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Alas! and did my saviour bleed
Author: I. Watts (1674-1748) Appears in 2,369 hymnals Lyrics: 1 Alas! and did my saviour bleed,
and did my sovereign die?
Did he devote that sacred head
for such a one as I?
2 Was it for sins that I had done
he suffered on the tree?
amazing pity, grace unknown
and love beyond degree!
3 Well might the sun in darkness hide
and shut his glories in
when Christ, the mighty maker, died
to bear the creature's sin.
4 Dear Saviour, how can I repay
the debt of love I owe?
Lord, take my very self I pray
your work, your will to do. Topics: God, Saviour Suffering and Dying; Palm Sunday The Way of the Cross; Pentecost 18 The Offering of Life Used With Tune: WALSALL
Alas! and did my saviour bleed
When rising from the bed of death
Author: J. Addison, 1672-1719 Appears in 260 hymnals Used With Tune: WALSALL
When rising from the bed of death
How shall the young secure their hearts
Appears in 487 hymnals Used With Tune: WALSAL
How shall the young secure their hearts
ALAS! AND DID MY SAVIOUR BLEED?
Hymnal: The Treasury of Easter Music and music for Passiontide #3 (1963) Tune Title: WALSALL
ALAS! AND DID MY SAVIOUR BLEED?
Come Holy Ghost, thine influence shed
Author: Charles Wesley, 1707-88 Hymnal: The Cambridge Hymnal #14 (1967) Tune Title: WALSALL
Come Holy Ghost, thine influence shed
O Thou, Who through This Holy Week
Author: John Mason Neale Hymnal: The Hymnal and Order of Service #99 (1926) Meter: 8.6.8.6 First Line: O Thou, who thro' this holy week Lyrics: 1 O Thou, who thro' this holy week
Didst suffer for us all;
The sick to heal, the lost to seek,
To raise up them that fall.
2 We cannot understand the woe
Thy love was pleased to bear:
O Lamb of God, we only know
That all our hopes are there.
3 Thy feet the path of suffering trod;
Thy hand the victory won;
What shall we render to our God
For all that He hath done?
Amen. Topics: Church Year Holy Week; Holy Week; Christ Work of; Names and Office of Christ Substitute Languages: English Tune Title: WALSALL
O Thou, Who through This Holy Week
Matthew Bridges
1800 - 1894 Author of "My God, accept my heart this day" in The Hymnal Matthew Bridges
Matthew Bridges
Henry Purcell
1659 - 1695 Person Name: Henry Purcell, 1658-95 Composer (attributed to) of "WALSALL" in The Book of Common Praise Henry Purcell (b. Westminster, London, England, 1659; d. Westminster, 1695), was perhaps the greatest English composer who ever lived, though he only lived to the age of thirty-six. Purcell's first piece was published at age eight when he was also a chorister in the Chapel Royal. When his voice changed in 1673, he was appointed assistant to John Hingston, who built chamber organs and maintained the king's instruments. In 1674 Purcell began tuning the Westminster Abbey organ and was paid to copy organ music. Given the position of composer for the violins in 1677, he also became organist at Westminster Abbey in 1679 (at age twenty) and succeeded Hingston as maintainer of the king's instruments (1683). Purcell composed music for the theater (Dido and Aeneas, c. 1689) and for keyboards, provided music for royal coronations and other ceremonies, and wrote a substantial body of church music, including eighteen full anthems and fifty-six verse anthems.
Bert Polman
Henry Purcell
Joseph Addison
1672 - 1719 Person Name: J. Addison, 1672-1719 Author of "When rising from the bed of death" in Hymns and Chorales Addison, Joseph, born at Milston, near Amesbury, Wiltshire, May 1, 1672, was the son of the Rev. Lancelot Addison, sometime Dean of Lichfield, and author of Devotional Poems, &c, 1699. Addison was educated at the Charterhouse, and at Magdalen College, Oxford, graduating B.A. 1691 and M.A. 1693. Although intended for the Church, he gave himself to the study of law and politics, and soon attained, through powerful influence, to some important posts. He was successively a Commissioner of Appeals, an Under Secretary of State, Secretary to the Lord Lieutenant of Ireland, and Chief Secretary for Ireland. He married, in 1716, the Dowager Countess of Warwick, and died at Holland House, Kensington, June 17, 1719. Addison is most widely known through his contributions to The Spectator, The Toiler, The Guardian, and The Freeholder. To the first of these he contributed his hymns. His Cato, a tragedy, is well known and highly esteemed. Addison's claims to the authorship of the hymns usually ascribed to him, or to certain of them, have been called in question on two occasions. The first was the publication, by Captain Thompson, of certain of those hymns in his edition of the Works of Andrew Marvell, 1776, as the undoubted compositions of Marvell; and the second, a claim in the Athenaeum, July 10th, 1880, on behalf of the Rev. Richard Richmond. Fully to elucidate the subject it will be necessary, therefore, to give a chronological history of the hymns as they appeared in the Spectator from time to time.
i. The History of the Hymns in The Spectator. This, as furnished in successive numbers of the Spectator is :—
1. The first of these hymns appeared in the Spectator of Saturday, July 26, 1712, No. 441, in 4 stanzas of 6 lines. The article in which it appeared was on Divine Providence, signed “C." The hymn itself, "The Lord my pasture shall prepare," was introduced with these words:—
"David has very beautifully represented this steady reliance on God Almighty in his twenty-third psalm, which is a kind of pastoral hymn, and filled with those allusions which are usual in that kind of writing As the poetry is very exquisite, I shall present my readers with the following translation of it." (Orig. Broadsheet, Brit. Mus.)
2. The second hymn appeared in the Spectator on Saturday, Aug. 9, 1712, No. 453, in 13 st. of 4 1., and forms the conclusion of an essay on " Gratitude." It is also signed " C," and is thus introduced:—
“I have already obliged the public with some pieces of divine poetry which have fallen into my hands, and as they have met with the reception which they deserve, I shall, from time to time, communicate any work of the same nature which has not appeared in print, and may be acceptable to my readers." (Orig. Broadsheet, British Museum)
Then follows the hymn:—"When all Thy mercies, 0 my God."
3. The number of the Spectator for Tuesday, Aug. 19, 1712, No. 461, is composed of three parts. The first is an introductory paragraph by Addison, the second, an unsigned letter from Isaac Watts, together with a rendering by him of Ps. 114th; and the third, a letter from Steele. It is with the first two we have to deal. The opening paragraph by Addison is:—
“For want of time to substitute something else in the Boom of them, I am at present obliged to publish Compliments above my Desert in the following Letters. It is no small Satisfaction, to have given Occasion to ingenious Men to employ their Thoughts upon sacred Subjects from the Approbation of such Pieces of Poetry as they have seen in my Saturday's papers. I shall never publish Verse on that Day but what is written by the same Hand; yet shall I not accompany those Writings with Eulogiums, but leave them to speak for themselves." (Orig. Broadsheet, British Museum
Joseph Addison
Christian Classics Ethereal Hymnary
Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library
Christian Classics Ethereal Hymnary
Small Church Music
Editors: Rob Johns Description:
History
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions.
About the Recordings All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) to adjust the MP3 number of verses, tempo and pitch to suit their local needs.
Mobile App
We have partnered with the developer of the popular NetTracks mobile app to offer the Small Church Music collection as a convenient mobile app. Experience the beloved Small Church Music collection through this iOS app featuring nearly 10,000 high-quality hymn recordings that can be organized into custom setlists and downloaded for offline use—ideal for worship services without musicians, congregational practice, and personal devotion. The app requires a small fee to cover maintenance costs. Please note: While Hymnary.org hosts this music collection, technical support for the app is provided exclusively by the app developer, not by Hymnary.org staff.
LicensingCopyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
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