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Rostro divino, ensangrentado
Author: M. Mavillard Appears in 19 hymnals Used With Tune: EVENTIDE
Rostro divino, ensangrentado
BENEDICTION
Appears in 612 hymnals Composer and/or Arranger: E. J. Hopkins Tune Key: A Flat Major Incipit: 55651 17123 11213 Used With Text: Rostro divino, ensangrentado
BENEDICTION
[Rostro divino enssangrentado]
Appears in 1 hymnal Composer and/or Arranger: G. Lüders Tune Key: F Major or modal Incipit: 31235 43321 13325 Used With Text: Rostro Divino
[Rostro divino enssangrentado]
Rostro divino
Author: M. Mavillard Hymnal: Himnario Adventista #95 (1962) First Line: Rostro divino, ensangrentado Languages: Spanish Tune Title: [Rostro divino, ensangrentado]
Rostro divino
Rostro divino
Author: M. Mavillard Hymnal: Himnario Adventista del Séptimo Día #98 (2010) First Line: Rostro divino, ensangrentado Topics: Jesucristo Muerte de Cristo; Jesucristo Muerte de Cristo; Jesus Christ Death; Jesus Christ Death Scripture: Isaiah 53:5 Languages: Spanish Tune Title: [Rostro divino, ensangrentado]
Rostro divino
Rostro Divino
Author: M. Mavillard Hymnal: Himnos Selectos #267 (1952) First Line: Rostro divino, ensangrentado Languages: Spanish Tune Title: [Rostro divino, ensangrentado]
Rostro Divino
William Henry Monk
1823 - 1889 Person Name: W. H. Monk Composer of "EVENTIDE" in El Himnario Evangelico William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851).
Bert Polman
William Henry Monk
E. J. Hopkins
1818 - 1901 Composer of "BENEDICTION" in Himnario provisional con los cánticos Dr Edward John Hopkins MusDoc United Kingdom 1818-1901. Born at Westminster, England, the son of a clarinetist with the Royal Opera House orchestra, he became an organist (as did two of his brothers) and a composer. In 1826 he became a chorister of the Chapel Royal and sang at the coronation of King William IV in Westminster Abbey. He also sang in the choir of St. Paul’s Cathedral, a double schedule requiring skill and dexterity. On Sunday evenings he would play the outgoing voluntary at St. Martin’s in-the-field. He left Chapel Royal in 1834 and started studying organ construction at two organ factories. He took an appointment at Mitcham Church as organist at age 16, winning an audition against other organists. Four years later he became organist at the Church of St. Peter, Islington. In 1841 he became organist at St. Luke’s, Berwick St., Soho. Two Years later he was organist at Temple Church, which had a historic organ (built in 1683). He held this position for 55 years. In 1845 he married Sarah Lovett, and they had four sons and five daughters. He was closely associated with the Bach Society and was organist for the first English performances of Bach’s St. Matthew Passion. In 1855 he collaborated with Edward Rimbault publishing “The organ, its history and construction” (3 editions 1855-70-77). In 1864 he was one of the founders of the “College of organists”. In 1882 he received an honorary Doctorate of Music from the Archbishop of Canterbury. He composed 30+ hymn tunes and some psalm chants, used by the Church of England. He died in London, England.
John Perry
E. J. Hopkins
Anonymous
Person Name: Anonimo Author of "Jesus herido por mí" in Himnario de la Iglesia Metodista Episcopal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
