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Tune Identifier:"^ich_singe_dir_55551$"

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ICH SINGE DIR

Meter: 8.6.8.6 Appears in 13 hymnals Tune Sources: Harmonischer Lieder-Schatz, Frankfurt, 1738; The Lutheran Hymnal, 1941 (Setting) Tune Key: B Flat Major Incipit: 55551 27126 76655 Used With Text: Rejoice, My Heart, Be Glad and Sing

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Through All the Changing Scenes of Life

Author: Nicholas Brady; Nahum Tate Meter: 8.6.8.6 Appears in 480 hymnals First Line: Thro' all the changing scenes of life Lyrics: 1 Through all the changing scenes of life, In trouble and in joy, The praises of my God shall still My heart and tongue employ. 2 Of His deliv'rance I will boast Till all that are distrest From my example comfort take And charm their griefs to rest. 3 Oh, magnify the Lord with me, With me exalt His name! When in distress to Him I cried, He to my rescue came. 4 The hosts of God encamp around The dwellings of the just; Deliv'rance He affords to all Who on His succor trust. 5 Oh, make but trial of His love! Experience will decide How blest are they, and only they, Who in His truth confide. 6 Fear Him, ye saints, and you will then Have nothing else to fear: Make you His service your delight, He'll make your wants His care. Amen. Topics: Adoration Worship and Praise Scripture: Psalm 84 Used With Tune: ICH SINGE DIR
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We Sing the Almighty Power of God

Author: Isaac Watts, 1674-1748 Meter: 8.6.8.6 Appears in 477 hymnals First Line: We sing th'almighty pow'r of God Lyrics: 1 We sing th'almighty pow'r of God, Who bade the mountains rise, Who spread the flowing seas abroad And built the lofty skies. 2 We sing the wisdom that ordained The sun to rule the day; The moon shines too at his command, And all the stars obey. 3 We sing the goodness of the Lord, Who fills the earth with food, Who formed his creatures by a word And then pronounced them good. 4 Lord, how your wonders are displayed Each time we turn our eyes To view the ground on which we tread Or gaze up at the skies! 5 There's not a plant or flow'r below But makes your glories known; And clouds arise and tempests blow By order from your throne. 6 On you each moment we depend; If you withdraw, we die. Oh, may we never God offend, Our God, forever nigh! Topics: Creation; Praise and Adoration Used With Tune: ICH SINGE DIR
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O Christ, Our Hope

Author: John Chandler, 1806-76 Meter: 8.6.8.6 Appears in 57 hymnals First Line: O Christ, our hope, our hearts' desire Lyrics: 1 O Christ, our hope, our hearts' desire, Creation's mighty Lord, Redeemer of the fallen world, By holy love outpoured: 2 How vast your mercy to accept The burden of our sin And bow your head in cruel death To make us clean within. 3 But now the bonds of death are burst, The ransom has been paid; You now ascend the Father's throne In robes of light arrayed. 4 Oh, let your mighty love prevail To purge us of our pride That we may stand before your throne By mercy purified. 5 Christ Jesus, be our present joy, Our future great reward; Our only glory, may it be To glory in the Lord! 6 All praise to you, ascended Lord; All glory ever be To Father, Son, and Holy Ghost Through all eternity! Topics: Ascension; Aspiration Used With Tune: ICH SINGE DIR Text Sources: Latin hymn, c. 8th cent.

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Rejoice, My heart, Be Glad and Sing

Author: John Kelly; Paul Gerhardt Hymnal: The Lutheran Hymnal #535 (1941) Meter: 8.6.8.6 Lyrics: 1 Rejoice, my heart, be glad and sing, A cheerful trust maintain; For God, the Source of ev'rything, Thy portion shall remain. 2 He is thy Treasure, He thy Joy, Thy Life and Light and Lord, Thy Counselor when doubts annoy, Thy Shield and great Reward. 3 Why spend the day in blank despair, In restless tho't the night? On thy Creator cast thy care; He makes thy burdens light. 4 Did not Hs love and truth and pow'r Watch o'er thy childhood day? Has He not oft in threat'ning hour Turn dreaded ills away? 5 He ever will with patience chide, His rod falls gently down, And all thy sins he casts aside And in the sea doth drown. 6 When silent woe thy bosom rends, His pity sees thy grief, Supplies what to His glory tends And to thine own relief. 7 He knows how oft a Christian weeps And why his tears now fall; And in the book His mercy keeps These things are noted all. 8 His wisdom never plans in vain, Nor falters nor mistakes; All that His counsels did ordain A happy ending makes. 9 Upon thy lips, then, lay thy hand And trust His guiding love; Then like a rock your peace shall stand Here and in heaven above. Amen. Topics: Cross and Comfort Scripture: Psalm 56:8 Languages: English Tune Title: ICH SINGE DIR
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O Lord, I Sing with Lips and Heart

Author: John Kelly; Paul Gerhardt Hymnal: The Lutheran Hymnal #569 (1941) Meter: 8.6.8.6 Lyrics: 1 O Lord, I sing with mouth and heart, Joy of my soul, to Thee; To earth Thy knowledge I impart As it is known to me. 2 Thou art the Fount of grace, I know, And Spring so full and free Whence saving health and goodness flow Each day so bounteously. 3 For what have all that live and move Thro' this wide world below That does not from Thy bounteous love, O heav'nly Father, flow! 4 Who built the lofty firmament? Who spread th'expanse of blue? By whom are to our pastures sent Refreshing rain and dew? 5 Who warmeth us in cold and rain? Who shields us from the wind? Who orders it that fruit and grain We in their season find? 6 Who is it life and health bestows? Who keeps us with His hand In golden peace, wards off war’s woes From our dear native land? 7 O Lord, of this and all our store Thou art the Author blest; Thou keepest watch before our door While we securely rest. 8 Thou feedest us from year to year And constant dost abide; With ready help in time of fear Thou standest at our side. 9 Our deepest need dost Thou supply, And all that lasts for aye; Thou leadest us to our home on high When hence we pass away. Amen. Topics: Times and Seasons Harvest and Thanksgiving Scripture: Psalm 92:1 Languages: English Tune Title: ICH SINGE DIR
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Through All the Changing Scenes of Life

Author: Nicholas Brady; Nahum Tate Hymnal: The Lutheran Hymnal #29 (1941) Meter: 8.6.8.6 First Line: Thro' all the changing scenes of life Lyrics: 1 Through all the changing scenes of life, In trouble and in joy, The praises of my God shall still My heart and tongue employ. 2 Of His deliv'rance I will boast Till all that are distrest From my example comfort take And charm their griefs to rest. 3 Oh, magnify the Lord with me, With me exalt His name! When in distress to Him I cried, He to my rescue came. 4 The hosts of God encamp around The dwellings of the just; Deliv'rance He affords to all Who on His succor trust. 5 Oh, make but trial of His love! Experience will decide How blest are they, and only they, Who in His truth confide. 6 Fear Him, ye saints, and you will then Have nothing else to fear: Make you His service your delight, He'll make your wants His care. Amen. Topics: Adoration Worship and Praise Scripture: Psalm 84 Languages: English Tune Title: ICH SINGE DIR

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Nahum Tate

1652 - 1715 Author of "Through All the Changing Scenes of Life" in The Lutheran Hymnal Nahum Tate was born in Dublin and graduated from Trinity College, Dublin, B.A. 1672. He lacked great talent but wrote much for the stage, adapting other men's work, really successful only in a version of King Lear. Although he collaborated with Dryden on several occasions, he was never fully in step with the intellectual life of his times, and spent most of his life in a futile pursuit of popular favor. Nonetheless, he was appointed poet laureate in 1692 and royal historiographer in 1702. He is now known only for the New Version of the Psalms of David, 1696, which he produced in collaboration with Nicholas Brady. Poverty stricken throughout much of his life, he died in the Mint at Southwark, where he had taken refuge from his creditors, on August 12, 1715. --The Hymnal 1940 Companion See also in: Hymn Writers of the Church

Isaac Watts

1674 - 1748 Author of "We Sing the Almighty Power of God" in The Lutheran Hymnal Isaac Watts was the son of a schoolmaster, and was born in Southampton, July 17, 1674. He is said to have shown remarkable precocity in childhood, beginning the study of Latin, in his fourth year, and writing respectable verses at the age of seven. At the age of sixteen, he went to London to study in the Academy of the Rev. Thomas Rowe, an Independent minister. In 1698, he became assistant minister of the Independent Church, Berry St., London. In 1702, he became pastor. In 1712, he accepted an invitation to visit Sir Thomas Abney, at his residence of Abney Park, and at Sir Thomas' pressing request, made it his home for the remainder of his life. It was a residence most favourable for his health, and for the prosecution of his literary labours. He did not retire from ministerial duties, but preached as often as his delicate health would permit. The number of Watts' publications is very large. His collected works, first published in 1720, embrace sermons, treatises, poems and hymns. His "Horae Lyricae" was published in December, 1705. His "Hymns" appeared in July, 1707. The first hymn he is said to have composed for religious worship, is "Behold the glories of the Lamb," written at the age of twenty. It is as a writer of psalms and hymns that he is everywhere known. Some of his hymns were written to be sung after his sermons, giving expression to the meaning of the text upon which he had preached. Montgomery calls Watts "the greatest name among hymn-writers," and the honour can hardly be disputed. His published hymns number more than eight hundred. Watts died November 25, 1748, and was buried at Bunhill Fields. A monumental statue was erected in Southampton, his native place, and there is also a monument to his memory in the South Choir of Westminster Abbey. "Happy," says the great contemporary champion of Anglican orthodoxy, "will be that reader whose mind is disposed, by his verses or his prose, to imitate him in all but his non-conformity, to copy his benevolence to men, and his reverence to God." ("Memorials of Westminster Abbey," p. 325.) --Annotations of the Hymnal, Charles Hutchins, M.A., 1872. ================================= Watts, Isaac, D.D. The father of Dr. Watts was a respected Nonconformist, and at the birth of the child, and during its infancy, twice suffered imprisonment for his religious convictions. In his later years he kept a flourishing boarding school at Southampton. Isaac, the eldest of his nine children, was born in that town July 17, 1674. His taste for verse showed itself in early childhood. He was taught Greek, Latin, and Hebrew by Mr. Pinhorn, rector of All Saints, and headmaster of the Grammar School, in Southampton. The splendid promise of the boy induced a physician of the town and other friends to offer him an education at one of the Universities for eventual ordination in the Church of England: but this he refused; and entered a Nonconformist Academy at Stoke Newington in 1690, under the care of Mr. Thomas Rowe, the pastor of the Independent congregation at Girdlers' Hall. Of this congregation he became a member in 1693. Leaving the Academy at the age of twenty, he spent two years at home; and it was then that the bulk of the Hymns and Spiritual Songs (published 1707-9) were written, and sung from manuscripts in the Southampton Chapel. The hymn "Behold the glories of the Lamb" is said to have been the first he composed, and written as an attempt to raise the standard of praise. In answer to requests, others succeeded. The hymn "There is a land of pure delight" is said to have been suggested by the view across Southampton Water. The next six years of Watts's life were again spent at Stoke Newington, in the post of tutor to the son of an eminent Puritan, Sir John Hartopp; and to the intense study of these years must be traced the accumulation of the theological and philosophical materials which he published subsequently, and also the life-long enfeeblement of his constitution. Watts preached his first sermon when he was twenty-four years old. In the next three years he preached frequently; and in 1702 was ordained pastor of the eminent Independent congregation in Mark Lane, over which Caryl and Dr. John Owen had presided, and which numbered Mrs. Bendish, Cromwell's granddaughter, Charles Fleetwood, Charles Desborough, Sir John Hartopp, Lady Haversham, and other distinguished Independents among its members. In this year he removed to the house of Mr. Hollis in the Minories. His health began to fail in the following year, and Mr. Samuel Price was appointed as his assistant in the ministry. In 1712 a fever shattered his constitution, and Mr. Price was then appointed co-pastor of the congregation which had in the meantime removed to a new chapel in Bury Street. It was at this period that he became the guest of Sir Thomas Abney, under whose roof, and after his death (1722) that of his widow, he remained for the rest of his suffering life; residing for the longer portion of these thirty-six years principally at the beautiful country seat of Theobalds in Herts, and for the last thirteen years at Stoke Newington. His degree of D.D. was bestowed on him in 1728, unsolicited, by the University of Edinburgh. His infirmities increased on him up to the peaceful close of his sufferings, Nov. 25, 1748. He was buried in the Puritan restingplace at Bunhill Fields, but a monument was erected to him in Westminster Abbey. His learning and piety, gentleness and largeness of heart have earned him the title of the Melanchthon of his day. Among his friends, churchmen like Bishop Gibson are ranked with Nonconformists such as Doddridge. His theological as well as philosophical fame was considerable. His Speculations on the Human Nature of the Logos, as a contribution to the great controversy on the Holy Trinity, brought on him a charge of Arian opinions. His work on The Improvement of the Mind, published in 1741, is eulogised by Johnson. His Logic was still a valued textbook at Oxford within living memory. The World to Come, published in 1745, was once a favourite devotional work, parts of it being translated into several languages. His Catechisms, Scripture History (1732), as well as The Divine and Moral Songs (1715), were the most popular text-books for religious education fifty years ago. The Hymns and Spiritual Songs were published in 1707-9, though written earlier. The Horae Lyricae, which contains hymns interspersed among the poems, appeared in 1706-9. Some hymns were also appended at the close of the several Sermons preached in London, published in 1721-24. The Psalms were published in 1719. The earliest life of Watts is that by his friend Dr. Gibbons. Johnson has included him in his Lives of the Poets; and Southey has echoed Johnson's warm eulogy. The most interesting modern life is Isaac Watts: his Life and Writings, by E. Paxton Hood. [Rev. H. Leigh Bennett, M.A.] A large mass of Dr. Watts's hymns and paraphrases of the Psalms have no personal history beyond the date of their publication. These we have grouped together here and shall preface the list with the books from which they are taken. (l) Horae Lyricae. Poems chiefly of the Lyric kind. In Three Books Sacred: i.To Devotion and Piety; ii. To Virtue, Honour, and Friendship; iii. To the Memory of the Dead. By I. Watts, 1706. Second edition, 1709. (2) Hymns and Spiritual Songs. In Three Books: i. Collected from the Scriptures; ii. Composed on Divine Subjects; iii. Prepared for the Lord's Supper. By I. Watts, 1707. This contained in Bk i. 78 hymns; Bk. ii. 110; Bk. iii. 22, and 12 doxologies. In the 2nd edition published in 1709, Bk. i. was increased to 150; Bk. ii. to 170; Bk. iii. to 25 and 15 doxologies. (3) Divine and Moral Songs for the Use of Children. By I. Watts, London, 1715. (4) The Psalms of David Imitated in the Language of the New Testament, And apply'd to the Christian State and Worship. By I. Watts. London: Printed by J. Clark, at the Bible and Crown in the Poultry, &c, 1719. (5) Sermons with hymns appended thereto, vol. i., 1721; ii., 1723; iii. 1727. In the 5th ed. of the Sermons the three volumes, in duodecimo, were reduced to two, in octavo. (6) Reliquiae Juveniles: Miscellaneous Thoughts in Prose and Verse, on Natural, Moral, and Divine Subjects; Written chiefly in Younger Years. By I. Watts, D.D., London, 1734. (7) Remnants of Time. London, 1736. 454 Hymns and Versions of the Psalms, in addition to the centos are all in common use at the present time. --Excerpts from John Julian, Dictionary of Hymnology (1907) ================================== Watts, I. , p. 1241, ii. Nearly 100 hymns, additional to those already annotated, are given in some minor hymn-books. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ================= Watts, I. , p. 1236, i. At the time of the publication of this Dictionary in 1892, every copy of the 1707 edition of Watts's Hymns and Spiritual Songs was supposed to have perished, and all notes thereon were based upon references which were found in magazines and old collections of hymns and versions of the Psalms. Recently three copies have been recovered, and by a careful examination of one of these we have been able to give some of the results in the revision of pp. 1-1597, and the rest we now subjoin. i. Hymns in the 1709 ed. of Hymns and Spiritual Songs which previously appeared in the 1707 edition of the same book, but are not so noted in the 1st ed. of this Dictionary:— On pp. 1237, L-1239, ii., Nos. 18, 33, 42, 43, 47, 48, 60, 56, 58, 59, 63, 75, 82, 83, 84, 85, 93, 96, 99, 102, 104, 105, 113, 115, 116, 123, 124, 134, 137, 139, 146, 147, 148, 149, 162, 166, 174, 180, 181, 182, 188, 190, 192, 193, 194, 195, 197, 200, 202. ii. Versions of the Psalms in his Psalms of David, 1719, which previously appeared in his Hymns and Spiritual Songs, 1707:— On pp. 1239, U.-1241, i., Nos. 241, 288, 304, 313, 314, 317, 410, 441. iii. Additional not noted in the revision:— 1. My soul, how lovely is the place; p. 1240, ii. 332. This version of Ps. lxiv. first appeared in the 1707 edition of Hymns & Spiritual Songs, as "Ye saints, how lovely is the place." 2. Shine, mighty God, on Britain shine; p. 1055, ii. In the 1707 edition of Hymns & Spiritual Songs, Bk. i., No. 35, and again in his Psalms of David, 1719. 3. Sing to the Lord with [cheerful] joyful voice, p. 1059, ii. This version of Ps. c. is No. 43 in the Hymns & Spiritual Songs, 1707, Bk. i., from which it passed into the Ps. of David, 1719. A careful collation of the earliest editions of Watts's Horae Lyricae shows that Nos. 1, 7, 9, 10, 11, 12, 14, 16, p. 1237, i., are in the 1706 ed., and that the rest were added in 1709. Of the remaining hymns, Nos. 91 appeared in his Sermons, vol. ii., 1723, and No. 196 in Sermons, vol. i., 1721. No. 199 was added after Watts's death. It must be noted also that the original title of what is usually known as Divine and Moral Songs was Divine Songs only. --John Julian, Dictionary of Hymnology, New Supplement (1907) =========== See also in: Hymn Writers of the Church

John Chandler

1806 - 1876 Person Name: John Chandler, 1806-1876 Translator of "O Christ, Our Hope, Our Heart's Desire" in Lutheran Service Book John Chandler, one of the most successful translators of hymns, was born at Witley in Surrey, June 16, 1806. He was educated at Corpus Christi College, Oxford, B.A. 1827, M.A. 1830. Ordained deacon in 1831 and priest in 1832, he succeeded his father as the patron and vicar of Whitley, in 1837. His first volume, entitled The Hymns of the Primitive Church, now first Collected, Translated and Arranged, 1837, contained 100 hymns, for the most part ancient, with a few additions from the Paris Breviary of 1736. Four years later, he republished this volume under the title of hymns of the Church, mostly primitive, collected, translated and arranged for public use, 1841. Other publications include a Life of William of Wykeham, 1842, and Horae sacrae: prayers and meditations from the writings of the divines of the Anglican Church, 1854, as well as numerous sermons and tracts. Chandler died at Putney on July 1, 1876. --The Hymnal 1940 Companion =============== Chandler, John, M.A.,one of the earliest and most successful of modern translators of Latin hymns, son of the Rev. John F. Chandler, was born at Witley, Godalming, Surrey, June 16, 1806, and educated at Corpus Christi College, Oxford, where he graduated in 1827. He took Holy Orders in 1831, and became Vicar of Witley in 1837. He died at Putney, July 1, 1876. Besides numerous Sermons and Tracts, his prose works include Life of William of Wykeham, 1842; and Horae Sacrae; Prayers and Meditations from the writings of the Divines of the Anglican Church, with an Introduction, 1844. His translations, he says, arose out of his desire to see the ancient prayers of the Anglican Liturgy accompanied by hymns of a corresponding date of composition, and his inability to find these hymns until he says, "My attention was a short time ago directed to some translations [by Isaac Williams] which appeared from time to time in the British Magazine, very beautifully executed, of some hymns extracted from the Parisian Breviary,with originals annexed. Some, indeed, of the Sapphic and Alcaic and other Horatian metres, seem to be of little value; but the rest, of the peculiar hymn-metre, Dimeter Iambics, appear ancient, simple, striking, and devotional—in a word in every way likely to answer our purpose. So I got a copy of the Parisian Breviary [1736], and one or two other old books of Latin Hymns, especially one compiled by Georgius Cassander, printed at Cologne, in the year 1556, and regularly applied myself to the work of selection and translation. The result is the collection I now lay before the public." Preface, Hymns of the Primitive Church, viii., ix. This collection is:— (1) The Hymns of the Primitive Church, now first Collected, Translated, and Arranged, by the Rev. J. Chandler. London, John W. Parker, 1837. These translations were accompanied by the Latin texts. The trsanslations rearranged, with additional translations, original hymns by Chandler and a few taken from other sources, were republished as (2) The Hymns of the Church, mostly Primitive, Collected, Translated, and Arranged/or Public Use, by the Rev. J. Chandler, M.A. London, John W. Parker, 1841. From these works from 30 to 40 translations have come gradually into common use, some of which hold a foremost place in modern hymnals, "Alleluia, best and sweetest;" "Christ is our Corner Stone;" "On Jordan's bank the Baptist's cry;" "Jesus, our Hope, our hearts' Desire;" "Now, my soul, thy voice upraising;" "Once more the solemn season calls;" and, "O Jesu, Lord of heavenly grace;" being those which are most widely used. Although Chandler's translations are somewhat free, and, in a few instances, doctrinal difficulties are either evaded or softened down, yet their popularity is unquestionably greater than the translations of several others whose renderings are more massive in style and more literal in execution. --John Julian, Dictionary of Hymnology (1907)

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Published hymn books and other collections

Small Church Music

Editors: John Chandler Description: History The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid 1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano with organ versions. About the Recordings All recordings are in MP3 format. Churches all around the world use the recordings, with downloads averaging over 60,000 per month. The recordings normally have an introduction, several verses and a slowdown on the last verse. Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) to adjust the MP3 number of verses, tempo and pitch to suit their local needs. Mobile App We have partnered with the developer of the popular NetTracks mobile app to offer the Small Church Music collection as a convenient mobile app. Experience the beloved Small Church Music collection through this iOS app featuring nearly 10,000 high-quality hymn recordings that can be organized into custom setlists and downloaded for offline use—ideal for worship services without musicians, congregational practice, and personal devotion. The app requires a small fee to cover maintenance costs. Please note: While Hymnary.org hosts this music collection, technical support for the app is provided exclusively by the app developer, not by Hymnary.org staff. LicensingCopyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org. Home/Music(smallchurchmusic.com) List SongsAlphabetically List Songsby Meter List Songs byTune Name About  
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