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Baptized in Water
Author: Michael Saward Meter: 5.5.8 D Appears in 48 hymnals Topics: Vocal Options Descants First Line: Baptized in water, sealed by the Spirit Lyrics: 1 Baptized in water, sealed by the Spirit,
cleansed by the blood of Christ, our King;
heirs of salvation, trusting his promise,
faithfully now God's praise we sing.
2 Baptized in water, sealed by the Spirit,
dead in the tomb with Christ, our King;
one with his rising, freed and forgiven,
thankfully now God's praise we sing.
3 Baptized in water, sealed by the Spirit,
marked with the sign of Christ, our King;
born of one Father, we are his children,
joyfully now God's praise we sing.
Scripture: John 3:5 Used With Tune: BUNESSAN
Baptized in Water
Lift High the Cross
Author: George William Kitchin; Michael R. Newbolt Meter: 10.10 with refrain Appears in 95 hymnals Topics: Vocal Options Descants First Line: Come, Christians, follow where our Savior led Refrain First Line: Lift high the cross, the love of Chirst proclaim Lyrics: Refrain:
Lift high the cross, the love of Christ proclaim
till all the world adore his sacred name.
1 Come, Christians, follow where our Savior ledd,
our King victorious, Jesus Christ, our Head. (Refrain)
2 All newborn servants of the Crucified
bear on their brows the seal of him who died. (Refrain)
3 O Lord, once lifted on the tree of pain,
draw all the world to seek you once again. (Refrain)
4 Let every race and every language tell
of him who saves our lives from death and hell. (Refrain)
Scripture: Matthew 1:21 Used With Tune: CRUCIFER
Lift High the Cross
Come, Thou Long-Expected Jesus
Author: Charles Wesley Meter: 8.7.8.7 Appears in 751 hymnals Topics: Vocal Options Descants Lyrics: 1 Come, thou long expected Jesus,
born to set thy people free;
from our fears and sins release us,
let us find our rest in thee.
2 Israel's strength and consolation,
hope of all the earth thou art:
dear desire of every nation,
joy of every longing heart.
3 Born thy people to deliver,
born a child and yet a king,
born to reign in us forever,
now thy gracious kingdom bring.
4 By thine own eternal Spirit
rule in all our hearts alone;
by thine all sufficient merit
raise us to thy glorious throne.
Scripture: Isaiah 61:1-2 Used With Tune: STUTTGART
Come, Thou Long-Expected Jesus
I've Been Redeemed
Appears in 3 hymnals Composer and/or Arranger: Anonymous Topics: Vocal Options Echoes Tune Key: F Major Used With Text: I've Been Redeemed
I've Been Redeemed
[Who did, who did, who did swallow Jonah, Jonah]
Appears in 2 hymnals Composer and/or Arranger: Pamela Conn Beall; Susan Hagen Nipp; Joyce Borger Topics: Vocal Options Echoes Tune Sources: Wee Sing Bible Songs, alt. Tune Key: F Major Incipit: 11551 15511 32176 Used With Text: Who Did Swallow Jonah
[Who did, who did, who did swallow Jonah, Jonah]
I Will Call Upon the Lord
Author: Michael O'Shields Hymnal: Sing With Me #33 (2006) Topics: Vocal Options Descants; Vocal Options Echoes Scripture: Psalm 18 Languages: English Tune Title: I Will Call Upon the Lord
I Will Call Upon the Lord
Come, All You People
Author: Alexander Gondo; I-to Loh Hymnal: Sing With Me #4 (2006) Meter: 5.6.5.6.5.6.7 Topics: Vocal Options Descants First Line: Uyai mose (Come, all you people) Languages: English; Shona Tune Title: UYAI MOSE
Come, All You People
Henry J. Gauntlett
1805 - 1876 Person Name: Henry Gauntlett Topics: Vocal Options Descants Adapter of "STUTTGART" in Sing With Me Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extended the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844).
Bert Polman
Henry J. Gauntlett
Charles Wesley
1707 - 1788 Topics: Vocal Options Descants Author of "Come, Thou Long-Expected Jesus" in Sing With Me Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists."
In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley.
As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream.
It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works.
The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century.
-- Excerpts from John Julian, Dictionary of Hymnology (1907)
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Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
Charles Wesley
Joseph Medlicott Scriven
1819 - 1886 Person Name: Joseph M. Scriven Topics: Vocal Options Descants Author of "What a Friend We Have in Jesus" in Sing With Me Joseph M. Scriven (b. Seapatrick, County Down, Ireland, 1819; d. Bewdley, Rice Lake, ON, Canada, 1886), an Irish immigrant to Canada, wrote this text near Port Hope, Ontario, in 1855. Because his life was filled with grief and trials, Scriven often needed the solace of the Lord as described in his famous hymn.
Educated at Trinity College, Dublin, Ireland, he enrolled in a military college to prepare for an army career. However, poor health forced him to give up that ambition. Soon after came a second blow—his fiancée died in a drowning accident on the eve of their wedding in 1844. Later that year he moved to Ontario, where he taught school in Woodstock and Brantford. His plans for marriage were dashed again when his new bride-to-be died after a short illness in 1855. Following this calamity Scriven seldom had a regular income, and he was forced to live in the homes of others. He also experienced mistrust from neighbors who did not appreciate his eccentricities or his work with the underprivileged. A member of the Plymouth Brethren, he tried to live according to the Sermon on the Mount as literally as possible, giving and sharing all he had and often doing menial tasks for the poor and physically disabled. Because Scriven suffered from depression, no one knew if his death by drowning in Rice Lake was suicide or an accident.
Bert Polman
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Scriven, Joseph. Mr. Sankey, in his My Life and Sacred Songs, 1906, p. 279, says that Scriven was b. in Dublin in 1820, was a graduate of Trinity College, Dublin, and went to Canada when he was 25, and died there at Port Hope, on Lake Ontario, in 1886. His hymn:—
What a Friend we have in Jesus. [Jesus our Friend] was, according to Mr. Sankey, discovered to be his in the following manner: "A neighbour, sitting up with him in his illness, happened upon a manuscript of 'What a Friend we have in Jesus.' Reading it with great delight, and questioning Mr. Scriven about it, he said he had composed it for his mother, to comfort her in a time of special sorrow, not intending any one else should see it." We find the hymn in H. 1... Hastings's Social Hymns, Original and Selected, 1865, No. 242; and his Song of Pilgrimage, 1886, No. 1291, where it is attributed to "Joseph Scriven, cir. 1855." It is found in many modern collections.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Joseph Medlicott Scriven
