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Text Identifier:"^now_from_the_altar_of_my_heart$"

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Now From The Altar Of My Heart

Author: John Mason Meter: 8.6.8.6 Appears in 245 hymnals Used With Tune: UNIVERSITY

Tunes

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BEATITIDO

Meter: 8.6.8.6 Appears in 451 hymnals Composer and/or Arranger: John B. Dykes Tune Key: A Flat Major Incipit: 12353 14367 13222 Used With Text: Now from the altar of my heart
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[Now from the altar of my heart]

Appears in 982 hymnals Composer and/or Arranger: Hugh Wilson, 1764-1824 Incipit: 51651 23213 53213 Used With Text: Now from the Altar of My Heart
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BELMONT

Meter: 8.6.8.6 Appears in 553 hymnals Composer and/or Arranger: W. Gardiner Incipit: 53217 76155 54332 Used With Text: Now from the altar of our hearts

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Published text-tune combinations (hymns) from specific hymnals
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Now from the Altar of My Heart

Author: John Mason (1645?-1694) Hymnal: Common Praise (1998) #22 (1998) Meter: 8.6.8.6 Lyrics: 1 Now from the altar of my heart let incense flames arise; assist me, Lord, to offer up my evening sacrifice. 2 Awake, my love; awake, my joy; awake, my heart and tongue! Sleep not: when mercies loudly call, break forth into a song. 3 This day my God was sun and shield, my keeper and my guide. His care was on my frailty shown, his mercies multiplied. 4 New time, new favour, and new joys do a new song require; till I shall praise thee as I would, accept my heart's desire. Topics: Evening Scripture: Psalm 20 Languages: English Tune Title: UNIVERSITY

Now From the Altar of My Heart

Author: John Mason Hymnal: Hymns of Zion #33 (1958) Languages: English Tune Title: [Now from the altar of my heart]
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Now from the Altar of My Heart

Author: John Mason, 1634-1694 Hymnal: Christian Hymnal (Rev. ed.) #69 (1959) Languages: English Tune Title: [Now from the altar of my heart]

People

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Authors, composers, editors, etc.

Hans G. Nägeli

1773 - 1836 Person Name: Hans G. Nägeli, 1773-1836 Composer of "NAOMI" in The Cyber Hymnal Johann G. Nageli (b. Wetzikon, near Zurich, Switzerland, 1773; d. Wetzikon, 1836) was an influential music educator who lectured throughout Germany and France. Influenced by Johann Pestalozzi, he published his theories of music education in Gangbildungslehre (1810), a book that made a strong impact on Lowell Mason. Nageli composed mainly" choral works, including settings of Goethe's poetry. He received his early instruction from his father, then in Zurich, where he concentrated on the music of. S. Bach. In Zurich, he also established a lending library and a publishing house, which published first editions of Beethoven’s piano sonatas and music by Bach, Handel, and Frescobaldi. Bert Polman

William Gardiner

1770 - 1853 Person Name: W. Gardiner Composer of "BELMONT" in The Church Hymnal William Gardiner (b. Leicester, England, 1770; d. Leicester, 1853) The son of an English hosiery manufacturer, Gardiner took up his father's trade in addition to writing about music, composing, and editing. Having met Joseph Haydn and Ludwig van Beethoven on his business travels, Gardiner then proceeded to help popularize their compositions, especially Beethoven's, in England. He recorded his memories of various musicians in Music and Friends (3 volumes, 1838-1853). In the first two volumes of Sacred Melodies (1812, 1815), Gardiner turned melodies from composers such as Haydn, Mozart, and Beethoven into hymn tunes in an attempt to rejuvenate the singing of psalms. His work became an important model for American editors like Lowell Mason (see Mason's Boston Handel and Haydn Collection, 1822), and later hymnbook editors often turned to Gardiner as a source of tunes derived from classical music. Bert Polman

A. Williams

1731 - 1776 Person Name: Aaron Williams Composer of "MEAR" in The Brethren Hymnody Aaron Williams (b. London, England, 1731; d. London, 1776) was a singing teacher, music engraver, and clerk at the Scottish Church, London Wall. He published various church music collections, some intended for rural church choirs. Representative of his compilations are The Universal Psalmodist (1763)— published in the United States as The American Harmony (1769)—The Royal Harmony (1766), The New Universal Psalmodist (1770), and Psalmody in Miniature (1778). His Harmonia Coelestis (1775) included anthems by noted composers. Bert Polman