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Lo, How a Rose E'er Blooming
Author: Theodore Baker Meter: 7.6.7.6.6.7.6 Appears in 101 hymnals Lyrics: 1 Lo, how a Rose e'er blooming
From tender stem hath sprung!
Of Jesse's lineage coming
As men of old have sung.
It came, a flower bright,
Amid the cold of winter
When half-gone was the night.
2 Isaiah 'twas foretold it,
The Rose I have in mind:
With Mary we behold it,
The virgin mother kind.
To show God's love aright
She bore to men a Savior
When half-gone was the night.
3 This Flower, whose fragrance tender
With sweetness fills the air,
Dispels with glorious splendor
The darkness everywhere.
True man, yet very God,
From sin and death He saves us
And lightens every load
Baptist Hymnal 2008 Text Sources: German, 15th cent.
Lo, How a Rose E'er Blooming
Arise, the Kingdom Is at Hand
Author: Johann Rist; Miss Catherine Winkworth Meter: 8.6.8.6 Appears in 28 hymnals Topics: Advent, First Sunday Lyrics: 1 Arise, the kingdom is at hand,
The King is drawing nigh;
Arise with joy, thou faithful band,
To meet the Lord Most High,
To meet the Lord Most High!
2 Look up, ye souls weighed down with care,
The Sovereign is not far;
Look up, faint hearts, from your despair,
Behold the Morning Star!
Behold the Morning Star!
3 Look up, ye drooping hearts, to-day!
The King is very near:
O cast your griefs and fears away,
For lo, your Help is here!
For lo, your Help is here!
4 Hope on, O ye broken hearts, at last!
The King comes in His might;
He loved us in the ages past,
When we lay wrapped in night,
When we lay wrapped in night.
5 Now fear and wrath to joy give place,
Our sorrows now are o'er,
Since God hath made us, in His grace,
His children evermore,
His children evermore.
Amen. Scripture: 1 Thessalonians 4:18 Used With Tune: CHRISTMAS
Arise, the Kingdom Is at Hand
Father of mercies, in Thy Word
Author: Anne Steele Meter: 8.6.8.6 Appears in 755 hymnals Topics: Advent, First Sunday Lyrics: 1 Father of mercies, in Thy Tord
What endless glory shines!
For ever be Thy Name adored
For these celestial lines.
2 Here, the Redeemer's welcome voice
Spreads heavenly peace around;
And life and everlasting joys
Attend the blissful sound.
3 O may these heavenly pages be
My ever dear delight;
And still new beauties may I see,
And still increasing light!
4 Divine Instructor, gracious Lord!
Be Thou for ever near;
Teach me to love Thy sacred Word,
And view my Saviour there. Used With Tune: CHESTERFIELD
Father of mercies, in Thy Word
DIE HELLE SONN IST NUN DAHIN
Meter: 8.6.8.6 Appears in 14 hymnals Topics: Advent, First Sunday Tune Key: B Flat Major Incipit: 11164 32156 15433 Used With Text: Hark, the glad sound, the Saviour comes
DIE HELLE SONN IST NUN DAHIN
ICH DANK' DIE LIEBER HERRE
Meter: 7.6 Appears in 35 hymnals Topics: Advent, First Sunday Tune Key: A Major Incipit: 11712 75232 1655 Used With Text: Rejoice, all ye believers
ICH DANK' DIE LIEBER HERRE
Den Vei, der ind til Jesus gaar
Author: Kingo Hymnal: Salmebog for Lutherske Kristne i Amerika #116 (1919) Topics: First Sunday in Advent Lyrics: 1 Der Vei, der ind til Jesus gaar,
Er salig at betræde;
Man der al Trøstens Kundskab faar,
Og Sjælen fuld af Glæde.
Hans Ord og store Gjerninger
De vise, han Messias er
I Adams Kjød og Klæde.
2 De blinde se, de Halte gaa,
Spedalske blive rene,
De Døve høre, Død' opstaa
Ved Jesu Ord alene;
Det liflig' Evangelium
Hos Fattige faar Sjæle-Rum,
Det Ingen kan formene.
3 O søde Jesus, hvo der kan
Forarge sig og støde
Paa dig i din Fornedrings Stand,
Hans Dom skal hannem møde.
Jeg favner dig med Hjertens Tro,
Mit Liv, min Lyst, mig Haab, min Ro,
Du al min Sorg skal døde!
Languages: Norwegian
Den Vei, der ind til Jesus gaar
Op, vaag og bed
Author: Brorson Hymnal: Salmebog for Lutherske Kristne i Amerika #268 (1919) Topics: Første Søndag i Faste Til Høimesse; First Sunday in Lent; Second Sunday in Advent; Second Sunday in Advent; First Sunday in Lent; Seventh Sunday after Trinity Sunday; Syttende Søndag efter Trefoldiheds Fest Til Aftengudstjeneste - Til Tredje Tekstrækkes Epistel; Seventeenth Sunday after Trinity Sunday; Twenty second Sunday after Trinity Sunday; Aarvaagenhed; Alertness; Anden Søndag I Advent Til Høimesse -Til Anden Tekstrækkes Evangelium; Første Søndag I Faste Til Aftengudstjeneste - Til Anden Tekstrækkes Epistel; Syvende Søndag efter Trefoldiheds Fest Til Høimesse -Til Anden Tekstrækkes Evangelium; Tjueanden Søndag efter Trefoldiheds Fest Til Høimesse -Til Tredje Teksxtækkes Evangelium Lyrics: 1 Op, vaag og bed,
Min Sjæl! du veed
Dig ellers ikke sikker,
At du kunde drages ned
I den Ondes Strikker.
2 Brug Ordets Magt,
Giv nøie Agt
Paa Hjertet, hvor det vanker,
Lær at holde hellig Vagt
Over dine Tanker!
3 At følge smukt
Guds Naades Tugt,
Naar Aanden dig vil minde,
Holder Verden udelukt,
Hjerte-Freden inde.
4 Et lidet Gran
Af Surdeig kan
Al Deigen gjemmensyre,
Kommer Gnisten først i Brand,
Er den ond at styre.
5 En Tanke, som
I Hjertet kom,
Og som man lidt lod raade,
Har saa tidt gjort Sjælen tom
Paa Guds søde Naade.
6 De Sjælesaar,
Som Satan slaar,
Gaar ind ad skjulte Gange,
Hvo, som ei paa
Vagten staar,
Vorder snart hans Fange.
7 Vor onde Art
Optændes snart
Af det, vi se og høre,
Blir en syndig Tanke spart,
Er han inden Døre.
8 Et syndigt Ord
I Adam for,
Det lagde Verden øde,
Det haar voldt det Sjælemord,
Hvorved alle døde.
9 Alt dette veed
Forfarenhed
Hos alle Guds Udvalgte;
Jesus raaber: Vaag og bed,
Om du ei vil falde!
10 Op, op paa Vagt
Af ganske Magt,
Og vaag med alle Fromme!
Vaager, som Guds Søn har sagt,
Til I se ham komme!
Languages: Norwegian
Op, vaag og bed
Hark! a Thrilling Voice Is Sounding
Author: Edward Caswall Hymnal: The Hymnal and Order of Service #12 (1926) Meter: 8.7.8.7 Topics: Advent, First Sunday Lyrics: 1 Hark! a thrilling voice is sounding:
"Christ is nigh," it seems to say;
"Cast away the works of darkness,
O ye children of the day!"
2 Startled at the solemn warning,
Let the earth-bound soul arise;
Christ, our Sun, all sloth dispelling,
Shines upon the morning skies.
3 Lo, the Lamb, so long expected,
Comes with pardon down from heaven;
Let us haste, with tears of sorrow,
One and all, to be forgiven.
4 So, when next He comes with glory,
And the world is wrapped in fear,
May He then as our Defender
On the clouds of heaven appear.
5 Honor, glory, might, and blessing
To the Father and the Son,
With the everlasting Spirit,
One in Three, and Three in One.
Amen. Scripture: Matthew 26:64 Languages: English Tune Title: LUCERNE
Hark! a Thrilling Voice Is Sounding
Charles Wesley
1707 - 1788 Person Name: C. Wesley Topics: Advent, First Sunday Author of "A charge to keep I have" in Church Book Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists."
In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley.
As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream.
It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works.
The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century.
-- Excerpts from John Julian, Dictionary of Hymnology (1907)
==================
Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
Charles Wesley
Johann Rist
1607 - 1667 Topics: Advent, First Sunday Author of "Arise, the Kingdom Is at Hand" in The Hymnal and Order of Service Rist, Johann, son of Kaspar Rist, pastor at Ottensen, near Hamburg, was born at Ottensen, March 8, 1607, and from his birth was dedicated to the ministry. After passing through the Johanneum at Hamburg and the Gymnasium Illustre at Bremen, he matriculated, in his 21st year, at the University of Rinteln, and there, under Josua Stegmann (q. v.), he received an impulse to hymn-writing. On leaving Rinteln he acted as tutor to the sons of a Hamburg merchant, accompanying them to the University of Rostock, where he himself studied Hebrew, Mathematics and also Medicine.
During his residence at Rostock the terrors, of the Thirty Years War almost emptied the University, and Rist himself also lay there for weeks ill of the pestilence. After his recovery he seems to have spent some time at Hamburg, and then, about Michaelmas, 1633, became tutor in the house of the lawyer (Landschreiber) Heinrich Sager, at Heide, in Holstein. There he betrothed himself to Elizabeth, sister of the Judge Franz Stapfel, whose influence seems to have had a good deal to do with Rist's appointment as pastor at Wedel. In the spring of 1635 he married and settled at Wedel (on the Elbe, a few miles below Hamburg), where, spite of various offers of preferment, he remained till his death, on Aug. 31, 1667. (Johann Rist und seine Zeit, by Dr. T. Hansen, Halle, 1872; K. Goedeke's Grundriss, vol. iii., 1887, p. 79; Koch, iii., 212; Bode, p. 135, &c. The statements of the various authorities regarding the period 1624-1635 vary greatly and irreconcilably.)
During the Thirty Years War Rist had much to endure from famine, plundering, and pestilence. Otherwise he led a patriarchal and happy life at Wedel, close to the congenial society of Hamburg, and as years went on more and more esteemed and honoured by his contemporaries. The Emperor Ferdinand III. crowned him as a poet in 1644, and in 1653 raised him to the nobility, while nearer home Duke Christian of Mecklenburg appointed him Kirchenrath and Consistorialrath. Among other literary honours he was received in 1645 as a member of the Pegnitz Order, and in 1647 as a member of the Fruitbearing Society, the great German literary union of the 17th century; while in 1660 he himself became the founder and head of the Elbe Swan Order, which however did not survive his death.
Rist was an earnest pastor and a true patriot. He of course took the side, and that with all his might, of the Protestants, but he longed as few did for the union of the scattered elements of the body politic in Germany. He was a voluminous and many-sided writer (see the full bibliographies in Hansen and Goedeke as above). His secular works are of great interest to the student of the history of the times, and his occasional poems on marriages, &c, to the genealogist and local historian. Perhaps the most interesting to the general reader are the Friede wünschende Teutschland, 1647, and the Friedejauchzende Teutschland, 1653, two plays in which there are vivid pictures of the times, especially of the condition of the lower classes during the Thirty Years War. These plays, with selections from his other secular poems and from his hymns, are included in his Dichtungen, Leipzig, 1885, edited by Goedeke and E. Goetze. Hansen gives analyses of the secular works, with a few extracts from them; and in his second part gives a full selection from the hymns, often however greatly abridged.
As a hymn-writer Rist takes high rank. He wrote some 680 hymns, intended to cover the whole ground of Theology, and to be used by all ranks and classes, and on all the occasions of life. Naturally enough they are not of equal merit, and many are poor and bombastic. Rist meant them rather for private use than for public worship, and during his lifetime they were never used in the church at Wedel. But they were eagerly caught up, set to melodies by the best musicians of the day, and speedily passed into congregational use all over Germany, while even the Roman Catholics read them with delight. Over 200 may be said to have been in common use in Germany, and a large number still hold their place. Unfortunately many are very long. But speaking of Rist's better productions, we may say that their noble and classical style, their objective Christian faith, their scriptualness, their power to console, to encourage, and to strengthen in trust upon God's Fatherly love, and their fervent love to the Saviour (especially seen in the best of his hymns for Advent, and for the Holy Communion), sufficiently justify the esteem in which they were, and are, held in Germany. The best known of Rist's hymns appeared in the following collections:—
(1) Himlischs Lieder. This contains 50 hymns. The Erste Zehen is dated Lüneburg, 1641, the 2-6 Zehen are dated 1642 [Royal Library, Berlin]. In the later editions Rist made various alterations, and also expanded the titles of the hymns, these changes being almost all for the worse. (2) Neüer himlischer Lieder sonderbahres Buch, Lüneburg, 1651 [Wernigerode Library]. 50 hymns. (3) Sabbahtische Seelenlust, Lüneburg, 1651 [British Museum and Göttingen]. With 58 hymns on the Gospels for Sundays, &c. (4) Frommer und gottseliger Christen alltägliche Haussmusik, Lüneburg, 1654 [Brit. Mus. and Göttingen], with 70 hymns. (5) Neüe musikalische Fest-Andachten, Lüneburg, 1655 [Wernigerode]. With 52 hymns on the Sunday Gospels. (6) Neüe musikalische Katechismus Andachten, Lüneburg, 1656 [British Museum and Wernigerode]. With 50 hymns.
Seven of Rist's hymns are separately noted under their German first lines.
The others which have passed into English are:--
i. Du Lebensbrod, Herr Jesu Christ. Holy Communion. In his Haussmusik, 1654, No. 7, p. 32, in 8 stanzas of 8 lines, entitled "A devotional hymn, which may be sung when the people are about to take their place at the Holy Communion of the Lord." Founded on Ps. xxiii. Included as No. 473 in the Berlin Geistliche Lieder, ed. 1863. Translated as:—
Lord Jesu Christ, the living bread. A good translaton of stanzas i., ii., iii., v., by A. T. Russell, as No. 159 in his Psalms & Hymns, 1851.
ii. Ehr und Dank sei dir gesungen. On the Angels. In his Fest-Andachten, 1655, No. 46, p. 304, in 9 stanzas of 10 lines, entitled "Another hymn of Praise and Thanksgiving on the same Gospel [S. Matt, xviii.] for St. Michael's Day. In which the great God who created the Angels, and appointed them for our service, is from the heart adored and praised." Included in Burg's Gesang-Buch, Breslau, 1746, No. 219, and in Bunsen's Versuch, 1833, No. 233. The translations in common use are:—
1. Praise and thanks to Thee be sung. By Miss Winkworth, omitting st. iii.—vi., in her Lyra Germanica, 1st Ser., 1855, p. 205, repeated in her Chorale Book for England, 1863, No. 85.
2. Glory, praise, to Thee be sung. A translation of st. i. as No. 1224, in the Moravian Hymn Book, 1886.
iii. Ermuntre dich, mein schwacher Geist. Christmas. Founded on Isaiah ix. 2-7. First published in the Erstes Zehen of his Himlische Lieder, 1641, No. 1, p. 1, in 12 stanzas of 8 lines, entitled "A hymn of praise on the joyful Birth and Incarnation of our Lord and Saviour Jesus Christ." Included in Crüger's Praxis, 1656, No. 87, and recently, omitting st. viii., as No. 32 in the Unverfälschter Liedersegen 1851.
The translations in common use are:—
1. Be cheerful, thou my spirit faint. A translation of st. i. by J. Gambold, as No. 138 in pt. i. of the Moravian Hymn Book, 1754; repeated as st. i. of No. 437, altered to "Arise my spirit, leap with joy," and with his trs. of st. ii., iv., ix. added. In the edition of 1789, No. 46 (1886, No. 41), it begins, "Arise, my spirit, bless the day.”
2. O Jesu! welcome, gracious Name! This is a translation of st. ii., vi., xii., by A. T. Russell, as No. 55 in his Psalms & Hymns., 1851.
Another translation is "My languid spirit, upward spring." By N. L. Frothingham, 1870, p. 179.
iv. Gott sei gelobet, der allein. Joy in God. In his Neüer Himlischer Lieder 1651, p. 126, No. 9, in 13 stanzas of 7 lines, entitled “A joyful hymn of Thanksgiving to God, that He permits us to enjoy our daily bread in health, peace and prosperity, with a humble prayer that He would graciously preserve us in the same." Included in Olearius's Singe-Kunst, 1671, No. 322, and recently in Knapp's Evangelischer Lieder-Schatz 1850, No. 1696 (1865, No. 1766). The tr. in common use is:—
Now God be praised, and God alone . By Miss Winkworth, omitting st. iii., vi., viii., ix., in her Christian Singers, 1869, p. 192. Repeated, abridged, in Statham's Collection, Edinburgh, 1869, No. 63 (1870, No. 110).
v. Jesu, der du meine Seele. Lent. In the Erstes Zehen of his Himlische Lieder, 1641, p. 35, No. 7, in 12 stanzas of 8 lines, entitled "A heartfelt hymn of penitence to his most beloved Lord Jesus, for the forgiveness of his many and manifold sins." Founded on prayer viii. in Class in. of J. Arndt's Paradiesgärtlein, 1612. In the Unverfälschter Liedersegen, 1851, No. 382.
The translations in common use are:—-
1. Thou hast cancell'd my transgression. A translation of st. vi., viii., as No. 1022, in the Supplement of 1808 to the Moravian Hymn Book, 1801 (1886, No. 107).
2. Jesu! Who in sorrow dying. A free translation of st. i., iii. lines 1-4, v. 11. 5-8, xii., by A. T. Russell, as No. 78 in his Psalms & Hymns, 1851.
vi. 0 Jesu, meine Wonne. Holy Communion. This beautiful hymn appears in Rist's Hauss-musik, 1654, No. 9, p. 42, in 14 stanzas of 4 lines, entitled "The heartfelt Thanksgiving of a pious Christian when he has partaken of the Holy Communion." In the Unverfälschter Liedersegen, 1851, No. 285.
The translation in common use is:—
0 Sun of my salvation. A good tr. of st. i., iii., v., vi., by A. T. Russell, as No, 160 in his Psalms & Hymns, 1851.
Another translation is:—
“0 Christ, my joy, my soul's delight." By Dr. G. Walker, 1860, p. 65.
vii. Werde licht, du Stadt der Heiden. Epiphany. In his Fest-Andachten , 1655, p. 82, No. 13, in 15 stanzas of 6 lines, entitled "Another festival hymn of the day of the Manifestation of Christ, in which the glorious, godlike, and eternal Light, which has graciously arisen on us poor heathen in thick darkness, is devotedly contemplated." In the Unverfälschter Liedersegen, 1851, No. 82. Translated as:—
1. All ye Gentile lands awake. A good tr. of st. i.-iv., vi., vii., xiv. xv., by Miss Winkworth, in her Lyra Germanica, 1st Ser., 1855, p. 30. Repeated, abridged, in Schaffs Christ in Song, 1869 aud 1870, and in Flett's Collection, Paisley, 1871.
2. Rise, O Salem, rise and shine. A good translation of stanzas i., iii., vii., xiv., xv., based on her Lyra Germanica version but altered in metre, by Miss Winkworth, in her Chorale Book for England, 1863, No. 38. Repeated in J. L. Porter's Collection, 1876, and the Pennsylvania Lutheran Ch. Book, 1868.
viii. Wie wohl hast du gelabet. Holy Communion. In his Neüer Himlischer Lieder, 1651, p. 78, in 9 stanzas of 12 lines, entitled "A hymn of heartfelt Praise and Thanksgiving after the reception of the Holy Communion." In the Unverfälschter Liedersegen, 1851, No. 291. The translation in common use is:—
O Living Bread from Heaven. A good tr., omitting st. iv., by Miss Winkworth, in her Lyra Germanica 2nd Ser., 1858, p. 103; repeated in her Chorale Book for England, 1863, No. 94, omitting the trsanslations of iii., v., vi. Her translations of st. i.-iii., ix. were included, slightly altered, in the Pennsylvania Lutheran Ch. Book, 1868. The following have also been tr. into English:—
ix. Heut ist das rechte Jubelfest. Whitsuntide. In his Fest-Andachten, 1655, p. 216, No. 33, in 12 stanzas, founded on the Gospel for Whitsunday (St. John xiv.). In Olearius's Singe-Kunst, 1671, No. 704, and Porst's Gesang-Buch, ed. 1855, No. 173. The text translation is that in Bunsen's Allgemeine Gesang-Buch, 1846, No. 114, where it begins with st. v., "Heut hat der grosse Himmeleherr." Translated as "This day sent forth His heralds bold." By Miss Cox, in the Churchman's Shilling Magazine, June 1867.
x. Ich will den Herren loben. Praise and Thanksgiving. Founded on Ps. xxxiv. In his Neüer Himlischer Lieder, 1651, p. 132 (No. 10 in pt. ii.), in 12 st. of 8 1. This form is in Burg's Gesang-Buch, Breslau, 174G, No. 1201. In his Haussmusik, 1654, p. 348, No. 64, Rist rewrote it to 6 stanzas of 12 lines, and of this form st. iv.-vi., beginning "Man lobt dich in der Stille, ed. 1863, No. 1018. The translation from this last text is "To Thee all praise ascendeth." In the British Herald, May 1866, p. 265, repeated in Reid's Praise Book, 1872. [Rev. James Mearns, M.A.]
--John Julian, Dictionary of Hymnology (1907)
Johann Rist
Catherine Winkworth
1827 - 1878 Person Name: Miss Catherine Winkworth Topics: Advent, First Sunday Translator of "Arise, the Kingdom Is at Hand" in The Hymnal and Order of Service Catherine Winkworth (b. Holborn, London, England, 1827; d. Monnetier, Savoy, France, 1878) is well known for her English translations of German hymns; her translations were polished and yet remained close to the original. Educated initially by her mother, she lived with relatives in Dresden, Germany, in 1845, where she acquired her knowledge of German and interest in German hymnody. After residing near Manchester until 1862, she moved to Clifton, near Bristol. A pioneer in promoting women's rights, Winkworth put much of her energy into the encouragement of higher education for women. She translated a large number of German hymn texts from hymnals owned by a friend, Baron Bunsen. Though often altered, these translations continue to be used in many modern hymnals. Her work was published in two series of Lyra Germanica (1855, 1858) and in The Chorale Book for England (1863), which included the appropriate German tune with each text as provided by Sterndale Bennett and Otto Goldschmidt. Winkworth also translated biographies of German Christians who promoted ministries to the poor and sick and compiled a handbook of biographies of German hymn authors, Christian Singers of Germany (1869).
Bert Polman
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Winkworth, Catherine, daughter of Henry Winkworth, of Alderley Edge, Cheshire, was born in London, Sep. 13, 1829. Most of her early life was spent in the neighbourhood of Manchester. Subsequently she removed with the family to Clifton, near Bristol. She died suddenly of heart disease, at Monnetier, in Savoy, in July, 1878. Miss Winkworth published:—
Translations from the German of the Life of Pastor Fliedner, the Founder of the Sisterhood of Protestant Deaconesses at Kaiserworth, 1861; and of the Life of Amelia Sieveking, 1863.
Her sympathy with practical efforts for the benefit of women, and with a pure devotional life, as seen in these translations, received from her the most practical illustration possible in the deep and active interest which she took in educational work in connection with the Clifton Association for the Higher Education of Women, and kindred societies there and elsewhere. Our interest, however, is mainly centred in her hymnological work as embodied in her:—
(1) Lyra Germanica, 1st Ser., 1855. (2) Lyra Germanica, 2nd Ser., 1858. (3) The Chorale Book for England (containing translations from the German, together with music), 1863; and (4) her charming biographical work, the Christian Singers of Germany, 1869.
In a sympathetic article on Miss Winkworth in the Inquirer of July 20, 1878, Dr. Martineau says:—
"The translations contained in these volumes are invariably faithful, and for the most part both terse and delicate; and an admirable art is applied to the management of complex and difficult versification. They have not quite the fire of John Wesley's versions of Moravian hymns, or the wonderful fusion and reproduction of thought which may be found in Coleridge. But if less flowing they are more conscientious than either, and attain a result as poetical as severe exactitude admits, being only a little short of ‘native music'"
Dr. Percival, then Principal of Clifton College, also wrote concerning her (in the Bristol Times and Mirror), in July, 1878:—
"She was a person of remarkable intellectual and social gifts, and very unusual attainments; but what specially distinguished her was her combination of rare ability and great knowledge with a certain tender and sympathetic refinement which constitutes the special charm of the true womanly character."
Dr. Martineau (as above) says her religious life afforded "a happy example of the piety which the Church of England discipline may implant.....The fast hold she retained of her discipleship of Christ was no example of ‘feminine simplicity,' carrying on the childish mind into maturer years, but the clear allegiance of a firm mind, familiar with the pretensions of non-Christian schools, well able to test them, and undiverted by them from her first love."
Miss Winkworth, although not the earliest of modern translators from the German into English, is certainly the foremost in rank and popularity. Her translations are the most widely used of any from that language, and have had more to do with the modern revival of the English use of German hymns than the versions of any other writer.
-- John Julian, Dictionary of Hymnology (1907)
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See also in:
Hymn Writers of the Church
Catherine Winkworth
