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My Hope Is Built on Nothing Less
Author: Edward Mole Meter: 8.8.8.8 with refrain Appears in 1,111 hymnals Topics: Imputation of Righteousness Refrain First Line: On Christ, the solid rock, I stand Lyrics: 1 My hope is built on nothing less
than Jesus' blood and righteousness;
I dare not trust the sweetest frame,
but wholly lean on Jesus' name.
Refrain:
On Christ, the solid rock, I stand;
all other ground is sinking sand;
all other ground is sinking sand.
2 When darkness veils his lovely face,
I rest on his unchanging grace;
in every high and stormy gale
my anchor holds within the veil. [Refrain]
3 His oath, his covenant, his blood
support me in the whelming flood;
when all around my soul gives way,
he then is all my hope and stay. [Refrain]
4 When he shall come with trumpet sound,
O may I then in him be found;
dressed in his righteousness alone,
faultless to stand before the throne. [Refrain] Scripture: 1 Corinthians 3:11 Used With Tune: SOLID ROCK
My Hope Is Built on Nothing Less
Before the Cross
Author: Isaac Watts (1674-1748) Appears in 2,359 hymnals Topics: Imputation First Line: Alas, and did my Savior bleed? Scripture: 2 Corinthians 5:14-15 Used With Tune: AVON
Before the Cross
O sacred Head, now wounded
Author: Bernard of Clairvaus, 1091-1153; James Waddell Alexander; Paul Gerhardt Meter: 7.6.7.6 D Appears in 735 hymnals Topics: Imputation, of Sin Lyrics: 1 O sacred Head, now wounded,
With grief and shame weighed down;
Now scornfully surrounded
With thorns, thine only crown;
O sacred Head, what glory,
What bliss till now was thine!
Yet, though despised and gory,
I joy to call thee mine.
2 What thou, my Lord, hast suffered
Was all for sinners' gain:
Mine, mine was the transgression,
But thine the deadly pain.
Lo, here I fall, my Saviour!
'Tis I deserve thy place;
Look on me with thy favor,
Vouchsafe to me thy grace.
3 What language shall I borrow
To thank thee, dearest Friend,
For this thy dying sorrow,
Thy pity without end?
O make me thine for ever;
And should I fainting be,
Lord, let me never, never
Outlive my love to thee.
4 Be near when I am dying,
O show thy cross to me;
And for my succor flying,
Come, Lord, to set me free:
These eyes, new faith receiving,
From Jesus shall not move;
For he who dies believing,
Dies safely, through thy love.
Amen. Scripture: Isaiah 53:5 Used With Tune: PASSION CHORALE
O sacred Head, now wounded
REDHEAD 76 (AJALON)
Meter: 7.7.7.7.7.7 Appears in 483 hymnals Composer and/or Arranger: Richard Redhead Topics: Imputation of Righteousness Tune Key: E Flat Major Incipit: 11234 43112 32211 Used With Text: When This Passing World Is Done
REDHEAD 76 (AJALON)
O mystery of love divine
Author: Thomas H. Gill Hymnal: Trinity Hymnal #436 (1961) Meter: 8.6.8.6 Topics: Imputation, of Righteousness; Imputation, of Sin Lyrics: 1 O mystery of love divine
That thought and thanks o'erpow'rs!
Lord Jesus, was our portion thine,
And is thy portion ours?
2 Didst thou fulfil each righteous deed,
God's perfect will express,
That we th' unfaithful ones might plead
Thy perfect faithfulness?
3 For thee the Father's hidden face?
For thee the bitter cry?
For us the Father's endless grace,
The song of victory?
4 Our load of sin and misery
Didst thou, the Sinless, bear?
Thy spotless robe of purity
Do we the sinners wear?
5 Thou, who our very place didst take,
Dwell in our very heart:
Thou, who thy portion ours dost make,
Thyself, thyself impart.
Amen. Scripture: Isaiah 53:5 Languages: English Tune Title: MANOAH
O mystery of love divine
He Was Wounded for Our Transgressions
Author: Richard J. Oliver Hymnal: Trinity Hymnal #673 (1961) Topics: Imputation, of Righteousness; Imputation, of Sin First Line: Who hath believed after hearing the message Scripture: Isaiah 53:1-8 Languages: English Tune Title: [Who hath believed after hearing the message]
He Was Wounded for Our Transgressions
Fountain of never-ceasing grace
Author: Augustus M. Toplady, 1740-1778 Hymnal: Trinity Hymnal #440 (1961) Meter: 8.6.8.6 D Topics: Imputation, of Righteousness Lyrics: 1 Fountain of never-ceasing grace,
Thy saints' exhaustless theme,
Great object of immortal praise,
Essentially supreme;
We bless thee for the glorious fruits
Thine incarnation gives;
The righteousness which grace imputes,
And faith alone receives.
2 In thee we have a righteousness
By God himself approved;
Our rock, our sure foundation this,
Which never can be moved.
Our ransom by thy death was paid,
For all thy people giv'n,
The law thou perfectly obeyed,
That they might enter heav'n.
3 As all, when Adam sinned alone,
In his transgression died,
So by the righteousness of one
Are sinners justified;
We to thy merit, gracious Lord,
With humblest joy submit,
Again to Paradise restored,
In thee alone complete.
Amen. Scripture: John 7:37 Languages: English Tune Title: ST. MATTHEW
Fountain of never-ceasing grace
Venantius Honorius Clementianus Fortunatus
540 - 600 Person Name: Venantius H.C. Fortunatus, ca. 530-609 Topics: Imputation of Righteousness Author of "Praise the Savior Now and Ever" in Trinity Hymnal (Rev. ed.) Venantius Honorius Clematianus Fortunatus (b. Cenada, near Treviso, Italy, c. 530; d. Poitiers, France, 609) was educated at Ravenna and Milan and was converted to the Christian faith at an early age. Legend has it that while a student at Ravenna he contracted a disease of the eye and became nearly blind. But he was miraculously healed after anointing his eyes with oil from a lamp burning before the altar of St. Martin of Tours. In gratitude Fortunatus made a pilgrimage to that saint's shrine in Tours and spent the rest of his life in Gaul (France), at first traveling and composing love songs. He developed a platonic affection for Queen Rhadegonda, joined her Abbey of St. Croix in Poitiers, and became its bishop in 599. His Hymns far all the Festivals of the Christian Year is lost, but some of his best hymns on his favorite topic, the cross of Jesus, are still respected today, in part because of their erotic mysticism.
Bert Polman
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Fortunatus, Venantius Honorius Clementianus, was born at Ceneda, near Treviso, about 530. At an early age he was converted to Christianity at Aquileia. Whilst a student at Ravenna he became almost blind, and recovered his sight, as he believed miraculously, by anointing his eyes with some oil taken from a lamp that burned before the altar of St. Martin of Tours, in a church in that town. His recovery induced him to make a pilgrimage to the shrine of St. Martin, at Tours, in 565, and that pilgrimage resulted in his spending the rest of his life in Gaul. At Poitiers he formed a romantic, though purely platonic, attachment for Queen Rhadegunda, the daughter of Bertharius, king of the Thuringians, and the wife, though separated from him, of Lothair I., or Clotaire, king of Neustria. The reader is referred for further particulars of this part of the life of Fortunatus to Smith and Wace's Dictionary of Christian Biography, vol. ii. p. 552. It is sufficient to say here that under the influence of Rhadegunda, who at that time lived at Poitiers, where she had founded the convent of St. Croix, Fortunatus was ordained, and ultimately, after the death of Rhadegunda in 597, became bishop of Poitiers shortly before his own death in 609.
The writings, chiefly poetical, of Fortunatus, which are still extant, are very numerous and various in kind; including the liveliest Vers de Societé and the grandest hymns; while much that he is known to have written, including a volume of Hymns for all the Festivals of the Christian Year, is lost. Of what remains may be mentioned, The Life of St. Martin of Tours, his Patron Saint, in four books, containing 2245 hexameter lines. A complete list of his works will be found in the article mentioned above.
His contributions to hymnology must have been very considerable, as the name of his lost volume implies, but what remains to us of that character, as being certainly his work, does not comprise at most more than nine or ten compositions, and of some of these even his authorship is more than doubtful. His best known hymn is the famous "Vexilla Regis prodeunt," so familiar to us in our Church Hymnals in some English form or other, especially, perhaps, in Dr. Neale's translation, "The Royal Banners forward go." The next most important composition claimed for him is "Pange, lingua, gloriosi praelium certaminis," but there would seem to be little doubt according to Sirmond (Notis ad Epist. Sidon. Apollin. Lib. iii., Ep. 4), that it was more probably written by Claudianus Mamertus. Besides these, which are on the Passion, there are four hymns by Fortunatus for Christmas, one of which is given by Daniel, "Agnoscat omne saeculum," one for Lent, and one for Easter. Of "Lustra sex qui jam peregit," of which an imitation in English by Bishop. Mant, "See the destined day arise," is well-known, the authorship is by some attributed to Fortunatus, and by some to St. Ambrose.
The general character of the poetry of Venantius Fortunatus is by no means high, being distinguished neither for its classical, nor, with very rare exceptions, for its moral correctness. He represents the "last expiring effort of the Latin muse in Gaul," to retain something of the "old classical culture amid the advancing tide of barbarism." Whether we look at his style, or even his grammar and quantities, we find but too much that is open to criticism, whilst he often offends against good taste in the sentiments he enunciates. Occasionally, as we see in the "Vexilla Regis," he rises to a rugged grandeur in which he has few rivals, and some of his poems are by no means devoid of simplicity and pathos. But these are the exceptions and not the rule in his writings, and we know not how far he may have owed even these to the womanly instincts and gentler, purer influence of Rhadegunda. Thierry, in his Récits des Temps Mérovingiens, Récit 5, gives a lively sketch of Fortunatus, as in Archbishop Trench's words (Sacred Latin Poetry, 1874,p. 132), "A clever, frivolous, self-indulgent and vain character," an exaggerated character, probably, because one can hardly identify the author of "Vexilla Regis," in such a mere man of the world, or look at the writer of "Crux benedicta nitet, Dominus qua carne pependit" q.v., as being wholly devoid of the highest aspirations after things divine. A quarto edition of his Works was published in Rome in 1786. [Rev. Digby S. Wrangham, M.A.]
- John Julian, Dictionary of Hymnology (1907)
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Fortunatus, V. H. C., p. 384, i. The best edition of his poems is F. Leo's edition of his Opera Poetica, Berlin, 1881 (Monumenta Germaniae, vol. iv.).
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
Venantius Honorius Clementianus Fortunatus
Robert Bridges
1844 - 1930 Topics: Imputation of Sin Translator of "Ah, Holy Jesus, How Hast Thou Offended" in Trinity Psalter Hymnal Robert S. Bridges (b. Walmer, Kent, England, 1844; d. Boar's Hill, Abingdon, Berkshire, England, 1930) In a modern listing of important poets Bridges' name is often omitted, but in his generation he was considered a great poet and fine scholar. He studied medicine and practiced as a physician until 1881, when he moved to the village of Yattendon. He had already written some poetry, but after 1881 his literary career became a full-time occupation, and in 1913 he was awarded the position of poet laureate in England. Bridges published The Yattendon Hymnal (1899), a collection of one hundred hymns (forty-four written or translated by him with settings mainly from the Genevan psalter, arranged for unaccompanied singing. In addition to volumes of poetry, Bridges also published A Practical Discourse on Some Principles of Hymn-Singing (1899) and About Hymns (1911).
Bert Polman
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Bridges, Robert Seymour, M.A., son of J. J. Bridges, of Walmer, Kent, was b. Oct. 23, 1844, and educated at Eton and at Corpus Christi College, Oxford (B.A. 1867, M.A. 1874). He took his M.A. in 1874, but retired from practice in 1882, and now (1906) resides at Yattendon, Berks. He is the author of many poems and plays. He edition and contributed to the Yattendon Hymnal, 1899 (originally printed at the Oxford Univ. Press in parts—Nos. 1-25, 1895; 26-50, 1897; 51-75, 1898; 76-100, 1899). [Rev. James Mearns, M.A.]
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Robert Bridges
John Stainer
1840 - 1901 Topics: Imputation of Sin Composer of "CROSS OF JESUS" in Trinity Hymnal (Rev. ed.)
John Stainer
