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Joseph Stennett

1663 - 1713 Person Name: Samuel Stennett Hymnal Number: 215 Author of "Another six days' work is done" in The Seventh-Day Adventist Hymn and Tune Book The author was a Baptist preacher in London, from 1690, to his death in 1713. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ============================= Stennett, Joseph, the earliest English Baptist hymnwriter whose hymns are now in common use, was born at Abingdon, Berks, in 1663. He received a superior education at the Grammar School of Wallingford, and at the age of 22 removed to London, where for several years he engaged in tuition. In 1688 he married a daughter of George Guill, a French Protestant refugee, another of whose daughters was the wife of the celebrated Presbyterian minister, Dr. Daniel Williams, who became a generous friend to Stennett. In the following year he was called to preach by the Baptist Sabbatarian congregation then meeting in Devonshire Square, London, afterwards in Pinners' Hall; and in 1690 became its pastor, a position he retained to his death, July 4, 1713. Since the meetings of this congregation for worship were on the seventh day of the week, he was free to preach to other congregations on the Sunday, which he did very frequently, especially to the General Baptist Church in the Barbican. Such was Stennett's repute for piety, learning and practical wisdom that his advice was very much sought by his Christian friends, and by the "great Whig Lords” of that day he was occasionally consulted as to the feeling of the Dissenters concerning national affairs. His published works include:— (1) Hymns in commemoration of the Sufferings of our Blessed Saviour Jesus Christ, compos'd for the Celebration of his Holy Supper, 1697; 2nd ed. 1703 (This is entitled in Stennett's Works, 1732, Hymns for the Lord's Supper). These were 37 in number, increased to 50 in the 3rd edition, 1709. (2) In 1700 he published a poetical Version of Solomon's Song of Songs, together with the XLVth Psalm. A second edition, corrected, appeared in 1709. (3) In 1712 he published twelve Hymns composed for the Celebration of the Holy Ordinance of Baptism; 2nd ed. 1722. Stennett also translated Dacier's Plato and other works from the French, and published several sermons preached on days of National Thanksgiving and other public occasions. His Works were collected after his death and published in 1732, in 4 vols. They contain a Memoir, Sermons and Letters, the Hymns and Poems mentioned above, and a few other poetical pieces. A controversial work, An Answer to Mr. Russen's Book on Baptism, 1702, may be reckoned as a 5th vol. Of his hymns, that which, in the form of varying centos, is most widely known is, "Another six days' work is done". Others in common use include:— 1. Gracious Redeemer, how divine. Holy Communion. Appeared in his Hymns for the Lord's Supper, first edition, 1697. (Works, 1732, ii. p. 98.) Usually abbreviated. 2. Immortal praise be given. Holy Communion. Published in his Hymns for The Lord's Supper, first ed., 1697. (Works, 1732, ii. p. 97.) From this "We'll praise our risen Lord," is taken. 3. Jesus, O word divinely sweet. Redemption through Jesus. Published in Hymns for the Lord's Supper, 3rd ed. 1709, No. 47. 4. Lord, at Thy Table I behold. Holy Communion. This hymn is not in Stennett's Works. From it "With humble faith and trembling heart," is taken. 5. My blessed Saviour, is Thy love? Self-Consecration to God. Appeared in his Hymns for the Lord's Supper, 1697, No. 22. Usually abbreviated. 6. The great Redeemer we adore. Published in his Hymns for Baptism, 1712. 7. Whene'er one sinner turns to God. Holy Baptism. Published in his Hymns for Baptism, 1712, No. 12. From this "See how the willing converts trace" is taken. It begins with st. iii. Several of his hymns additional to these are given in the older collections, but have passed out of use. We may add that the Joseph Stennett, the subject of this article, had a son, Joseph Stennett, D.D., who also became an eminent Baptist minister, and was the father of Samuel Stennett. [Rev.W. R. Stevenson, M.A.] --Excerpts from John Julian, Dictionary of Hymnology (1907)

Catherine Winkworth

1827 - 1878 Hymnal Number: 849 Author of "Time, thou speedest on but slowly" in The Seventh-Day Adventist Hymn and Tune Book Catherine Winkworth (b. Holborn, London, England, 1827; d. Monnetier, Savoy, France, 1878) is well known for her English translations of German hymns; her translations were polished and yet remained close to the original. Educated initially by her mother, she lived with relatives in Dresden, Germany, in 1845, where she acquired her knowledge of German and interest in German hymnody. After residing near Manchester until 1862, she moved to Clifton, near Bristol. A pioneer in promoting women's rights, Winkworth put much of her energy into the encouragement of higher education for women. She translated a large number of German hymn texts from hymnals owned by a friend, Baron Bunsen. Though often altered, these translations continue to be used in many modern hymnals. Her work was published in two series of Lyra Germanica (1855, 1858) and in The Chorale Book for England (1863), which included the appropriate German tune with each text as provided by Sterndale Bennett and Otto Goldschmidt. Winkworth also translated biographies of German Christians who promoted ministries to the poor and sick and compiled a handbook of biographies of German hymn authors, Christian Singers of Germany (1869). Bert Polman ======================== Winkworth, Catherine, daughter of Henry Winkworth, of Alderley Edge, Cheshire, was born in London, Sep. 13, 1829. Most of her early life was spent in the neighbourhood of Manchester. Subsequently she removed with the family to Clifton, near Bristol. She died suddenly of heart disease, at Monnetier, in Savoy, in July, 1878. Miss Winkworth published:— Translations from the German of the Life of Pastor Fliedner, the Founder of the Sisterhood of Protestant Deaconesses at Kaiserworth, 1861; and of the Life of Amelia Sieveking, 1863. Her sympathy with practical efforts for the benefit of women, and with a pure devotional life, as seen in these translations, received from her the most practical illustration possible in the deep and active interest which she took in educational work in connection with the Clifton Association for the Higher Education of Women, and kindred societies there and elsewhere. Our interest, however, is mainly centred in her hymnological work as embodied in her:— (1) Lyra Germanica, 1st Ser., 1855. (2) Lyra Germanica, 2nd Ser., 1858. (3) The Chorale Book for England (containing translations from the German, together with music), 1863; and (4) her charming biographical work, the Christian Singers of Germany, 1869. In a sympathetic article on Miss Winkworth in the Inquirer of July 20, 1878, Dr. Martineau says:— "The translations contained in these volumes are invariably faithful, and for the most part both terse and delicate; and an admirable art is applied to the management of complex and difficult versification. They have not quite the fire of John Wesley's versions of Moravian hymns, or the wonderful fusion and reproduction of thought which may be found in Coleridge. But if less flowing they are more conscientious than either, and attain a result as poetical as severe exactitude admits, being only a little short of ‘native music'" Dr. Percival, then Principal of Clifton College, also wrote concerning her (in the Bristol Times and Mirror), in July, 1878:— "She was a person of remarkable intellectual and social gifts, and very unusual attainments; but what specially distinguished her was her combination of rare ability and great knowledge with a certain tender and sympathetic refinement which constitutes the special charm of the true womanly character." Dr. Martineau (as above) says her religious life afforded "a happy example of the piety which the Church of England discipline may implant.....The fast hold she retained of her discipleship of Christ was no example of ‘feminine simplicity,' carrying on the childish mind into maturer years, but the clear allegiance of a firm mind, familiar with the pretensions of non-Christian schools, well able to test them, and undiverted by them from her first love." Miss Winkworth, although not the earliest of modern translators from the German into English, is certainly the foremost in rank and popularity. Her translations are the most widely used of any from that language, and have had more to do with the modern revival of the English use of German hymns than the versions of any other writer. -- John Julian, Dictionary of Hymnology (1907) ============================ See also in: Hymn Writers of the Church

H. L. Gilmour

1836 - 1920 Person Name: Dr. H. L. Gilmour Hymnal Number: 1245 Author of "Blow the trumpet, trusty watchman" in The Seventh-Day Adventist Hymn and Tune Book Henry Lake Gilmour United Kingdom 1836-1920. Born at Londonderry, Ireland, he emigrated to America as a teenager, thinking he wanted to learn navigation. When he reached the U.S., he arrived in Philadelphia and decided to seek his fortune in America. He started working as a painter, then served in the American Civil War, where he was captured and spent several months in Libby Prison, Richmond, VA. He married Letitia Pauline Howard in 1858. After the war he trained as a dentist and did that for many years. In 1869 he moved to Wenonah, NJ, and helped found the Methodist church there in 1885. He served as Sunday school superintendent and, for four decades, directed the choir at the Pittman Grove Camp Meeting, also working as song leader at camp meetings in Mountain Lake Park, MD, and Ridgeview Park, PA. He was an editor, author, and composer. He edited and/or published 25 gospel song books, along with John Sweney, J Lincoln Hall, John J Hood, Howard Entwistle, Joshua Gill, E L Hyde, Milton S Rees and William J Kirkpatrick. He died in Delair, NJ, after a buggy accident. John Perry

Charitie Lees Smith

1841 - 1923 Person Name: C. L. Smith Hymnal Number: 835 Author of "O for the robes of whiteness!" in The Seventh-Day Adventist Hymn and Tune Book Bancroft, Charitie Lees, née Smith, daughter of the Rev. Sidney Smith, D.D., Rector of Drumragh, County Tyrone, Ireland; was born at Bloomfield, Merrion, in the county of Dublin, June 21,1841; and married, in 1869, to Arthur E. Bancroft. Her hymns have appeared in periodicals, Lyra Britannica, Bishop Ryle's Spiritual Songs, and other collections, and also as leaflets. The following have come into common usage:— 1. O for the [a] robes [robe] of whiteness. Heaven desired. This favorite children's hymn was 1st pub. as a leaflet in 1860. In 1867 it was included in Lyra Britannica, and thence has passed into several collections in Great Britain and America. 2. The King of glory standeth. Christ the Saviour. Contributed in 7 stanzas of 8 1ines to the Lyra Britannica, 1867, and entitled "Mighty to save." In the Hymns & Songs of Praise, N. Y., 1874, No. 1196, it begins with stanza iii., "He comes in bloodstained garments." 3. Before the throne of God above. The Advocate. Dated 1863, and given in Spurgeon's Our Own Hymn Book, 1806, Laudes Domini, N. Y., 1884. In 1867 Mrs. Bancroft's hymns were collected and published as Within the Veil, by C. L. S. -- John Julian, Dictionary of Hymnology (1907) ========================== De Chenez, Charitie L. [Bancroft] née Smith, widow of Arthur Bancroft, p. 109, ii., is by a second marriage Mrs. De Chenez. --John Julian, Dictionary of Hymnology, New Supplement (1907) ======================== She was apparently widowed twice. She died in Oakland, California, in 1923, at the age of 82, bearing the name Charitie de Cheney (or Chenez) - Dianne Shapiro

W. A. Ogden

1841 - 1897 Person Name: W. A. O. Hymnal Number: 1209 Author of "We humbly beseech thee" in The Seventh-Day Adventist Hymn and Tune Book William Augustine Ogden USA 1841-1897. Born at Franklin County, OH, his family moved to IN when he was age six. He studied music in local singing schools at age 8, and by age 10 could read church music fairly well. Later, he could write out a melody by hearing it sung or played. He enlisted in the American Civil War in the 30th IN Volunteer Infantry. During the war he organized a male choir which became well known throughout the Army of the Cumberland. After the war, he returned home, resumed music study, and taught school. He married Jennie V Headington, and they had two children: Lowell and Marian. He worked for the Iowa Normal School, Toledo Public School System. Among his teachers: Lowell Mason, Thomas Hastings, E E Baily and B F Baker, president of the Boston Music School. He wrote many hymns, both lyrics and/or music. He later issued his first song book, “The silver song” (1870). It became quite popular, selling 500,000 copies. He went on to publish other song books. Ogden also taught music at many schools in the U S and Canada. In 1887 he became superintendent of music in the public schools of Toledo, OH. His works include: “New silver songs for Sunday school” (1872), “Crown of life” (1875), “Notes of victory” (1885), “The way of life” (1886), “Gathering jewels” (1886). He was known as a very enthusiastic person in his work and a very congenial one as well. He died at Toledo, OH. John Perry

Michael Bruce

1746 - 1767 Hymnal Number: 347 Author of "Where high the heavenly temple stands" in The Seventh-Day Adventist Hymn and Tune Book Bruce, Michael, son of a Scottish weaver, was born at Kinnesswood, Portmoak, Kinrossshire, Scotland, March 27,1746, and educated at the village school, Edinburgh University (where he first became acquainted with John Logan), and the Theological Hall of the Associate Synod, held at Kinross, under the Rev. John Swanston, intending ultimately to enter the ministry, a hope which was frustrated by his untimely death. To assist in procuring University fees and maintenance he for some time conducted a school, during the recess, at Gairney Bridge, and subsequently at Forrest Mill, near Tillicoultry. Whilst yet a student he died at Kinnesswood, July 5th, 1767. [Also, see Logan, John] The names of Michael Bruce and John Logan are brought together because of the painful controversy which has long prevailed concerning the authorship of certain Hymns and Paraphrases of Holy Scripture which are in extensive use in the Christian Church both at home and abroad. During the latter years of Bruce's short life he wrote various Poems, and also Hymns for a singing class at Kinnesswood, which were well known to his family and neighbours, and were eventually copied out by Bruce himself in a quarto MS. book, with the hope that some day he might see them in print. Immediately upon his death, in 1767, Logan called upon his father and requested the loan of this book that he might publish the contents for the benefit of the family. This was granted. Not till three years afterwards did a certain work, containing seventeen poems, and entitled Poems on Several Occasions , by Michael Bruce, 1770, appear, with a Preface in which it was stated that some of the Poems were by others than Bruce. -- John Julian, Dictionary of Hymnology (1907)

Ignaz Pleyel

1757 - 1831 Person Name: Ignace Pleyel Hymnal Number: 240 Composer of "PLEYEL" in The Seventh-Day Adventist Hymn and Tune Book Ignaz Joseph Pleyel; b. Ruppertstahl, near Vienna, 1757; d. Parice France, 1831 Evangelical Lutheran Hymnal, 1908

Helen Maria Williams

1762 - 1827 Person Name: Helen M. Williams Hymnal Number: 81 Author of "While thee I seek, protecting Power" in The Seventh-Day Adventist Hymn and Tune Book Miss Helen Maria Williams was born in the north of England, in 1762. At the age of eighteen, she went to London, and soon after took position in the literary world, publishing several poems. Subsequently she resided in Paris, where she published works in prose and poetry. She died in 1827. The eminent French preacher, Athanase Coquerel was her nephew, and received from her his early training. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872. ================== Williams, Helen Maria, daughter of Charles Williams, an officer in the Army, was born in the North of England in 1762. Through the influence of Dr. A. Kippis whose help she sought in London, her first poem, Edwin and Eltruda, a legendary tale, was published in 1782. This was followed by An Ode on the Peace, 1783, and Pern, a Poem. These were all included in her Poems, 2 vols., 1786, 2nd edition 1791. Being connected by her sister's marriage with a French Protestant family, she resided in Paris during the period of the Revolution and the reign of Terror. There she became well known as a political writer of strong republican sympa-thies, but her too independent expressions of opinion led to her temporary imprisonment by Robespierre. Her Letters from France, 1790, were published in England and America, and in a French translation, in France. She also published Letters containing a Sketch of the Politics of France from the 31st May, 1793, till the 28th of July, 1794, 2 vols., 1795, and other works of a like kind; some additional Poems, and a translation of Humboldt's Personal Narratives of his Travels, 1815. The closing years of her life were spent at Amsterdam, in the house of her nephew, Athanase Coquerel, a pastor of the Reformed Church there. Miss Williams died in 1827. From her Poems, 1786, the following hymns have come into common use:— 1, My God, all nature owns Thy sway. Nature speaks of God. In Martineau's Hymns, 1840. 2. While Thee I seek, protecting Power. Safety in God. This hymn was in Dr. Priestley's Birmingham Collection, 1790; in Kippis's Collection, 1795; the Exeter Collection, 1801; and almost every other Unitarian collection to the present time. In the New Congregational Hymn Book , 1859, it begins "While Thee I seek, Almighty Power;" and in several collections a cento beginning "Father, in all our [my] comforts here," is given as in Stowell's Psalms & Hymns, 1831 and 1877, and several others. [Rev. Valentine D. Davis, B.A.] -- John Julian, Dictionary of Hymnology (1907) ================== Williams, Helen Maria, was born in the North of England in 1762. She published a volume of poems when only twenty-one years old, and in 1786 her Poems appeared in two small volumes. She visited Paris in 1788, and lived there for some years with a sister who had married a French Protestant. This was during the period of the Revolution and the Reign of Terror. She was an outspoken republican in her sympathies, 448 and was imprisoned by Robespierre because of some of her utterances in advocacy of the Girondist cause, being released from prison only after his death, in 1794. Her Letters from France (1790 and 1795) were published in England, America, and France. They dealt with political, religious, and literary questions, and showed her to be a woman of more than ordinary intellectual strength. She published many volumes between 1786 and 1823, when her last volume appeared, titled Poems on Various Occasions, being a collection of all her previously published poems. She lived partly in England, but mostly in France, though the closing years of her life were spent in Holland in the home of a nephew who lived at Amsterdam and was pastor of the reformed Church there. Her death occurred at Paris December 14, 1827. Hymn Writers of the Church Wilbur F. Tillett and Charles S. Nutter, 1915

Augustus Toplady

1740 - 1778 Person Name: Augustus M. Toplady Hymnal Number: 736 Author of "If, through unruffled seas" in The Seventh-Day Adventist Hymn and Tune Book Toplady, Augustus Montague, the author of "Rock of Ages," was born at Farnham, Surrey, November 4, 1740. His father was an officer in the British army. His mother was a woman of remarkable piety. He prepared for the university at Westminster School, and subsequently was graduated at Trinity College, Dublin. While on a visit in Ireland in his sixteenth year he was awakened and converted at a service held in a barn in Codymain. The text was Ephesians ii. 13: "But now, in Christ Jesus, ye who sometimes were far off are made nigh by the blood of Christ." The preacher was an illiterate but warm-hearted layman named Morris. Concerning this experience Toplady wrote: "Strange that I, who had so long sat under the means of grace in England, should be brought nigh unto God in an obscure part of Ireland, amidst a handful of God's people met together in a barn, and under the ministry of one who could hardly spell his name. Surely this is the Lord's doing, and it is marvelous." In 1758, through the influence of sermons preached by Dr. Manton on the seventeenth chapter of John, he became an extreme Calvinist in his theology, which brought him later into conflict with Mr. Wesley and the Methodists. He was ordained to the ministry in the Church of England in 1762, and in 1768 he became vicar of Broadhembury, a small living in Devonshire, which he held until his death. The last two or three years of his life he passed in London, where he preached in a chapel on Orange Street. His last sickness was of such a character that he was able to make a repeated and emphatic dying testimony. A short time before his death he asked his physician what he thought. The reply was that his pulse showed that his heart was beating weaker every day. Toplady replied with a smile: "Why, that is a good sign that my death is fast approaching; and, blessed be God, I can add that my heart beats stronger and stronger every day for glory." To another friend he said: "O, my dear sir, I cannot tell you the comforts I feel in my soul; they are past expression. . . . My prayers are all converted into praise." He died of consumption August 11, 1778. His volume of Psalms and Hymns for Public and Private Worship was published in 1776. Of the four hundred and nineteen hymns which it contained, several were his own productions. If on a quiet sea 446 Rock of ages, cleft for me 279 Hymn Writers of the Church, 1915 by Charles S. Nutter =============================================== Toplady, Augustus Montague, M.A. The life of Toplady has been repeatedly and fully written, the last, a somewhat discursive and slackly put together book, yet matterful, by W. Winters (1872). Summarily, these data may be here given: he was born at Farnham, in Surrey, on November 4, 1740. His father, Richard Toplady, was a Major in the British array, and was killed at the siege of Carthagena (1741) soon after the birth of his son. His widowed mother placed him at the renowned Westminster school, London. By-and-by circumstances led her to Ireland, and young Augustus was entered at Trinity College, Dublin, where he completed his academical training, ultimately graduating M.A. He also received his "new birth" in Ireland under remarkable conditions, as he himself tells us with oddly mixed humility and lofty self-estimate, as "a favourite of heaven," common to his school:— "Strange that I who had so long sat under the means of grace in England should be brought right unto God in an obscure part of Ireland, midst a handful of people met together in a barn, and by the ministry of one who could hardly spell his own name. Surely it was the Lord's doing and is marvellous. The excellency of such power must be of God and cannot be of man. The regenerating spirit breathes not only on whom but likewise, when and where and as He listeth." Toplady received orders in the Church of England on June 6, 1762, and after some time was appointed to Broadhembury. His Psalms and Hymns of 1776 bears that he was then “B.A." and Vicar of Broadhembury. Shortly thereafter be is found in London as minister of the Chapel of the French Calvinists in Leicester Fields. He was a strong and partizan Calvinist, and not well-informed theologically outside of Calvinism. We willingly and with sense of relief leave unstirred the small thick dust of oblivion that has gathered on his controversial writings, especially his scurrilous language to John Wesley because of his Arminianism, as we do John Wesley's deplorable misunderstanding and misrepresentation of Calvinism. Throughout Toplady lacked the breadth of the divine Master's watchword "Forbid him not, for he that is not against us is for us" (St. Luke ix. 50). He was impulsive, rash-spoken, reckless in misjudgment; but a flame of genuine devoutness burned in the fragile lamp of his overtasked and wasted body. He died on August 11, 1778. The last edition of his works is in 6 vols., 8 vo., 1825. An accurate reproduction of most of his genuine hymns was one of the reprints of Daniel Sedgwick, 1860. His name occurs and recurs in contemporary memoirs and ecclesiastical histories, e.g., in Tyerman's Life of John Wesley. The reader will find in their places annotations on the several hymns of Toplady, and specially on his "Rock of Ages,” a song of grace that has given him a deeper and more inward place in millions of human hearts from generation to generation than almost any other hymnologist of our country, not excepting Charles Wesley. Besides the "Rock of Ages" must be named, for power, intensity, and higher afflatus and nicer workmanship, "Object of my first desire,” and "Deathless principle arise." It is to be regretted that the latter has not been more widely accepted. It is strong, firm, stirring, and masterful. Regarded critically, it must be stated that the affectionateness with which Toplady is named, and the glow and passion of his faith and life, and yearning after holiness, have led to an over-exaltation of him as a hymnwriter. Many of his hymns have been widely used, and especially in America, and in the Evangelical hymnbooks of the Church of England. Year by year, however, the number in use is becoming less. The reason is soon found. He is no poet or inspired singer. He climbs no heights. He sounds no depths. He has mere vanishing gleams of imaginative light. His greatness is the greatness of goodness. He is a fervent preacher, not a bard. [Rev. A. B. Grosart, D.D., LL.D.] Toplady's hymns and poetical pieces were published in his:— (1) Poems on Sacred Subjects wherein The Fundamental Doctrines of Christianity, with many other interesting Points, are occasionally introduced. . . Dublin: Printed by S. Powell, in Crane-lane, MDCCLIX.; (2) his Psalms & Hymns for Public and Private Worship, 1776; (3) in The Gospel Magazine, 1771-1776; and (4) in Hymns and Sacred Poems on a variety of Divine Subjects, &c. D. Sedgwick's reprint, 1860. His Works, with a Memoir by W. Row, were published in 6 volumes, in 1794. Walter How was also the editor of the 2nd and some later editions of the Psalms & Hymns. He was a most careless editor, and attributed several hymns by C. Wesley and others to Toplady. The following additional hymns in common use together with centos indicated in the sub-lines, are from:— i. His Poems on Sacred Subjects, 1759. 1. Can my heaven-born soul submit? All for Christ. 2. Come from on high, my King and God. Holiness desired. (1.) 0 might this worthless heart of mine. 3. Earnest of future bliss. The Witness of the Spirit. 4. From Thy supreme tribunal, Lord. Christ's Righteousness a Refuge. (1.) The spotless Saviour lived for me. 5. Great God, Whom heaven, and earth, and sea. For Peace. 6. I saw, and lo! a countless throng. Saints' Days. Revised form in the Gospel Magazine, 1774, p. 449. 7. Immovable our hope remains. Divine Faithfulness. 8. Jesus, God of love, attend. Divine Worship. Pt. ii. is "Prayer can mercy's door unlock." 9. Jesus, Thy power I fain would feel. Lent. 10. Lord, I feel a carnal mind. Mind of Christ desired. 11. My yielding heart dissolves as wax. On behalf of Arians, &c. (1.) 0 Jesus, manifest Thy grace. 12. Not to myself I owe. Praise for Conversion, (1.) Not to ourselves we owe. (2.) The Father's grace and love. 13. 0 that my heart was right with Thee. Dedication to God desired. 14. 0 Thou that hearest the prayer of faith. Christ the Propitiation. 15. 0 Thou Who didst Thy glory leave. Thanksgiving for Redemption. 16. 0 when wilt Thou my Saviour be. Trust in Jesus. (1.) Jesus, the sinner's Rest Thou art. 17. Redeemer, whither should I flee? Safety in the Cross. 18. Remember, Lord, that Jesus bled. Pardon. 19. Surely Christ thy griefs hath borne. Redemption. Revised text in Gospel Magazine, 1774, p. 548. (1.) Weary sinner, keep thine eyes. (2.) Weeping soul, no longer mourn. ii. From the Gospel Magazine. 20. Compared with Christ, in all besides. Christ All in All. Feb. 1772. 21. Eternal Hallelujahs Be to the Father given. Holy Trinity, Dec. 1774. 22. From whence this fear and unbelief. Reviving Faith, Feb. 1772. 23. How vast the benefits divine. Redemption. Dec. 1774. From this "Not for the works which we have done" is taken. 24. Whom have I in heaven but Thee? Christ All and in All, Feb. 1772. From this "If my Lord Himself reveal" is taken. 25. Jesus, immutably the same. Jesus, the True Vine. June, 1771. All these hymns, together with "O precious blood, 0 glorious death" (Death of Christ), are in D. Sedgwick's reprint of Toplady's Hymns, &c, 1860. We have met with several other hymns to which Toplady's name is appended, but for this we can find no authority whatever. -- Excerpts from John Julian, Dictionary of Hymnology (1907)

Louis Spohr

1784 - 1859 Hymnal Number: 450 Composer of "JERUSALEM" in The Seventh-Day Adventist Hymn and Tune Book Also: Spohr, Ludwig, 1784-1859 Shpor, Lui, 1784-1859 Spohr, L. (Louis), 1784-1859 Shpor, Ludvig, 1784-1859 Spohr, Ludewig, 1784-1859