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John Leland

1754 - 1841 Author of "O, when shall I see Jesus" in The Brethren Hymnal Leland, John, an American Baptist minister, was born at Grafton, Massachusetts, on May 15th, 1754, and began to preach at the age of 20. From 1776 to 1790 he was in Virginia, and thereafter in Massachusetts, mostly at Cheshire. He died Jan. 14, 1841. His Sermons, Addresses, Essays and Autobiography were published by his niece, Miss L. F. Greene, at Lanesboro, Massachusetts, in 1845. His influence seems to have been equalled by his peculiarities. We hear of his "restless activity and roving disposition"; his "mad devotion to politics," wherein he had much local and temporary weight; his "ready wit and endless eccentricities;" as also of his high character. Of the hymns which have been ascribed to him, some on doubtful authority, the following are the most important:— 1. The day is past and gone, The evening, &c. Evening. This is in universal American use, and Leland's claim to the authorship has never been disputed, although it is supported by no known particulars. It was first made widely known by the invaluable Hartford Selection (Congregational) of 1799. Its first appearance, so far as known, was in Philomela, or, A Selection of Spiritual Songs, by George Roberts, Petersburg,1792, No. 82. 2. 0 when shall I see Jesus! The Christian Race. This vigorous lyric is ascribed by Dr. Hitchcock, in Hymns and Songs of Praise, 1874, to Leland. It has generally been regarded as anonymous, and is of uncertain date, cir. 1807, or probably earlier. 3. Christians, if your hearts are warm. Holy Baptism. Adult. The only hymn by Leland which can be authenticated by date and circumstances is this familiar doggerel:— "Christians, if your hearts are warm, Ice and snow can do no harm." Dr. Belcher says, in his Historical Sketches of Hymns, &c, 1859, that it was written for one of Leland's large baptisms in Virginia, 1779. [Rev. Frank M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Thomas M. Westrup

1837 - 1909 Person Name: Thomas M. Westrup, 1837-1909 Translator of "Divisase la aurora" in Culto Cristiano Thomas Martin Westrup moved with his family from London to Mexico when he was fifteen years old. He translated hundreds of hymns and, along with his son, Enrique, published a three-volume hymnal Incienso Christiano. Dianne Shapiro from Celebremos su Gloria (Colombia/Illinois: Libros Alianza/Celebration), 1992

Michael Perry

1942 - 1996 Author of "Bless'd be the God of Israel" in Hymnal Initially studying mathematics and physics at Dulwich College, Michael A. Perry (b. Beckenham, Kent, England, 1942; d. England, 1996) was headed for a career in the sciences. However, after one year of study in physics at the University of London, he transferred to Oak Hill College to study theology. He also studied at Ridley Hall, Cambridge, and received a M.Phil. from the University of Southhampton in 1973. Ordained a priest in the Church of England in 1966, Perry served the parish of St. Helen's in Liverpool as a youth worker and evangelist. From 1972 to 1981 he was the vicar of Bitterne in Southhampton and from 1981 to 1989, rector of Eversley in Hampshire and chaplain at the Police Staff College. He then became vicar of Tonbridge in Kent, where he remained until his death from a brain tumor in 1996. Perry published widely in the areas of Bible study and worship. He edited Jubilate publications such as Hymns far Today's Church (1982), Carols for Today (1986), Come Rejoice! (1989), and Psalms for Today (1990). Composer of the musical drama Coming Home (1987), he also wrote more than two hundred hymns and Bible versifications. Bert Polman

James Edmeston

1791 - 1867 Person Name: James Edmeston (1791-1867) Author of "When shall the voice of singing flow" in Carmina Sanctorum Edmeston, James, born Sept. 10, 1791. His maternal grandfather was the Rev. Samuel Brewer, who for 50 years was the pastor of an Independent congregation at Stepney. Educated as an architect and surveyor, in 1816 he entered upon his profession on his own account, and continued to practice it until his death on Jan. 7, 1867. The late Sir G. Gilbert Scott was his pupil. Although an Independent by descent he joined the Established Church at a comparatively early age, and subsequently held various offices, including that of churchwarden, in the Church of St. Barnabas, Homerton. His hymns number nearly 2000. The best known are “Lead us, Heavenly Father, lead us” and "Saviour, breathe an evening blessing." Many of his hymns were written for children, and from their simplicity are admirably adapted to the purpose. For many years he contributed hymns of various degrees of merit to the Evangelical Magazine, His published works are:— (1) The Search, and other Poems, 1817. (2) Sacred Lyrics, 1820, a volume of 31 hymns and one poem. This was followed by a second Series, 1821, with 35; and a third Series, 1822, with 27 pieces respectively. (3) The Cottage Minstrel; or, Hymns for the Assistance of Cottagers in their Domestic Worship, 1821. This was published at the suggestion of a member of the Home Missionary Society, and contains fifty hymns. (4) One Hundred Hymns for Sunday Schools, and for Particular Occasions, 1821. (5) Missionary Hymns, 1822. (6) Patmos, a Fragment, and Other Poems, 1824. (7) The Woman of Shunam, and Other Poems, 1829. (8) Fifty Original Hymns, 1833. (9) Hymns for the Chamber of Sickness, 1844. (10) Closet Hymns and Poems, 1844. (11) Infant Breathings, being Hymns for the Young, 1846. (12) Sacred Poetry, 1847. In addition to those of his hymns which have attained to an extensive circulation, as those named above, and are annotated in this work under their respective first lines, there are also the following in common use in Great Britain and America:— 1. Along my earthly way. Anxiety. In his Sacred Lyrics, third set, 1822, in 8 stanzas of 4 lines. It is given in several collections, but usually in an abbreviated form, and generally somewhat altered. 2. Dark river of death that is [art] flowing. Death Anticipated. Given in his Sacred Lyrics, 3rd set, 1822, p. 39, in 9 stanzas of 4 lines. It is usually given in an abbreviated form, and sometimes as, "Dark river of death that art flowing." 3. Come, sacred peace, delightful guest. Peace. Appeared in his Closet Hymns, &c, 1844, in 4 stanzas of 4 lines. 4. Eternal God, before thy throne, Three nations. National Fast. 5. For Thee we pray and wait. Second Advent. 6. God intrusts to all. Parable of the Talents. This is No. 13 of his Infant Breathings, 1846, in 5 stanzas of 4 lines. It is a simple application of the parable to the life of a child. It is widely used. 7. God is here; how sweet the sound. Omnipresence. Given as No. 9 in his Sacred Lyrics, 1st set, 1820, in 6 stanzas of 4 lines. In the Baptist Hymnal, 1879, No. 45. St. i.-iii. are from this text, and iv. and v. are from another source. 8. How sweet the light of Sabbath eve. Sunday Evening. No. 10 in theCottage Minstrel, 1821, slightly altered. 9. Is there a time when moments flow. Sunday Evening. No. 5 of his Sacred Lyrics, 1st set, 1820, in 7 stanzas of 4 lines. 10. Little travellers Zionward. Burial of Children. No. 25 of his Infant Breathings, &c, 1846, in 3 stanzas of 8 lines. In the Leeds Hymn Book, 1853, it begins with stanza ii., "Who are they whose little feet?" 11. May we, Lord, rejoicing say. National Thanksgiving. Dated 1849 by the author in Spurgeon's Our Own Hymnbook, No. 1008. 12. Music, bring thy sweetest treasures. Holy Trinity. Dated 1837 by the author in Spurgeon's Our Own Hymnbook, No. 167. It is in his Sacred Poetry, 1847. 13. Roll on, thou mighty ocean. Departure of Missionaries. In his Missionary Hymns, 1822, in 4 stanzas of 4 lines. It is in common use in America. 14. Sweet is the light of Sabbath eve. Sunday Evening. In 5 stanzas of 41., from the Cottage Minstrel, 1821, where it is given as No. 10, and entitled "The Cottager's Reflections upon the Sabbath Evening." 15. The light of Sabbath eve. Sunday Evening. In 5 stanzas of 4 lines, as No. 11 in the Cottage Minstrel, 1821, p. 14, and headed, "Solemn Questions for the Sabbath Evening." 16. Wake, harp of Zion, wake again. Missions to the Jews. Dated 1846 by the author in Spurgeon's Our Own Hymnbook. It is in his Sacred Poetry, 1847. 17. When shall the voice of singing? In his Missionary Hymns, 1822. It is in a few American collections. 18. When the worn spirit wants repose. Sunday. No. 18, of his Sacred Lyrics, 1st set, 1820, in 4 stanzas of 4 lines. It is somewhat popular, and is given in several collections in Great Britain and America, as the Baptist Psalms & Hymns, 1858-80; the Church Praise Book, N. Y., 1881, &c. 19. Why should I, in vain repining? Consolation. No. 14 in the 1st set of his Sacred Lyrics, 1820, in 4 stanzas of 4 lines. -- John Julian, Dictionary of Hymnology (1907) ========================= Edmeston, James, p. 321, ii. Other hymns are:— 1. O Thou Whose mercy guides my way. Resignation. In his Sacred Lyrics, 1st set, 1820, p. 24, in 3 stanzas of 4 lines, and again in his Hymns for the Chamber of Sickness, 1844. 2. Parting soul, the flood awaits thee. Death anticipated. In his Sacred Lyrics, 1st set, 1820, p. 18, in 3 stanza of 8 lines, and based upon the passage in the Pilgrim's Progress:—"Now I further saw that betwixt them and the gate was a river, but there was no bridge to go over, and the river was very deep." 3. 'Tis sweet upon our pilgrimage. Praise. In hi3 Closet Hymns and Poems, 1846, in 3 stanzas of 4 lines, and headed "An Ebenezer Raided." 4. Welcome, brethren, enter in. Reception of Church Officers. Miller says, in his Singers and Songs, 1869, p. 420:—"This is No. 1 of five hymns supplied by Mr. Edmeston, at the request of a friend, for insertion in a provincial hymn-book, on the subject of admitting members," but he does not give the name of the book, neither have we identified It. The hymn, as given in the New Congregational Hymn Book, 1859, No. 840, is in 5 stanzas of 4 lines, of which Millet says stanza iii. is by another hand. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

The Venerable Bede

673 - 735 Person Name: Beda Venerabilis Author of "Kommt, streuet Siegespalmen" in Gesangbuch mit Noten Bede (b. circa 672-673; d. May 26, 735), also known as Saint Bede or the Venerable Bede, was an English monk at Northumbrian monastery at Monkwearmouth (now Jarrow). Sent to the monastery at the young age of seven, he became deacon very early on, and then a priest at the age of thirty. An author and scholar, he is particularly known for his Ecclesiastical History of the English People, which gained him the title “Father of English History.” He also wrote many scientific and theological works, as well as poetry and music. Bede is the only native of Great Britain to have ever been made a Doctor of the Church. He died on Ascension Day, May 26, 735, and was buried in Durham Cathedral. Laura de Jong ========================== Bede, Beda, or Baeda, the Venerable. This eminent and early scholar, grammarian, philosopher, poet, biographer, historian, and divine, was born in 673, near the place where, shortly afterwards, Benedict Biscop founded the sister monasteries of Wearmouth and Jarrow, on an estate conferred upon him by Ecgfrith, or Ecgfrid, king of Northumbria, possibly, as the Rev. S. Baring-Gould, Lives of the Saints (May), p. 399, suggests, "in the parish of Monkton, which appears to have been one of the earliest endowments of the monastery." His education was carried on at one or other of the monasteries under the care of Benedict Biscop until his death, and then of Ceolfrith, Benedict's successor, to such effect that at the early age of nineteen he was deemed worthy, for his learning and piety's sake, to be ordained deacon by St. John of Beverley, who was then bishop of Hexham, in 691 or 692. From the same prelate he received priest's orders ten years afterwards, in or about 702. The whole of his after-life he spent in study, dividing his time between the two monasteries, which were the only home he was ever to know, and in one of which (that of Jarrow) he died on May 26th, 735, and where his remains reposed until the 11th century, when they were removed to Durham, and re-interred in the same coffin as those of St. Cuthbett, where they were discovered in 1104. He was a voluminous author upon almost every subject, and as an historian his contribution to English history in the shape of his Historia Ecclesiastica is invaluable. But it is with him as a hymnist that we have to do here. I. In the list of his works, which Bede gives at the end of his Ecclesiastical History, he enumerates a Liber Hymnorum, containing hymns in “several sorts of metre or rhyme." The extant editions of this work are:— (1) Edited by Cassander, and published at Cologne, 1556; (2) in Wernsdorf's Poetae Latin Min., vol. ii. pp.239-244. II. Bede's contributions to the stores of hymnology were not large, consisting principally of 11 or at most 12 hymns; his authorship of some of these even is questioned by many good authorities. While we cannot look for the refined and mellifluous beauty of later Latin hymnists in the works of one who, like the Venerable Bede, lived in the infancy of ecclesiastical poetry; and while we must acknowledge the loss that such poetry sustains by the absence of rhyme from so many of the hymns, and the presence in some of what Dr. Neale calls such "frigid conceits" as the epanalepsis (as grammarians term it) where the first line of each stanza, as in "Hymnum canentes Martyrum," is repeated as the last; still the hymns with which we are dealing are not without their peculiar attractions. They are full of Scripture, and Bede was very fond of introducing the actual words of Scripture as part of his own composition, and often with great effect. That Bede was not free from the superstition of his time is certain, not only from his prose writings, but from such poems as his elegiac "Hymn on Virginity," written in praise and honour of Queen Etheldrida, the wife of King Ecgfrith, and inserted in his Ecclesiastical History, bk. iv., cap. xx. [Rev. Digby S. Wrangham, M.A.] -- Excerpts from John Julian, Dictionary of Hymnology (1907)

Carl Bernhard Garve

1763 - 1841 Person Name: K. B. Garve Author of "Du Geist der Gnad' und Wahrheit" in Die Glaubensharfe (With Melodies) Garve, Carl Bernhard, was born Jan. 24, 1763, at Jeinsen, near Hannover, where his father was a farmer. He was educated at the Moravian schools in Zeist, and Neuwied, at their Pädagogium at Niesky, and their Seminary at Barby. In 1784 he was appointed one of the tutors at Niesky, and in 1789 at Barby; but as his philosophical lectures were thought rather unsettling in their tendency, he was sent, in 1797, to arrange the documents of the archive at Zeist. After his ordination as diaconus of the Moravian church, he was appointed, in 1799, preacher at Amsterdam; in 1801 at Ebersdorf (where he was also inspector of the training school); in 1809 at Berlin; and in 1816 at Neusalza on the Oder. Feeling the burden of years and infirmities he resigned the active duties of the ministry in 1836, and retired to Herrnhut, where he died June 21, 1841. (Koch, vii. 334-342; (Allgemeine Deutsche Biographie, viii. 392-94, &c.) Garve ranks as the most important of recent Moravian hymnwriters, Albertini being perhaps his superior in poetical gifts, but certainly not in adaptability to church use. His better productions are almost entirely free from typically Moravian features; and in them Holy Scripture is used in a sound and healthful spirit. They are distinguished by force and at the same time elegance of style, and are full of deep love and devotion to the Saviour. Many of them have passed into the German Evangelical hymnbooks, no less than 36 being included in the Berlin Gesange-Buch 1829; and of those noted below No. i. is to be found in almost all recent German collections. They appeared mostly in the two following collections, both of which are to be found in the Town Library, Hamburg: (1) Christliche Gesänge, Görlitz, 1825, with 303 hymns, a few being recasts from other authors. (2) Brüdergesange, Gnadau, 1827, with 65 hymns intended principally for use in the Moravian Communion. Garve's hymns in English common use are:— i. Dein Wort, 0 Herr, ist milder Thau. Holy Scripture. Perhaps his finest hymn. 1825, as above, p. 51, in 7 st. of 8 l. Included, as No. 410, in the Berlin Geistliche Lieder S., ed. 1863, and in the German hymnbooks for Hannover, 1883, for the kingdom of Saxony, 1883, for the province of Saxony, 1882, &c." Translated as:— 1. Thy Word, 0 Lord, like gentle dews. A good translation of st. i.-iii, by Miss Winkworth, in the first Ser., 1855, of her Lyra Germanica, p. 36. In the Pennsylvania Lutheran Church Book, 1868, it is No. 314 in full, but rewritten to D.C.M. In 1864 it was included, altered, and with 11. 5-8 of each stanza omitted, as No. 681 in Hymns of the Spirit, Boston, U. S., and this has been repeated in Dr. Martineau's Hymns of Praise & Prayer, 1873, and Dr. Allon's Children's Worship, 1878. 2. Thy Word, 0 Lord, is gentle dew. A good translation of st. i.-iii., based on the Lyra Germanica, by Miss Winkworth, as No. 102 in her Chorale Book for England, 1863, and thence, in the Ohio Lutheran Hymnal, 1880. ii. Hallelujah, Christus lebt. Easter. 1825, as above, p. 105, in 8 st. of 6 1. Included in Knapp's Evangelical Lutheran Songbook, 1850, No. 565. Translated as:— Hallelujah! Jesus lives! A good translation (omitting st. iv., vi.) by Miss Borthwick, in the 4th Ser., 1862, of the Hymns from the Land of Luther, p. 30 (1884, p. 201). In Lyra Messianica, 1864, p. 295, and in G. S. Jellicoe's Collection, 1867, No. 103, it begins, "Alleluia ! Jesus lives." iii. O Vater der Gemeine. Trinity Sunday. 1825, as above, p. 18, in 3 st. of 7 l. Included as No. 107 in Knapp's Evangelischer Lieder-Schatz, 1837. Translated as: -- Father of all created. In full, as No. 159, in Dr. Pagenstecher's Collection, 1864, signed " F. C. C." Another translation is, "0 Father, we adore Thee," in the British Herald, Oct. 1866, p. 324, repeated as No. 416 in Reid's Praise Book, 1872. Hymns not in English common use:— « iv. Der Herr ist treu, Der Herr ist ewig treu. God's Faithfulness. 1825, p. 5, in 6 st., repeated in the Berlin Gesang-Buch, 1829, No. 60, beginning "Gott ist treu." Translated by N. L. Frothingham, 1870, p. 253. v. Geduld! Geduld! ob's stürmisch weht. Trust in God. 1825, p. 180, in 3 st., repeated in the Berlin Gesang-Buch 1829, No. 593, beginning "Geduld! wie sehr der Sturm auch weht." Translated by N. L. Frothingham, 1870, p. 265. vi. Sagt was hat die weite Welt. Holy Scripture. 1825, p 49, in 6 st. Translated as “Tell me, can the world display," in the British Herald, Nov. 1866, p. 360, repeated as No. 420 in Reid's Praise Book, 1872. vii. Wer bin ich, Herr, in deinem Licht. Self-Examination, 1825, p. 216, in 15 st. Translated by N. L. Frothingham, 1870, p. 258. viii. Zur Arbeit winkt mir mein Beruf. Before Work, 1825, p. 233, in 9 st. Translated by E. Massie, l861. A hymn sometimes ascribed to Garve is noted under "Gib deinen Frieden uns." [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Timothy T'ingfang Lew

1891 - 1947 Person Name: 劉廷芳 Translator of "普世欢腾" in The Cyber Hymnal T'ingfang Lew was a leading Chinese educator, author, and editor. He was educated in China and at Columbia University in New York City (M.A.; Ph.D.). His Bachelor of Divinity degree was from Yale and he studied at Union Theological Seminary, New York City, where he also taught Christian education. Lew lectured throughout America at schools and colleges from 1926 to 1938 and received an S.T.D. degree from Oberlin College. In 1932, Lew began to chair the commission to prepare a Chinese Union hymnal. The resulting Hymns of Universal Praise was published in 1936. Its music editor was Bliss Wiant, a colleague of Lews's at Yenching University in Peking. Lew also edited the Union Book of Common Prayer which was used by four Protestant Chinese groups having approximately one-half million members. He represented China at the World Council of Churches meetings (1927-1939). He served as a member of the Chinese government's legislative body (1936-1941). Lew is remembered for his work with Chinese Christian organizations in China and America where he resided from 1941 to 1947. He died while teaching at the University of New Mexico. --The Presbyterian Hymnal Companion, 1993

George P. Simmonds

1890 - 1991 Author of "Buen Dios, por nuestras madres (O Lord of All Creation)" in Fiesta Jubilosa Used pseudonyms G Paul S., J. Paul Simon, and J. Pablo Símon

John King

1789 - 1858 Author of "When, His Salvation Bringing" in The New Christian Hymnal In H. and J. Gwyther's Psalmist, A Selection. of Psalms & Hymns, etc., Lond., 1830, there is 1 psalm version signed “J. King," and 1 psalm version and 4 hymns signed "I. King." One of the latter is "When His salvation bringing," No. 417, in 3 stanzas of 8 lines, with a chorus. This hymn is in extensive modern use. Concerning the author great, difficulty has been experienced in tracing his identity. Under date of Aug. 15, 1865, the Rev. John Gwyther informed D. Sedgwick that the signatures stood for "Joshua King, late Vicar of Hull." In a second communication, dated Aug. 19, 1865, be writes further, "Mr. Joshua King was Curate to Mr. J. Eyton, of Wellington, Shropshire, when Mr. E. made his collection of Hymns and wrote them for his Book, but whether he published them in any other form I don't know. Mr. K. gave his Hymn Book to my brother." From the Registers of Eyton Church we find that Mr. King's name was John. He graduated at Queen's College, Cambridge, B.A. 1814; became Incumbent of Christ Church, Hull, in 1822, and died Sep. 12, 1858, aged 69. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) See also Joshua King.

Benjamin Gough

1805 - 1877 Author of "How beauteous on the mountains" in Sacred Hymns and Tunes Gough, Benjamin, was born at Southborough, Kent, in 1805, and died Nov. 28,1877. He was engaged in mercantile pursuits in London for some years. After retiring from business he resided at Mountfield, Faversham. He was a member and lay preacher of the Wesleyan denomination. His poetical works include:— (1) Lyra Sabbatica, Lon., 1865; (2) Kentish Lyrics, London, 1867; (3) Hymns of Prayer and Praise, London, 1875; and several minor publications, the most important being (4) Protestant Hymns & Songs for the Million, Lon., 1878; (5) Songs from the Woodlands, and Other Poems, Lon., 1872; and (6) Christmas Carols and New Year's Songs, Lon. (n.d.). Of Mr. Gough's hymns, about 20 are in common use in Great Britain and America, and of these the most popular and widely used is "Awake, awake, O Zion," q.v. Although possessing many features of popularity, his hymns do not rank high as literary productions. His works are also marred by numerous and feeble imitations of the great lyrics of the Church. Many of his earlier hymns were rewritten for his Hymns of Prayer & Praise, very much to their disadvantage. In addition to those which are annotated under their first lines the following are in common use:— 1. Be thou faithful unto death. Faithfulness. Appeared in his Lyra Sabbatica, &c, 1865, p. 77, in 3 stanzas of 8 lines, and entitled "Christian Fidelity." In 1867 it was transferred to the People's Hymnal, and again, in 1875, to the New Mitre-Hymnal, No. 151. 2. Blessed are the dead who die. Burial. Appeared in his Lyra Sabbatica, 1865, p. 89, in 4 stanzas of 8 lines and headed "For the dead in Christ." In Hatfield's Church Hymn Book, N. Y., 1872, it is slightly altered. 3. Christ is risen from the dead. Easter. In Lyra Sabbatica, 1865, p. 96, in 6 stanzas of 8 lines, as "An Easter Carol;" but in his Hymns of Prayer & Praise, 1875, p. 49, this is changed to "An Easter Hymn." In the New Mitre-Hymnal, 1875, stanzas iv., v. are omitted. 4. Come, children, and join with ardour divine. Missions. In his Lyra Sabbatica, 1865, p. 159, in 9 stanzas of 3 lines, and entitled, "Children's Missionary Hymn" and the Hymns of Prayer & Praise, 1875, No. 39, in 4 stanzas of 6 lines. In the latter work it is rewritten, very much to its disadvantage. The 1865 text is followed in the Methodist Sunday School Hymn Book, 1879, No. 562. 5. Come to Bethlehem and see. Christmas. Appeared in his Christmas Carols, &c, n.d., p. 21, in 5 stanzas of 8 lines. In the New Mitre-Hymnal, 1875, No. 26, it is dated 1873. 6. For all the [Thy] saints in heaven and earth. All Saints. From his Lyra Sabbatica, 1865, p. 119, in stanzas of 8 lines into Snepp's Songs of Grace & Glory, 1872, No. 148. 7. God the Father, full of grace. Holy Trinity, or Public Worship. Appeared in his Kentish Lyrics, 1867, p. 97, in 4 stanzas of 6 lines; and rewritten in a far less acceptable form, in his Hymns of Prayer & Praise, 1875, p. 80, in 4 stanzas of 6 lines. No. 8 in the Methodist Sunday School Hymn Book, 1879, is from the 1867 text. 8. Ho, every one that thirsteth. Invitation. Published in his Lyra Sabbatica, 1865, p. 83, in 5 stanzas of 8 lines; and, altered to its disadvantage, in his Hymns of Prayer & Praise. 1875, p. 33, in 5 stanzas of 8 lines. No. 291 in Methodist Sunday School Hymn Book, 1879 is from the 1865 text. 9. How beauteous on the mountains. Missions. In Lyra Sabbatica, 1865, p. 23, in 5 stanzas of 8 lines; and his Hymns of Prayer & Praise, 1875, p. 20. In Hatfield's Church Hymn Book, N. Y., 1872, No. 1246, is composed of stanzas i.-iii. 10. In Thy temple we adore Thee, gentle, pure, and holy Child. Christmas. In his Christmas Carols, &c, n.d., p. 39, in 3 stanzas of 4 double lines. In the New Mitre-Hymnal, 1875, No. 30, it is dated 1873, and begins, “In Thy cradle we adore Thee." 11. Jesus, full of love divine. Love of Jesus. Written in 1874, and published in the New Mitre-Hymnal, 1875, No. 84. 12. Lift the gospel banner. Missions. This is attributed to B. Gough, on the authority of Mrs. Gough. It is not in his published works, and its first appearance is unknown. In the Methodist Sunday School Hymn Book, 1879, No. 394, it is in 4 stanzas of 8 lines. 13. 0 Jesus, behold the lambs of Thy fold. Sunday. From his Lyra Sabbatica, 1865, p. 103, in 9 stanzas of 3 lines into the Methodist Sunday School Hymn Book, 1879, No. 511, with the omission of stanza ii. 14. Quicken, Lord, Thy Church and me. Whitsuntide. Appeared in his Lyra Sabbatica, 1865, p. 16, in 6 stanzas of 6 lines; and in his Hymns of Prayer & Praise, 1875, p. 6; and headed "For another Pentecost." It is No. 363, in Snepp's Songs of Grace & Glory, 1872. 15. Sing we merrily to God. Praise. Appeared in his Lyra Sabbatica, 1865, p. 65, in 5 stanzas of 8 lines, and his Hymns of Prayer & Praise, 1875, p. 27. In the New Mitre-Hymnal, 1875, No. 138, st. iii. is omitted. 16. There is a land of rest. Heaven. From his Lyra Sabbatica, 1865, p. 105, in 4 stanzas of 8 lines into the New Mitre-Hymnal, 1875, No. 155, where it is appointed for St. Mark's Day. 17. There is no condemnation. Peace. In his Lyra Sabbatica, 1865, p. 25, and his Hymns of Prayer & Praise, 1875, p. 22, in 3 stanzas of 8 lines, and headed "No Condemnation." In Snepp's Songs of Grace & Glory, 1872, it is No. 682. 18. Uplift the blood-red banner. Missions. In his Lyra Sabbatica, 1865, p. 155, and his Hymns of Prayer & Praise, 1875, p. 37, in 4 stanzas of 8 lines, and headed “For the Conversion of the World." It is No. 408 in the People's Hymnal, 1867; No. 88 in the New Mitre-Hymnal, 1875, &c. -- John Julian, Dictionary of Hymnology (1907)