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Text Identifier:"^the_lord_jehovah_reigns_his_throne_is_bu$"

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The Lord Jehovah Reigns (1)

Author: Isaac Watts Meter: 6.6.6.6.8.8 Appears in 267 hymnals First Line: The Lord Jehovah reigns Lyrics: 1. The Lord Jehovah reigns; His throne is built on high. The garments He assumes are light and majesty. His glories shine With beams so bright no mortal eye Can bear the sight. 2. The thunders of His hand keep the wide world in awe; His wrath and justice stand to guard His holy law. And where His love Resolves to bless His truth confirms And seals the grace. 3. Through all His mighty works surprising wisdom shines— Confounds the powers of hell, and breaks their cursed designs. Strong is His arm, And shall fulfill His great decrees, His sovereign will. 4. And will this mighty king of glory condescend, And will He write His name: My Father and my friend? I love His name; I love His Word. Join, all my powers, And praise the Lord! Used With Tune: DARWALL'S 148TH Text Sources: Hymns and Spiritual Songs, Book II, 1707

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MILLENNIUM

Meter: 6.6.6.6.8 Appears in 38 hymnals Composer and/or Arranger: Unknown Tune Key: A Major Incipit: 51117 65561 721 Used With Text: The Lord Jehovah Reigns
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ST. GODRIC

Appears in 93 hymnals Composer and/or Arranger: Dr. J. B. Dykes, 1823-1876 Tune Key: A Major Incipit: 32167 12354 32325 Used With Text: The Lord Jehovah reigns
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DARWALL'S 148TH

Meter: 6.6.6.6.8.8 Appears in 490 hymnals Composer and/or Arranger: John Darwall Tune Sources: The New Universal Psalmodist, by Aaron Williams, 1770 Tune Key: D Major Incipit: 13153 17654 32231 Used With Text: The Lord Jehovah Reigns (1)

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Published text-tune combinations (hymns) from specific hymnals
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The Lord Jehovah reigns, His throne is built on high

Author: Isaac Watts, 1674-1748 Hymnal: A Collection of Psalms and Hymns for Publick Worship #XXVIII (1799) Languages: English
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The Lord Jehovah reigns, His throne is built on high

Author: Isaac Watts, 1674-1748 Hymnal: A New Selection of Hymns #CXL (1813) Languages: English
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The Lord Jehovah reigns, His throne is built on high

Author: Isaac Watts, 1674-1748 Hymnal: The Psalms and Hymns, with the Doctrinal Standards and Liturgy of the Reformed Protestant Dutch Church in North America #H26 (1860)

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John Bacchus Dykes

1823 - 1876 Person Name: Dr. J. B. Dykes, 1823-1876 Arranger of "ST. GODRIC" in Methodist Hymn and Tune Book As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

William B. Bradbury

1816 - 1868 Person Name: William B. Bradbury, 1816-1868 Composer of "SUTHERLAND" in Hymns of the Saints William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry

John Goss

1800 - 1880 Person Name: J. Goss Composer of "ARTHUR'S SEAT" in Hymns and Tunes for Schools John Goss (b. Fareham, Hampshire, England, 1800; d. London, England, 1880). As a boy Goss was a chorister at the Chapel Royal and later sang in the opera chorus of the Covent Garden Theater. He was a professor of music at the Royal Academy of Music (1827-1874) and organist of St. Paul Cathedral, London (1838-1872); in both positions he exerted significant influence on the reform of British cathedral music. Goss published Parochial Psalmody (1826) and Chants, Ancient and Modern (1841); he edited William Mercer's Church Psalter and Hymn Book (1854). With James Turle he published a two-volume collection of anthems and Anglican service music (1854). Bert Polman