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All People That on Earth Do Dwell
Author: William Kethe; Roger Chapal; Timothy Ting Fang Lew; Ernest Yang; Willem Barnard; Cornelius Becker; Albert Szenczi Molnár; H. A. Pandopo; Federico J. Pagura Meter: 8.8.8.8 Appears in 723 hymnals Topics: Temple First Line: All people that on earth do dwell Scripture: Psalm 100 Used With Tune: GENEVAN 134 (OLD HUNDREDTH) Text Sources: French tr. after Théodore de Bèze, 1562; Japanese tr. from The 150 Genevan Psalm Songs in Japanese (The General Assembly of Reformed Church in Japan Publishing Committee, 2006); Korean tr. The United Methodist Korean Hymnal Committee; Swahili tr. Nyimbo Standard
All People That on Earth Do Dwell
Glorious things of you are spoken
Author: J. Newton (1725-1807) Meter: 8.7.8.7 D Appears in 1,295 hymnals Topics: Epiphany 4, Revelation The New Temple Lyrics: 1 Glorious things of you are spoken,
Zion, city of our God;
he whose word cannot be broken
formed you for his own abode:
on the rock of ages founded,
what can shake your sure repose?
with salvation's walls surrounded
you may smile at all your foes.
2 See, the streams of living waters
springing from eternal love!
well supply your sons and daughters
and all fear of want remove:
who can faint while such a river
ever flows their thirst to assuage?
grace, which like the Lord the giver
never fails from age to age.
3 Round each habitation hovering,
see the cloud and fire appear
for a glory and a covering
showing that the Lord is near:
thus they march, the pillar leading,
light by night and shade by day;
daily on the manna feeding
which he gives them when they pray.
4 Saviour, since of Zion's city
I through grace a member am,
let the world deride or pity,
I will glory in your name:
fading are the world's best pleasures,
all its boasted pomp and show;
solid joys and lasting treasures
none but Zion's children know. Scripture: Psalm 87:3 Used With Tune: AUSTRIA
Glorious things of you are spoken
How Lovely Is Thy Dwelling Place
Author: Carl P. Daw, Jr., b. 1944 Appears in 53 hymnals Topics: Temple Lyrics: 1 How lovely is thy dwelling place,
O Lord of hosts, to me!
My thirsty soul desires and longs
within thy courts to be;
my very heart and flesh cry out,
O living God, for thee.
2 Beside thine altars, gracious Lord,
the swallows find a nest;
how happy they who dwell with thee
and praise thee without rest,
and happy they whose hearts are set
upon the pilgrims' quest.
3 They who go through the desert vale
will find it filled with springs,
and they shall climb from height to height
till Zion's temple rings
with praise to thee, in glory throned,
Lord God, great King of kings.
4 One day within thy courts excels
a thousand spent away;
how happy they who keep thy laws
nor from thy precepts stray,
for thou shalt surely bless all those
who live the words they pray.
Optional stanza from Psalm 23:
Goodness and mercy all my life
shall surely follow me,
and in God's house forevermore
my dwelling place shall be;
and in God's house forevermore
my dwelling place shall be. Scripture: Psalm 84 Used With Tune: BROTHER JAMES' AIR Text Sources: Scottish Psalter, 1650 (sts. 1, 2 and opt. sts.)
How Lovely Is Thy Dwelling Place
GENEVAN 68
Meter: 8.8.7.8.8.7 D Appears in 106 hymnals Topics: Temple Tune Key: D Major Incipit: 11231 34554 32134 Used With Text: Approach Our God with Songs of Praise
GENEVAN 68
LAND OF REST
Appears in 185 hymnals Composer and/or Arranger: Annabel Moris Buchanan, 1889-1983 Topics: Saints Days and Holy Days Presentation of Christ in the Temple Tune Sources: American folk hymn coll. Annabel Morris Buchanan Tune Key: F Major Incipit: 51123 51165 51123 Used With Text: Lord, bid your servant go in peace
LAND OF REST
Wonderful Heavenly Temple
Author: Miss Eliza E. Hewitt Hymnal: The Sunday School Hymnal #226 (1899) Topics: Temple First Line: There's a wonderful Temple Lyrics: 1 There’s a wonderful Temple, where the songs never cease,
In the city of Zion, in the kingdom of peace;
‘Tis effulgent with glory for the Lamb is its light
And the saints of all ages in His praises unite.
Refrain:
Wonderful Heavenly Temple,
Beautiful, bright, and fair;
Wonderful Heavenly Temple,
Gather us, Saviour, there.
2 O the jubilant anthems swelling there evermore,
Like the sound of great waters as they break on the shore;
Sweet hosannas re-echo to the Lamb who was slain,
Unto Him who hath loved us, and hath washed every stain. [Refrain]
3 Help us do Thy good pleasure, help us honor Thee now,
Till we stand in Thy presence, with Thy name on each brown;
We shall wear Thy blest likeness in that Temple above,
And no sorrow shall mingle with its service of love. [Refrain]
4 Praise to Thee, God our Father, praise to Thee, gracious Son,
Praise to Thee, Holy Spirit, O Thou blest Three in One;
Thine, all power and dominion, Thine, all blessing and mighty,
In the land everlasting, in the Temple of light. [Refrain] Tune Title: [There's a wonderful Temple]
Wonderful Heavenly Temple
Hallelujah! Praise God in His Holy Temple
Author: Charles Villiers Stanford, 1852-1924 Hymnal: Psalms for All Seasons #150E (2012) Topics: Temple Lyrics: Hallelujah! Praise God in his holy temple;
praise him in the firmament of his power.
Praise him for his mighty acts;
praise him for his excellent greatness.
Praise him with the blast of the ram's horn;
praise him with lyre and harp.
Praise him with timbrel and dance;
praise him with strings and pipe.
Praise him with resounding cymbals;
praise him with loud clanging cymbals.
Let everything that has breath praise the Lord.
Hallelujah!
Glory to the Father, and to the Son,
and to the Holy Spirit:
as it was in the beginning,
is now, and will be forever. Amen.
Scripture: Psalm 150 Tune Title: [Hallelujah, Praise God in his holy temple]
Hallelujah! Praise God in His Holy Temple
God Is in His Holy Temple
Author: Anon. Hymnal: Hymns of the Church of Jesus Christ of Latter-day Saints #132 (1985) Meter: 8.7.8.7 D Topics: Genealogy and Temple Work Lyrics: 1. God is in his holy temple.
Earthly thoughts, be silent now,
While with rev’rence we assemble
And before his presence bow.
He is with us, now and ever,
When we call upon his name,
Aiding ev’ry good endeavor,
Guiding ev’ry upward aim.
2. God is in his holy temple,
In the pure and holy mind,
In the rev’rent heart and simple,
In the soul from sin refined.
Banish then each base emotion.
Lift us up, O Lord, to thee;
Let our souls, in pure devotion,
Temples for thy worship be. Scripture: 1 Corinthians 3:16-17 Languages: English Tune Title: WILSON
God Is in His Holy Temple
Stuart K. Hine
1899 - 1989 Person Name: Stuart Wesley Keene Hine, 1899-1989 Topics: The Temple Worship Translator of "Then sings my soul, my Saviour God, to Thee" in The Irish Presbyterian Hymnbook Stuart K. Hine was born in 1899 in Great Britain. In much of Stuart’s earlier years he and his wife were missionaries in the Western Ukraine of Russia, where they evangelized as Christian workers and singers. In 1931, Stuart K. Hine and his wife returned to Britain and conducted gospel campaigns throughout Great Britain. During those years, Stuart published many song books and wrote many of his beloved gospel songs. Stuart retired from the active ministry but continued to publish his song books and his music and contributed the majority of his income to various missionary endeavors around the world…Stuart K. Hine’s most popular composition is “How Great Thou Art,” which is recognized in many polls as the number one Hymn in America. Among his other compositions are “Can There Be One,” “O Savior Mine?”, “Faith Is The Bridge,” and “What Can Cleanse My heart?” Mr. Hine died in 1989.
--www.gmahalloffame.org/site/stuart-k-hine/
Stuart K. Hine
St. Bernard of Clairvaux
1090 - 1153 Person Name: Bernard of Clairvaux, 1090-1153 Topics: The Temple Worship Author (attributed to) of "Jesus, the very thought of You" in The Irish Presbyterian Hymnbook Bernard of Clairvaux, saint, abbot, and doctor, fills one of the most conspicuous positions in the history of the middle ages. His father, Tecelin, or Tesselin, a knight of great bravery, was the friend and vassal of the Duke of Burgundy. Bernard was born at his father's castle on the eminence of Les Fontaines, near Dijon, in Burgundy, in 1091. He was educated at Chatillon, where he was distinguished for his studious and meditative habits. The world, it would be thought, would have had overpowering attractions for a youth who, like Bernard, had all the advantages that high birth, great personal beauty, graceful manners, and irresistible influence could give, but, strengthened in the resolve by night visions of his mother (who had died in 1105), he chose a life of asceticism, and became a monk. In company with an uncle and two of his brothers, who had been won over by his entreaties, he entered the monastery of Citeaux, the first Cistercian foundation, in 1113. Two years later he was sent forth, at the head of twelve monks, from the rapidly increasing and overcrowded abbey, to found a daughter institution, which in spite of difficulties and privations which would have daunted less determined men, they succeeded in doing, in the Valley of Wormwood, about four miles from the Abbey of La Ferté—itself an earlier swarm from the same parent hive—on the Aube. On the death of Pope Honorius II., in 1130, the Sacred College was rent by factions, one of which elected Gregory of St. Angelo, who took the title of Innocent II., while another elected Peter Leonis, under that of Anacletua II. Innocent fled to France, and the question as to whom the allegiance of the King, Louie VI., and the French bishops was due was left by them for Bernard to decide. At a council held at Etampes, Bernard gave judgment in favour of Innocent. Throwing himself into the question with all the ardour of a vehement partisan, he won over both Henry I., the English king, and Lothair, the German emperor, to support the same cause, and then, in 1133, accompanied Innocent II., who was supported by Lothair and his army, to Italy and to Rome. When Lothair withdrew, Innocent retired to Pisa, and Bernard for awhile to his abbey of Clairvaux. It was not until after the death of Anacletus, the antipope, in January, 1138, and the resignation of his successor, the cardinal-priest Gregory, Victor II., that Innocent II., who had returned to Rome with Bernard, was universally acknowledged Pope, a result to which no one had so greatly contributed as the Abbot of Clairvaux. The influence of the latter now became paramount in the Church, as was proved at the Lateran Council of 1139, the largest council ever collected together, where the decrees in every line displayed the work of his master-hand. After having devoted four years to the service of the Pope, Bernard, early in 1135, returned to Clairvaux. In 1137 he was again at Rome, impetuous and determined as ever, denouncing the election of a Cluniac instead of a Clairvaux monk to the see of Langres in France, and in high controversy in consequence with Peter, the gentle Abbot of Cluny, and the Archbishop of Lyons. The question was settled by the deposition by the Pope of the Cluniac and the elevation of a Clairvaux monk (Godfrey, a kinsman of St. Bernard) into his place. In 1143, Bernard raised an almost similar question as to the election of St. William to the see of York, which was settled much after the same fashion, the deposition, after a time, if only for a time, of William, and the intrusion of another Clairvaux monk, Henry Murdac, or Murduch, into the archiepiccopal see. Meantime between these two dates—in 1140—the condemnation of Peter Abilaid and his tenets, in which matter Bernard appeared personally as prosecutor, took place at a council held at Sens. Abelard, condemned at Sens, appealed to Rome, and, resting awhile on his way thither, at Cluny, where Peter still presided as Abbot, died there in 1142. St. Bernard was next called upon to exercise his unrivalled powers of persuasion in a very different cause. Controversy over, he preached a crusade. The summer of 1146 was spent by him in traversing France to rouse the people to engage in the second crusade; the autumn with a like object in Germany. In both countries the effect of his appearance and eloquence was marvellous, almost miraculous. The population seemed to rise en masse, and take up the cross. In 1147 the expedition started, a vast horde, of which probably not a tenth ever reached Palestine. It proved a complete failure, and a miserable remnant shared the flight of their leaders, the Emperor Conrad, and Louis, King of France, and returned home, defeated and disgraced. The blame was thrown upon Bernard, and his apology for his part in the matter is extant. He was not, however, for long to bear up against reproach; he died in the 63rd year of his age, in 1153, weary of the world and glad to be at rest.
With the works of St. Bernard, the best ed. of which was pub. by Mabillon at Paris in the early part of the 18th cent. (1719), we are not concerned here, except as regards his contributions, few and far between as they are, to the stores of Latin hymnology. There has been so much doubt thrown upon the authorship of the hymns which usually go by his name,—notably by his editor, Mabillon himself,—that it is impossible to claim any of them as having been certainly written by him; but Archbishop Trench, than whom we have no greater modern authority on such a point, is satisfied that the attribution of them all, except the "Cur mundus militat," to St. Bernard is correct. "If he did not write," the Archbishop says, "it is not easy to guess who could have written them; and indeed they bear profoundly the stamp of his mind, being only inferior in beauty to his prose."
The hymns by which St. Bernard is best known as a writer of sacred poetry are: (1.) "Jesu duicis memoria," a long poem on the " Name of Jesus"—known as the "Jubilus of St. Bernard," and among mediaeval writers as the " Rosy Hymn." It is, perhaps, the best specimen of what Neale describes as the "subjective loveliness " of its author's compositions. (2.) "Salve mundi Salutore," an address to the various limbs of Christ on the cross. It consists of 350 lines, 50 lines being addressed to each. (3.) "Laetabundus, exultet fidelis chorus: Alleluia." This sequence was in use all over Europe. (4.) "Cum sit omnis homo foenum." (5.) " Ut jucundas cervus undas." A poem of 68 lines, and well known, is claimed for St. Bernard by Hommey in his Supplementum Patrum, Paris, 1686, p. 165, but on what Archbishop Trench, who quotes it at length, (Sac. Lat. Poetry, p. 242,) deems " grounds entirely insufficient." (6.) " Eheu, Eheu, mundi vita," or " Heu, Heu, mala mundi vita." A poem of nearly 400 lines, is sometimes claimed for St. Bernard, but according to Trench, “on no authority whatever." (7.) “O miranda vanitas." This is included in Mabillon's ed. of St. Bernard's Works. It is also attributed to him by Rambach, vol. i. p. 279. Many other hymns and sequences are attributed to St. Bernard. Trench speaks of a " general ascription to him of any poems of merit belonging to that period whereof the authorship was uncertain." Hymns, translated from, or founded on, St. Bernard's, will be found in almost every hymnal of the day, details of which, together with many others not in common use, will be found under the foregoing Latin first lines.
-John Julian, Dictionary of Hymnology (1907)
See also in:
Hymn Writers of the Church
St. Bernard of Clairvaux
Josiah Conder
1789 - 1855 Person Name: Josiah Conder, 1789-1885 Topics: The Temple Praise Author of "The Lord is King! lift up your voice" in The Irish Presbyterian Hymnbook Josiah Conder was born in London, in 1789. He became a publisher, and in 1814 became proprietor of "The Eclectic Review." Subsequently to 1824, he composed a series of descriptive works, called the "Modern Traveller," which appeared in thirty volumes. He also published several volumes of poems and hymns. He was the author of the first "Congregational Hymn Book" (1836). He died in 1855.
--Annotations of the Hymnal, Charles Hutchins, M.A. 1872.
==========================
Conder, Josiah, fourth son of Thomas Conder, engraver and bookseller, and grandson of the Rev. John Conder, D.D., first Theological Tutor of Homerton College, was born in Falcon Street (City); London, Sept. 17, 1789, and died Dec. 27, 1855. As author, editor and publisher he was widely known. For some years he was the proprietor and editor of the Eclectic Review, and also editor of the Patriot newspaper. His prose works were numerous, and include:—
The Modern Traveller, 1830; Italy, 1831; Dictionary of Ancient and Modern Geography, 1834; Life of Bunyan, 1835; Protestant Nonconformity, 1818-19; The Law of the Sabbath, 1830; Epistle to the Hebrews (a translation), 1834; Literary History of the New Testament, 1845, Harmony of History with Prophecy, 1849, and others.
His poetical works are:—
(1) The Withered Oak,1805; this appeared in the Athenceum. (2) The Reverie, 1811. (3) Star in the East, 1824. (4) Sacred Poems, Domestic Poems, and Miscellaneous Poems, 1824. (5) The Choir and the Oratory; or, Praise and Prayer, 1837. Preface dated Nov. 8, 1836. (6) Hymns of Praise, Prayer, and Devout Meditation, 1856. This last work was in the press at the time of his death, and was revised and published by his son, the Rev. E. R. Conder, M.A. He also contributed many pieces to the magazines and to the Associated Minstrels, 1810, under the signature of " C." In 1838, selections from The Choir and Oratory were published with music by Edgar Sanderson, as Harmonia Sacra. A second volume was added in 1839. To Dr. Collyer’s (q.v.) Hymns, &c, he contributed 3 pieces signed "C"; and to Dr. Leifchild's Original Hymns, 1843, 8 hymns.
As a hymn-book editor he was also well known. In 1836 he edited The Congregational Hymn Book: a Supplement to Dr. Watts’s Psalms and Hymns (2nd ed. 1844). To this collection he contributed fifty-six of his own hymns, some of which had previously appeared in The Star in the East, &c. He also published in 1851 a revised edition of Dr. Watts's Psalms and Hymns, and in the game year a special paper on Dr. Watte as The Poet of the Sanctuary, which was read before the Congregational Union at Southampton. The value of his work as Editor of the Congregational Hymn Book is seen in the fact that eight out of every ten of the hymns in that collection are still in use either in Great Britain or America.
As a hymn writer Conder ranks with some of the best of the first half of the present century. His finest hymns are marked by much elevation of thought expressed in language combining both force and beauty. They generally excel in unity, and in some the gradual unfolding of the leading idea is masterly. The outcome of a deeply spiritual mind, they deal chiefly with the enduring elements of religion. Their variety in metre, in style, and in treatment saves them from the monotonous mannerism which mars the work of many hymn writers. Their theology, though decidedly Evangelical, is yet of a broad and liberal kind. Doubtless Conder's intercourse with many phases of theological thought as Editor of the Eclectic Review did much to produce this catholicity, which was strikingly shewn by his embodying many of the collects of the Book of Common Prayer, rendered into verse, in his Choir and Oratory. Of his versions of the Psalms the most popular are "How honoured, how dear" (84th), and "O be joyful in the Lord" (100th). His hymns in most extensive use are," Bread of heaven, on Thee I feed; " “Beyond, beyond that boundless sea;" "The Lord is King, lift up thy voice" (this last is one of his best); "Day by day the manna fell;" "How shall I follow him I serve;" "Heavenly Father, to whose eye" (all good specimens of his subdued and pathetic style); and "O shew me not my Saviour dying." This last is full of lyric feeling, and expresses the too often forgotten fact that the Church has a living though once crucified Lord. The popularity of Conder's hymns may be gathered from the fact that at the present time more of them are in common use in Great Britain and America than those of any other writer of the Congregational body, Watts and Doddridge alone excepted. [Rev. W. Garrett Horder]
In addition to the hymns named above and others which are annotated under their respective first lines, the following, including two already named (4,16), are also in common use:—
i. From Dr. Collyer's Hymns, &c, 1812.
1. When in the hours of lonely woe. Lent.
ii. From The Star in the East, &c, 1824.
2. Be merciful, O God of grace. Ps. lxvii.
3. For ever will I bless the Lord. Ps. xxxiv.
4. How honoured, how dear. Ps. lxxxiv.
5. Now with angels round the throne. Doxology.
6. O Thou God, Who hearest prayer. Lent. Dated Sept. 1820. Usually abbreviated.
iii. From The Congregational Hymn Book, 1836.
7. Blessed be God, He is not strict. Longsuffering of God.
8. Followers of Christ of every name. Communion of Saints.
9. Grant me, heavenly Lord, to feel. Zeal in Missions desired.
10. Grant, 0 Saviour, to our prayers. Collect 5th S. after Trinity.
11. Head of the Church, our risen Lord. Church Meetings.
12. Holy, holy, holy Lord, in the highest heaven, &c. Praise to the Father.
13. Jehovah's praise sublime. Praise.
14. Leave us not comfortless. Holy Communion.
15. Lord, for Thv Name's sake! such the plea. In National Danger.
16. O be joyful in the Lord. Ps. c.
17. 0 breathe upon this languid frame. Baptism of Holy Spirit desired.
18. 0 give thanks to Him Who made. Thanksgiving for Daily Mercies.
19. 0 God, Protector of the lowly. New Year.
20. 0 God, to whom the happy dead. Burial.
21. 0 God, Who didst an equal mate. Holy Matrimony.
22. 0 God, Who didst Thy will unfold. Holy Scriptures.
23. 0 God, Who dost Thy sovereign might. Prayer Meetings.
24. 0 how shall feeble flesh and blood. Salvation through Christ.
25. 0 how should those be clean who bear. Purity desired for God's Ministers.
26. 0 say not, think not in thy heart. Pressing Onward.
27. 0 Thou divine High Priest. Holy Communion.
28. 0 Thou Who givest all their food. Harvest.
29. 0 Thou Whose covenant is sure. Holy Baptism.
30. Praise on Thee, in Zion-gates. Sunday.
31. Praise the God of all creation. Doxology
32. See the ransomed millions stand. Praise to Christ.
33. The heavens declare His glory. Ps. xix.
34. Thou art the Everlasting Word. Praise to Christ.
35. Thy hands have made and fashioned me. Thanks for Daily Mercies.
36. To all Thy faithful people, Lord. For Pardon.
37. To His own world He came. Ascension.
38. To our God loud praises give. Ps. cxxxvi.
39. Upon a world of guilt and night. Purification of B.V.M.
40. Welcome, welcome, sinner, hear. Invitation to Christ.
41. Wheresoever two or three. Continued Presence of Christ desired.
iv. From The Choir and the Oratory, 1837.
42. Baptised into our Saviour's death. Holy Baptism.
43. In the day of my [thy] distress. Ps. xx.
44. 0 comfort to the dreary. Christ the Comforter.
v. From Leifchild's Original Hymns, 1843.
45. I am Thy workmanship, 0 Lord. God the Maker and Guardian.
46. 0 Lord, hadst Thou been here! But when. The Resurrection of Lazarus.
47. 'Tis not that I did choose Thee. Chosen of God. This is altered in the Church Praise Book, N. Y., 1882, to “Lord, 'tis not that I did choose Thee," thereby changing the metre from 7.6 to 8.5.
vi. From Hymns of Praise, Prayer, &c, 1856.
48. Comrades of the heavenly calling. The Christian race.
When to these 48 hymns those annotated under their respective first lines are added, Conder’s hymns in common use number about 60 in all.
--John Julian, Dictionary of Hymnology (1907)
===================
Conder, Josiah, p. 256, i. Other hymns are:—
1. O love beyond the reach of thought. The love of God.
2. O Thou, our Head, enthroned on high. Missions.
3. Son of David, throned in light. Divine Enlightenment desired.
4. Thou Lamb of God for sinners slain. Christ the Head of the Church. From "Substantial Truth, 0 Christ, Thou art."
These hymns are all from his Hymns of Praise, &c, 1856.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
Josiah Conder
