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My Jesus, I Love Thee

Author: William R. Featherston; James H. Duffell Meter: 11.11.11.11 Appears in 1,080 hymnals Topics: liturgical Songs of Response First Line: My Jesus, I love Thee, I know Thou art mine Lyrics: 1 My Jesus, I love thee, I know thou art mine; for thee all the follies of sin I resign; my gracious Redeemer, my Savior art thou; if ever I loved thee, my Jesus, 'tis now. 2 I love thee because thou hast first loved me and purchased my pardon on Calvary's tree; I love thee for wearing the thorns on thy brow; if ever I loved thee, my Jesus, 'tis now. 3 I'll love thee in life, I will love thee in death, and praise thee as long as thou lendest me breath, and say when the deathdew lies cold on my brow: If ever I loved thee, my Jesus, 'tis now. 4 In mansions of glory and endless delight, I'll ever adore thee in heaven so bright; I'll sing with the glittering crown on my brow: If ever I loved thee, my Jesus, 'tis now. Psalter Hymnal, (Gray)
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I've Got Peace Like a River

Meter: 7.7.11 Appears in 41 hymnals Topics: liturgical Songs of Response Lyrics: 1 I've got peace like a river, I've got peace like a river, I've got peace like a river in my soul. I've got peace like a river, I've got peace like a river, I've got peace like a river in my soul. 2 I've got love like a river, I've got love like a river, I've got love like a river in my soul. I've got love like a river, I've got love like a river, I've got love like a river in my soul 3 I've got joy like a river, I've got joy like a river, I've got joy like a river in my soul. I've got joy like a river, I've got joy like a river, I've got joy like a river in my soul. Baptist Hymnal, 1991 Text Sources: African-American spiritual
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Lord, Speak to Me That I May Speak

Author: Frances Ridley Havergal Meter: 8.8.8.8 Appears in 454 hymnals Topics: liturgical Songs of Response First Line: Lord, speak to me, that I may speak

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[Be still and know that I am God]

Meter: 8.8.8 Appears in 35 hymnals Composer and/or Arranger: Unknown Topics: Short Songs; Our Response to God in the worship of God's house; The Church Celebrates Wholenss and Healing; God Presence of; Healing; Trust Tune Key: C Major Incipit: 55365 55243 33456 Used With Text: Be still and know that I am God
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ODE TO JOY

Meter: 8.7.8.7 D Appears in 477 hymnals Composer and/or Arranger: Ludwig van Beethoven (1770-1827) Topics: Our Response to God in adoration and gratitude; Our Response to God in the worship of God's house; Church Worship; Music and Song Tune Sources: Symphony No. 9 Tune Key: F Major Incipit: 33455 43211 23322 Used With Text: Sing to God new songs of worship
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[You shall go out with joy and be led forth with peace]

Appears in 35 hymnals Composer and/or Arranger: Stuart Dauermann (b. 1944); Roland T. Fudge (b. 1947) Topics: Short Songs; Our Response to God in the worship of God's house; Close of Worship; Joy Tune Key: e minor Incipit: 51232 15123 21755 Used With Text: You shall go out with joy and be led forth with peace

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Rise, Zion, shine, thy Light has come

Hymnal: The Christians Duty, exhibited, in a series of Hymns #CCXLVII (1791) Topics: liturgical Songs of Response Lyrics: 1 Rise, Zion, shine, thy Light is come, The glorious Day's begun, These Beams we see so bright that be, Dart from the glorious Sun. 2 Of Righteousness, that rising is; The Day doth dawn apace; The Songs of Praise we hear a Days: Of Christ and his Free Grace. 3 Are Tokens plain, the Lamb once slain Is hast'ning to his Throne; The Bride doth say, come, haste away, My dear beloved One. 4 The Saints rejoice, the Turtle's Voice Is heard within the Land: The hundred Forty four Thousand Shall soon with Jesus stand. 5 And they shall sing, to Christ their King, Their Songs in such a Strain, That learn can none but those alone Who with the Lord shall reign. 6 Ye taught Ones of the Lord, sing Praise To th' Lamb th' Throne upon; 'Tis only he taught you and me To sing the Lamb's new Song. Languages: English
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The Goodness of God

Hymnal: The Christians Duty, exhibited, in a series of Hymns #CCCXXXIX (1791) Topics: liturgical Songs of Response First Line: Ye humble Souls, approach your God Lyrics: 1 Ye humble Souls, approach your GOD With Songs of sacred Praise, For he is good, Immensely good, And kind are all his Ways. 2 All Nature owns his guardian Care, In him we live and move; But nobler Benefits declare The Wonders of his Love. 3 He gave his Son, his only Son, To ransom Rebel Worms; 'Tis here he makes his Goodness known In it diviner Forms. 4 To this dear Refuge, LORD we come, 'Tis here our Hope relies; A save Defence, a peaceful Home, When Storms of Trouble rise. 5 Thine Eye beholds, with kind Regard, The Souls who trust in thee; Their humble Hope thou wilt regard, With Bliss divinely free. 6 Great GOD,to thy Almighty Love, What Honours shall we raise? Not all the raptur'd Songs above Can render equal Praise. Scripture: Nahum 1:7
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Awake, and sing the song

Hymnal: The Christians Duty, exhibited, in a series of Hymns #XIII (1791) Topics: liturgical Songs of Response Lyrics: 1 Awake, and sing the song Of Moses and the Lamb; Wake every Heart and ev'ry Tongue, To praise the Saviour's Name. 2 Sing of his dying Love, Sing of his rising Pow'r, Sing how he intercedes above, For those whose sins he bore. 3 Sing till we feel our Hearts Ascending with our Tongues, Sing till the love of Sin departs, And grace inspires our Songs. 4 Sing on your Heav'nly Way, Ye ransom'd Sinners, sing; Sing on, rejoicing ev'ry Day In Christ th' eternal King. 5 Sing till you hear Christ say, Your Sins are all forgiv'n; Sing on rejoicing ev'ry day, Till we all meet in Heavn'n. 6 Soon shall ye hear Christ say, "Ye blessèd Children, come:" Soon will he call you hence away, And take his Wand'rers home. Languages: English

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Sarah Flower Adams

1805 - 1848 Topics: liturgical Songs of Response Author of "Nearer, My God, to Thee" Adams, Sarah, nee Flower. born at Harlow, Essex, Feb. 22nd, 1805; died in London, Aug. 14, 1848, and was buried at Harlow, Aug. 21,1848. She was the younger daughter of Mr. Benjamin Flower, editor and proprietor, of The Cambridge Intelligencer; and was married, in 1834, to William B. Adams, a civil engineer. In 1841 she published Vivia Perpetua, a dramatic poem dealing with the conflict of heathenism and Christianity, in which Vivia Perpetua suffered martyrdom; and in 1845, The Flock at the Fountain; a catechism and hymns for children. As a member of the congregation of the Rev. W. J. Fox, an Unitarian minister in London, she contributed 13 hymns to the Hymns and Anthems, published by C. Fox, Lond., in 1841, for use in his chapel. Of these hymns the most widely known are— "Nearer,my God,to Thee," and "He sendeth sun, He sendeth shower." The remaining eleven, most of which have come into common use, more especially in America, are:— Creator Spirit! Thou the first. Holy Spirit. Darkness shrouded Calvary. Good Friday. Gently fall the dews of eve. Evening. Go, and watch the Autumn leaves. Autumn. O hallowed memories of the past. Memories. O human heart! thou hast a song. Praise. O I would sing a song of praise. Praise. O Love! thou makest all things even. Love. Part in Peace! is day before us? Close of Service. Sing to the Lord! for His mercies are sure. Praise. The mourners came at break of day. Easter. Mrs. Adams also contributed to Novello's musical edition of Songs for the Months, n. d. Nearly all of the above hymns are found in the Unitarian collections of Great Britain, and America. In Martineau's Hymns of Praise & Prayer, 1873, No. 389, there is a rendering by her from Fenelon: —" Living or dying, Lord, I would be Thine." It appeared in the Hymns and Anthems, 1841. -John Julian, Dictionary of Hymnology (1907)

Isaac Watts

1674 - 1748 Topics: liturgical Songs of Response Author of "My Shepherd Will Supply My Need" Isaac Watts was the son of a schoolmaster, and was born in Southampton, July 17, 1674. He is said to have shown remarkable precocity in childhood, beginning the study of Latin, in his fourth year, and writing respectable verses at the age of seven. At the age of sixteen, he went to London to study in the Academy of the Rev. Thomas Rowe, an Independent minister. In 1698, he became assistant minister of the Independent Church, Berry St., London. In 1702, he became pastor. In 1712, he accepted an invitation to visit Sir Thomas Abney, at his residence of Abney Park, and at Sir Thomas' pressing request, made it his home for the remainder of his life. It was a residence most favourable for his health, and for the prosecution of his literary labours. He did not retire from ministerial duties, but preached as often as his delicate health would permit. The number of Watts' publications is very large. His collected works, first published in 1720, embrace sermons, treatises, poems and hymns. His "Horae Lyricae" was published in December, 1705. His "Hymns" appeared in July, 1707. The first hymn he is said to have composed for religious worship, is "Behold the glories of the Lamb," written at the age of twenty. It is as a writer of psalms and hymns that he is everywhere known. Some of his hymns were written to be sung after his sermons, giving expression to the meaning of the text upon which he had preached. Montgomery calls Watts "the greatest name among hymn-writers," and the honour can hardly be disputed. His published hymns number more than eight hundred. Watts died November 25, 1748, and was buried at Bunhill Fields. A monumental statue was erected in Southampton, his native place, and there is also a monument to his memory in the South Choir of Westminster Abbey. "Happy," says the great contemporary champion of Anglican orthodoxy, "will be that reader whose mind is disposed, by his verses or his prose, to imitate him in all but his non-conformity, to copy his benevolence to men, and his reverence to God." ("Memorials of Westminster Abbey," p. 325.) --Annotations of the Hymnal, Charles Hutchins, M.A., 1872. ================================= Watts, Isaac, D.D. The father of Dr. Watts was a respected Nonconformist, and at the birth of the child, and during its infancy, twice suffered imprisonment for his religious convictions. In his later years he kept a flourishing boarding school at Southampton. Isaac, the eldest of his nine children, was born in that town July 17, 1674. His taste for verse showed itself in early childhood. He was taught Greek, Latin, and Hebrew by Mr. Pinhorn, rector of All Saints, and headmaster of the Grammar School, in Southampton. The splendid promise of the boy induced a physician of the town and other friends to offer him an education at one of the Universities for eventual ordination in the Church of England: but this he refused; and entered a Nonconformist Academy at Stoke Newington in 1690, under the care of Mr. Thomas Rowe, the pastor of the Independent congregation at Girdlers' Hall. Of this congregation he became a member in 1693. Leaving the Academy at the age of twenty, he spent two years at home; and it was then that the bulk of the Hymns and Spiritual Songs (published 1707-9) were written, and sung from manuscripts in the Southampton Chapel. The hymn "Behold the glories of the Lamb" is said to have been the first he composed, and written as an attempt to raise the standard of praise. In answer to requests, others succeeded. The hymn "There is a land of pure delight" is said to have been suggested by the view across Southampton Water. The next six years of Watts's life were again spent at Stoke Newington, in the post of tutor to the son of an eminent Puritan, Sir John Hartopp; and to the intense study of these years must be traced the accumulation of the theological and philosophical materials which he published subsequently, and also the life-long enfeeblement of his constitution. Watts preached his first sermon when he was twenty-four years old. In the next three years he preached frequently; and in 1702 was ordained pastor of the eminent Independent congregation in Mark Lane, over which Caryl and Dr. John Owen had presided, and which numbered Mrs. Bendish, Cromwell's granddaughter, Charles Fleetwood, Charles Desborough, Sir John Hartopp, Lady Haversham, and other distinguished Independents among its members. In this year he removed to the house of Mr. Hollis in the Minories. His health began to fail in the following year, and Mr. Samuel Price was appointed as his assistant in the ministry. In 1712 a fever shattered his constitution, and Mr. Price was then appointed co-pastor of the congregation which had in the meantime removed to a new chapel in Bury Street. It was at this period that he became the guest of Sir Thomas Abney, under whose roof, and after his death (1722) that of his widow, he remained for the rest of his suffering life; residing for the longer portion of these thirty-six years principally at the beautiful country seat of Theobalds in Herts, and for the last thirteen years at Stoke Newington. His degree of D.D. was bestowed on him in 1728, unsolicited, by the University of Edinburgh. His infirmities increased on him up to the peaceful close of his sufferings, Nov. 25, 1748. He was buried in the Puritan restingplace at Bunhill Fields, but a monument was erected to him in Westminster Abbey. His learning and piety, gentleness and largeness of heart have earned him the title of the Melanchthon of his day. Among his friends, churchmen like Bishop Gibson are ranked with Nonconformists such as Doddridge. His theological as well as philosophical fame was considerable. His Speculations on the Human Nature of the Logos, as a contribution to the great controversy on the Holy Trinity, brought on him a charge of Arian opinions. His work on The Improvement of the Mind, published in 1741, is eulogised by Johnson. His Logic was still a valued textbook at Oxford within living memory. The World to Come, published in 1745, was once a favourite devotional work, parts of it being translated into several languages. His Catechisms, Scripture History (1732), as well as The Divine and Moral Songs (1715), were the most popular text-books for religious education fifty years ago. The Hymns and Spiritual Songs were published in 1707-9, though written earlier. The Horae Lyricae, which contains hymns interspersed among the poems, appeared in 1706-9. Some hymns were also appended at the close of the several Sermons preached in London, published in 1721-24. The Psalms were published in 1719. The earliest life of Watts is that by his friend Dr. Gibbons. Johnson has included him in his Lives of the Poets; and Southey has echoed Johnson's warm eulogy. The most interesting modern life is Isaac Watts: his Life and Writings, by E. Paxton Hood. [Rev. H. Leigh Bennett, M.A.] A large mass of Dr. Watts's hymns and paraphrases of the Psalms have no personal history beyond the date of their publication. These we have grouped together here and shall preface the list with the books from which they are taken. (l) Horae Lyricae. Poems chiefly of the Lyric kind. In Three Books Sacred: i.To Devotion and Piety; ii. To Virtue, Honour, and Friendship; iii. To the Memory of the Dead. By I. Watts, 1706. Second edition, 1709. (2) Hymns and Spiritual Songs. In Three Books: i. Collected from the Scriptures; ii. Composed on Divine Subjects; iii. Prepared for the Lord's Supper. By I. Watts, 1707. This contained in Bk i. 78 hymns; Bk. ii. 110; Bk. iii. 22, and 12 doxologies. In the 2nd edition published in 1709, Bk. i. was increased to 150; Bk. ii. to 170; Bk. iii. to 25 and 15 doxologies. (3) Divine and Moral Songs for the Use of Children. By I. Watts, London, 1715. (4) The Psalms of David Imitated in the Language of the New Testament, And apply'd to the Christian State and Worship. By I. Watts. London: Printed by J. Clark, at the Bible and Crown in the Poultry, &c, 1719. (5) Sermons with hymns appended thereto, vol. i., 1721; ii., 1723; iii. 1727. In the 5th ed. of the Sermons the three volumes, in duodecimo, were reduced to two, in octavo. (6) Reliquiae Juveniles: Miscellaneous Thoughts in Prose and Verse, on Natural, Moral, and Divine Subjects; Written chiefly in Younger Years. By I. Watts, D.D., London, 1734. (7) Remnants of Time. London, 1736. 454 Hymns and Versions of the Psalms, in addition to the centos are all in common use at the present time. --Excerpts from John Julian, Dictionary of Hymnology (1907) ================================== Watts, I. , p. 1241, ii. Nearly 100 hymns, additional to those already annotated, are given in some minor hymn-books. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ================= Watts, I. , p. 1236, i. At the time of the publication of this Dictionary in 1892, every copy of the 1707 edition of Watts's Hymns and Spiritual Songs was supposed to have perished, and all notes thereon were based upon references which were found in magazines and old collections of hymns and versions of the Psalms. Recently three copies have been recovered, and by a careful examination of one of these we have been able to give some of the results in the revision of pp. 1-1597, and the rest we now subjoin. i. Hymns in the 1709 ed. of Hymns and Spiritual Songs which previously appeared in the 1707 edition of the same book, but are not so noted in the 1st ed. of this Dictionary:— On pp. 1237, L-1239, ii., Nos. 18, 33, 42, 43, 47, 48, 60, 56, 58, 59, 63, 75, 82, 83, 84, 85, 93, 96, 99, 102, 104, 105, 113, 115, 116, 123, 124, 134, 137, 139, 146, 147, 148, 149, 162, 166, 174, 180, 181, 182, 188, 190, 192, 193, 194, 195, 197, 200, 202. ii. Versions of the Psalms in his Psalms of David, 1719, which previously appeared in his Hymns and Spiritual Songs, 1707:— On pp. 1239, U.-1241, i., Nos. 241, 288, 304, 313, 314, 317, 410, 441. iii. Additional not noted in the revision:— 1. My soul, how lovely is the place; p. 1240, ii. 332. This version of Ps. lxiv. first appeared in the 1707 edition of Hymns & Spiritual Songs, as "Ye saints, how lovely is the place." 2. Shine, mighty God, on Britain shine; p. 1055, ii. In the 1707 edition of Hymns & Spiritual Songs, Bk. i., No. 35, and again in his Psalms of David, 1719. 3. Sing to the Lord with [cheerful] joyful voice, p. 1059, ii. This version of Ps. c. is No. 43 in the Hymns & Spiritual Songs, 1707, Bk. i., from which it passed into the Ps. of David, 1719. A careful collation of the earliest editions of Watts's Horae Lyricae shows that Nos. 1, 7, 9, 10, 11, 12, 14, 16, p. 1237, i., are in the 1706 ed., and that the rest were added in 1709. Of the remaining hymns, Nos. 91 appeared in his Sermons, vol. ii., 1723, and No. 196 in Sermons, vol. i., 1721. No. 199 was added after Watts's death. It must be noted also that the original title of what is usually known as Divine and Moral Songs was Divine Songs only. --John Julian, Dictionary of Hymnology, New Supplement (1907) =========== See also in: Hymn Writers of the Church

Frederic Henry Hedge

1805 - 1890 Topics: liturgical Songs of Response Translator of "A Mighty Fortress" Hedge, Frederick Henry, D.D., son of Professor Hedge of Harvard College, was born at Cambridge, Massachusetts, 1805, and educated in Germany and at Harvard. In 1829 he became pastor of the Unitarian Church, West Cambridge. In 1835 he removed to Bangor, Maine; in 1850 to Providence, and in 1856 to Brookline, Mass. He was appointed in 1857, Professor of Ecclesiastical History at Cambridge (U.S.), and in 1872, Professor of German Literature at Harvard. Dr. Hedge is one of the editors of the Christian Examiner, and the author of The Prose Writers of Germany, and other works. In 1853 he edited, with Dr. F. D. Huntington, the Unitarian Hymns for the Church of Christ, Boston Crosby, Nichols & Co. To that collection and the supplement (1853) he contributed the following translations from the German:— 1. A mighty fortress is our God. (Ein feste Burg.) 2. Christ hath arisen! joy to, &c. (Goethe's Faust.) 3. The sun is still for ever sounding. (Goethe's Faust.) There is also in the Unitarian Hymn [& Tune] Book for The Church & Home, Boston, 1868, a translation from the Latin. 4. Holy Spirit, Fire divine. (“Veni Sancte Spiritus.") Dr. Hedge's original hymns, given in the Hymns for the Church, 1853, are:— 5. Beneath Thine hammer, Lord, I lie. Resignation. 6. Sovereign and transforming grace. Ordination. Written for the Ordination of H. D. Barlow at Lynn, Mass., Dec. 9, 1829. It is given in several collections. 7. 'Twas in the East, the mystic East. Christmas. 8. 'Twas the day when God's anointed. Good Friday. Written originally for a Confirmation at Bangor, Maine, held on Good Friday, 1843. The hymn "It is finished, Man of Sorrows! From Thy cross, &c," in a few collections, including Martineau's Hymns, &c, 1873, is composed of st. iv.-vi. of this hymn. [Rev. F. M. Bird, M.A.] --John Julian, Dictionary of Hymnology (1907)