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Text Identifier:"^resting_from_his_work_today$"

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Resting from His work today,

Appears in 77 hymnals Lyrics: 1 Resting from His work today, In the tomb the Saviour lay; Still He slept, from Head to Feet, Shrouded in the winding sheet, Lying in the rock alone, Hidden by the sealed stone. 2 Late at even there was seen Watching long the Magdalene; Early, ere the break of day, Sorrowful she took her way To the holy garden glade, Where her buried Lord was laid. 3 So with Thee, till life shall end, I would solemn vigil spend: Let me hew Thee, Lord, a shrine In this rocky heart of mine, Where in pure embalmed cell None but Thou may ever dwell. 4 Myrrh and spices will I bring, True affection's offering; Close the door from sight and sound Of the busy world around; And in patient watch remain Till my Lord appear again. AMEN. Topics: Our Lord Jesus Christ His Burial Used With Tune: REDHEAD, 76

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[Resting from His work today]

Appears in 461 hymnals Composer and/or Arranger: R. Redhead Incipit: 11234 43112 32211 Used With Text: Resting from His work today
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CASSEL

Appears in 204 hymnals Tune Sources: German Incipit: 12354 32321 21717 Used With Text: Resting from His work today
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[Resting from His work today]

Appears in 9 hymnals Composer and/or Arranger: Rev. Sir F. A. G. Ouseley, Mus. Doc Tune Key: e minor Incipit: 11111 11222 11233 Used With Text: Resting from His work today

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Resting from His work today

Author: Rev. F. Whytehead Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #107a (1894) Lyrics: 1 Resting from His work today, In the tomb the Saviour lay; Still He slept, from head to feet Shrouded in the winding sheet, Lying in the rock alone, Hidden by the sealèd stone. 2 Late at even there was seen Watching long the Magdalene; Early, ere the break of day, Sorrowful she took her way To the holy garden glade, Where her buried Lord was laid. 3 So with Thee, till life shall end, I would solemn vigil spend: Let me hew Thee, Lord, a shrine In this rocky heart of mine, Where in pure embalmèd cell None but Thou may ever dwell. 4 Myrrh and spices will I bring, True affection's offering; Close the door from sight and sound Of the busy world around; And in patient watch remain Till my Lord appear again. Amen. Topics: Easter Even Languages: English Tune Title: [Resting from His work today]
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Resting from His work today

Author: Rev. F. Whytehead Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #107b (1894) Lyrics: 1 Resting from His work today, In the tomb the Saviour lay; Still He slept, from head to feet Shrouded in the winding sheet, Lying in the rock alone, Hidden by the sealèd stone. 2 Late at even there was seen Watching long the Magdalene; Early, ere the break of day, Sorrowful she took her way To the holy garden glade, Where her buried Lord was laid. 3 So with Thee, till life shall end, I would solemn vigil spend: Let me hew Thee, Lord, a shrine In this rocky heart of mine, Where in pure embalmèd cell None but Thou may ever dwell. 4 Myrrh and spices will I bring, True affection's offering; Close the door from sight and sound Of the busy world around; And in patient watch remain Till my Lord appear again. Amen. Topics: Easter Even Languages: English Tune Title: [Resting from His work today]
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Resting from His Work Today

Author: T. W. Whytehead Hymnal: Select Songs No. 2 #62 (1893) Languages: English Tune Title: [Resting from His work today]

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Richard Redhead

1820 - 1901 Person Name: R. Redhead Composer of "[Resting from His work today]" in The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 Richard Redhead (b. Harrow, Middlesex, England, 1820; d. Hellingley, Sussex, England, 1901) was a chorister at Magdalen College, Oxford. At age nineteen he was invited to become organist at Margaret Chapel (later All Saints Church), London. Greatly influencing the musical tradition of the church, he remained in that position for twenty-five years as organist and an excellent trainer of the boys' choirs. Redhead and the church's rector, Frederick Oakeley, were strongly committed to the Oxford Movement, which favored the introduction of Roman elements into Anglican worship. Together they produced the first Anglican plainsong psalter, Laudes Diurnae (1843). Redhead spent the latter part of his career as organist at St. Mary Magdalene Church in Paddington (1864-1894). Bert Polman

Henry J. Gauntlett

1805 - 1876 Person Name: Henry John Gauntlett Composer of "" in Hymnal Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extend­ed the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844). Bert Polman

F. A. Gore Ouseley

1825 - 1889 Person Name: Rev. Sir F. A. G. Ouseley, Mus. Doc Composer of "[Resting from His work today]" in The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 Born: August 12, 1825, London, England. Died: April 6, 1889, Hereford, England. Buried: Church of St. Michael and All Angels, Tenbury Wells, Hereford and Worcester, England. Gore-Ouseley was educated at Oxford University (BA 1846, MA 1849, DMus 1854), and was ordained in 1849. In 1855, he was appointed Oxford Professor of Music, succeeding Henry Bishop. At that time, Oxford music degrees were easy to obtain, as there were no conditions of residence. Candidates only had to submit a musical composition, (e.g., for choir or orchestra). This was then approved by the examiner, rehearsed and performed to a small, select audience at Oxford. As far as Ouseley was concerned, this only meant two or three trips to Oxford each year, usually for two or three days each time, as there was no music "taught" in the university and very little in Oxford itself at the time. Also in 1855, Ouseley was appointed Precentor of Hereford Cathedral, a post he held for the next 30 years, before becoming a Canon there. Although theoretically in charge of the cathedral choir, Ouseley only had to be in residence at the cathedral two months each year, and he arranged these to take place during the summer vacation, when he was not required to be at his College, although such was his commitment that he did make regular visits to the cathedral, which was only 18 miles from his College at St. Michael’s. His College of St. Michael’s, Tenbury, a "model" choir school, opened in 1856, mostly at his own expense. He founded the College and was its first Warden, which was the greater part of his work for the next 33 years. Ouseley’s compositions covered a wide range: operas, songs, chamber music and organ pieces. His works include the following treatises: Harmony (London: 1868) Counterpoint (London: 1869) Canon and Fugue (London: 1869) Form and General Composition (London: 1875) --www.hymntime.com/tch/