information about the musical instruments of his time. Bert Polman

George Ratcliffe Woodward

1848 - 1934 Person Name: George R. Woodward Arranger of "PUER NOBIS NASCITUR" in Trinity Hymnal (Rev. ed.) Educated at Caius College in Cambridge, England, George R. Woodward (b. Birkenhead, Cheshire, England, 1848; d. Highgate, London, England, 1934) was ordained in the Church of England in 1874. He served in six parishes in London, Norfolk, and Suffolk. He was a gifted linguist and translator of a large number of hymns from Greek, Latin, and German. But Woodward's theory of translation was a rigid one–he held that the translation ought to reproduce the meter and rhyme scheme of the original as well as its contents. This practice did not always produce singable hymns; his translations are therefore used more often today as valuable resources than as congregational hymns. With Charles Wood he published three series of The Cowley Carol Book (1901, 1902, 1919), two editions of Songs of Syon (1904, 1910), An Italian Carol Book (1920), and the Cambridge Carol Book