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Person Results

Tune Identifier:"^youll_hear_the_trumpet_sound_spiritual$"
In:people

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Showing 1 - 10 of 28Results Per Page: 102050

Anonymous

Author of "My Lord, What a Morning!" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

William Farley Smith

1941 - 1997 Adapter and Arranger of "BURLEIGH" in The United Methodist Hymnal

Raquel Mora Martínez

b. 1940 Translator of "Dios mío, ¡que día! (My Lord, What a Morning)" in Fiesta Jubilosa Raquel Martinez (b. January 17, 1940) is a well-known composer and arranger of Hispanic songs and hymns. She has degrees from the University of Texas at El Paso and Perkins School of Theology and the School of the Arts, Southern Methodist University. She served as editor of the official United Methodist hymnal, Mil Voces Para Celebrar (Nashville: Abingdon Press, 1996). --www.gbod.org/lead-your-church/hymn-studies/

Cesáreo Gabarain

1936 - 1991 Person Name: Cesáreo Gabaráin Author of "Juntos cual hermanos" in El Himnario Cesáreo Gabaráin, a Spanish priest involved in liturgical renewal following Vatican II. Bert Polman

John J. Overholt

1918 - 2000 Person Name: Compiler Alterer of "O Sinners, What Will You Do?" in The Christian Hymnary. Bks. 1-4 John J. Overholt was born to an Amish family of limited means in the state of Ohio in 1918. As a child he was soon introduced to his father's personal collection of gospel songs and hymns, which was to have a marked influence on his later life. With his twin brother Joe, he early was exposed to the Amish-Mennonite tradition hymn-singing and praising worship. An early career in Christian service led to a two-year period of relief work in the country of Poland following World War II. During that interim he began to gather many European songs and hymns as a personal hobby, not realizing that these selections would become invaluable to The Christian Hymnary which was begun in 1960 and completed twelve years later in 1972, with a compilation of 1000 songs, hymns and chorales. (The largest Menn. hymnal). A second hymnal was begun simultaneously in the German language entitled Erweckungs Lieder Nr.1 which was brought to completion in 1986. This hymnal has a total of 200 selections with a small addendum of English hymns. Mr. Overholt married in 1965 to an accomplished soprano Vera Marie Sommers, who was not to be outdone by her husband's creativity and compiled a hymnal of 156 selections entitled Be Glad and Sing, directed to children and youth and first printed in 1986. During this later career of hymn publishing, Mr. Overholt also found time for Gospel team work throughout Europe. At this writing he is preparing for a 5th consecutive tour which he arranges and guides. The countries visited will be Belgium, Switzerland, France, Germany, Poland, USSR and Romania. Mr. Overholt was called to the Christian ministry in 1957 and resides at Sarasota, Florida where he is co-minister of a Beachy Amish-Mennonite Church. Five children were born to this family and all enjoy worship in song. --Letter from Hannah Joanna Overholt to Mary Louise VanDyke, 10 October 1990, DNAH Archives. Photo enclosed.

David Hugh Jones

1900 - 1983 Arranger of "[You'll hear the trumpet sound]" in The New National Baptist Hymnal David Hugh Jones (1900-1983) Born: 1900, Jackson, Ohio. Jones at­tend­ed the Guil­ford Or­gan School, New York Ci­ty (grad­u­at­ed 1920), and the Amer­i­can Con­ser­va­to­ry, Fon­taine­bleau, France, and re­ceived hon­or­a­ry de­grees from Washing­ton and Jeff­er­son, and Bea­ver Col­leg­es. In 1924, he be­came a Fel­low of the Amer­i­can Guild of Or­gan­ists. He played the or­gan at church­es in Ports­mouth and Day­ton, Ohio; and in New York Ci­ty, Rome, and Brook­lyn, New York. From 1934 un­til re­tir­ing in 1979, he was the Mil­ler Cha­pel or­gan­ist and choir di­rect­or at Prince­ton The­o­lo­gi­cal Sem­in­ary, New Jer­sey. In 1937, he found­ed the sem­in­a­ry’s tour­ing choir, which sang at thou­sands of church­es in Amer­i­ca, Ca­na­da, Cu­ba, Mex­i­co, Co­lom­bia, Ve­ne­zue­la, the Car­ib­be­an is­lands, Ja­pan, and Ko­rea. --www.hymntime.com/tch/

Skinner Chávez-Melo

1944 - 1992 Harmonizer of "MY LORD WHAT A MORNING" in El Himnario Skinner Chavez-Melo, an organist, conductor and composer who was music director at the St. Rose of Lima Roman Catholic Church in Manhattan, died on Saturday at New York Downtown Hospital. He was 47 years old and lived in Manhattan. He died of spinal cancer, said his brother, Juan Francisco. Mr. Chavez-Melo was born in Mexico City, but completed his musical studies in the United States, receiving degrees at Eastern Nazarene College and the Union Theological Seminary, and pursuing further studies at the Juilliard School and the Manhattan School. He toured internationally as an organist and conducted orchestras in Mexico, Brazil and the United States. As a composer, he wrote works for organ, choir and orchestra, and contributed hymn settings to several published hymnals, including those of the United Church of Christ and Yale University. He also lectured and presented workshops on Hispanic church music. Besides directing music at St. Rose, Mr. Chavez-Melo conducted the annual Singing Christmas Tree concerts at the South Street Seaport. http://www.nytimes.com/1992/01/28

J. Rosamond Johnson

1873 - 1954 Person Name: J. Rosamund Johnson Arranger of "[You'll hear the trumpet sound]" in Sing and Rejoice! John Rosamond Johnson USA 1873-1954. Born at Jacksonville, FL, brother of James Weldon Johnson, he was an important figure in black music. During the first part of the 20th century. With his brother and a partner, Bob Cole, he helped compose “The black national anthem”: “Lift every voice and sing”. He was a pianist, songwriter, producer, soldier, singer, and actor. He began playing the piano at age four, and he studied at the New England Conservatory and with Samuel Coleridge Taylor in London, England. By the turn of the century he was teaching school in the Jacksonville area. He was also music director at the Bethel Baptist Church there. He moved to New York City in 1900 and entered its musical life. With Bob Cole (and sometimes his brother) they created a vaudeville act, did songwriting, and produced several musicals. This lasted until Cole’s death in 1911. They also produced two musicals: “The shoo-fly regiment” (1907) and “The red moon” (1909), in which he did some acting as well. The shows were successful, but they lost money and returned to doing vaudeville. In 1912, he gave a piano “Concert of Negro Music” at Carnegie Hall. In 1912-13 he went to London and served as director of Oscar Hammerstein’s Grand Opera House. He also wrote music for a theatre review. Returning to the U.S. with his new wife, Nora Ethel Floyd, he was appointed as director of the New York Music School Settlement for Colored People, serving from 1914-1919. The Johnson’s had one son, Donald. When WW1 broke out, he received a commission as a 2nd Lt. In the 15th Regiment. After the war, he also helped his brother with some NAACP activities. He toured with his own groups, the Harlem Rounders and the Inimitable Five. In New York he met and worked with Oscar Hammerstein, who would help shape his career. He also performed in negro spiritual concerts in New York and Manhattan. He sang and played the part of a lawyer in the original production of “Porgy & Bess” (1935). In 1936 he served as music director for the musical, “Blackbirds”. He sang in the original production of Gershwin’s “Porgy & Bess”, taking roles in other dramatics as well. As an editor he collected important works of traditional African-American songs and compiled them, along with his brother, James: “The Book of American negro spirituals” (1925), and ‘The second Book of negro spirituals’ (1926). He also edited “Shoutsongs” (1936) and the folksong anthology “Rolling along in song” (1937). He co-produced 15 musicals. He continued composing songs and instructing young people in music, and serving as a theatre doctor for many plays until his death. He died in New York City. Six published collections. John Perry

Walter W. Felton

Arranger of "[My Lord, what a morning]" in Hymnal of the Church of God

Adolfo Robleto

1917 - 1994 Translator of "¡Oh Dios, Qué Mañana!" in Himnario Bautista Born: Jan­u­a­ry 4, 1917, Ma­na­gua, Ni­ca­ra­gua. Died: Ap­ril 1, 1994, Tex­as. Pseudonyms: Daniel R. Di­az Pablo Fi­lós Robleto at­tend­ed the Co­le­gio Bau­tis­ta in Ma­na­gua (grad­u­at­ed 1940), and the Bap­tist Sem­in­a­ry in New Or­leans, Lou­i­si­a­na, and pas­tored church­es in Ni­ca­ra­gua, Cos­ta Ri­ca and Tex­as. He al­so di­rect­ed the De­part­ment of Ad­min­is­tra­tion of Church­es and Pas­tor­al Lead­er­ship, ed­it­ed The Chris­tian Home for the Casa Bau­tis­ta de Pub­li­ca­ci­on­es, and trans­lat­ed about 200 hymns from Eng­lish to Span­ish. His works in­clude: 501 Ilus­tra­cion­es Nue­vas Doctrina Cris­ti­a­na Dramas y Po­em­as pa­ra Dí­as Es­pe­cial­es Que Hacer En Tiem­pos de Cri Sermones pa­ra el Nue­vo Mi­len­io --www.hymntime.com/tch/

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