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Ulises Torres

b. 1936 Hymnal Number: 15 Author of "La Confesion" in Cancionero Abierto

Anders Frostenson

1906 - 2006 Hymnal Number: 23 Author of "El Amor De Dios" in Cancionero Abierto

1938 - 2009 Hymnal Number: 24 Author of "Somos Uno" in Cancionero Abierto Peter Scholtes (1938–2009) Peter was born in Evanston, Illinois and grew up in Oak Park, where he attended Ascension School and Fenwick High School before studying at Quigley and St. Mary of the Lake-Mundelein seminaries. He earned his Masters in Adult Education and Organization Development at Boston University. Peter wrote the hymn "They'll Know We Are Christians by Our Love" while he was a parish priest at St. Brendan's on the South Side of Chicago in the 1960s. At the time, he was leading a youth choir out of the church basement and was looking for an appropriate song for a series of ecumenical, interracial events. When he couldn't find such a song, he wrote the now-famous hymn in a single day. His experiences at St. Brendan's, and in the Chicago Civil Rights movement, influenced him for the rest of his life. After working in the public sector in Lynn, Massachusetts and Madison, Wisconsin, Peter became a consultant with Joiner Associates in the 1980s, traveling the globe to help businesses engage employees' talents more fully, humanely, and effectively. He co-authored The Team Handbook, which was named one of The 100 Best Business Books of All Time (in the book of that title). After starting Scholtes Seminars and Consulting, he wrote the classic The Leader's Handbook in 1998, which made the definitive case against performance appraisal—a practice he argued was demoralizing and wrong. --www.lorenz.com/composers

Pablo D. Sosa

1933 - 2020 Person Name: Pablo Sosa Hymnal Number: 4 Author of "Miren Que Bueno" in Cancionero Abierto Pablo Sosa (b. 1933 - d. 2020) grew up and was educated in Argentina, the U.S. (Westminster Choir College), and Germany. For years he pastored a large Methodist congregation in Buenos Aires, Argentina while composing songs, leading choirs, editing hymnals, producing religious broadcasts, and teaching liturgy and hymnology at a seminary. Meanwhile, life in Argentina pushed him to question his assumptions about what’s best for congregational singing. During Argentina’s “dirty war,” two young women from his church were disappeared, possibly for working among the poor. As Catholic and Protestant churches hesitated whether to speak out, remain silent, or support the government, many people lost faith. Economic meltdown after the war plunged many middle-class Argentinians into poverty. Sosa’s growing social awareness widened his vision for “lifting up hope with a song.” He often describes worship as “the fiesta of the faithful,” where all are welcome and all music is seen as “part of the ‘song of the earth,’ which answers the psalmist’s call ‘Sing joyfully to God, all the earth!’ (Psalm 98:4).” Whether in his home church, Iglesia Evangélica Metodista La Tercera (Third Methodist Church) in Buenos Aires, or at churches or conferences around the world, he urges people, “Put your body into worship!” And he reminds them of the biblical connection between justice and worship. CICW Website Bio (http://www.calvin.edu/worship)

Simei Monteiro

b. 1943 Person Name: Simei de Monteiro Hymnal Number: 47 Author of "La Nueva Cancion (Xaxado)" in Cancionero Abierto Simei Monteiro is a Brazilian poet, composer, translator, author and editor. She was Born in Belém, PA, Brazil in 1943. Her songs and translations appear in several hymn books and collections of sacred songs in Brazil, Latin America, USA, Europe, and Asia. She has a degree in Portuguese, French Language and Literature, and a Degree in Artistic Education. She is interested in worship and the arts, and her book: The Song of Life, explores the relationship between Hymnody and Theology. Until 2010, she was a missionary of The United Methodist Church, serving with the World Council of Churches (WCC), in Geneva, Switzerland, in the position of Worship Consultant. Simei is married to a Methodist pastor and has two adult daughters, two granddaughters, and a grandson. Simei Monteiro

Federico J. Pagura

1923 - 2016 Person Name: F.J. Pagura Hymnal Number: 24 Translator of "Somos Uno" in Cancionero Abierto Federico José Pagura was an Argentine Methodist bishop and author and translator of hymns. Leland Bryant Ross

Jerry Sinclair

1943 - 1993 Person Name: J. Sinclair Hymnal Number: 16 Composer of "[Aleluya, Aleluya]" in Cancionero Abierto

O. Catena

1920 - 1986 Person Name: Osvaldo Catena Hymnal Number: 39 Author of "Vuelvete A Dios" in Cancionero Abierto Osvaldo Catena (b. 1920; d. 1986) was an Argentinian priest and composer. Showing an early interest in music, he entered the Metropolitan Seminary in Santa Fe, Argentina, where he learned multiple instruments and studied for ordination. He was ordained as a priest in 1943. He started the first School of Sacred Music in Santa Fe, and in 1950 organized the first University Choir. He was soon appointed chaplain at the College of Our Lady of Calvary, but moved his ministry to the poor, harsh areas of Santa Fe, in what he named Villa Prak, “the triangle” outlined by railroad tracks, garbage dumps, and caves near the Rio Saldo. He termed this area Villa Park. He spent much of his life in this area, working to develop the area and provide fellowship and guidance for those living there in a time of turmoil and violence, during the military dictatorship in Argentina (1976-1983). Laura de Jong

Homero R. Perera

Person Name: Homero Perera Hymnal Number: 14 Author of "Perdon, Señor" in Cancionero Abierto Uruguay-Argentina

Juan A. Espinosa

b. 1940 Person Name: Juan Antonio Espinosa Hymnal Number: 7 Author of "El Señor Es Mi Fuerza" in Cancionero Abierto Born: 1940, Badajoz, Spain. Internationally recognized as one of the leading composers of Spanish liturgical music, Juan Antonio Espinosa composes songs that emphasize hope for the oppressed, social justice, and the power of faith. Currently, he directs the Association for the Promotion of Religious Music (APROMUR) in Spain and serves as a liturgical musician at San Estanislao Parish in Madrid. After living for a time in Peru, Juan published music reflecting the Andes style and Latin American social realities. Hispanic assemblies in the U.S. are familiar with Juan's uplifting music through his songs in the OCP collections Pescador de Hombres and Resucitó, and in Cánticos, Segunda Edición, Misal Del Día, Unidos En Cristo Música and Flor y Canto, Segunda Edición. His first collection for OCP was Al Señor del Nuevo Siglo. --www.ocp.org/artists/358