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Across the Sky the Shades of Night

Author: James Hamilton, 1819-96 Meter: 8.7.8.7.8.8.7 Appears in 29 hymnals Topics: Lesser Festivals Lyrics: 1 Across the sky the shades of night This New Year's eve are fleeting. We deck your altar, Lord, with light, In solemn worship meeting: And as the year's last hours go by, We raise to you our earnest cry, Once more your love entreating. 2 Before the cross subdued we bow, To you our prayer addressing, Recounting all your mercies now, And all our sins confessing, Beseeching you this coming year To keep us in your faith and fear, To crown us with your blessing. 3 We gather up in this brief hour The mem'ry of your mercies: Your wondrous goodness, love, and pow'r Our grateful song rehearses; For you have been our strength and stay In many a dark and dreary day Of sorrow and reverses. 4 Then, gracious God, in years to come, We pray your hand may guide us, And, onward through our journey home, Your mercy walk beside us Until at last our ransomed life Is safe from peril, toil, and strife When heav'n itself shall hide us. Used With Tune: ALLEIN GOTT IN DER HÖH

Shall We Gather at the River

Author: Robert Lowry, b. 1826-1899 Meter: 8.7.8.7 with refrain Appears in 779 hymnals Topics: Lesser Festivals Refrain First Line: Yes, we'll gather at the river Lyrics: 1 Shall we gather at the river, where bright angel feet have trod, with its crystal tide forever flowing by the throne of God? Refrain: Yes, we'll gather at the river, the beautiful, the beautiful river; gather with the saints at the river that flows by the throne of God. 2 On the margin of the river, washing up its silver spray, we will walk and worship ever, all the happy golden day. (Refrain) 3 Ere we reach the shining river, lay we ev'ry burden down; grace our spirits will deliver, and provide a robe and crown. (Refrain) 4 Soon we'll reach the shining river, soon our pilgrimage will cease; soon our happy hearts will quiver with the melody of peace. (Refrain) Scripture: Ezekiel 47:1-12 Used With Tune: HANSON PLACE

Jesus! Name of Wondrous Love

Author: William W. How, 1823-97 Meter: 7.7.7.7 Appears in 167 hymnals Topics: Lesser Festivals Lyrics: 1 Jesus! Name of wondrous love, Name all other names above, Unto which must ev'ry knee Bow in deep humility. 2 Jesus! Name decreed of old, To the maiden mother told, Kneeling in her lowly cell, By the angel Gabriel. 3 Jesus! Name of priceless worth To the fallen sons of earth, For the promise that it gave, "Jesus shall his people save." 4 Jesus! Name of mercy mild, Given to the holy Child When the cup of human woe First he tasted here below. 5 Jesus! Only name that's given Under all the mighty heaven Whereby man, to sin enslaved, Burst his fetters and is saved. 6 Jesus! Name of wondrous love, Human name of God above; Pleading your redemption true, We flee, helpless, Lord, to you. Used With Tune: GOTT SEI DANK

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Tunes

Tune authorities

O QUANTA QUALIA

Meter: 10.10.10.10 Appears in 162 hymnals Topics: Lesser Festivals Tune Sources: Antiphoner, Paris, 1681 Tune Key: F Major Incipit: 11231 14322 15314 Used With Text: Stars of the Morning, So Gloriously Bright

FESTAL SONG

Meter: 6.6.8.6 Appears in 207 hymnals Composer and/or Arranger: William H. Walter, 1825-93 Topics: Lesser Festivals Tune Key: B Flat Major Incipit: 51535 65671 76523 Used With Text: For All Your Saints, O Lord

WESTMINSTER ABBEY

Meter: 8.7.8.7.8.7 Appears in 97 hymnals Composer and/or Arranger: Henry Purcell, 1658-95 Topics: Lesser Festivals Tune Sources: Adapted from an anthem by Purcell Tune Key: G Major Incipit: 35314 27512 32176 Used With Text: In His Temple Now Behold Him

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Instances

Published text-tune combinations (hymns) from specific hymnals

For All the Saints

Author: William W. How, 1823-1897 Hymnal: Lutheran Book of Worship #174 (1978) Meter: 10.10.10 wiht alleluias Topics: Lesser Festivals; Lesser Festivals First Line: For all the saints, who from their labors rest Lyrics: 1 For all the saints who from their labors rest, All who by faith before the world confessed, Your name, O Jesus, be forever blest. Alleluia! Alleluia! 2 You were their rock, their fortress, and their might; You, Lord, their captain in the well-fought fight; You, in the darkness drear, their one true light. Alleluia! Alleluia! 3 Oh, may your soldiers, faithful, true, and bold, Fight as the saints who nobly fought of old And win with them the victor's crown of gold. Alleluia! Alleluia! 4 Oh, blest communion, fellowship divine, We feebly struggle, they in glory shine; Yet all are one within your great design. Alleluia! Alleluia! 5 And when the strife is fierce, the warfare long, Steals on the ear the distant triumph song, And hearts are brave again and arms are strong. Alleluia! Alleluia! 6 The golden evening brightens in the west; Soon, soon to faithful warriors comes their rest; Sweet is the calm of paradise the blest. Alleluia! Alleluia! 7 But then there breaks a yet more glorious day: The saints triumphant rise in bright array; The King of glory passes on his way. Alleluia! Alleluia! 8 From earth's wide bounds, from ocean's farthest coast, Through gates of pearl streams in the countless host, Singing to Father, Son, and Holy Ghost: Alleluia! Alleluia! Languages: English Tune Title: SINE NOMINE

Ye Watchers and Ye Holy Ones

Author: J. Athelstan Riley, 1858-1945 Hymnal: Lutheran Book of Worship #175 (1978) Meter: 8.8.8.8.8.8 with alleluias Topics: Lesser Festivals; Lesser Festivals Lyrics: 1 Ye watchers and ye holy ones, Bright seraphs, cherubim, and thrones, Raise the glad strain: "Alleluia!" Cry out, dominions, princedoms, pow'rs, Archangels, virtues, angel choirs: "Alleluia! Alleluia!" Alleluia, alleluia, alleluia! 2 O higher than the cherubim, More glorious than the seraphim, Lead their praises; "Alleluia!" Thou bearer of the eternal Word, Most gracious, magnify the Lord: "Alleluia! Alleluia!" Alleluia, alleluia, alleluia! 3 Respond, ye souls in endless rest, Ye patriarchs and prophets blest: "Alleluia! Alleluia!" Ye holy twelve, ye martyrs strong, All saints triumphant, raise the song: "Alleluia! Alleluia!" Alleluia, alleluia, alleluia! 4 O friends, in gladness let us sing, Supernal anthems echoing: "Alleluia! Alleluia!" To God the Father, God the Son, And God the Spirit, Three in One: "Alleluia! Alleluia!" Alleluia, alleluia, alleluia! Languages: English Tune Title: LASST UNS ERFREUEN

For All Your Saints, O Lord

Author: Richard Mant, 1776-1848 Hymnal: Lutheran Book of Worship #176 (1978) Meter: 6.6.8.6 Topics: Lesser Festivals; Lesser Festivals Lyrics: 1 For all your saints, O Lord, Who strove in you to live, Who followed you, obeyed, adored, Our grateful hymn receive. 2 For all your saints, O Lord, Who strove in you to die, Who counted you their great reward, Accept our thankful cry. 3 They all in life and death, With you, their Lord, in view, Learned from your Holy Spirit's breath To suffer and to do. 4 For this, your name we bless And humbly pray anew That we like them in holiness May live and die in you. 5 To God, the Father, Son, And Spirit, ever blest, The One in Three, the Three in One, Be endless praise addressed. Languages: English Tune Title: FESTAL SONG

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People

Authors, composers, editors, etc.

William Walsham How

1823 - 1897 Person Name: William W. How, 1823-1897 Topics: Lesser Festivals; Lesser Festivals Author of "For All the Saints" in Lutheran Book of Worship William W. How (b. Shrewsbury, Shropshire, England, 1823; d. Leenane, County Mayo, Ireland, 1897) studied at Wadham College, Oxford, and Durham University and was ordained in the Church of England in 1847. He served various congregations and became Suffragan Bishop in east London in 1879 and Bishop of Wakefield in 1888. Called both the "poor man's bishop" and "the children's bishop," How was known for his work among the destitute in the London slums and among the factory workers in west Yorkshire. He wrote a number of theological works about controversies surrounding the Oxford Movement and attempted to reconcile biblical creation with the theory of evolution. He was joint editor of Psalms and Hymns (1854) and Church Hymns (1871). While rector in Whittington, How wrote some sixty hymns, including many for children. His collected Poems and Hymns were published in 1886. Bert Polman =============== How, William Walsham, D.D., son of William Wybergh How, Solicitor, Shrewsbury, was born Dec. 13, 1823, at Shrewsbury, and educated at Shrewsbury School and Wadham College, Oxford (B.A. 1845). Taking Holy Orders in 1846, he became successively Curate of St. George's, Kidderminster, 1846; and of Holy Cross, Shrewsbury, 1848. In 1851 he was preferred to the Rectory of Whittington, Diocese of St. Asaph, becoming Rural Dean in 1853, and Hon. Canon of the Cathedral in 1860. In 1879 he was appointed Rector of St. Andrew's Undershaft, London, and was consecrated Suffragan Bishop for East London, under the title of the Bishop of Bedford, and in 1888 Bishop of Wakefield. Bishop How is the author of the Society for Promoting Christian Knowledge Commentary on the Four Gospels; Plain Words , Four Series; Plain Words for Children; Pastor in Parochia; Lectures on Pastoral Work; Three All Saints Summers, and Other Poems , and numerous Sermons , &c. In 1854 was published Psalms and Hymns, Compiled by the Rev. Thomas Baker Morrell, M.A., . . . and the Rev. William Walsham How, M.A. This was republished in an enlarged form in 1864, and to it was added a Supplement in 1867. To this collection Bishop How contributed several hymns, and also to the S. P. C. K. Church Hymns , of which he was joint editor, in 1871. The Bishop's hymns in common use amount in all to nearly sixty. Combining pure rhythm with great directness and simplicity, Bishop How's compositions arrest attention more through a comprehensive grasp of the subject and the unexpected light thrown upon and warmth infused into facia and details usually shunned by the poet, than through glowing imagery and impassioned rhetoric. He has painted lovely images woven with tender thoughts, but these are few, and found in his least appreciated work. Those compositions which have laid the firmest hold upon the Church, are simple, unadorned, but enthusiastically practical hymns, the most popular of which, "O Jesu, Thou art standing"; "For all the Saints who from their labours rest," and "We give Thee but Thine own," have attained to a foremost rank. His adaptations from other writers as in the case from Bishop Ken, "Behold, the Master passeth by," are good, and his Children's hymns are useful and popular. Without any claims to rank as a poet, in the sense in which Cowper and Montgomery were poets, he has sung us songs which will probably outlive all his other literary works. The more important of Bishop How's hymns, including those already named, and "Lord, Thy children guide and keep"; "O Word of God Incarnate"; "This day at Thy creating word"; "Who is this so weak and helpless"; and others which have some special history or feature of interest, are annotated under their respective first lines. The following are also in common use:— i. From Psalms & Hymns, 1854. 1. Before Thine awful presence, Lord. Confirmation. 2. Jesus, Name of wondrous love [priceless worth]. Circumcision. The Name Jesus . 3. Lord Jesus, when we stand afar. Passiontide. 4. O blessing rich, for sons of men. Members of Christ. 5. 0 Lord of Hosts, the earth is Thine. In time of War. 6. O Lord, Who in Thy wondrous love. Advent. ii. From Psalms & Hymns, enlarged, 1864. 7. Lord, this day Thy children meet. Sunday School Anniversary. iii. From Supplement to the Psalms & Hymns, 1867. 8. Hope of hopes and joy of joys. Resurrection. 9. 0 daughters blest of Galilee. For Associations of Women. 10. O happy feet that tread. Public Worship. 11. With trembling awe the chosen three. Transfiguration. iv. From Parish Magazine, 1871, and Church Hymns, 1871. 12. O Jesu, crucified for man. Friday. 13. Yesterday, with worship blest. Monday. v. From the S. P. C. K. Church Hymns. 1871. 14. Bowed low in supplication. For the Parish. 15. Great Gabriel sped on wings of light. Annunciation, of the Blessed Virgin Mary. 16. O blest was he, whose earlier skill. St. Luke. 17. O God, enshrined in dazzling light. Omnipresence. Divine Worship . 18. O heavenly Fount of Light and Love. Witsuntide. 19. O Lord, it is a blessed thing. Weekdays. 20. 0 One with God the Father. Epiphany. 21. O Thou through suffering perfect made. Hospitals. 22. Rejoice, ye sons of men. Purification of the B. V. M. 23. Summer suns are glowing. Summer. 24. The year is swiftly waning. Autumn. 25. Thou art the Christ, O Lord. St. Peter. 26. To Thee our God we fly. National Hymn. 27. Upon the holy Mount they stood. Transfiguration and Church Guilds. 28. We praise Thy grace, 0 Saviour. St. Mark. vi. From the S. P. C. K. Children's Hymns, 1872. 29. Behold a little child. Jesus the Child's Example. 30. Come, praise your Lord and Saviour. Children's Praises. 31. It is a thing most wonderful. Sunday School Anniversary. 32. On wings of living light. Easter. Bishop How's hymns and sacred and secular pieces were collected and published as Poems and Hymns, 1886. The Hymns, 54 in all, are also published separately. He d. Aug. 10, 1897. --John Julian, Dictionary of Hymnology (1907) =================== How, W. W., p. 540, i. He died Aug. 10, 1897. His Memoir, by F. D. How, was published in 1898. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Richard Mant

1776 - 1848 Person Name: Richard Mant, 1776-1848 Topics: Lesser Festivals; Lesser Festivals Author of "For All Your Saints, O Lord" in Lutheran Book of Worship Mant, Richard D.D., son of the Rev. Richard Mant, Master of the Grammar School, Southampton, was born at Southampton, Feb. 12, 1776. He was educated at Winchester and Trinity, Oxford (B.A. 1797, M.A., 1799). At Oxford he won the Chancellor's prize for an English essay: was a Fellow of Oriel, and for some time College Tutor. On taking Holy Orders he was successively curate to his father, then of one or two other places, Vicar of Coggeshall, Essex, 1810; Domestic Chaplain to the Archbishop of Canterbury, 1813, Rector of St. Botolph, Bishopsgate, London. 1816, and East Horsley, 1818, Bishop of Killaloe, 1820, of Down and Connor, 1823, and of Dromore, 1842. He was also Bampton Lecturer in 1811. He died Nov. 2, 1848. His prose works were numerous, and although now somewhat obsolete, they were useful and popular in their day. His poetical works, and other works which contain poetical pieces, are:— (1) The Country Curate, 1804; (2) Poems in three Parts, 1806; (3) The Slave, 1807; (4) The Book of Psalms in an English Metrical Version, &c, 1824; (5) The Holydays of the Church; or Scripture Narratives of Our Blessed Lord's Life and Ministry, and Biographical Notices of the Apostles, Evangelists, and Other Saints, with Reflections, Collects, and Metrical Sketches, vol. i., 1828; vol. ii., 1831; (6) The Gospel Miracles in a series of Poetical Sketches, &c., 1832; (7) The British Months, 2 vols., 1836; (8) Ancient Hymns from the Roman Breviary, for Domestick Use. . . .To which are added Original Hymns, principally of Commemoration and Thanksgiving for Christ's Holy Ordinances, 1837: new ed., 1871. (9) The Happiness of the Blessed Dead, 1847. Bishop Mant is known chiefly through his translations from the Latin. He was one of the earliest of the later translators, I. Williams and J. Chandler being his contemporaries. Concerning his translations, Mr. Ellerton, in his Notes on Church Hymns, 1881, p. xlviii. (folio ed.), says justly that:— "Mant had little knowledge of hymns, and merely took those of the existing Roman Breviary as he found them: consequently he had to omit many, and so to alter others that they have in fact become different hymns: nor was he always happy in his manipulation of them. But his book has much good taste and devout feeling, and has fallen into undeserved neglect." His metrical version of the Psalms has yielded very few pieces to the hymnals, the larger portion of his original compositions being from his work of 1837. The most popular of these is "Come Holy Ghost, my soul inspire, Spirit of," &c, and its altered forms; "Bright the vision that delighted," and its altered form of "Round the Lord in glory seated;" and "For all Thy saints, O Lord." His hymns in common use which are not annotated under their respective first lines are:— i. From his Metrical Version of the Psalms, 1824. 1. God, my King, Thy might confessing. Ps. cxlv. 2. Lord, to Thee I make my vows. Ps. xxvii. 3. Blessed be the Lord most High. Ps. xxviii. Pt. ii. 4. My trust is in the highest Name. Ps. xi. 5. Reign, Jehovah, King supreme. Ps. xcix. 6. Thy listening ear, O Lord, incline. Ps. Ixxxvi. 7. To God my earnest voice I raise. Ps. cxlii. 8. To Jehovah hymn the lay. Ps. cxviii. Two centos in Spurgeon's Our Own Hymn Book, 1866. (1) st. i., ii., v.; and (2) "Thee, Jehovah, will I bless" from st. vii.-x. ii. From his Holydays of the Church, &c, 1828-31. 9. Lo, the day the Lord hath made. Easter. 10. There is a dwelling place above. All Saints. iii. From his Ancient Hymns, &c, 1837. 11. Before Thy mercy's throne. Lent. 12. Father of all, from Whom we trace. Unity. 13. For these who first proclaimed Thy word. Apostles. 14. No! when He bids me seek His face. Holy Communion. 15. Oft as in God's own house we sit. Divine Worship. 16. Put off thy shoes, 'tis holy ground. The House of God . 17. Saviour of men, our Hope [Life] and Rest. The Greater Festivals. 18. Thy House each day of hallowed rest. Holy Communion. 19. We bless Thee for Thy Church, 0 Lord. Thanksgiving for the Church. 26. We deem and own it, Lord, a proof. Divine Grace. When all Bishop Mant's translations of original hymns, and versions of the Psalms in common use are taken into account, it is found that he is somewhat strongly represented in modern hymnody. -- John Julian, Dictionary of Hymnology (1907) ==================== http://en.wikipedia.org/wiki/Richard_Mant

Reginald Heber

1783 - 1826 Person Name: Reginald Heber, 1783-1826 Topics: Lesser Festivals; Lesser Festivals Author of "The Son of God Goes Forth to War" in Lutheran Book of Worship Reginald Heber was born in 1783 into a wealthy, educated family. He was a bright youth, translating a Latin classic into English verse by the time he was seven, entering Oxford at 17, and winning two awards for his poetry during his time there. After his graduation he became rector of his father's church in the village of Hodnet near Shrewsbury in the west of England where he remained for 16 years. He was appointed Bishop of Calcutta in 1823 and worked tirelessly for three years until the weather and travel took its toll on his health and he died of a stroke. Most of his 57 hymns, which include "Holy, Holy, Holy," are still in use today. -- Greg Scheer, 1995 ==================== Heber, Reginald, D.D. Born at Malpas, April 21, 1783, educated at Brasenose College, Oxford; Vicar of Hodnet, 1807; Bishop of Calcutta, 1823; died at Trichinopoly, India, April 3, 1826. The gift of versification shewed itself in Heber's childhood; and his Newdigate prize poem Palestine, which was read to Scott at breakfast in his rooms at Brazenose, Oxford, and owed one of its most striking passages to Scott's suggestion, is almost the only prize poem that has won a permanent place in poetical literature. His sixteen years at Hodnet, where he held a halfway position between a parson and a squire, were marked not only by his devoted care of his people, as a parish priest, but by literary work. He was the friend of Milman, Gifford, Southey, and others, in the world of letters, endeared to them by his candour, gentleness, "salient playfulness," as well as learning and culture. He was on the original staff of The Quarterly Review; Bampton Lecturer (1815); and Preacher at Lincoln's Inn (1822). His edition of Jeremy Taylor is still the classic edition. During this portion of his life he had often had a lurking fondness for India, had traced on the map Indian journeys, and had been tempted to wish himself Bishop of Calcutta. When he was forty years old the literary life was closed by his call to the Episcopate. No memory of Indian annals is holier than that of the three years of ceaseless travel, splendid administration, and saintly enthusiasm, of his tenure of the see of Calcutta. He ordained the first Christian native—Christian David. His first visitation ranged through Bengal, Bombay, and Ceylon; and at Delhi and Lucknow he was prostrated with fever. His second visitation took him through the scenes of Schwartz's labours in Madras Presidency to Trichinopoly, where on April 3,1826, he confirmed forty-two persons, and he was deeply moved by the impression of the struggling mission, so much so that “he showed no appearance of bodily exhaus¬tion." On his return from the service ”He retired into his own room, and according to his invariable custom, wrote on the back of the address on Confirmation 'Trichinopoly, April 3, 1826.' This was his last act, for immediately on taking off his clothes, he went into a large cold bath, where he had bathed the two preceding mornings, but which was now the destined agent of his removal to Paradise. Half an hour after, his servant, alarmed at his long absence, entered the room and found him a lifeless corpse." Life, &c, 1830, vol. ii. p. 437. Heber's hymns were all written during the Hodnet period. Even the great missionary hymn, "From Greenland's icy mountains," notwithstanding the Indian allusions ("India's coral strand," "Ceylon's isle"), was written before he received the offer of Calcutta. The touching funeral hymn, "Thou art gone to the grave," was written on the loss of his first babe, which was a deep grief to him. Some of the hymns were published (1811-16) in the Christian Observer, the rest were not published till after his death. They formed part of a ms. collection made for Hodnet (but not published), which contained, besides a few hymns from older and special sources, contributions by Milman. The first idea of the collection appears in a letter in 1809 asking for a copy of the Olney Hymns, which he "admired very much." The plan was to compose hymns connected with the Epistles and Gospels, to be sung after the Nicene Creed. He was the first to publish sermons on the Sunday services (1822), and a writer in The Guardian has pointed out that these efforts of Heber were the germs of the now familiar practice, developed through the Christian Year (perhaps following Ken's Hymns on the Festivals), and by Augustus Hare, of welding together sermon, hymnal, and liturgy. Heber tried to obtain from Archbishop Manners Sutton and the Bishop of London (1820) authorization of his ms. collection of hymns by the Church, enlarging on the "powerful engine" which hymns were among Dissenters, and the irregular use of them in the church, which it was impossible to suppress, and better to regulate. The authorization was not granted. The lyric spirit of Scott and Byron passed into our hymns in Heber's verse; imparting a fuller rhythm to the older measures, as illustrated by "Oh, Saviour, is Thy promise fled," or the martial hymn, "The Son of God goes forth to war;" pressing into sacred service the freer rhythms of contemporary poetry (e.g. "Brightest and best of the sons of the morning"; "God that madest earth and heaven"); and aiming at consistent grace of literary expression.. Their beauties and faults spring from this modern spirit. They have not the scriptural strength of our best early hymns, nor the dogmatic force of the best Latin ones. They are too flowing and florid, and the conditions of hymn composition are not sufficiently understood. But as pure and graceful devotional poetry, always true and reverent, they are an unfailing pleasure. The finest of them is that majestic anthem, founded on the rhythm of the English Bible, "Holy, Holy, Holy, Lord God Almighty." The greatest evidence of Heber's popularity as a hymnwriter, and his refined taste as a compiler, is found in the fact that the total contents of his ms. collection which were given in his posthumous Hymns written and adapted to the Weekly Church Service of the Year. London, J. Murray, 1827; which included 57 hymns by Heber, 12 by Milman, and 29 by other writers, are in common in Great Britain and America at the present time. [Rev. H. Leigh Bennett, M.A.] Of Bishop Heber's hymns, about one half are annotated under their respective first lines. Those given below were published in Heber's posthumous Hymns, &c, 1827. Some of them are in extensive use in Great Britain and America; but as they possess no special histories they are grouped together as from the Hymns, &c, 1827:— 1. Beneath our feet, and o'er our head. Burial. 2. Creator of the rolling flood. St. Peter's Day, or, Gospel for 6th Sunday after Trinity. 3. Lo, the lilies of the field. Teachings of Nature: or, Gospel for 15th Sunday after Trinity. 4. 0 God, by Whom the seed is given. Sexagesima. 6. 0 God, my sins are manifold. Forgiveness, or, Gospel for 22nd S. after Trinity. 6. 0 hand of bounty, largely spread. Water into Wine, or, Gospel for 2nd S. after Epiphany. 7. 0 King of earth, and air, and sea. Feeding the Multitude; or, Gospel for 4th S. in Lent. 8. 0 more than merciful, Whose bounty gave. Good Friday. 9. 0 most merciful! 0 most bountiful. Introit Holy Communion. 10. 0 Thou, Whom neither time nor space. God unsearchable, or, Gospel for 5th Sunday in Lent. 11. 0 weep not o'er thy children's tomb. Innocents Day. 12. Room for the proud! Ye sons of clay. Dives and Lazarus, or, Gospel for 1st Sunday after Trinity. 13. Sit thou on my right hand, my Son, saith the Lord. Ascension. 14. Spirit of truth, on this thy day. Whit-Sunday. 15. The feeble pulse, the gasping breath. Burial, or, Gospel for 1st S. after Trinity. 16. The God of glory walks His round. Septuagesima, or, the Labourers in the Marketplace. 17. The sound of war in earth and air. Wrestling against Principalities and Powers, or, Epistle for 2lst Sunday after Trinity. 18. The world is grown old, her pleasures are past. Advent; or, Epistle for 4th Sunday in Advent. 19. There was joy in heaven. The Lost Sheep; or, Gospel for 3rd S. after Trinity. 20. Though sorrows rise and dangers roll. St. James's Day. 21. To conquer and to save, the Son of God. Christ the Conqueror. 22. Virgin-born, we bow before Thee. The Virgin Mary. Blessed amongst women, or, Gospel for 3rd S. in Lent. 23. Wake not, 0 mother, sounds of lamentation. Raising the Widow's Son, or, Gospel for 16th S. after Trinity. 24. When on her Maker's bosom. Holy Matrimony, or, Gospel for 2nd S. after Epiphany. 25. When through the torn sail the wild tempest is streaming. Stilling the Sea, or, Gospel for 4th Sunday after Epiphany. 26. Who yonder on the desert heath. The Good Samaritan, or, Gospel for 13th Sunday after Trinity. This list is a good index of the subjects treated of in those of Heber's hymns which are given under their first lines, and shows that he used the Gospels far more than the Epistles in his work. --John Julian, Dictionary of Hymnology (1907)

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