Search Results

Text Identifier:"^wer_weiss_wie_nahe_mir_mein_ende$"

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Texts

text icon
Text authorities
Page scans

Wer weiß, wie nahe mir mein Ende!

Appears in 131 hymnals Used With Tune: [Wer weiß, wie nahe mir mein Ende!]

Tunes

tune icon
Tune authorities
Page scansAudio

[Wer weiß, wie nahe mir mein Ende!]

Appears in 97 hymnals Tune Sources: Hamburg, 1690 Incipit: 51566 54313 43256 Used With Text: Wer weiß, wie nahe mir mein Ende!
Page scansAudio

[Wer weiß, wie nahe mir mein Ende]

Appears in 19 hymnals Composer and/or Arranger: Peter Huxthal Incipit: 53215 65435 67176 Used With Text: Wer weiß, wie nahe mir mein Ende
Page scans

[Wer weiß, wie nahe mir mein Ende]

Appears in 18 hymnals Incipit: 11566 56543 21234 Used With Text: Wer weiß, wie nahe mir mein Ende

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals

Wer weiß, wie nahe mir mein Ende

Author: Ämilie Juliane von Schwarzburg-Rudolstadt Hymnal: Evangelisches Gesangbuch #530 (2014) First Line: Wer weiß, wie nahe mir mein Ende! Topics: Glaube - Liebe - Hoffnung Sterben und Ewiges Leben Languages: German Tune Title: [Wer weiß, wie nahe mir mein Ende!]
Page scan

Wer weiß, wie nahe mir mein Ende

Author: Aemilie Juliane, Gräfin zu Schwarzburg-Rudolfstadt. 1686 Hymnal: Schulgesangbuch für höhere Lehranstalten (Ausgabe für Rheinland und Westfalen) #36 (1898) Languages: German Tune Title: [Wer weiß, wie nahe mir mein Ende]
Page scan

Wer weiß, wie nahe mir mein Ende?

Hymnal: Vierstimmige Melodien für das Gesangbuch #123 (1910) Languages: German Tune Title: [Wer weiß, wie nahe mir mein Ende?]

People

person icon
Authors, composers, editors, etc.

Aemilie Juliane, Gräfin von Schwarzburg Rudolstadt

1637 - 1706 Person Name: Emilie Juliane, Gräfin von Schwarzbug-Rudolfstadt Author of "Wer weiß, wie nahe mir mein Ende!" in Evangelischer Liederschatz Emilie Juliane was daughter of Count Albert Friedrich of Barby and Mühlingen (on the Elbe, near its junction with the Saale). During the Thirty Years' war her father and family had to seek refuge in the Heidecksburg, the castle of his uncle, Count Ludwig Günther of Schwarzburg Rudolstadt, and Emilie was born at the Heidecksburg, Aug. 16, 1637. After the death of her father (1641) and mother (1642), she was adopted by her mother's sister (who was her godmother, and had become the wife of Count Ludwig Günther), and was educated at Rudolstadt with her cousins, under the care of Dr. Ahasuerus Fritsch, and other tutors. She became the wife of her cousin, Albert Anton, July 7, 1665, and died at Rudolstadt, Dec. 3, 1706 (Koch, iv. 56-63; Allg. Deutsche Biog, i. 127; Pasig's Introduction; Bode, pp. 63-64, &c). She was the most productive of German female hymn-writers, some 600 being attributed to her. Her early education in music and in poetry, and the influence of the kindred spirits of her cousin Ludamilia Elizabeth and of Dr. Ahasuerus Fritsch, no doubt fostered and developed her gifts. Her hymns, which are full of deep and child-like love to the Lamb of God, the Bridegroom of the Soul, partake too largely of the character of revelations of her inner life, and of reflections in verse, “improving" the events of her daily life, to be suited for Church use. A considerable number did, however, pass into the hymn-books, and the first here noted is a hymn of the first rank. Of those published in her lifetime the most appeared in her devotional works. (1) Geistliche Lieder und Gebete vor und nach Erlangung gottl Ehesegens, Rudolstadt, 1683. (2) Kühlwasser in grosser Hitze des Creutzes, Rudolstadt, 1685. (3) Tägliches Morgen- Mittags- und Abend-Opffer, Rudolstadt, 1685 (2nd ed., enlarged, 1699). Others appeared in the editions of the Rudolstadt Gesang-Buch, 1682-1704. After her death they appeared, collected, under the title of Der Freundin des Lammes Geistlicher Brautschmuck, pt. i., 1714, and enlarged 1742; pt. ii. 1742; pt. iii. 1770; a number of hymns by other authors, which the editors had found transcribed in the Countess's handwriting, being included by mistake. A selection of 108 of her Geistliche Lieder, ed. with an introduction, biographical and critical, by Dr. Pasig, appeared at Halle, 1855. Three have passed into English, viz.:— i. Wer weiss wie nahe mir mein Ende. For the Dying. This beautiful hymn was in last century the subject of an unpleasant controversy. It 1st appeared in the Appendix of 1688 to the Rudolstadt Gesang-Buch, 1682; and, like all the other hymns in that collection, it was given without an author's name. It at once passed into other collections, generally as anonymous, but sometimes under the name of the Countess. In the Schwartzburgische Denhmahl einer Christ-Gräflichen Lammes-Freundin, 1707, she was expressly named as author. On this G. M. Pfefferkorn (q.v.) claimed it as his own. The resulting controversy is given in detail in Wetzel, i. 4-26, ii. 294-307; iii. 156-191, and his A. Hymns i. 9-10, ii. 115-117; in Fischer, ii. 365-369; in Pasig's Introduction, xxiii.-xxxi.; and in Koch, viii. 637-639. The translations in common use are:— 1. Who knows how near my life's expended, omitting stanzas ix., x., in Dr. H. Mill's Horae Germanica, 1845 (1856, p. 245). His translations of stanzas i., vi.-viii. are included as No. 982 in the American Lutheran General Synod's Hymn Book, 1850-52, and as No. 430 in the Ohio Lutheran Hymnal, 1880. 2. Who knows how near my end may be! Time speeds away, a good and full translation by Miss Winkworth, in the 2nd Series of her Lyra Germanica, 1858, p. 204, and then as No. 187 in her Chorale Book for England, 1863. In the Pennsylvania Lutheran Church Book, 1868, stanzas i., vi., xi., xii., were included as No. 546. Other translations are: (1) "Who knows how soon my end may be," by Dr. G. Walker, I860, p. 97; (2) "Who knows how near my end may be? Time," &c, by E. Massie, 1867, p. 155. In addition the following have been translation, but are not in English common use:— ii. "Herr! mein Gott! lehre mich!" Evening, in No. iii., 1685, p. 30. iii. "Jesu Güte hat kein Ende." Morning, in No. ii., 1685, p. 228. Both translations are by H. J. Buckoll, 1842, p. 104. [Rev. James Mearns, M.A.] -- Excerpts from John Julian, Dictionary of Hymnology (1907) ===================== Emilie Juliane , p. 330, i. The title of her 1683 book begins Geistliches Weiber-Aqua-Vit [ VVolfenbüttel Library]. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Georg Michael Pfefferkorn

1645 - 1731 Person Name: M. G. Pfefferkorn Author of "Wer weiss, wie nahe mir mein Ende" in Evangelisch-Lutherisches Gesang-Buch worin 500 der...fuer Gemeinen, welche sich zur unveraen ... Augsburgischen Confession Pfefferkorn, Georg Michael, was born March 16, 1645, at Ifta, near Creuzburg on the Werra, where his father, G. M. Pfefferkorn (a native of Creuzburg, but never pastor there), had become pastor in 1619, held the living for 58 years, but finally retired and died at Creuzburg. After studying at the Universities of Jena (M.A. 1666) and Leipzig, Pfefferkorn was for a short time private tutor at Altenburg, and then in 1668, became master of the two highest forms in the Gymnasium at Altenburg. In 1673, he was appointed by Duke Ernst the Pious, of Gotha (who died March 26, 1675), as a tutor to his three sons. In 1676 Duke Friedrich I. appointed him pastor of Friemar, near Gotha, and in 1682 made him a member of the consistory and superintendent at Gräfen-Tonna, near Gotha. He died at Gräfen-Tonna, March 3, 1732 (Allgemeine Deutsche Biographie xxv. 619; manuscript from Pastor H. Henning, Superintendent at Creuzburg, &c). Pfefferkorn's hymns appeared in the hymn-books of the period, and in his Poetisch-Philologische Fest-und Wochen-Lust darinnen allerhand Arten Deutscher Gedichte, &c, Altenburg, 1667 [Berlin Library], and the second enlarged edition, Altenburg, 1669 [Göttingen Library]. The most important hymn associated with his name is “Wer weiss wie nahe mir mein Ende". Another hymn ascribed to him is: Was frag ich nach der Welt, Und allen ihren Schätzen. Renunciation of the World. According to J. Avenarius, in his Liedercatechismus, Leipzig, 1714, p. 56, this hymn was written in 1667, and sung from broadsheets at Altenburg. It is not however in his Gedichte, as above, either in 1667 or 1669. It is included, without his name, in the Stettinisches Vollständiges Gesang-Buch, Alten-Stettin, 1671, p. 415 ; and, with his name, in the Naumburg Gesang-Buch, 1715, ed. by J. M. Schamelius. In the Berlin Geistliche Lieder, ed. 1863, No. 695. It is founded on 1 John ii. 15-17, and is in 8 st. of 8 1., 1. 8 in each st. being, "Was frag ich nach der Welt." The only translation is: “Can I this world esteem," by Dr. H. Mills, 1845. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907) =============== The death record in the Gräfentonna parish book clearly shows 1731. Reference: ev. KiBu Gräfentonna +1731#4 ARCHION / Thüringen / Landeskirchenarchiv der Evangelischen Kirche Mitteldeutschland/Eisenach / Kirchenkreis Gotha / Gräfentonna / Taufen, Trauungen, Beerdigungen Teil II 1671-1757 / Folio 220, Scan 163 Pfefferkorn definitely did not write "Was frag ich nach der Welt, Und allen ihren Schätzen". (Note also the typo in your write-up: "allen", not "alien".) The text was written by Balthasar Kindermann, and published in his Das Buch der Redlichen (Cüstrin [Küstrin, Kostryzyn]: 1664), pp625-626. See the entry for "What is the world to me", LSB 730 in Lutheran Service Book Companion to the Hymns Vol. I (St. Louis: Concordia, 2019) pp1029-1031. The 1664 publication of the poem can be found here: https://www.digitale-sammlungen.de/en/view/bsb10112257?page=645 I should point out that the book is sometimes dated to 1663, as in the LSB Companion to the Hymns. Jim Eggert

G. Oesterreicher

Person Name: Georg Osterreicher Composer (part 1) of "[Wer weiß, wie nahe mir mein Ende!]" in Evangelisches Gesangbuch