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Search Results

Text Identifier:"^o_worship_the_king_all_glorious_above$"

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Texts

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O Worship the King

Author: Sir Robert Grant Meter: 5.5.5.5.6.5.6.5 Appears in 1,145 hymnals Lyrics: 1 O worship the King, all-glorious above, O gratefully sing his power and his love; our shield and defender, the Ancient of Days, pavilioned in splendor, and girded with praise. 2 O tell of his might, O sing of his grace, whose robe is the light, whose canopy, space. His chariots of wrath the deep thunderclouds form, and dark is his path on the wings of the storm. 3 This earth with its store of wonders untold, Almighty, thy power hath founded of old; hath 'stablished it fast by a changeless decree, and round it hath cast, like a mantle, the sea. 4 Thy bountiful care what tongue can recite? It breathes in the air, it shines in the light; it streams from the hills, it descends to the plain, and sweetly distills in the dew and the rain. 5 Frail children of dust, and feeble as frail, in thee do we trust, nor find thee to fail; thy mercies how tender, how firm to the end! Our maker, defender, redeemer, and friend. 6 O measureless Might, ineffable love! While angels delight to hymn thee above, thy humbler creation, though feeble their lays, with true adoration shall sing to thy praise. Topics: Beginning of Worship; God Eternity and Power; Processional Hymns; Hymns with Descants; In The Beginning Creator of Heaven and Earth Scripture: Psalm 104:1-5 Used With Tune: HANOVER

Tunes

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LYONS

Meter: 10.10.11.11 Appears in 776 hymnals Composer and/or Arranger: Johann Michael Haydn, 1737-1806 Tune Sources: Arr. In William Gardiner's Sacred Melodies, 1815 Tune Key: A Flat Major Incipit: 51123 14432 51123 Used With Text: O Worship the King
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HANOVER

Meter: 10.10.11.11 Appears in 330 hymnals Composer and/or Arranger: William Croft, 1678-1727 Tune Key: G Major Incipit: 51123 51271 23217 Used With Text: O worship the King, all glorious above
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HOUGHTON

Meter: 10.10.11.11 Appears in 56 hymnals Composer and/or Arranger: H. J. Gauntlett Incipit: 53165 53165 14425 Used With Text: O Worship the King!

Instances

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Published text-tune combinations (hymns) from specific hymnals
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O Worship the King, All Glorious Above

Author: William Kethe; Robert H. Grant Hymnal: Hymns of Faith #60 (1980) Lyrics: 1 O worship the King, all glorious above, O gratefully sing His pow'r and His love; Our Shield and Defender, the Ancient of Days, Pavilioned in splendor and girded with praise. 2 O tell of His might, O sing of His grace, Whose robe is the light, whose canopy space. His chariots of wrath the deep thunder clouds form, And bright is His path on the wings of the storm. 3 Thy bountiful care what tongue can recite? It breathes in the air, it shines in the light; It streams from the hills, it descends to the plain, And sweetly distills in the dew and the rain. 4 Frail children of dust, and feeble as frail, In Thee do we trust, nor find Thee to fail; Thy mercies how tender! how firm to the end! Our Maker, Defender, Redeemer, and Friend. Amen. Topics: God Majesty and Power; Worship; God Majesty and Power; Worship Scripture: Psalm 84:11 Languages: English Tune Title: [O worship the King, all glorious above]
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O Worship the King, All Glorious Above

Author: Robert Grant Hymnal: Sing Joyfully #90 (1989) Lyrics: 1 O worship the King, all glorious above, O gratefully sing His pow'r and His love; Our Shield and Defender, the Ancient of Days, Pavilioned in splendor and girded with praise. 2 O tell of His might, O sing of His grace, Whose robe is the light, whose canopy space. His chariots of wrath the deep thunder clouds form, And dark is His path on the wings of the storm. 3 Thy bountiful care what tongue can recite? It breathes in the air, it shines in the light; It streams from the hills, it descends to the plain, And sweetly distills in the dew and the rain. 4 Frail children of dust, and feeble as frail, In Thee do we trust, nor find Thee to fail; Thy mercies how tender! how firm to the end! Our Maker, Defender, Redeemer, and Friend. Amen. Topics: God Love and Mercy; God Creator Languages: English Tune Title: [O worship the King, all glorious above]
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O worship the King all glorious above

Author: Sir Robert Grant Hymnal: Trinity Hymnal #13 (1961) Meter: 10.10.11.11 Lyrics: 1 O worship the King all glorious above, O gratefully sing his pow'r and his love; Our Shield and Defender, the Ancient of Days, Pavilioned in splendor, and girded with praise. 2 O tell of his might, O sing of his grace, Whose robe is the light, whose canopy space. His chariots of wrath the deep thunderclouds form, And dark is his path on the wings of the storm. 3 The earth with its store of wonders untold, Almighty, thy pow'r hath founded of old; Hath stablished it fast by a changeless decree, And round it hath cast, like a mantle, the sea. 4 Thy bountiful care what tongue can recite? It breathes in the air; it shines in the light; It streams from the hills; it descends to the plain; And sweetly distils in the dew and the rain. 5 Frail children of dust, and feeble as frail, In thee do we trust, nor find thee to fail; Thy mercies how tender, how firm to the end, Our Maker, Defender, Redeemer, and Friend! 6 O measureless Might! Ineffable Love! While angels delight to hymn thee above, The humbler creation, though feeble their lays, With true adoration shall lisp to thy praise. Amen. Topics: God Defender; God Divine Perfections of; God Glory of; God Greatness of ; God Majesty of; Heaven Worship in ; Music; God in Nature; Worship Scripture: Psalm 104:1-2 Languages: English Tune Title: LYONS

People

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Authors, composers, editors, etc.

Henry J. Gauntlett

1805 - 1876 Person Name: Henry John Gauntlett, 1805-1876 Composer of "HOUGHTON" in The Book of Praise Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extend­ed the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844). Bert Polman

George Frideric Handel

1685 - 1759 Person Name: Handel Composer of "HANOVER" in The New Canadian Hymnal George Frideric Handel (b. Halle, Germany, 1685; d. London, England, 1759) became a musician and composer despite objections from his father, who wanted him to become a lawyer. Handel studied music with Zachau, organist at the Halle Cathedral, and became an accomplished violinist and keyboard performer. He traveled and studied in Italy for some time and then settled permanently in England in 1713. Although he wrote a large number of instrumental works, he is known mainly for his Italian operas, oratorios (including Messiah, 1741), various anthems for church and royal festivities, and organ concertos, which he interpolated into his oratorio performances. He composed only three hymn tunes, one of which (GOPSAL) still appears in some modern hymnals. A number of hymnal editors, including Lowell Mason, took themes from some of Handel's oratorios and turned them into hymn tunes; ANTIOCH is one example, long associated with “Joy to the World.” Bert Polman

William Gardiner

1770 - 1853 Arranger of "LYONS" in The United Methodist Hymnal William Gardiner (b. Leicester, England, 1770; d. Leicester, 1853) The son of an English hosiery manufacturer, Gardiner took up his father's trade in addition to writing about music, composing, and editing. Having met Joseph Haydn and Ludwig van Beethoven on his business travels, Gardiner then proceeded to help popularize their compositions, especially Beethoven's, in England. He recorded his memories of various musicians in Music and Friends (3 volumes, 1838-1853). In the first two volumes of Sacred Melodies (1812, 1815), Gardiner turned melodies from composers such as Haydn, Mozart, and Beethoven into hymn tunes in an attempt to rejuvenate the singing of psalms. His work became an important model for American editors like Lowell Mason (see Mason's Boston Handel and Haydn Collection, 1822), and later hymnbook editors often turned to Gardiner as a source of tunes derived from classical music. Bert Polman