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Author: Wm. Appel Appears in 3 hymnals First Line: Wenn der ew'ge Morgen dämmert und des Menschen Sohn erscheint Refrain First Line: Welche Freude, welche Wonne Used With Tune: [Wenn der ew'ge Morgen dämmert und des Menschen Sohn erscheint]

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Tune authorities

[Wenn der ew'ge Morgen dämmert und des Menschen Sohn erscheint]

Appears in 3 hymnals Composer and/or Arranger: Chas. H. Gabriel Incipit: 12333 33134 55565 Used With Text: Wenn der ew'ge Morgen dämmert

Instances

Published text-tune combinations (hymns) from specific hymnals

Wenn der ew'ge Morgen dämmert

Author: Wm. Appel Hymnal: Zions-Klänge #51 (1914) First Line: Wenn der ew'ge Morgen dämmert und des Menschen Sohn erscheint Refrain First Line: Welche Freude, welche Wonne Languages: German Tune Title: [Wenn der ew'ge Morgen dämmert und des Menschen Sohn erscheint]

Wenn der ew'ge Morgen dämmert

Author: Wm. Appel Hymnal: Neue Zions-Lieder #102 (1919) First Line: Wenn der ew'ge Morgen dämmert und des Menschen Sohn erscheint Refrain First Line: Welche Freude, welche Wonne Languages: German Tune Title: [Wenn der ew'ge Morgen dämmert und des Menschen Sohn erscheint]

Wenn der ew'ge Morgen dämmert

Author: Wm. Appel Hymnal: Frohe Lieder und Brüder-Harfe #139 (1898) Refrain First Line: Welche Freude, welche Wonne Languages: German Tune Title: [Wenn der ew'ge Morgen dämmert]

People

Authors, composers, editors, etc.

Chas. H. Gabriel

1856 - 1932 Composer of "[Wenn der ew'ge Morgen dämmert und des Menschen Sohn erscheint]" in Zions-Klänge Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree ============= For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday-Homer Rodeheaver urban crusades. Bert Polman