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Text Identifier:"^o_savior_who_for_man_hast_trod$"

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O Saviour, who for man hast trod

Author: Rev. John Chandler (1806-1876) Appears in 42 hymnals Used With Tune: MORNING HYMN

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MORNING HYMN

Appears in 226 hymnals Composer and/or Arranger: Francis Hippolyte Barthelemon (1741-1808) Incipit: 12333 43222 5454 Used With Text: O Saviour, who for man hast trod
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[O Saviour, Who for man hast trod]

Meter: 8.8.8.8 Appears in 130 hymnals Composer and/or Arranger: C. E. Willing Tune Key: D Major Incipit: 55651 32123 45653 Used With Text: O Saviour, Who for man hast trod
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SAMSON

Meter: 8.8.8.8 Appears in 77 hymnals Composer and/or Arranger: G. F. Handel Tune Key: E Flat Major Incipit: 13453 67115 65321 Used With Text: O Saviour, Who for man hast trod

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O Savior, Who for Man Hast Trod

Author: Charles Coffin; John Chandler Hymnal: The Cyber Hymnal #5343 Meter: 8.8.8.8 Lyrics: 1. O Savior, who for man hast trod The winepress of the wrath of God, Ascend, and claim again on high Thy glory left for us to die. 2. A radiant cloud is now Thy seat, And earth lies stretched beneath Thy feet; Ten thousand thousands round Thee sing, And share the triumph of their King. 3. The angel host enraptured waits: Lift up your heads, eternal gates! O God-and-Man! the Father’s throne Is now forevermore Thine own. 4. Our great High Priest and Shepherd Thou Within the veil art entered now, To offer here Thy precious blood Once poured on earth a cleansing flood. 5. And thence the Church, Thy chosen Bride, With countless gifts of grace supplied, Through all her members draws from Thee Her hidden life of sanctity. 6. O Christ, our Lord, of Thy dear care, Thy lowly members heavenward bear; Be ours with Thee to suffer pain, With Thee forevermore to reign. 7. All praise from every heart and tongue To Thee, ascended Lord, be sung; All praise to God the Father be And Holy Ghost eternally. Languages: English Tune Title: ILLSLEY
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O Saviour, Who for man hast trod

Author: C. Coffin; J. Chandler Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #131 (1894) Meter: 8.8.8.8 Lyrics: 1 O Saviour, Who for man hast trod The winepress of the wrath of God, Ascend, and claim again on high Thy glory, left for us to die. 2 A radiant cloud is now Thy seat, And earth lies stretched beneath Thy feet; Ten thousand thousands round Thee sing, And share the triumph of their King. 3 The angel-host enraptured waits: "Lift up your heads, eternal gates!" O God and Man! the Father's throne Is now for evermore Thine own. 4 Our great High-Priest and Shepherd, Thou Within the veil art entered now, To offer there Thy precious blood Once poured on earth, a cleansing flood. 5 And thence the Church, Thy chosen bride, With countless gifts of grace supplied, Through all her members draws from Thee Her hidden life of sanctity. 6 O Christ our Lord, of Thy dear care Thy lowly members heaven-ward bear; Be ours with Thee to suffer pain, With Thee for evermore to reign. Amen. Topics: Ascensiontide Languages: English Tune Title: [O Saviour, Who for man hast trod]
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O Savior, who for man hast [has] trod The winepress of the wrath of God

Author: John Chandler; Charles Coffin Hymnal: Christian Praise #37 (1870) Languages: English

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John Chandler

1806 - 1876 Person Name: J. Chandler Translator of "O Saviour, Who for man hast trod" in The Church Service Book John Chandler, one of the most successful translators of hymns, was born at Witley in Surrey, June 16, 1806. He was educated at Corpus Christi College, Oxford, B.A. 1827, M.A. 1830. Ordained deacon in 1831 and priest in 1832, he succeeded his father as the patron and vicar of Whitley, in 1837. His first volume, entitled The Hymns of the Primitive Church, now first Collected, Translated and Arranged, 1837, contained 100 hymns, for the most part ancient, with a few additions from the Paris Breviary of 1736. Four years later, he republished this volume under the title of hymns of the Church, mostly primitive, collected, translated and arranged for public use, 1841. Other publications include a Life of William of Wykeham, 1842, and Horae sacrae: prayers and meditations from the writings of the divines of the Anglican Church, 1854, as well as numerous sermons and tracts. Chandler died at Putney on July 1, 1876. --The Hymnal 1940 Companion =============== Chandler, John, M.A.,one of the earliest and most successful of modern translators of Latin hymns, son of the Rev. John F. Chandler, was born at Witley, Godalming, Surrey, June 16, 1806, and educated at Corpus Christi College, Oxford, where he graduated in 1827. He took Holy Orders in 1831, and became Vicar of Witley in 1837. He died at Putney, July 1, 1876. Besides numerous Sermons and Tracts, his prose works include Life of William of Wykeham, 1842; and Horae Sacrae; Prayers and Meditations from the writings of the Divines of the Anglican Church, with an Introduction, 1844. His translations, he says, arose out of his desire to see the ancient prayers of the Anglican Liturgy accompanied by hymns of a corresponding date of composition, and his inability to find these hymns until he says, "My attention was a short time ago directed to some translations [by Isaac Williams] which appeared from time to time in the British Magazine, very beautifully executed, of some hymns extracted from the Parisian Breviary,with originals annexed. Some, indeed, of the Sapphic and Alcaic and other Horatian metres, seem to be of little value; but the rest, of the peculiar hymn-metre, Dimeter Iambics, appear ancient, simple, striking, and devotional—in a word in every way likely to answer our purpose. So I got a copy of the Parisian Breviary [1736], and one or two other old books of Latin Hymns, especially one compiled by Georgius Cassander, printed at Cologne, in the year 1556, and regularly applied myself to the work of selection and translation. The result is the collection I now lay before the public." Preface, Hymns of the Primitive Church, viii., ix. This collection is:— (1) The Hymns of the Primitive Church, now first Collected, Translated, and Arranged, by the Rev. J. Chandler. London, John W. Parker, 1837. These translations were accompanied by the Latin texts. The trsanslations rearranged, with additional translations, original hymns by Chandler and a few taken from other sources, were republished as (2) The Hymns of the Church, mostly Primitive, Collected, Translated, and Arranged/or Public Use, by the Rev. J. Chandler, M.A. London, John W. Parker, 1841. From these works from 30 to 40 translations have come gradually into common use, some of which hold a foremost place in modern hymnals, "Alleluia, best and sweetest;" "Christ is our Corner Stone;" "On Jordan's bank the Baptist's cry;" "Jesus, our Hope, our hearts' Desire;" "Now, my soul, thy voice upraising;" "Once more the solemn season calls;" and, "O Jesu, Lord of heavenly grace;" being those which are most widely used. Although Chandler's translations are somewhat free, and, in a few instances, doctrinal difficulties are either evaded or softened down, yet their popularity is unquestionably greater than the translations of several others whose renderings are more massive in style and more literal in execution. --John Julian, Dictionary of Hymnology (1907)

Charles Coffin

1676 - 1749 Person Name: Prof. Charles Coffin (1676-1749) Author of "O Saviour, who for man hast trod" in Carmina Sanctorum, a selection of hymns and songs of praise with tunes Coffin, Charles, born at Buzaney (Ardennes) in 1676, died 1749, was principal of the college at Beauvais, 1712 (succeeding the historian Rollin), and rector of the University of Paris, 1718. He published in 1727 some, of his Latin poems, for which he was already noted, and in 1736 the bulk of his hymns appeared in the Paris Breviary of that year. In the same year he published them as Hymni Sacri Auctore Carolo Coffin, and in 1755 a complete ed. of his Works was issued in 2 vols. To his Hymni Sacri is prefixed an interesting preface. The whole plan of his hymns, and of the Paris Breviary which he so largely influenced, comes out in his words. "In his porro scribendis Hymnis non tam poetico indulgendunv spiritui, quam nitoro et pietate consulendum esse existimavi. Pleraque igitur, argumentis convenientia e purissiinis Scripturae Sacrae fontibus deprompsi quac idoneis Ecclesiae cantui numeris alligarem." His hymns are described by a French critic as having less brilliancy than those of Santüil (q.v.), but more simplicity and unction. They number 100 in the edition of 1736. Translated into English by J. Chandler, I. Williams and others, are noted under their respective Latin first lines. [William T. Brooke] -- John Julian, Dictionary of Hymnology (1907)

George Frideric Handel

1685 - 1759 Person Name: G. F. Handel Composer of "SAMSON" in The Church Hymnal George Frideric Handel (b. Halle, Germany, 1685; d. London, England, 1759) became a musician and composer despite objections from his father, who wanted him to become a lawyer. Handel studied music with Zachau, organist at the Halle Cathedral, and became an accomplished violinist and keyboard performer. He traveled and studied in Italy for some time and then settled permanently in England in 1713. Although he wrote a large number of instrumental works, he is known mainly for his Italian operas, oratorios (including Messiah, 1741), various anthems for church and royal festivities, and organ concertos, which he interpolated into his oratorio performances. He composed only three hymn tunes, one of which (GOPSAL) still appears in some modern hymnals. A number of hymnal editors, including Lowell Mason, took themes from some of Handel's oratorios and turned them into hymn tunes; ANTIOCH is one example, long associated with “Joy to the World.” Bert Polman
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