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WIR GLAUBEN ALL (Metrical)
Meter: 8.7.7.7.7.7 Appears in 19 hymnals Tune Sources: The Lutheran Hymnal, 1941 (Setting) Tune Key: E Flat Major Incipit: 33543 22323 43221 Used With Text: We All Believe in One True God
WIR GLAUBEN ALL (Metrical)
We All Believe In One True God
Author: T. Clausnitzer; H. Brueckner Appears in 2 hymnals Lyrics: 1 We all believe in one true God,
Father, Son, and Holy Ghost,
By the Cherubim adored
And the whole angelic host,
Wrought by His almighty hand,
Ever firm the world doth stand.
2 We all have faith in Jesus Christ
As the Son of God and man,
Who descended from His throne
And His course in sorrow ran.
By His blood redeemed from sin,
We the crown of life shall win.
3 And we confess the Holy Ghost,
By the Son and Father sent,
Who upholds and comforts us
When by earthly trials bent.
O Thou holy Trinity,
Praise forever be to Thee. Topics: The Means of Grace The Creed Used With Tune: CLAUSNITZER
We All Believe In One True God
We all believe in one true God
Appears in 26 hymnals Used With Tune: WIR GLAUBEN ALL AN EINEN GOTT
We all believe in one true God
We All Believe in One True God
Author: Tobias Clausnitzer, 1619-84; Catherine Winkworth, 1827-78 Meter: 8.7.7.7.7.7 Appears in 51 hymnals Lyrics: 1 We all believe in one true God,
Father, Son, and Holy Ghost,
Ever-present help in need,
Praised by all the heav'nly host;
All He made His love enfolds,
All creation He upholds.
2 We all believe in Jesus Christ,
Son of God and Mary's son,
Who descended from His throne
And for us salvation won;
By whose cross and death are we
Rescued from all misery.
3 We all confess the Holy Ghost,
Who from both in truth proceeds,
Who sustains and comforts us
In all trials, fears, and needs.
Blessed, holy Trinity,
Praise forever be to Thee!
Topics: Liturgical Music Scripture: Hebrews 1:1-8 Used With Tune: WIR GLAUBEN ALL (Metrical)
We All Believe in One True God
Wir glauben All an Einen Gott
Author: Tobias Clausnitzer Hymnal: Sonntagschulbuch #142 (1896) Languages: German Tune Title: [Wir glauben All an Einen Gott]
Wir glauben All an Einen Gott
We All Believe (Wir glauben all)
Hymnal: The Selah Song Book (Das Sela Gesangbuch) (2nd ed) #54 (1926) First Line: We all believe in one true God (Wir glauben all' an einen Gott) Languages: English; German Tune Title: [Wir glauben all an einen Gott]
We All Believe (Wir glauben all)
We All Believe in One True God
Author: T. Clausnitzer, 1619-84; C. Winkworth, 1827-78 Hymnal: Evangelical Lutheran Hymnary #37 (1996) Meter: 8.7.7.7.7.7 Lyrics: 1 We all believe in one true God,
Father, Son, and Holy Ghost,
Ever-present Help in need,
Praised by all the heav'nly host,
By whose mighty pow'r alone
All is made and wrought and done.
2 We all believe in Jesus Christ,
Son of God and Mary's Son,
Who descended from His throne
And for us salvation won,
By whose cross and death are we
Rescued from all misery.
3 We all confess the Holy Ghost,
Who from both fore'er proceeds,
Who upholds and comforts us
In all trials, fears, and needs.
Blest and Holy Trinity,
Praise forever be to Thee!
Topics: Creed Languages: English Tune Title: WIR GLAUBEN ALL AN EINEN GOTT
We All Believe in One True God
Tobias Clausnitzer
1619 - 1684 Author of "We All Believe in One True God" in The Presbyterian Hymnal Clausnitzer, Tobias, born at Thum, near Annaberg, in Saxony, probably on Feb. 5,1619. After studying at various Universities, and finally at Leipzig (where he graduated M.A. in 1643), he was appointed, in 1644, chaplain to a Swedish regiment. In that capacity he preached the thanksgiving sermon in St. Thomas's Church, Leipzig, on "Reminiscere" Sunday, 1645 (ii. Sunday in Lent) on the accession of Christina as Queen of Sweden; as also the thanksgiving sermon at the field service held by command of General Wrangel, at Weiden, in the Upper Palatine, on January 1, 1649, after the conclusion of the Peace of Westphalia. In 1649 he was appointed first pastor at Weiden, and remained there (being also appointed later a member of the Consistory, and inspector of the district,) till his death, on May 7, 1684 (Koch, iii. 354, 355; Allg. Deutsche Biographie, iv. 297; Bode, p. 53; manuscript from Pastor Klinkhardt, Thum). Three hymns by him are known as follows:—
i. Jesu dein betrübtes Leiden. [Passiontide.] First published in his Passions-Blume, Nürnberg, 1662, a volume containing 12 sermons on the Passion of our Lord. The hymn appears at p. 17, in 7 stanzas of 6 lines entitled, "Clausnitzer's Passion-Hymn which may be sung with each Meditation." This form is No. 496 in Burg's Gesang-Buch, Breslau, 1746. This hymn has passed into English through a recast, probably by Gensch von Breitenau, beginning, “Herr Jesu, deine Angst und Pein," in 6 stanzas of 7 lines. First published in the Vollständiges Gesang-Buch, Plöen, 1675, No. 41, repeated as No. 101 in the Unverfälschter Liedersegen 1851. The only translation in common use is:—
Lord Jesu! may Thy grief and pain, a good translation of stanzas i., iii., vi., by A. T. Russell, as No. 84 in his Psalms and Hymns, 1851.
ii. Liebster Jesu wir sind bier, Dion und Dein Wort anzuhören. [Public Worship .] First published in the Altdorffisches Gesang-Buchlein, 1663, No. 20, in 3 stanzas of 6 lines, as a Sunday Hymn for use before Sermon. It appeared with Clausnitzer's name in the Nürnberg Gesang-Buch, 1676, No. 891, and has since come into universal use. In the Berlin Geistliche Lieder, ed. 1863, No. 1062. Translated as:—
1. Gracious Jesu! in Thy name, a good and full translated by A. T. Russell, as No. 82 in the Dalston Hospital Hymn Book, 1848. Included as No. 454 in the ed.,1857, of Mercer's Church Psalm & Hymn Book. (Ox. ed. 1864, No. 56, considerably altered with stanza i. line 4, iii. lines 1-4, from Miss Winkworth, and a doxology added).
2. Gracious Jesu! we are here, a recast of his 1848 translation, made by A. T. Russell for his Psalms & Hymns, 1851, No. 19.
8. Saviour, in Thy house of prayer, a good and full translation as No. 13 in J. F. Thrupp's Psalms & Hymns, 1853, repeated in Maurice's Collection, 1861, No. 634. In Kennedy , 1863, No. 1251, altered and beginning, "Saviour, to Thy house of prayer."
4. Blessed Jesus, at Thy word, a full and good translation by Miss Wink worth in her Lyra Germanica, 2nd Series, 1858, p. 68, repeated in her Chorale Book for England, 1863, No. 12. Included in the English Presbyterian Psalms & Hymns,1867, and others; and in America in the Pennsylvania Lutheran Church Book, 1868; Evangelical Hymnal, N. Y., 1880, and others.
5. Dear Lord, to hear Thee and Thy word, a good translation by Mrs.L. C. Smith; included as No. 50 in Dr. Stevenson's Hymns for Church & Home, 1873.
Translations not in common use:—
(1) “Dearest Jesu! we are here, Thee to hear," by J. C. Jacobi (1720, p. 32; 1722, p. 43; 1732, p. 72, alt.). In the Moravian Hymn Book, 1789, No. 12 (1849, No. 3), recast by C. J. Latrobe. (2) "Dearest Jesu, we are here, for to hear," as No. 432 in pt. i. of the Moravian Hymn Book, 1754. (3) "Here in Thy presence we appear," by J. Swertner, as No. 10 in the Moravian Hymn Book, 1789 (1886, No. 9). (4) "Blessed Jesus, we are here," by Miss Manington, 1863, p, 145. (5) "Precious Jesus! here are we," in the British Herald, Nov. 1866, p. 360, repeated in Reid's Praise Book, 1872, No. 419. (6) "Dear Redeemer, we are here," by N. L. Frothingham, 1870, p. 204.
iii. Wir glauben all an einen Gott, Yater, Sohn und heilgen Geist. [Trinity Sunday.] First appeared in the Culmbach-Bayreuth Gesang-Buch, 1668, p. 132, with the initials "C.A.D." With (Clausnitzer's name it was included as No. 572 in the Nürnberg Gesang-Buch, 1676, in 3 st. of 6 1. In the Bavarian Gesang-Buch, 1854. Translated as:—
1. We all believe in One true God, Father, Son and Holy Ghost, in full by Miss Winkworth in her Chorale Book for England, 1863, No. 75, and thence as No. 118 in the American Methodist Episcopal Hymnal, 1878, and the Evangelical Association Hymn Book, 1882, No. 64.
2. One true God we all confess, by E. Cronenwett, as No. 209 in the Ohio Lutheran Hymnal, 1880. [Rev. James Mearns, M.A.]
--John Julian, Dictionary of Hymnology (1907)
Tobias Clausnitzer
Catherine Winkworth
1827 - 1878 Translator of "We All Believe in One True God" in The Presbyterian Hymnal Catherine Winkworth (b. Holborn, London, England, 1827; d. Monnetier, Savoy, France, 1878) is well known for her English translations of German hymns; her translations were polished and yet remained close to the original. Educated initially by her mother, she lived with relatives in Dresden, Germany, in 1845, where she acquired her knowledge of German and interest in German hymnody. After residing near Manchester until 1862, she moved to Clifton, near Bristol. A pioneer in promoting women's rights, Winkworth put much of her energy into the encouragement of higher education for women. She translated a large number of German hymn texts from hymnals owned by a friend, Baron Bunsen. Though often altered, these translations continue to be used in many modern hymnals. Her work was published in two series of Lyra Germanica (1855, 1858) and in The Chorale Book for England (1863), which included the appropriate German tune with each text as provided by Sterndale Bennett and Otto Goldschmidt. Winkworth also translated biographies of German Christians who promoted ministries to the poor and sick and compiled a handbook of biographies of German hymn authors, Christian Singers of Germany (1869).
Bert Polman
========================
Winkworth, Catherine, daughter of Henry Winkworth, of Alderley Edge, Cheshire, was born in London, Sep. 13, 1829. Most of her early life was spent in the neighbourhood of Manchester. Subsequently she removed with the family to Clifton, near Bristol. She died suddenly of heart disease, at Monnetier, in Savoy, in July, 1878. Miss Winkworth published:—
Translations from the German of the Life of Pastor Fliedner, the Founder of the Sisterhood of Protestant Deaconesses at Kaiserworth, 1861; and of the Life of Amelia Sieveking, 1863.
Her sympathy with practical efforts for the benefit of women, and with a pure devotional life, as seen in these translations, received from her the most practical illustration possible in the deep and active interest which she took in educational work in connection with the Clifton Association for the Higher Education of Women, and kindred societies there and elsewhere. Our interest, however, is mainly centred in her hymnological work as embodied in her:—
(1) Lyra Germanica, 1st Ser., 1855. (2) Lyra Germanica, 2nd Ser., 1858. (3) The Chorale Book for England (containing translations from the German, together with music), 1863; and (4) her charming biographical work, the Christian Singers of Germany, 1869.
In a sympathetic article on Miss Winkworth in the Inquirer of July 20, 1878, Dr. Martineau says:—
"The translations contained in these volumes are invariably faithful, and for the most part both terse and delicate; and an admirable art is applied to the management of complex and difficult versification. They have not quite the fire of John Wesley's versions of Moravian hymns, or the wonderful fusion and reproduction of thought which may be found in Coleridge. But if less flowing they are more conscientious than either, and attain a result as poetical as severe exactitude admits, being only a little short of ‘native music'"
Dr. Percival, then Principal of Clifton College, also wrote concerning her (in the Bristol Times and Mirror), in July, 1878:—
"She was a person of remarkable intellectual and social gifts, and very unusual attainments; but what specially distinguished her was her combination of rare ability and great knowledge with a certain tender and sympathetic refinement which constitutes the special charm of the true womanly character."
Dr. Martineau (as above) says her religious life afforded "a happy example of the piety which the Church of England discipline may implant.....The fast hold she retained of her discipleship of Christ was no example of ‘feminine simplicity,' carrying on the childish mind into maturer years, but the clear allegiance of a firm mind, familiar with the pretensions of non-Christian schools, well able to test them, and undiverted by them from her first love."
Miss Winkworth, although not the earliest of modern translators from the German into English, is certainly the foremost in rank and popularity. Her translations are the most widely used of any from that language, and have had more to do with the modern revival of the English use of German hymns than the versions of any other writer.
-- John Julian, Dictionary of Hymnology (1907)
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See also in:
Hymn Writers of the Church
Catherine Winkworth
Herman H. Brueckner
1866 - 1942 Person Name: H. Brueckner Translator of "We All Believe In One True God" in American Lutheran Hymnal Born: March 11, 1866, Grundy County, Iowa (birth name: Herman Heinrich Moritz Brueckner).
Died: January 25, 1942, Hebron, Nebraska (funeral held in Beatrice, Nebraska).
Buried: St. Paul’s Lutheran Cemetery, Waverly, Iowa.
After ordination in 1888, Brueckner pastored in Illinois, Michigan, Kentucky, and Wisconsin. He later moved to Iowa City, Iowa, and received his Bachelor of Arts degree from Iowa State University in 1917. In 1926, he joined the faculty of Hebron College in Nebraska. In 1938, Wartburg Seminary, Dubuque, Iowa, conferred an honorary Doctor of Divinity degree on him. He retired as professor emeritus from Hebron College in 1941.
Sources:
Erickson, p. 254
Findagrave, accessed 14 Nov 2016
Hustad, p. 213
Stulken, p. 325
© The Cyber Hymnal™. Used by permission. (www.hymntime.com)
Herman H. Brueckner
Small Church Music
Editors: Martin Luther Description:
History
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions.
About the Recordings All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) to adjust the MP3 number of verses, tempo and pitch to suit their local needs.
Mobile App
We have partnered with the developer of the popular NetTracks mobile app to offer the Small Church Music collection as a convenient mobile app. Experience the beloved Small Church Music collection through this iOS app featuring nearly 10,000 high-quality hymn recordings that can be organized into custom setlists and downloaded for offline use—ideal for worship services without musicians, congregational practice, and personal devotion. The app requires a small fee to cover maintenance costs. Please note: While Hymnary.org hosts this music collection, technical support for the app is provided exclusively by the app developer, not by Hymnary.org staff.
LicensingCopyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
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