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Text Identifier:"^teach_me_o_lord_thy_way_of_truth$"

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ST. CRISPIN

Meter: 8.8.8.8 Appears in 249 hymnals Composer and/or Arranger: George J. Elvey Tune Key: E Flat Major Incipit: 33351 22355 51766 Used With Text: Teach Me, O Lord, Your Way of Truth
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BISHOP

Meter: 8.8.8.8 Appears in 26 hymnals Composer and/or Arranger: Joseph P. Holbrook Tune Key: F Major Incipit: 33353 12333 32162 Used With Text: Teach Me, O Lord, Your Way of Truth
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EISENACH

Appears in 282 hymnals Composer and/or Arranger: J. H. Schein, 1586-1630; J. S. Bach, 1685-1750; John Wilson, 1905-1992 Tune Key: D Major Incipit: 13455 43256 71766 Used With Text: Teach me, O Lord, your way of truth

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Teach Me, O Lord, Thy Way of truth

Hymnal: Psalms and Hymns to the Living God #119E (2023) Meter: 8.8.8.8 Lyrics: 1 Teach me, O LORD, Thy way of truth, and from it I will not depart; that I may steadfastly obey, give me an understanding heart. 2 In Thy commandments make me walk, for in Thy law my joy shall be; give me a heart that loves Thy will, from discontent and envy free. 3 Turn now my eyes from vanity, and cause me in Thy ways to tread; O let Thy servant prove Thy word and thus to godly fear be led. 4 Turn Thou away reproach and fear; Thy righteous judgments I confess; to know Thy precepts I desire, revive me in Thy righteousness. Topics: Instruction Scripture: Psalm 119:33-40 Languages: English Tune Title: OLIVE'S BROW
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Teach Me, O Lord, Thy Way of Truth

Hymnal: Psalter Hymnal (Red) #254 (1934) Meter: 8.8.8.8 Lyrics: 1 Teach me, O Lord, Thy way of truth, And from it I will not depart; That I may steadfastly obey, Give me an understanding heart. 2 In Thy commandments make me walk, For in Thy law my joy shall be; Give me a heart that loves Thy will, From discontent and envy free. 3 Turn Thou my eyes from vanity, And cause me in Thy ways to tread; O let Thy servant prove Thy Word And thus to godly fear be led. 4 Turn Thou away reproach and fear; Thy righteous judgments I confess; To know Thy precepts I desire, Revive me in Thy righteousness. Topics: Contentment; Covetousness; Discontent; Fear of God; Guidance of God, of Christ; Law of God; Obedience; Renunciation; Revival; Sanctification; Stedfastness; God our Teacher; Truth; Will of God; Wisdom Of Man; Witnessing; Word of God Scripture: Psalm 119 Languages: English Tune Title: BISHOP

Teach Me, O Lord, Thy Way of Truth

Hymnal: Psalter Hymnal (Blue) #240 (1976) Meter: 8.8.8.8 Topics: Contentment; Covetousness; Discontent; Fear of God; Law of God; Renunciation; Stedfastness; Will of God; Teacher, God Our; Guidance, Divine; Wisdom Of Man Scripture: Psalm 119 Languages: English Tune Title: BISHOP

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William B. Bradbury

1816 - 1868 Composer of "OLIVE'S BROW" in Psalms and Hymns to the Living God William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry

Johann Sebastian Bach

1685 - 1750 Person Name: J. S. Bach, 1685-1750 Harmonizer of "EISENACH" in The Book of Praise Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended. Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception). In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake. After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes. --John Julian, Dictionary of Hymnology (1907)

George J. Elvey

1816 - 1893 Composer of "ST. CRISPIN" in Psalter Hymnal (Gray) George Job Elvey (b. Canterbury, England, 1816; d. Windlesham, Surrey, England, 1893) As a young boy, Elvey was a chorister in Canterbury Cathedral. Living and studying with his brother Stephen, he was educated at Oxford and at the Royal Academy of Music. At age nineteen Elvey became organist and master of the boys' choir at St. George Chapel, Windsor, where he remained until his retirement in 1882. He was frequently called upon to provide music for royal ceremonies such as Princess Louise's wedding in 1871 (after which he was knighted). Elvey also composed hymn tunes, anthems, oratorios, and service music. Bert Polman