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Text Identifier:"^the_strife_is_oer_the_battle_done$"

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The Strife Is O'er

Author: Francis Pott Meter: 8.8.8 with alleluia Appears in 500 hymnals First Line: The strife is o'er the battle done Lyrics: Alleluia! Alleluia! Alleluia! 1 The strife is o’er, the battle done, The victory of life is won; The song of triumph has begun. Alleluia! 2 The powers of death have done their worst, But Christ their legions hath dispersed; Let shouts of holy joy outburst. Alleluia! 3 The three sad days are quickly sped. Christ rises glorious from the dead: All glory to our risen Head! Alleluia! 4 Lord, by Your wounds on Calvary From death’s dread sting Your servants free, That we may live eternally. Alleluia! Topics: Jesus Christ Kingship Scripture: 1 Corinthians 15 Used With Tune: VICTORY Text Sources: Latin, c. 1695

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GELOBT SEI GOTT

Appears in 143 hymnals Incipit: 17655 67111 25176 Used With Text: The strife is o’er, the battle done
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VICTORY

Appears in 359 hymnals Composer and/or Arranger: Giovanni da Palestrina, 1525-1594; William H. Monk, 1823-1889 Tune Key: D Major Incipit: 55565 54353 33333 Used With Text: The Strife Is O'er
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VULPIUS

Meter: 8.8.8 with alleluias Appears in 331 hymnals Composer and/or Arranger: Melchior Vulpius, c. 1560-1615 Tune Sources: 'Gesangbuch', Jena, 1609 Tune Key: C Major Incipit: 13234 53654 32356 Used With Text: The strife is past, the battle done

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The strife is o'er, the battle done

Author: Francis Pott Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #121 (1894) Meter: Irregular Lyrics: 1 The strife is o'er, the battle done; The victory of life is won; The song of triumph has begun. Alleluia! 2 The powers of death have done their worst, But Christ their legions hath dispersed; Let shout of holy joy outburst. Alleluia! 3 The three sad days are quickly sped; He rises glorious from the dead: All glory to our risen Head! Alleluia! 4 He closed the yawning gates of hell; The bars of heaven's high portals fell; Let hymns of praise His triumphs tell! Alleluia! 5 Lord! by the stripes which wounded Thee, From death's dread sting Thy servants free, That we may live, and sing to Thee Alleluia! Amen. Topics: Eastertide; Burial of the Dead Languages: English Tune Title: [The strife is o'er, the battle done]
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The Strife Is O'er, the Battle Done

Author: Anon.; F. Pott Hymnal: Gospel Melodies #36 (1918) Topics: The Christ Resurrection Languages: English Tune Title: [The strife is o'er, the battle done]
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The Strife Is O'er, the Battle Done

Author: Francis Pott Hymnal: The Junior Hymnal, Containing Sunday School and Luther League Liturgy and Hymns for the Sunday School #154 (1928) Languages: English Tune Title: [The strife is o'er, the battle done]

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Anonymous

Person Name: Anon. Author of "The Strife is O'er, the Battle Done" in The United Methodist Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

William Henry Monk

1823 - 1889 Person Name: William H. Monk Adapter and Arranger of "VICTORY" in Psalter Hymnal (Gray) William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851). Bert Polman

W. Howard Doane

1832 - 1915 Person Name: W. H. D. Arranger of "CONQUEROR" in The Baptist Standard Hymnal An industrialist and philanthropist, William H. Doane (b. Preston, CT, 1832; d. South Orange, NJ, 1915), was also a staunch supporter of evangelistic campaigns and a prolific writer of hymn tunes. He was head of a large woodworking machinery plant in Cincinnati and a civic leader in that city. He showed his devotion to the church by supporting the work of the evangelistic team of Dwight L. Moody and Ira D. Sankey and by endowing Moody Bible Institute in Chicago and Denison University in Granville, Ohio. An amateur composer, Doane wrote over twenty-two hundred hymn and gospel song tunes, and he edited over forty songbooks. Bert Polman ============ Doane, William Howard, p. 304, he was born Feb. 3, 1832. His first Sunday School hymn-book was Sabbath Gems published in 1861. He has composed about 1000 tunes, songs, anthems, &c. He has written but few hymns. Of these "No one knows but Jesus," "Precious Saviour, dearest Friend," and "Saviour, like a bird to Thee," are noted in Burrage's Baptist Hymn Writers. 1888, p. 557. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) =================== Doane, W. H. (William Howard), born in Preston, Connecticut, 1831, and educated for the musical profession by eminent American and German masters. He has had for years the superintendence of a large Baptist Sunday School in Cincinnati, Ohio, where he resides. Although not a hymnwriter, the wonderful success which has attended his musical setting of numerous American hymns, and the number of his musical editions of hymnbooks for Sunday Schools and evangelistic purposes, bring him within the sphere of hymnological literature. Amongst his collections we have:— (1) Silver Spray, 1868; (2) Pure Gold, 1877; (3) Royal Diadem, 1873; (4) Welcome Tidings, 1877; (5) Brightest and Best, 1875; (6) Fountain of Song; (7) Songs of Devotion, 1870; (8) Temple Anthems, &c. His most popular melodies include "Near the Cross," "Safe in the Arms of Jesus," "Pass me Not," "More Love to Thee," "Rescue the Perishing," "Tell me the Old, Old Story," &c. - John Julian, Dictionary of Hymnology (1907)