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Text Identifier:"^thy_word_is_like_a_garden_lord$"

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Thy Word Is Like A Garden, Lord

Author: Edwin Hodder Meter: 8.6.8.6 D Appears in 163 hymnals Topics: God the Son General; The Word of God Used With Tune: SERAPH

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SERAPH

Meter: 8.6.8.6 D Appears in 281 hymnals Composer and/or Arranger: Gottfried W. Fink Tune Key: B Flat Major Incipit: 51176 56556 21715 Used With Text: Your Word Is like a Garden, Lord
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ST. PETER

Appears in 763 hymnals Composer and/or Arranger: Alexander R. Reinagle Tune Key: E Flat Major Incipit: 51765 54332 14323 Used With Text: Thy Word is like a Garden
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HORSLEY

Appears in 185 hymnals Composer and/or Arranger: W. Horsley, Mus. Bac. Incipit: 12343 54325 31765 Used With Text: Thy Word is like a garden, Lord

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Thy Word is Like a Garden

Author: Edwin Hodder Hymnal: Carols of Hope #95 (1906) First Line: Thy Word is like a garden, Lord Lyrics: 1. Thy Word is like a garden, Lord, With flowers bright and fair; And ev'ry one who seeks may pluck A lovely cluster there. Thy Word is like a deep, deep mine; And jewels rich and rare Are hidden in its mighty depths For ev'ry searcher there. 2. Thy Word is like a starry host: A thousand rays of light Are seen to guide the trav'ler home And make his pathway bright. Thy Word is like an arm'ry grand Where soldiers may repair And find for life's long battle day All needful weapons there. 3. O may I love thy precious Word; May I explore the mine, May I its fragrant flowers glean, May light upon me shine! O may I find my armor there! Thy Word my trusty sword; I'll learn to fight with ev'ry foe The battle of the Lord. Languages: English Tune Title: [Thy Word is like a garden, Lord]
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Thy Word Is Like a Garden, Lord

Author: Edwin Hodder Hymnal: Hymns of Faith #112 (1980) Lyrics: 1 Thy Word is like a garden, Lord, With flowers bright and fair; And everyone who seeks may pluck A lovely cluster there. Thy Word is like a deep, deep mine, And jewels rich and rare Are hidden in its mighty depths For every searcher there. 2 Thy Word is like a starry host: A thousand rays of light Are seen to guide the traveler, And make his pathway bright. Thy Word is like an armory, Where soldiers may repair, And find, for life’s long battle day, All needful weapons there. 3 Oh, may I love Thy precious Word, May I explore the mine, May I its fragrant flowers glean, May light upon me shine! Oh, may I find my armor there! Thy Word my trusty sword, I’ll learn to fight with every foe The battle of the Lord. Scripture: Psalm 119:148 Languages: English Tune Title: [Thy Word is like a garden, Lord]
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Thy Word Is Like a Garden, Lord

Author: Edwin Hodder, 1837-1904 Hymnal: Revival Hymns and Choruses #251 (1970) First Line: The Word is like a garden, Lord Lyrics: 1 Thy Word is like a garden, Lord, With flowers bright and fair; And ev'ry one who seeks may pluck A lovely cluster there. Thy Word is like a deep, deep mine, And jewels rich and rare Are hidden in the mighty depths For ev'ry searcher there. 2 Thy Word is like a starry host - A thousand rays of light Are seen to guide the traveler, And make his pathway bright. Thy Word is like an armory, Where soldiers may repair, And find, for life's long battle-day, All needful weapons there. 3 O may I love Thy precious Word, May I explore the mine; May I its fragrant flowers glean, May light upon me shine. O may I find my armor there, Thy Word my trusty sword! I'll learn to fight with ev'ry foe The battle of the Lord! Topics: Children's Hymns; Word of God Languages: English Tune Title: [The Word is like a garden, Lord]

People

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Authors, composers, editors, etc.

William Gardiner

1770 - 1853 Composer of "DEDHAM" in The Evangelical Hymnal William Gardiner (b. Leicester, England, 1770; d. Leicester, 1853) The son of an English hosiery manufacturer, Gardiner took up his father's trade in addition to writing about music, composing, and editing. Having met Joseph Haydn and Ludwig van Beethoven on his business travels, Gardiner then proceeded to help popularize their compositions, especially Beethoven's, in England. He recorded his memories of various musicians in Music and Friends (3 volumes, 1838-1853). In the first two volumes of Sacred Melodies (1812, 1815), Gardiner turned melodies from composers such as Haydn, Mozart, and Beethoven into hymn tunes in an attempt to rejuvenate the singing of psalms. His work became an important model for American editors like Lowell Mason (see Mason's Boston Handel and Haydn Collection, 1822), and later hymnbook editors often turned to Gardiner as a source of tunes derived from classical music. Bert Polman

William Henry Monk

1823 - 1889 Adapter of "ELLACOMBE" in Psalms and Hymns to the Living God William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851). Bert Polman

Alexander Robert Reinagle

1799 - 1877 Person Name: Alexander R. Reinagle Composer of "ST. PETER" in Redemption Hymnal Alexander Robert Reinagle United Kingdom 1799-1877. Born at Brighton, Sussex, England, gf Austrian descent, he came from a family of musicians, studying music with his father (a cellist), then with Raynor Taylor in Edinburgh, Scotland. Reinagle became a well-known organ teacher. He became organist at St Peter’s Church, Oxford (1823-1853). He was also a theatre musician. He wrote Teaching manuals for stringed instruments as well. He also compiled books of hymn tunes, one in 1830: “Psalm tunes for the voice and the pianoforte”, the other in 1840: “A collection of Psalm and hymn tunes”. He also composed waltzes. In 1846 he married Caroline Orger, a pianist, composer, and writer in her own right. No information found regarding children. In the 1860s he was active in Oxford music-making and worked with organist, John Stainer, then organist at Magdalen College. Reinagle also composed a piano sonata and some church music. At retirement he moved to Kidlington, Oxfordshire, England. He died at Kidlington. John Perry
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