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Lo! He Comes with Clouds Descending
Author: Charles Wesley, 1707-88 Meter: 8.7.8.7.8.7 Appears in 768 hymnals Lyrics: 1 Lo! He comes with clouds descending,
Once for favored sinners slain;
Thousand thousand saints attending
Swell the triumph of his train:
Alleluia! Alleluia!
Christ the Lord returns to reign.
2 Every eye shall now behold him
Robed in dreadful majesty;
Those who set at naught and sold him,
Pierced and nailed him to the tree,
Deeply wailing, deeply wailing,
Shall the true Messiah see!
3 Those blest tokens of his passion,
Glorified, his body bears,
Cause of endless adoration
By his ransomed worshipers.
With what rapture, with what rapture
Gaze we on those glorious scars!
4 Yea, Amen! Let all adore thee,
High on thine eternal throne;
Savior, take the power and glory;
Claim the Kingdom for thine own.
O come quickly! O come quickly!
Alleluia! Come, Lord, come!
Topics: The Christian Year Adventtide; Advent II Used With Tune: PICARDY
Lo! He Comes with Clouds Descending
You, Lord, Are Both Lamb and Shepherd
Author: Sylvia G. Dunstan, 1955-1993 Meter: 8.7.8.7.8.7 Appears in 25 hymnals Topics: Christmas; Easter; Jesus Christ; Jesus Christ Lamb of God; Jesus Christ Shepherd; Jesus Christ's Death; Meditation; Peace of Jesus Christ; Pilgrimage; Transfiguration Scripture: Colossians 1:15-20 Used With Tune: PICARDY
You, Lord, Are Both Lamb and Shepherd
Let All Mortal Flesh Keep Silence
Author: Gerard Moultrie Meter: 8.7.8.7.8.7 Appears in 172 hymnals Lyrics: 1. Let all mortal flesh keep silence,
and with fear and trembling stand;
ponder nothing earthly-minded,
for with blessing in his hand,
Christ our God to earth descendeth,
our full homage to demand.
2. King of kings, yet born of Mary,
as of old on earth he stood,
Lord of lords, in human vesture,
in the body and the blood;
he will give to all the faithful
his own self for heavenly food.
3. Rank on rank the host of heaven
spreads its vanguard on the way,
as the Light of light descendeth
from the realms of endless day,
that the powers of hell may vanish
as the darkness clears away.
4. At his feet the six-winged seraph,
cherubim, with sleepless eye,
veil their faces to the presence,
as with ceaseless voice they cry:
Alleluia, Alleluia,
Alleluia, Lord Most High!
Topics: The Sacraments and Rites of the Church Eucharist (Holy Communion or The Lord's Supper); Christian Year Advent; Holy Communion Scripture: John 6:35-58 Used With Tune: PICARDY Text Sources: Liturgy of St. James, 4th cent.
Let All Mortal Flesh Keep Silence
Let all mortal flesh keep silence
Author: Gerard Moultrie, 1829-1885 Hymnal: CPWI Hymnal #602 (2010) Lyrics: 1 Let all mortal flesh keep silence
and with fear and trembling stand;
ponder nothing earthly-minded,
for with blessing in his hand
Christ our God to earth descendeth,
our full homage to demand.
2 King of kings, yet born of Mary,
as of old on earth he stood,
Lord of lords, in human vesture —
in the body and the blood —
he will give to all the faithful
his own self for heavenly food.
3 Rank on rank the host of heaven
spreads its vanguard on the way,
as the Light of Light descendeth
from the realms of endless day,
that the powers of hell may vanish
as the darkness clears away.
4 At his feet the six-winged seraph;
cherubim with sleepless eye
veil their faces to the Presence,
as with ceaseless voice they cry,
alleluia, alleluia,
alleluia, Lord most high. Topics: Sacraments and Other Occasions Holy Communion Tune Title: FRENCH CAROL (PICARDY)
Let all mortal flesh keep silence
Let all mortal flesh keep silence
Author: Gerard Moultrie Hymnal: A Treasury of Hymns #240b (1953) Languages: English Tune Title: PICARDY
Let all mortal flesh keep silence
God of Freedom, God of Justice
Author: Shirley Erena Murray Hymnal: Voices United #700 (1996) Meter: 8.7.8.7.8.7 Lyrics: 1 God of freedom, God of justice,
you whose love is strong as death,
you who saw the dark of prison,
you who knew the price of faith:
touch our world of sad oppression
with your Spirit's healing breath.
2 Rid the earth of torture's terror,
you whose hands were nailed to wood;
hear the cries of pain and protest,
you who shed the tears and blood:
move in us the power of pity
restless for the common good.
3 Make in us a captive conscience
quick to hear, to act, to plead;
make us truly sisters, brothers
of whatever race or creed:
teach us to be fully human,
open to each other's need. Topics: The Church in the World Commitment: Peace and Justice; Commitment; Dignity and Equality; Freedom; Justice; Peace (World) Tune Title: PICARDY
God of Freedom, God of Justice
Venantius Honorius Clementianus Fortunatus
540 - 600 Person Name: Venantius Honorius Fortunatus Author (A) of "[Sing, my tongue, the glorious battle]" in The United Methodist Hymnal Music Supplement Venantius Honorius Clematianus Fortunatus (b. Cenada, near Treviso, Italy, c. 530; d. Poitiers, France, 609) was educated at Ravenna and Milan and was converted to the Christian faith at an early age. Legend has it that while a student at Ravenna he contracted a disease of the eye and became nearly blind. But he was miraculously healed after anointing his eyes with oil from a lamp burning before the altar of St. Martin of Tours. In gratitude Fortunatus made a pilgrimage to that saint's shrine in Tours and spent the rest of his life in Gaul (France), at first traveling and composing love songs. He developed a platonic affection for Queen Rhadegonda, joined her Abbey of St. Croix in Poitiers, and became its bishop in 599. His Hymns far all the Festivals of the Christian Year is lost, but some of his best hymns on his favorite topic, the cross of Jesus, are still respected today, in part because of their erotic mysticism.
Bert Polman
==================
Fortunatus, Venantius Honorius Clementianus, was born at Ceneda, near Treviso, about 530. At an early age he was converted to Christianity at Aquileia. Whilst a student at Ravenna he became almost blind, and recovered his sight, as he believed miraculously, by anointing his eyes with some oil taken from a lamp that burned before the altar of St. Martin of Tours, in a church in that town. His recovery induced him to make a pilgrimage to the shrine of St. Martin, at Tours, in 565, and that pilgrimage resulted in his spending the rest of his life in Gaul. At Poitiers he formed a romantic, though purely platonic, attachment for Queen Rhadegunda, the daughter of Bertharius, king of the Thuringians, and the wife, though separated from him, of Lothair I., or Clotaire, king of Neustria. The reader is referred for further particulars of this part of the life of Fortunatus to Smith and Wace's Dictionary of Christian Biography, vol. ii. p. 552. It is sufficient to say here that under the influence of Rhadegunda, who at that time lived at Poitiers, where she had founded the convent of St. Croix, Fortunatus was ordained, and ultimately, after the death of Rhadegunda in 597, became bishop of Poitiers shortly before his own death in 609.
The writings, chiefly poetical, of Fortunatus, which are still extant, are very numerous and various in kind; including the liveliest Vers de Societé and the grandest hymns; while much that he is known to have written, including a volume of Hymns for all the Festivals of the Christian Year, is lost. Of what remains may be mentioned, The Life of St. Martin of Tours, his Patron Saint, in four books, containing 2245 hexameter lines. A complete list of his works will be found in the article mentioned above.
His contributions to hymnology must have been very considerable, as the name of his lost volume implies, but what remains to us of that character, as being certainly his work, does not comprise at most more than nine or ten compositions, and of some of these even his authorship is more than doubtful. His best known hymn is the famous "Vexilla Regis prodeunt," so familiar to us in our Church Hymnals in some English form or other, especially, perhaps, in Dr. Neale's translation, "The Royal Banners forward go." The next most important composition claimed for him is "Pange, lingua, gloriosi praelium certaminis," but there would seem to be little doubt according to Sirmond (Notis ad Epist. Sidon. Apollin. Lib. iii., Ep. 4), that it was more probably written by Claudianus Mamertus. Besides these, which are on the Passion, there are four hymns by Fortunatus for Christmas, one of which is given by Daniel, "Agnoscat omne saeculum," one for Lent, and one for Easter. Of "Lustra sex qui jam peregit," of which an imitation in English by Bishop. Mant, "See the destined day arise," is well-known, the authorship is by some attributed to Fortunatus, and by some to St. Ambrose.
The general character of the poetry of Venantius Fortunatus is by no means high, being distinguished neither for its classical, nor, with very rare exceptions, for its moral correctness. He represents the "last expiring effort of the Latin muse in Gaul," to retain something of the "old classical culture amid the advancing tide of barbarism." Whether we look at his style, or even his grammar and quantities, we find but too much that is open to criticism, whilst he often offends against good taste in the sentiments he enunciates. Occasionally, as we see in the "Vexilla Regis," he rises to a rugged grandeur in which he has few rivals, and some of his poems are by no means devoid of simplicity and pathos. But these are the exceptions and not the rule in his writings, and we know not how far he may have owed even these to the womanly instincts and gentler, purer influence of Rhadegunda. Thierry, in his Récits des Temps Mérovingiens, Récit 5, gives a lively sketch of Fortunatus, as in Archbishop Trench's words (Sacred Latin Poetry, 1874,p. 132), "A clever, frivolous, self-indulgent and vain character," an exaggerated character, probably, because one can hardly identify the author of "Vexilla Regis," in such a mere man of the world, or look at the writer of "Crux benedicta nitet, Dominus qua carne pependit" q.v., as being wholly devoid of the highest aspirations after things divine. A quarto edition of his Works was published in Rome in 1786. [Rev. Digby S. Wrangham, M.A.]
- John Julian, Dictionary of Hymnology (1907)
====================
Fortunatus, V. H. C., p. 384, i. The best edition of his poems is F. Leo's edition of his Opera Poetica, Berlin, 1881 (Monumenta Germaniae, vol. iv.).
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
Venantius Honorius Clementianus Fortunatus
Godfrey Thring
1823 - 1903 Person Name: G. Thring (1823-1903) Author of "Jesus came — the heavens adoring" in Hymns for Today's Church (2nd ed.) Godfrey Thring (b. Alford, Somersetshire, England, 1823; d. Shamley Green, Guilford, Surrey, England, 1903) was born in the parsonage of Alford, where his father was rector. Educated at Balliol College, Oxford, England, he was ordained a priest in the Church of England in 1847. After serving in several other parishes, Thring returned to Alford and Hornblotten in 1858 to succeed his father as rector, a position he retained until his own retirement in 1893. He was also associated with Wells Cathedral (1867-1893). After 1861 Thring wrote many hymns and published several hymnals, including Hymns Congregational (1866), Hymns and Sacred Lyrics (1874), and the respected A Church of England Hymn Book Adapted to the Daily Services of the Church Throughout the Year (1880), which was enlarged as The Church of England Hymn Book (1882).
Bert Polman
================
Thring, Godfrey, B.A., son of the Rev. J. G. D. Thring, of Alford, Somerset, was born at Alford, March 25, 1823, and educated at Shrewsbury School, and at Balliol College, Oxford, B.A. in 1845. On taking Holy Orders he was curate of Stratfield-Turgis, 1846-50; of Strathfieldsaye, 1850-53; and of other parishes to 1858, when he became rector of Alford-with-Hornblotton, Somerset. R.D. 1867-76. In 1876 he was preferred as prebend of East Harptree in Wells cathedral. Prebendary Thring's poetical works are:— Hymns Congregational and Others, 1866; Hymns and Verses, 1866; and Hymns and Sacred Lyrics, 1874. In 1880 he published A Church of England Hymnbook Adapted to the Daily Services of the Church throughout the Year; and in 1882, a revised and much improved edition of the same as The Church of England Hymn Book, &c.
A great many of Prebendary Thring's hymns are annotated under their respective first lines; the rest in common use include:—
1. Beneath the Church's hallowed shade. Consecration of a Burial Ground. Written in 1870. This is one of four hymns set to music by Dr. Dykes, and first published by Novello & Co., 1873. It was also included (but without music) in the author's Hymns & Sacred Lyrics, 1874, p. 170, and in his Collection, 1882.
2. Blessed Saviour, Thou hast taught us. Quinquagesima. Written in 1866, and first published in the author's Hymns Congregational and Others, 1866. It was republished in his Hymns & Sacred Lyrics, 1874; and his Collection, 1882. It is based upon the Epistle for Quinquagesima.
3. Blot out our sins of old. Lent. Written in 1862, and first published in Hymns Congregational and Others
Godfrey Thring
Ronald F. Krisman
Person Name: Ronald F. Krisman, n. 1946 Translator (Inglesa, es. 3) of "Canta Fuerte, Lengua Mía (Sing, My Tongue, the Glorious Battle)" in Oramos Cantando = We Pray In Song
Ronald F. Krisman
Small Church Music
Editors: Elizabeth J. Smith Description:
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions. All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo
and pitch to suit their local needs.
Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
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Small Church Music
Christian Classics Ethereal Hymnary
Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library
Christian Classics Ethereal Hymnary
