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The cross is sharp, but in Thy woe
Appears in 22 hymnals Topics: Communion Hymns; Communion Hymns Used With Tune: BELMONT
The cross is sharp, but in Thy woe
O Thou, the Eternal Son of God
Author: William C. Dix Hymnal: Trinity Psalter Hymnal #346 (2018) Meter: 8.6.8.6 First Line: O thou, th'Eternal Son of God Lyrics: 1 O thou, th'Eternal Son of God,
the Lamb for sinners slain,
we worship, while thy head is bowed
in agony and pain.
2 None tread with thee the holy place;
thou sufferest alone;
thine is the perfect sacrifice
which only can atone.
3 Thou Great High Priest, thy glory-robes
today are laid aside;
and human sorrows, Son of Man,
thy Godhead seem to hide.
4 The cross is sharp, but in thy woe
this is the lightest part;
our sin it is which pierces thee,
and breaks thy sacred heart.
5 Who love thee most, at thy dear cross
will truest, Lord, abide;
make thou that cross our only hope,
O Jesus crucified.
Topics: Christ Cross of; Christ Passion and Atoning Death of; Christ As Priest; Christ Sacrifice of Scripture: John 1:29 Languages: English Tune Title: HORSLEY
O Thou, the Eternal Son of God
O Thou, the Eternal Son of God
Author: William C. Dix Hymnal: The Cyber Hymnal #5409 Meter: 8.6.8.6 Lyrics: 1. O Thou, the eternal Son of God,
The Lamb, for sinners slain,
We worship, while Thy head is bowed
In agony and pain.
2. None tread with Thee the holy place;
Thou sufferest alone;
Thine is the perfect sacrifice
Which only can atone.
3. Thou great High Priest, Thy glory robes
Today are set aside;
And human sorrows, Son of Man,
Thy Godhead seem to hide.
4. The cross is sharp, but in Thy woe
This is the lightest part;
Our sin it is which pierces Thee,
And breaks Thy sacred heart.
5. Who love Thee most, at Thy dear cross,
Will truest, Lord, abide;
Make Thou that cross our only hope,
O Jesus crucified. Languages: English Tune Title: ST. MARY
O Thou, the Eternal Son of God
O thou th'eternal Son of God
Author: William C. Dix Hymnal: Trinity Hymnal #191 (1961) Meter: 8.6.8.6 Lyrics: 1 O thou th'Eternal Son of God,
The Lamb for sinners slain,
We worship, while thy head is bowed
In agony and pain.
2 None tread with thee the holy place;
Thou sufferest alone;
Thine is the perfect sacrifice
Which only can atone.
3 Thou Great High Priest, thy glory-robes
Today are laid aside;
And human sorrow, Son of Man,
Thy Godhead seem to hide.
4 The cross is sharp, but in thy woe
This is the lightest part;
Our sin it is which pierces thee,
And breaks thy sacred heart.
5 Who love thee most, at thy dear cross
Will truest, Lord, abide;
Make thou that cross our only hope,
O Jesus crucified.
Amen. Topics: Christ, The Lord Jesus; Christ Death of; Christ Deity of; Hope; Imputation, of Sin Scripture: John 1:29 Languages: English Tune Title: HORSLEY
O thou th'eternal Son of God
William Horsley
1774 - 1858 Composer of "[HORSLEY]" in The Hymnal Born: November 15, 1774, Mayfair, London, England.
Died: June 12, 1858, Kensington, London, England.
Buried: Kensal Green Cemetery, London, England.
Horsley studied music privately, then became organist of Ely Chapel, Holborn, London, in 1794. He assisted Dr. J. W. Callcott (who encouraged him in persevering at Glee-writing, at which he became successful) as organist of the Asylum for Female Orphans, and married Callcott’s daughter. He succeeded Callcott in 1802, holding that post 52 years. A difference of opinion with the Asylum Committee led to him being dismissed. In 1838 he also became organist of Charterhouse "at a salary of £70 and a room set apart and a fire provided when necessary for his use on those days upon which his duty requires his attendance at the Hospital." He founded the London Philharmonic Society, and in later years was a close friend of Felix Mendelssohn.
J. C. Horsley, the eminent painter, relates in his Reminiscences the following experience when he went with his father to one of the services:
"When I was four years old my father was organist to the Asylum for Female Orphans, which was a stately building on the Westminster Bridge Road; and one Sunday he took me in with him to the morning service and landed me in the organ-loft. Everything was new and surprising to me, especially the crowd of buxom girls, at least a hundred in number, all dressed alike, ranged right and left of the organ, and who, when the organ had played a bar or two of the opening hymn, sang out with open mouths and such energy that I was positively scared, and in continently accompanied the performance with a prolonged howl; upon which my father, continuing to play the accompaniment with one hand, supplied me promptly with paper out of his capacious pocket, where he always kept a store of backs of letters (envelopes were not invented then), and a silver pencil-case of heroic proportions, thus quieting me." Lightwood, pp. 171-72
--www.hymntime.com/tch/
William Horsley
Samuel Webbe
1740 - 1816 Composer of "BELMONT" in Hymns of the Faith Samuel Webbe (the elder; b. London, England, 1740; d. London, 1816) Webbe's father died soon after Samuel was born without providing financial security for the family. Thus Webbe received little education and was apprenticed to a cabinetmaker at the age of eleven. However, he was determined to study and taught himself Latin, Greek, Hebrew, French, German, and Italian while working on his apprenticeship. He also worked as a music copyist and received musical training from Carl Barbant, organist at the Bavarian Embassy. Restricted at this time in England, Roman Catholic worship was freely permitted in the foreign embassies. Because Webbe was Roman Catholic, he became organist at the Portuguese Chapel and later at the Sardinian and Spanish chapels in their respective embassies. He wrote much music for Roman Catholic services and composed hymn tunes, motets, and madrigals. Webbe is considered an outstanding composer of glees and catches, as is evident in his nine published collections of these smaller choral works. He also published A Collection of Sacred Music (c. 1790), A Collection of Masses for Small Choirs (1792), and, with his son Samuel (the younger), Antiphons in Six Books of Anthems (1818).
Bert Polman
Samuel Webbe
W. Chatterton Dix
1837 - 1898 Person Name: William C. Dix Author of "O thou, the eternal son of God" in The Hymnal Most British hymn writers in the nineteenth century were clergymen, but William C. Dix (b. Bristol, England, 1837; d. Cheddar, Somerset, England, 1898) was a notable exception. Trained in the business world, he became the manager of a marine insurance company in Glasgow, Scotland. Dix published various volumes of his hymns, such as Hymns of Love and Joy (1861) and Altar Songs: Verses on the Holy Eucharist (1867). A number of his texts were first published in Hymns Ancient and Modern (1861).
Bert Polman
========================
Dix, William Chatterton, son of John Dix, surgeon, of Bristol, author of the Life of Chatterton; Local Legends, &c, born at Bristol, June 14, 1837, and educated at the Grammar School of that city. Mr. Chatterton Dix's contributions to modern hymnody are numerous and of value. His fine Epiphany hymn, "As with gladness men of old,” and his plaintive ”Come unto Me, ye weary," are examples of his compositions, many of which rank high amongst modern hymns. In his Hymns of Love and Joy, 1861, Altar Songs, Verses on the Holy Eucharist, 1867; Vision of All Saints, &c, 1871; and Seekers of a City, 1878, some of his compositions were first published. The greater part, however, were contributed to Hymns Ancient & Modern; St. Raphaels Hymnbook, 1861; Lyra Eucharidica, 1863; Lyra Messianica, 1864; Lyra Mystica, 1865; The People's Hymns, 1867; The Hymnary, 1872; Church Hymns, 1871, and others. Many of his contributions are renderings in metrical form of Dr. Littledale's translation from the Greek in his Offices . . . of the Holy Eastern Church, 1863; and of the Rev. J. M. Rodwell's translation of hymns of the Abyssinian Church. These renderings of the "songs of other Churches" have not received the attention they deserve, and the sources from whence they come are practically unknown to most hymnal compilers. Mr. Dix has also written many Christmas and Easter carols, the most widely known of which is "The Manger Throne." In addition to detached pieces in prose and verse for various magazines, he has published two devotional works, Light; and The Risen Life, 1883; and a book of instructions for children entitled The Pattern Life, 1885. The last-named contains original hymns by Mr. Dix not given elsewhere. In addition to the more important of Mr. Dix's hymns which are annotated under their respective first lines, the following are also in common use:-
1. God cometh, let the heart prepare. Advent. In his Vision of All Saints, &c, 1871.
2. Holy, holy, holy, to Thee our vows we pay. Holy Communion. Published in his Altar Songs, 1867, in 6 stanzas of 6 lines, and headed "Eucharistic Processional for Dedication Feast." In the Society for Promoting Christian Knowledge Church Hymns, 1871, and others in an abridged form.
3. How long, O Lord, how long, we ask. Second Advent. Appeared in the Appendix to the Society for Promoting Christian Knowledge Psalms & Hymns, 1869, and repeated in several collections.
4. In our work and in our play. Children's Hymn. Published in his Hymns and Carols for Children, 1869, and is largely adopted in children's hymnbooks, as Mrs. Brock's Children's Hymnbook, 1881, and others. Also in the Society for Promoting Christian Knowledge Church Hymns, 1871.
5. In the hollow of Thine hand. For Fair Weather. Appeared in the People's Hymns, 1867, and repeated in several others.
6. Joy fills our inmost heart today. Christmas. Printed in the Church Times, and then on a Flysheet by Gr. J. Palmer, as the third of Four Joyful Hymns for Christmas, circa 1865. It is in the Society for Promoting Christian Knowledge Church Hymns, 1871, and other hymnals. It is also one of Mr. Dix's Christmas Customs & Christmas Carols, not dated.
7. Lift up your songs, ye thankful. St. Ambrose. Contributed to the People's Hymns, 1867.
8. Now in numbers softly flowing. St. Cecilia. Contributed to the People's Hymns, 1867.
9. Now, our Father, we adore Thee. Praise to the Father. Appeared in the Appendix to the S. P. C. K. Psalms & Hymns, 1869.
10. O Christ, Thou Son of Mary. St. Crispin. First printed in the Union Review, Sept., 1866, and thence into the People's Hymns, 1887.
11. O Cross which only canst allay. Glorying and Trusting in the Cross. Published in the People's Hymns, 1867.
12. O Thou the Eternal Son of God. Good Friday. Appeared in Lyra Messianica, 1864; the author's Hymns and Carols for Children, 1869; the S. P. C. K. Church Hymns, 1871, &c.
13. On the waters dark and drear. For use at Sea. Published in Hymns for Public Worship, &c. (St. Raphael's, Bristol), 1861; the S. P. C. K. Church Hymns, 1871, &c.
14. Only one prayer to-day. Ash Wednesday. Contributed to the People's Hymns, 1867.
15. Sitting at receipt of custom. St. Matthew. Appeared in the People's Hymns, 1867.
16. The Cross is on thy brow. Confirmation. In the 1869 Appendix to the S. P. C. K. Psalms & Hymns.
17. The stars above our head. Work and Humility. In the 1869 Appendix to the S. P. C. K. Psalms & Hymns.
18. When the shades of night are falling. Evening Hymn to the Good Shepherd. In the author's Seekers of a City, &c. [1878].
Most of Mr. Dix's best-known hymns, and also some of those named above, are in common use in America and other English-speaking countries. In Great Britain and America from 30 to 40 are in common use. He died Sept. 9, 1898.
-- John Julian, Dictionary of Hymnology (1907)
======================
Dix, William Chatterton, p. 302, ii. Additional hymns by Mr. Dix now in common use are:—
1. Lift up your songs, ye angel choirs. Ascension.
2. Now, my soul rehearse the story. Christ Feeding the Multitude.
3. Within the temple's hallowed courts. Blessed Virgin Mary. These hymns are from his Altar Songs, 1867.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
W. Chatterton Dix
