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Jesus Christ Is Risen Today (El Señor Resucitó)
Author: Charles Wesley, 1707-1788; Juan Bautista Cabrera, 1837-1916 Meter: 7.7.7.7 with alleluias Appears in 491 hymnals Topics: Triduo Pascual Vigilia Pascual First Line: Jesus Christ is ris'n today, Alleluia! (El Señor resucitó, ¡Aleluya!) Lyrics: ENGLISH -
1 Jesus Christ is ris'n today, Alleluia!
Our triumphant holy day, Alleluia!
Who did once upon the cross, Alleluia!
Suffer to redeem our lose. Alleluia!
2 Hymns of praise then let us sing, Alleluia!
Unto Christ, our heav'nly King, Alleluia!
Who endured the cross and grace, Alleluia!
Sinners to redeem and save. Alleluia!
3 But the pains which he endured, Alleluia!
Our salvation have procured; Alleluia!
Now above the sky he's King, Alleluia!
Where the angels ever sing. Alleluia!
4 Sing we to our God above, Alleluia!
Praise eternal, as his love; Alleluia!
Praise him, now his might confess, Alleluia!
Father, Son, and Spirit blest. Alleluia!
SPANISH -
1 El Señor resucitó.¡Aleluya!
Muerte y tumba ya de venció. ¡Aleluya!
Con su fuerza y su virtud, ¡Aleluya!
Cautivó la esclavitud.¡Aleluya!
2 El que al polvo se humilló, ¡Aleluya!
Vencedor se levantó; ¡Aleluya!
Cante hoy la cristiandad, ¡Aleluya!
Su gloriosa majestad. ¡Aleluya!
3 Cristo, que la cruz sufrió, ¡Aleluya!
Y en desolacion se vio, ¡Aleluya!
Hoy en gloria celestial, ¡Aleluya!
Reina vivo e inmortal. ¡Aleluya!
4 Cristo, nuestro Salvador, ¡Aleluya!
De la muerte es triunfador; ¡Aleluya!
En él hemos de confiar; ¡Aleluya!
Cantaremos sin cesar. ¡Aleluya! Scripture: Matthew 28:6-9 Used With Tune: EASTER HYMN Text Sources: Latin, 14th C. (st. 1); Para. in Lyra Davidica, 1708, alt.; Sts. 2, 3, The Compleat Psalmodist, c. 1750, alt.
Jesus Christ Is Risen Today (El Señor Resucitó)
When I Survey the Wondrous Cross (La Cruz Excelsa al Contemplar)
Author: Isaac Watts, 1674-1748; W. T. T. Millham, 1880-1961 Meter: 8.8.8.8 Appears in 1,999 hymnals Topics: Triduo Pascual Viernes Santo Scripture: John 19:2 Used With Tune: HAMBURG
When I Survey the Wondrous Cross (La Cruz Excelsa al Contemplar)
O Sacred Head, Surrounded (Oh Rostro Ensangrentado)
Author: St. Bernard of Clairvaux, 1091-1153; Henry W. Baker, 1821-1877; Federico Fliedner, 1845-1901 Meter: 7.6.7.6 D Appears in 89 hymnals Topics: Triduo Pascual Viernes Santo Lyrics: ENGLISH -
1 O Sacred Head, surrounded
By crown of piercing thorn!
O bleeding Head, so wounded,
Reviled and put to scorn!
The pow'r of death comes o'er you,
The glow of life decays,
Yet angel hosts adore you
And tremble as they gaze.
2 I see your strength and vigor
All fading in the strife,
And death with cruel rigor,
Bereaving you of life;
O agony and dying!
O love to sinners free!
Jesus, all grace supplying,
O turn your face on me.
3 In this, your bitter passion,
Good Shepherd, think of me
With your most sweet compassion,
Unworthy though I be:
Beneath your cross abiding
For ever would I rest,
In your dear love confiding,
And with your presence blest.
SPANISH:
¡Oh rostro ensangrentado
Imagen del dolor,
Que sufres resignado
La burla y el furor!
Soportas la tortura,
La saña, la maldad;
En tan cruel amargura,
¡Que grandes es tu bondad!
2 Cubrió tu noble frente
La palidez mortal,
Cual velo transparente
De tu sufrir, señal.
Cerróse aquella boca,
La lengua enmudeció,
La fría muerte toca
Al que la vida dio.
3 Señor, tu has soportado
Lo que yo merecí;
La culpa que has cargado,
Cargarla yo debí.
Mas mírame, confío
En tu cruz y pasión.
Otórgame, Dios mío,
La gracia del perdón.
Scripture: Mark 15:17-18 Used With Tune: PASSION CHORALE
O Sacred Head, Surrounded (Oh Rostro Ensangrentado)
WONDROUS LOVE
Meter: 12.9.12.12.9 Appears in 126 hymnals Composer and/or Arranger: Richard Proulx, 1937-2010 Topics: Triduo Pascual Viernes Santo Tune Sources: Southern Harmony, 1835 Tune Key: d minor or modal Incipit: 11724 54211 72576 Used With Text: What Wondrous Love Is This (¡Cuán Admirable Amor!)
WONDROUS LOVE
Cena Pascual
Author: Perla Moré, m. 1985; Rogelio Zelada, n. 1944 Hymnal: Flor Y Canto (2nd ed.) #376 (2001) Topics: Triduo Pascual Jueves Santo (Misa Vespertina de la Cena del Señor) First Line: Manos honradas de carpintero Refrain First Line: Éste es mi Cuerpo, ésta es me Sangre Languages: Spanish Tune Title: [Manos honradas de carpintero]
Cena Pascual
Pregón Pascual
Hymnal: Flor Y Canto (2nd ed.) #396 (2001) Topics: Triduo Pascual Vigelia Pascual First Line: El Señor esté con vosotros Languages: Spanish Tune Title: [El Señor esté con vosotros]
Pregón Pascual
Stay Here and Keep Watch (Estén Despiertos, Quédense)
Author: Taizé Community Hymnal: Oramos Cantando = We Pray In Song #421 (2013) Topics: Triduo Pascual Jueves Santo; Triduo Pascual Viernes Santo First Line: Stay here and keep watch with me (Estén despiertos, quédense) Scripture: Matthew 26:36-46 Languages: English; Spanish Tune Title: [Stay here and keep watch with me]
Stay Here and Keep Watch (Estén Despiertos, Quédense)
H. W. Baker
1821 - 1877 Person Name: Henry W. Baker, 1821-1877 Topics: Triduo Pascual Viernes Santo Translator (English) of "O Sacred Head, Surrounded (Oh Rostro Ensangrentado)" in Oramos Cantando = We Pray In Song Baker, Sir Henry Williams, Bart., eldest son of Admiral Sir Henry Loraine Baker, born in London, May 27, 1821, and educated at Trinity College, Cambridge, where he graduated, B.A. 1844, M.A. 1847. Taking Holy Orders in 1844, he became, in 1851, Vicar of Monkland, Herefordshire. This benefice he held to his death, on Monday, Feb. 12, 1877. He succeeded to the Baronetcy in 1851. Sir Henry's name is intimately associated with hymnody. One of his earliest compositions was the very beautiful hymn, "Oh! what if we are Christ's," which he contributed to Murray's Hymnal for the Use of the English Church, 1852. His hymns, including metrical litanies and translations, number in the revised edition of Hymns Ancient & Modern, 33 in all. These were contributed at various times to Murray's Hymnal, Hymns Ancient & Modern and the London Mission Hymn Book, 1876-7. The last contains his three latest hymns. These are not included in Hymns Ancient & Modern. Of his hymns four only are in the highest strains of jubilation, another four are bright and cheerful, and the remainder are very tender, but exceedingly plaintive, sometimes even to sadness. Even those which at first seem bright and cheerful have an undertone of plaintiveness, and leave a dreamy sadness upon the spirit of the singer. Poetical figures, far-fetched illustrations, and difficult compound words, he entirely eschewed. In his simplicity of language, smoothness of rhythm, and earnestness of utterance, he reminds one forcibly of the saintly Lyte. In common with Lyte also, if a subject presented itself to his mind with striking contrasts of lights and shadows, he almost invariably sought shelter in the shadows. The last audible words which lingered on his dying lips were the third stanza of his exquisite rendering of the 23rd Psalm, "The King of Love, my Shepherd is:"—
Perverse and foolish, oft I strayed,
But yet in love He sought me,
And on His Shoulder gently laid,
And home, rejoicing, brought me."
This tender sadness, brightened by a soft calm peace, was an epitome of his poetical life.
Sir Henry's labours as the Editor of Hymns Ancient & Modern were very arduous. The trial copy was distributed amongst a few friends in 1859; first ed. published 1861, and the Appendix, in 1868; the trial copy of the revised ed. was issued in 1874, and the publication followed in 1875. In addition he edited Hymns for the London Mission, 1874, and Hymns for Mission Services, n.d., c. 1876-7. He also published Daily Prayers for those who work hard; a Daily Text Book, &c. In Hymns Ancient & Modern there are also four tunes (33, 211, 254, 472) the melodies of which are by Sir Henry, and the harmonies by Dr. Monk. He died Feb. 12, 1877.
--John Julian, Dictionary of Hymnology (1907)
H. W. Baker
Hans Leo Hassler
1564 - 1612 Person Name: Hans Leo Hassler, 1564-1612 Topics: Triduo Pascual Viernes Santo Composer of "PASSION CHORALE " in Oramos Cantando = We Pray In Song Hans Leo Hassler Germany 1564-1612. Born at Nuremberg, Germany, he came from a family of famous musicians and received early education from his father. He then studied in Venice, Italy, with Andrea Gabrieli, uncle of Giovanni Gabrieli, his friend, with whom he composed a wedding motet. The uncle taught him to play the organ. He learned the polychoral style and took it back to Germany after Andrea Gabrieli's death. He served as organist and composer for Octavian Fugger, the princely art patron of Augsburg (1585-1601). He was a prolific composer but found his influence limited, as he was Protestant in a still heavily Catholic region. In 1602 he became director of town music and organist in the Frauenkirche in Nuremberg until 1608. He married Cordula Claus in 1604. He was finally court musician for the Elector of Saxony in Dresden, Germany, evenually becoming Kapellmeister (1608-1612). A Lutheran, he composed both for Roman Catholic liturgy and for Lutheran churches. He produced two volumns of motets, a famous collection of court songs, and a volume of simpler hymn settings. He published both secular and religious music, managing to compose much for the Catholic church that was also usable in Lutheran settings. He was also a consultant to organ builders. In 1596 he, with 53 other organists, had the opportunity to examine a new instrument with 59 stops at the Schlosskirche, Groningen. He was recognized for his expertise in organ design and often was called on to examine new instruments. He entered the world of mechanical instrument construction, developing a clockwork organ that was later sold to Emperor Rudolf II. He died of tuberculosis in Frankfurt, Germany.
John Perry
Hans Leo Hassler
Juan Bautista Cabrera Ivars
1837 - 1916 Person Name: Juan Bautista Cabrera, 1837-1916 Topics: Triduo Pascual Vigilia Pascual Translator of "Jesus Christ Is Risen Today (El Señor Resucitó)" in Oramos Cantando = We Pray In Song Juan Bautista Cabrera Ivars was born in Benisa, Spain, April 23, 1837. He attended seminary in Valencia, studying Hebrew and Greek, and was ordained as a priest. He fled to Gibraltar in 1863 due to religious persecution where he abandoned Catholicism. He worked as a teacher and as a translator. One of the works he translated was E.H. Brown's work on the thirty-nine articles of the Anglican Church, which was his introduction to Protestantism. He was a leader of a Spanish Reformed Church in Gibraltar. He continued as a leader in this church when he returned to Spain after the government of Isabel II fell, but continued to face legal difficulties. He then organized the Spanish Reformed Episcopal Church and was consecrated as bishop in 1894. He recognized the influence of music and literature on evangelism which led him to write and translate hymns.
Dianne Shapiro, from Real Academia de la Historia (https://dbe.rah.es/biografias/39825/juan-bautista-cabrera-ivars) and Himnos Cristanos (https://www.himnos-cristianos.com/biografia-juan-bautista-cabrera/) (accessed 7/30/2021)
Juan Bautista Cabrera Ivars
