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Search Results

Topics:epiphany+season

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Texts

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Open My Eyes, That I May See

Author: Clara H. Scott Meter: 8.9.9.8 with refrain Appears in 239 hymnals Topics: Comforter; Intercession; Prayer Hymns of; Whitsunday First Line: Open my eyes that I may see Refrain First Line: Silently now I wait for Thee
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Christ for the World

Author: Samuel Wolcott Meter: 6.6.4.6.6.6.4 Appears in 411 hymnals Topics: Cross of Believer; Missions General; Soul Winning First Line: Christ for the world we sing!
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I Greet Thee, Who My Sure Redeemer Art

Author: Jean Calvin; Elizabeth Lee Smith Meter: 10.10.10.10 Appears in 41 hymnals Text Sources: French Psalter, Strasbourg, 1545; French, 1545

Tunes

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GREENSLEEVES

Meter: 8.7.8.7 with refrain Appears in 168 hymnals Composer and/or Arranger: John Stainer, 1840-1901 Topics: Seasons and Feasts Epiphany Tune Sources: English melody, 16th C. Tune Key: e minor Incipit: 13456 54271 23117 Used With Text: What Child Is This
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LUCERNA LAUDONIAE

Meter: 7.7.7.7.7.7 Appears in 22 hymnals Composer and/or Arranger: David Evans Topics: God Praise and Thanksgiving; Adoration and Praise; Arts and Literature; Beauty; Brotherhood/Sisterhood; Choruses and Refrains; Communion of Saints; Community; Creation; Ecology; Family; Friendship; God Creator; God Grace; Gratitude; Holy Communion; Home and Family; Jesus Christ Lord of Life; Joy; Life; Love; Morning; Nature; Peace (World); Processionals (Opening of Worship); Responses Antiphonal; Rogation; Rural Life; Seasons Changing; Time; Unity; World; Worship; Easter 6 Year A; Trinity Sunday Year A; Trinity Sunday Year A; Proper 12 Year A; Proper 17 Year B; Proper 22 Year B; Epiphany 2 Year C; Trinity Sunday Year C; Proper 21 Year C; Thanksgiving Year C Tune Key: G Major Incipit: 55312 36514 31 Used With Text: For the Beauty of the Earth
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ROYAL OAK

Meter: 7.6.7.6 with refrain Appears in 90 hymnals Composer and/or Arranger: Martin Shaw Topics: God Creation and Providence; Beauty; Choruses and Refrains; Creation; God Adoration and Praise; God Creator; God Works; Life; Nature; Nurture; Praise; Proclamation; Providence; Responses Antiphonal; Seasons Changing; Testimony; Thankfulness; Trust; Worship; Christmas 1 Year A; Epiphany 8 Year A; Trinity Sunday Year A; Proper 22 Year A; Advent 4 Year B; Proper 5 Year B; Proper 23 Year B; Thanksgiving Year B; Advent 3 Year C Tune Sources: 17th-century English melody Tune Key: G Major Incipit: 53432 17653 46767 Used With Text: All Things Bright and Beautiful

Instances

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Published text-tune combinations (hymns) from specific hymnals

Lord, Every Nation on Earth Will Adore You

Hymnal: Christian Worship #72A (2021) Topics: Epiphany Season First Line: Endow the king with your justice, O God Refrain First Line: Lord, ev'ry nation on earth will adore you Scripture: Psalm 72 Languages: English Tune Title: [Endow the king with your justice, O God]
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A King on High Is Reigning

Author: Timothy Dudley-Smith Hymnal: Christian Worship #72B (2021) Meter: 7.6.7.6.7.6.7.6 Topics: Epiphany Season Lyrics: 1 A King on high is reigning whom endless ages bless, from sea to sea sustaining his rule of righteousness. Beneath his strong defending his people stand secure, whose justice knows no ending while sun and moon endure. 2 As rains that gently nourish and bring the seed to birth, his righteousness shall flourish, his peace possess the earth; her sceptered kings acclaim him, before his feet they fall, the nations kneel to name him the sov'reign Lord of all. 3 The poor are in his keeping, he hears their bitter cry, his watchfulness unsleeping to answer ev'ry sigh; the lonely and neglected, the outcast and in need, forsaken and rejected, to him are dear indeed. 4 His name endures for ever who formed the fertile land; the fruits of our endeavor shall prosper in his hand. With prayer and song and story his praises sound again, in all the earth his glory; so be it, Lord! Amen! Scripture: Psalm 72 Languages: English Tune Title: LANCASHIRE

Every Nation on Earth

Author: Marty Haugen Hymnal: Christian Worship #72C (2021) Topics: Epiphany Season First Line: Give the king your justice, O God Refrain First Line: Ev'ry nation on earth Scripture: Psalm 72 Languages: English Tune Title: [Give the king your justice, O God]

People

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Authors, composers, editors, etc.

William Kethe

? - 1594 Topics: Epiphany Season Author of "All People That on Earth Do Dwell" in Christian Worship William Kethe (b. Scotland [?], d. Dorset England, c. 1594). Although both the time and place of Kethe's birth and death are unknown, scholars think he was a Scotsman. A Protestant, he fled to the continent during Queen Mary's persecution in the late 1550s. He lived in Geneva for some time but traveled to Basel and Strasbourg to maintain contact with other English refugees. Kethe is thought to be one of the scholars who translated and published the English-language Geneva Bible (1560), a version favored over the King James Bible by the Pilgrim fathers. The twenty-five psalm versifications Kethe prepared for the Anglo-Genevan Psalter of 1561 were also adopted into the Scottish Psalter of 1565. His versification of Psalm 100 (All People that on Earth do Dwell) is the only one that found its way into modern psalmody. Bert Polman ======================== Kethe, William, is said by Thomas Warton in his History of English Poetry, and by John Strype in his Annals of the Reformation, to have been a Scotsman. Where he was born, or whether he held any preferment in England in the time of Edward VI., we have been unable to discover. In the Brieff discours off the troubles begonne at Franckford, 1575, he is mentioned as in exile at Frankfurt in 1555, at Geneva in 1557; as being sent on a mission to the exiles in Basel, Strassburg, &c, in 1558; and as returning with their answers to Geneva in 1559. Whether he was one of those left behind in 1559 to "finishe the bible, and the psalmes bothe in meeter and prose," does not appear. The Discours further mentions him as being with the Earl of Warwick and the Queen's forces at Newhaven [Havre] in 1563, and in the north in 1569. John Hutchins in his County history of Dorset, 1774, vol. ii. p. 316, says that he was instituted in 1561 as Rector of Childe Okeford, near Blandford. But as there were two Rectors and only one church, leave of absence might easily be extended. His connection with Okeford seems to have ceased by death or otherwise about 1593. The Rev. Sir Talbot H. B. Baker, Bart., of Ranston, Blandford, who very kindly made researches on the spot, has informed me that the Registers at Childe Okeford begin with 1652-53, that the copies kept in Blandford date only from 1732 (the earlier having probably perished in the great fire there in 1731), that no will can be found in the district Probate Court, and that no monument or tablet is now to be found at Childe Okeford. By a communication to me from the Diocesan Registrar of Bristol, it appears that in a book professing to contain a list of Presentations deposited in the Consistory Court, Kethe is said to have been presented in 1565 by Henry Capel, the Patron of Childe Okeford Inferior. In the 1813 edition of Hutchins, vol. iii. pp. 355-6, William Watkinson is said to have been presented to this moiety by Arthur Capel in 1593. Twenty-five Psalm versions by Kethe are included in the Anglo-Genevan Psalter of 1561, viz. Ps. 27, 36, 47, 54, 58, 62, 70, 85, 88, 90, 91, 94, 100, 101, 104, 107, 111, 112, 113, 122, 125, 126, 134, 138, 142,—the whole of which were adopted in the Scottish Psalter of 1564-65. Only nine, viz. Ps. 104, 107, 111, 112, 113, 122, 125, 126, 134, were included in the English Psalter of 1562; Ps. 100 being however added in 1565. Being mostly in peculiar metres, only one, Ps. 100, was transferred to the Scottish Psalter of 1650. The version of Ps. 104, "My soul, praise the Lord," is found, in a greatly altered form, in some modern hymnals. Warton calls him ”a Scotch divine, no unready rhymer," says he had seen a moralisation of some of Ovid by him, and also mentions verses by him prefixed to a pamphlet by Christopher Goodman, printed at Geneva in 1558; a version of Ps. 93 added to Knox's Appellation to the Scottish Bishops, also printed at Geneva in 1558; and an anti-papal ballad, "Tye the mare Tom-boy." A sermon he preached before the Sessions at Blandford on Jan. 17, 1571, was printed by John Daye in 1571 (preface dated Childe Okeford, Jan. 29,157?), and dedicated to Ambrose Earl of Warwick. [Rev James Mearns, M.A]. -- John Julian, Dictionary of Hymnology (1907) ==================== Kethe, William, p. 624, i., line 30. The version which Warton describes as of Psalm 93 is really of Psalm 94, and is that noted under Scottish Hymnody, p. 1022, ii., as the version of Psalms 94 by W. Kethe. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

John Goss

1800 - 1880 Topics: Epiphany Season Composer of "LAUDA ANIMA" in Christian Worship John Goss (b. Fareham, Hampshire, England, 1800; d. London, England, 1880). As a boy Goss was a chorister at the Chapel Royal and later sang in the opera chorus of the Covent Garden Theater. He was a professor of music at the Royal Academy of Music (1827-1874) and organist of St. Paul Cathedral, London (1838-1872); in both positions he exerted significant influence on the reform of British cathedral music. Goss published Parochial Psalmody (1826) and Chants, Ancient and Modern (1841); he edited William Mercer's Church Psalter and Hymn Book (1854). With James Turle he published a two-volume collection of anthems and Anglican service music (1854). Bert Polman

Joseph Haydn

1732 - 1809 Person Name: Franz Joseph Haydn (1732-1809) Topics: Epiphany (season) Composer (attributed to) of "ST. MICHAEL'S" in Common Praise (1998) Franz Joseph Haydn (b. Rohrau, Austria, 1732; d. Vienna, Austria, 1809) Haydn's life was relatively uneventful, but his artistic legacy was truly astounding. He began his musical career as a choirboy in St. Stephen's Cathedral, Vienna, spent some years in that city making a precarious living as a music teacher and composer, and then served as music director for the Esterhazy family from 1761 to 1790. Haydn became a most productive and widely respected composer of symphonies, chamber music, and piano sonatas. In his retirement years he took two extended tours to England, which resulted in his "London" symphonies and (because of G. F. Handel's influence) in oratorios. Haydn's church music includes six great Masses and a few original hymn tunes. Hymnal editors have also arranged hymn tunes from various themes in Haydn's music. Bert Polman