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All Lands, to God in Joyful Sounds

Meter: 8.6.8.6 Appears in 26 hymnals Lyrics: 1. All lands, to God in joyful sounds Aloft your voices raise; Sing forth the honor of His name, And glorious make His praise, And glorious make His praise. 2. Say ye to God, how terrible In all Thy works art Thou! To Thee Thy foes by Thy great power Shall be constrained to bow, Shall be constrained to bow. 3. Yea, all the earth shall worship Thee, And unto Thee shall sing; To Thy great name shall songs of joy With loud hosannas ring, With loud hosannas ring. 4. O come, behold the works of God, His mighty doings see; In dealing with the sons of men Most wonderful is He, Most wonderful is He. 5. He led in safety through the flood The people of His choice, He turned the sea to solid ground; In Him let us rejoice, In Him let us rejoice. 6. He rules forever by His might, His eyes the nations try; Let not the proud, rebellious ones Exalt themselves on high, Exalt themselves on high. Used With Tune: MILES LANE Text Sources: The Psalter (Pittsburgh, Pennsylvania: The United Presbyterian Board of Publication, 1912), number 173.

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MILES LANE

Meter: 8.6.8.6 with repeat Appears in 393 hymnals Composer and/or Arranger: William Shrubsole Tune Sources: Arr. in The New Christian Hymnal, 1929 Tune Key: A Major Incipit: 51112 32125 65432 Used With Text: All Lands, to God in Joyful Sounds
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GLORIOUS MAKE HIS PRAISE

Appears in 4 hymnals Composer and/or Arranger: James McGranahan Incipit: 55517 21765 14444 Used With Text: Sing forth, sing forth the honor of His name
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JACKSON

Meter: 8.6.8.6 Appears in 87 hymnals Composer and/or Arranger: Thomas Jackson, c.1715-1781 Tune Key: D Major Incipit: 55176 54543 35176 Used With Text: All lands to God, in joyful sounds

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Psalm 66: All lands to God in joyful sounds

Hymnal: Scottish Psalter and Paraphrases #P70 (1800) Meter: 8.6.8.6 First Line: All lands to God in joyful sounds Lyrics: 1All lands to God in joyful sounds, aloft your voices raise. 2Sing forth the honour of his name, and glorious make his praise. 3Say unto God, How terrible in all thy works art thou! Through thy great pow’r thy foes to thee shall be constrain’d to bow. 4All on the earth shall worship thee, they shall thy praise proclaim In songs: they shall sing cheerfully unto thy holy name. 5Come, and the works that God hath wrought with admiration see: In’s working to the sons of men most terrible is he. 6Into dry land the sea he turn’d, and they a passage had; Ev’n marching through the flood on foot, there we in him were glad. 7He ruleth ever by his pow’r; his eyes the nations see: O let not the rebellious ones lift up themselves on high. 8Ye people, bless our God; aloud the voice speak of his praise: 9Our soul in life who safe preserves, our foot from sliding stays. 10For thou didst prove and try us, Lord, as men do silver try; 11Brought’st us into the net, and mad’st bands on our loins to lie. 12Thou hast caus’d men ride o’er our heads; and though that we did pass Through fire and water, yet thou brought’st us to a wealthy place. 13I’ll bring burnt off ‘rings to thy house; to thee my vows I’ll pay, 14Which my lips utter’d, my mouth spake, when trouble on me lay. 15Burnt-sacrifices of fat rams with incense I will bring; Of bullocks and of goats I will present an offering. 16All that fear God, come, hear, I’ll tell what he did for my soul. 17I with my mouth unto him cry’d, my tongue did him extol. 18If in my heart I sin regard, the Lord me will not hear: 19But surely God me heard, and to my prayer’s voice gave ear. 20O let the Lord, our gracious God, for ever blessed be, Who turned not my pray’r from him, nor yet his grace from me. Scripture: Psalm 66 Languages: English
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All Lands, to God in Joyful Sounds

Hymnal: The Cyber Hymnal #102 Meter: 8.6.8.6 Lyrics: 1. All lands, to God in joyful sounds Aloft your voices raise; Sing forth the honor of His name, And glorious make His praise, And glorious make His praise. 2. Say ye to God, how terrible In all Thy works art Thou! To Thee Thy foes by Thy great power Shall be constrained to bow, Shall be constrained to bow. 3. Yea, all the earth shall worship Thee, And unto Thee shall sing; To Thy great name shall songs of joy With loud hosannas ring, With loud hosannas ring. 4. O come, behold the works of God, His mighty doings see; In dealing with the sons of men Most wonderful is He, Most wonderful is He. 5. He led in safety through the flood The people of His choice, He turned the sea to solid ground; In Him let us rejoice, In Him let us rejoice. 6. He rules forever by His might, His eyes the nations try; Let not the proud, rebellious ones Exalt themselves on high, Exalt themselves on high. Languages: English Tune Title: MILES LANE
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All Lands, to God in Joyful Sounds

Hymnal: Psalter Hymnal (Red) #125 (1934) Meter: 8.6.8.6 Lyrics: 1 All lands, to God in joyful sounds Aloft your voices raise; Sing forth the honor of His Name, And glorious make His praise, And glorious make His praise. 2 Say ye to God, How terrible In all Thy works art Thou! To Thee Thy foes by Thy great power Shall be constrained to bow, Shall be constrained to bow. 3 Yea, all the earth shall worship Thee, And unto Thee shall sing; To Thy great Name shall songs of joy With loud hosannas ring, With loud hosannas ring. 4 O come, behold the works of God, His mighty doings see; In dealing with the sons of men Most wonderful is He, Most wonderful is He. 5 He led in safety through the flood The people of His choice, He turned the sea to solid ground; In Him let us rejoice, In Him let us rejoice. 6 He rules forever by His might, His eyes the nations try; Let not the proud, rebellious ones Exalt themselves on high, Exalt themselves on high. Topics: Joy; Nations; Praise for God's Works; The Sea; Works of God Scripture: Psalm 66 Languages: English Tune Title: MILES LANE

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James McGranahan

1840 - 1907 Composer of "[All lands to God, in joyful sounds]" in Montreat Hymns James McGranahan USA 1840-1907. Born at West Fallowfield, PA, uncle of Hugh McGranahan, and son of a farmer, he farmed during boyhood. Due to his love of music his father let him attend singing school, where he learned to play the bass viol. At age 19 he organized his first singing class and soon became a popular teacher in his area of the state. He became a noted musician and hymns composer. His father was reluctant to let him pursue this career, but he soon made enough money doing it that he was able to hire a replacement farmhand to help his father while he studied music. His father, a wise man, soon realized how his son was being used by God to win souls through his music. He entered the Normal Music School at Genesco, NY, under William B Bradbury in 1861-62. He met Miss Addie Vickery there. They married in 1863, and were very close to each other their whole marriage, but had no children. She was also a musician and hymnwriter in her own right. For a time he held a postmaster’s job in Rome, PA. In 1875 he worked for three years as a teacher and director at Dr. Root’s Normal Music Institute. He because well-known and successful as a result, and his work attracted much attention. He had a rare tenor voice, and was told he should train for the operatic stage. It was a dazzling prospect, but his friend, Philip Bliss, who had given his wondrous voice to the service of song for Christ for more than a decade, urged him to do the same. Preparing to go on a Christmas vacation with his wife, Bliss wrote McGranahan a letter about it, which McGranahan discussed with his friend Major Whittle. Those two met in person for the first time at Ashtubula, OH, both trying to retrieve the bodies of the Bliss’s, who died in a bridge-failed train wreck. Whittle thought upon meeting McGranahan, that here is the man Bliss has chosen to replace him in evangelism. The men returned to Chicago together and prayed about the matter. McGranahan gave up his post office job and the world gained a sweet gospel singer/composer as a result. McGranahan and his wife, and Major Whittle worked together for 11 years evangelizing in the U.S., Great Britain, and Ireland. They made two visits to the United Kingdom, in 1880 and 1883, the latter associated with Dwight Moody and Ira Sankey evangelistic work. McGranahan pioneered use of the male choir in gospel song. While holding meetings in Worcester, MA, he found himself with a choir of only male voices. Resourcefully, he quickly adapted the music to those voices and continued with the meetings. The music was powerful and started what is known as male choir and quartet music. Music he published included: “The choice”, “Harvest of song”, “Gospel Choir”,, “Gospel hymns #3,#4, #5, #6” (with Sankey and Stebbins), “Songs of the gospel”, and “Male chorus book”. The latter three were issued in England. In 1887 McGranahan’s health compelled him to give up active work in evangelism. He then built a beautiful home, Maplehurst, among friends at Kinsman, OH, and settled down to the composition of music, which would become an extension of his evangelistic work. Though his health limited his hours, of productivity, some of his best hymns were written during these days. McGranahan was a most lovable, gentle, modest, unassuming, gentleman, and a refined and cultured Christian. He loved good fellowship, and often treated guests to the most delightful social feast. He died of diabetes at Kinsman, OH, and went home to be with his Savior. John Perry

D. B. Towner

1850 - 1919 Composer of "[All lands to God, in joyful sounds]" in Bible Songs Used pseudonyms Robert Beverly, T. R. Bowden ============================== Towner, Daniel B. (Rome, Pennsylvania, 1850--1919). Attended grade school in Rome, Penn. when P.P. Bliss was teacher. Later majored in music, joined D.L. Moody, and in 1893 became head of the music department at Moody Bible Institute. Author of more than 2,000 songs. --Paul Milburn, DNAH Archives

Chas. H. Gabriel

1856 - 1932 Composer of "[All lands, to God in joyful sounds]" in Bible Songs No. 4 Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree ============= For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday­-Homer Rodeheaver urban crusades. Bert Polman