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Text Identifier:"^o_god_the_rock_of_ages$"

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O God, the Rock of Ages

Author: Edward Henry Bickersteth Appears in 201 hymnals Lyrics: 1 O God, the Rock of Ages, Who evermore hast been, What time the tempest rages, Our dwelling-place serene: Before Thy first creations, O Lord, the same as now, To endless generations The Everlasting Thou! 2 Our years are like the shadows On sunny hills that lie, Or grasses in the meadows That blossom but to die; A sleep, a dream, a story By strangers quickly told, An unremaining glory Of things that soon are old. 3 O Thou, Who canst not slumber, Whose light grows never pale, Teach us aright to number Our years before they fail; On us Thy mercy lighten, On us Thy goodness rest, And let Thy Spirit brighten The hearts Thyself hast blessed. Amen. Topics: Times and Seasons New Year Used With Tune: MIRIAM

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WEDLOCK

Meter: 7.6.7.6 D Appears in 11 hymnals Composer and/or Arranger: Austin C. Lovelace Tune Sources: J. T. White's The Sacred Harp, 1844 Tune Key: f minor Incipit: 12124 55421 17577 Used With Text: O God, the Rock of Ages
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[O God, the Rock of Ages]

Appears in 134 hymnals Composer and/or Arranger: Arthur S. Sullivan Tune Key: E Flat Major Incipit: 13366 55431 17113 Used With Text: O God, the Rock of Ages
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ANFIELD

Appears in 7 hymnals Composer and/or Arranger: Anonymous Incipit: 11132 21111 432 Used With Text: O God, the Rock of Ages

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O God, the Rock of Ages,

Author: Edward H. Bickersteth Hymnal: Union Hymnal, Songs and Prayers for Jewish Worship. 3rd ed. Revised and enlarged. #32 (1948) First Line: O God, the Rock of Ages Scripture: Psalm 90 Languages: English Tune Title: [O God, the Rock of Ages]
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O God, the Rock of Ages

Author: E. Bickersteth Hymnal: Select Songs No. 2 #39 (1893) Languages: English Tune Title: [O God, the Rock of Ages]
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O God, the Rock of Ages

Author: Edward H. B***ersteth Hymnal: The Cokesbury Hymnal #80 (1923) Languages: English Tune Title: [O God, the Rock of Ages]

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Arthur Sullivan

1842 - 1900 Person Name: Arthur S. Sullivan Composer of "[O God, the Rock of Ages]" in New Jewish Hymnal for Religious Schools and Junior Congregations. 8th ed. Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army band­master and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he com­posed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman

Henry J. Gauntlett

1805 - 1876 Person Name: Henry John Gauntlett Composer of "ST. ALPHEGE" in Hymns of the Living Church Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extend­ed the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844). Bert Polman

Joseph Barnby

1838 - 1896 Person Name: J. Barnby Composer of "ST. ANSELM" in University Hymns Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873). Bert Polman