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Carl Schalk

1929 - 2021 Person Name: Carl Schalk, b. 1929 Scripture: Psalm 118:19-20 Harmonizer of "ISTE CONFESSOR" in Worship (3rd ed.) Carl F. Schalk (b. Des Plaines, IL, 1929; d. 2021) is professor of music emeritus at Concordia University, River Forest, Illinois, where he taught church music since 1965. He completed graduate work at the Eastman School of Music in Rochester, New York, and at Concordia Seminary, St. Louis, Missouri. From 1952 to 1956 he taught and directed music at Zion Lutheran Church in Wausau, Wisconsin, and from 1958 to 1965 served as director of music for the International Lutheran Hour. Honored as a Fellow of the Hymn Society in the United States and Canada in 1992, Schalk was editor of the Church Music journal (1966-1980), a member of the committee that prepared the Lutheran Book of Worship (1978), and a widely published composer of church music. Included in his publications are The Roots of Hymnody in The Lutheran Church-Missouri Synod (1965), Key Words in Church Music (1978), and Luther on Music: Paradigms of Praise (1988). His numerous hymn tunes and carols are collected in the Carl Schalk Hymnary (1989) and its 1991 Supplement. Bert Polman

Annie Johnson Flint

1866 - 1932 Scripture: Psalm 118:4 Author of "God Hath Not Promised Skies Always Blue" in Hymns of Faith and Life Born: December 24, 1866, Vineland, New Jersey. Died: September 8, 1932, Clifton Springs, New York. Buried: Clifton Springs, New York. The biographical account of poetess/hymn-writer Annie Johnson Flint (1866-1932) is a story of both heartbreak and triumph. Born on Christmas Eve in the small town of Vineland, New Jersey, she was welcomed by Eldon and Jean Johnson as their greatest earthly gift. Three years later, little Annie would lose her mother, who died as she gave birth to Annie’s baby sister. Mr. Johnson, who himself was suffering from an incurable disease, willed the children to the Flint family who would bring them up in the Baptist faith. It was during a revival meeting at the age of 8 that the Spirit of God brought Annie's young heart to faith in Christ. She always believed that at that time, she was truly converted. Though she did not join the church until 10 years later, she never doubted that “the eternal work was then wrought.” She strongly opposed the idea that young children cannot comprehend spiritual truths. She felt that divine mysteries were often plainer to the simple faith of a child than to many adults, blinded by their own prejudices and intellectual doubts. Whether by nature or through her early Christian experience, Annie was generally disposed to be cheerful and optimistic. She looked on the bright side of life and was able to get much enjoyment out of life. Her forward-looking, lifted-up head was a characteristic attitude and was typical of the courage she was to manifest in later life. She certainly learned to “endure hardness as a good soldier of Jesus Christ.” After high school, she spent one year in teacher training and had a position offered to her, but felt that she was really needed at home. Later in her second year of teaching, arthritis began to show itself. She grew steadily worse until it became difficult for her to walk at all, and she was soon obliged to give up her work, followed by three years of increasing helplessness. The death of both of her adoptive parents within a few months of each other left Annie and her sister alone again. There was little money in the bank, and the twice-orphaned children had come to a real “Red Sea place” in their lives. Her verses provided a solace for her in the long hours of suffering. Then she began making hand-lettered cards and gift books, and decorating some of her own verses. Testimonies came from many directions of blessing received, so two card publishers printed some of her greetings and released the first little brochure of her poems. The publication of her booklets and the action of the Sunday School Times linked her up with a worldwide fellowship, and she carried most of the correspondence, though one wonders how she could get a pen through those poor twisted fingers. Her letters were as rich as her poems, always bringing a touch of humor that was refreshing. She loved to give to others, but was reluctant to receive, even though she suffered great times of trial and testing. Eventually she gained new understanding and learned how to share the hard moments of her life with others who could not understand the hardships of their lives. She put into poetry words that she titled, “What God Hath Promised.” And through those words and many others, she became convinced that God intended to glorify Himself through her in her weak, earthen vessel; and like Paul, she gained real assurance and could say with the apostle, the promise granted to him: “My grace is sufficient for thee: for my strength is made perfect in weakness.” She could also say with Paul, “Most gladly therefore will I rather glory in my infirmities that the power of Christ may rest upon me.” She believed that God had laid her aside for a purpose, even though that purpose was obscure to her at times. The marvelous thing is that Annie’s faith never faltered, and that she was at all times able to say, “Thy will be done.” --www.homecomingmagazine.com/ (excerpts)

Linda McCrae

Scripture: Psalm 118:26 Translator of "Holy, Holy, Holy" in Gather Comprehensive

William Dexheimer-Pharris

b. 1956 Person Name: William Dexheimer-Pharris, n. 1956 Scripture: Psalm 118:26 Translator of "Santo, Santo, Santo (Holy, Holy, Holy)" in Oramos Cantando = We Pray In Song

Diana Kodner

Person Name: Diana Kodner, b. 1957 Scripture: Psalm 118:26 Composer (acc.) of "[Santo, santo, santo] (Cuellar)" in Gather Comprehensive Diana Kodner Gokce holds a double M.M. in Music from Northwestern University specializing in voice/opera and conducting. As an undergraduate, Diana was a flute major at Northwestern University. She has been a flutist in the Minnesota Orchestra, performing under Leonard Slatkin, Stanislaw Skrowaczewski, and Jean-Pierre Rampal, to name but a few conductors. At the age of 17 Diana conducted the Minnesota Orchestra in a young people's concert as winner of the Urban Arts conducting competition. For six years Diana was conductor and musical director of the Mozart Sinfonia. She has been a conductor of choirs at Loyola University, National-Louis University, and Holy Name Cathedral in Chicago. Diana has authored several books including Handbook for Cantors (Liturgy Training Publications) and Sing God a Simple Song Volumes I and II (Treehaus Communications). She was the editor of A Sourcebook about Music and the Gather Comprehensive Hymnal, first edition (G.I.A. Publications). She was also the conductor for the choral recordings: Catholic Classics, V.I and II (G.I.A. Publications) and both flute and vocal soloist on the Taize recording "Wait for the Lord," from the same publisher. Diana was senior editor of Clavier Magazine and the editor of both Flute Talk and Flute Explorer magazines (The Instrumentalist Company). As editor of Flute Talk Diana interviewed the great flutist Sir James Galway and Jazz flutist Steve Kujala. Most recently Diana was music director for the DVD and CD series from Egghead Learning Systems: As I Grow, for children from birth to 18 months. For 11 years she was the music specialist at Baker Demonstration School in Wilmette, Illinois, and performed as a flutist in the chamber ensemble "Diletto Musicale." Beginning with the 2012-2013 school year, she is the middle school music teacher at The Frances Xavier Warde School, Holy Name Cathedral Campus in Chicago. Diana Kodner

Patrick Prescod

1932 - 2013 Person Name: Patrick Precod Scripture: Psalm 118:14-15 Author of "The Right Hand of God" in Psalms for All Seasons Patrick Prescod was born in St. Vincent and the Grenadines. He was a virtuosic pianist. He studied at Trinity College of Music in London, then returned to St. Vincent and the Grenadines, taught music, led The Kingston Chorale and Cantemus, and worked as the Music Director for the Education Ministry from 1979-1982. He edited the Caribbean hymnal Sing A New Song No. 3. Prescod tried to integrate the familiar cultural features, rhythms, and musical forms into the unfamiliar context of worship. Dianne Shapiro

Noel Dexter

1938 - 2019 Scripture: Psalm 118:14-15 Composer of "LA MANO DE DIOS" in Psalms for All Seasons Noel Dexter was born on December 21, 1938 and grew up in Port Antonio, Portland, Jamaica. He studied ethnomusicology and church music at the University of West Indies, in the United Kingdom and in the United States. He founded and led the Kingston Singers as well as other theatrical productions. For 25 years he was director of music at the University of West Indies, Mona, While there he lead the University Singers, until 2012, when he retired. He composed many hymns, anthems, and arrangements. Dianne Shapiro, from "Music Great, Noel Dexter, Remembered" in "The Gleaner," August 19, 2019 (accessed online 8/6/2020)

James McGranahan

1840 - 1907 Scripture: Psalm 118 Composer of "[O praise the Lord, for He is good]" in Bible Songs James McGranahan USA 1840-1907. Born at West Fallowfield, PA, uncle of Hugh McGranahan, and son of a farmer, he farmed during boyhood. Due to his love of music his father let him attend singing school, where he learned to play the bass viol. At age 19 he organized his first singing class and soon became a popular teacher in his area of the state. He became a noted musician and hymns composer. His father was reluctant to let him pursue this career, but he soon made enough money doing it that he was able to hire a replacement farmhand to help his father while he studied music. His father, a wise man, soon realized how his son was being used by God to win souls through his music. He entered the Normal Music School at Genesco, NY, under William B Bradbury in 1861-62. He met Miss Addie Vickery there. They married in 1863, and were very close to each other their whole marriage, but had no children. She was also a musician and hymnwriter in her own right. For a time he held a postmaster’s job in Rome, PA. In 1875 he worked for three years as a teacher and director at Dr. Root’s Normal Music Institute. He because well-known and successful as a result, and his work attracted much attention. He had a rare tenor voice, and was told he should train for the operatic stage. It was a dazzling prospect, but his friend, Philip Bliss, who had given his wondrous voice to the service of song for Christ for more than a decade, urged him to do the same. Preparing to go on a Christmas vacation with his wife, Bliss wrote McGranahan a letter about it, which McGranahan discussed with his friend Major Whittle. Those two met in person for the first time at Ashtubula, OH, both trying to retrieve the bodies of the Bliss’s, who died in a bridge-failed train wreck. Whittle thought upon meeting McGranahan, that here is the man Bliss has chosen to replace him in evangelism. The men returned to Chicago together and prayed about the matter. McGranahan gave up his post office job and the world gained a sweet gospel singer/composer as a result. McGranahan and his wife, and Major Whittle worked together for 11 years evangelizing in the U.S., Great Britain, and Ireland. They made two visits to the United Kingdom, in 1880 and 1883, the latter associated with Dwight Moody and Ira Sankey evangelistic work. McGranahan pioneered use of the male choir in gospel song. While holding meetings in Worcester, MA, he found himself with a choir of only male voices. Resourcefully, he quickly adapted the music to those voices and continued with the meetings. The music was powerful and started what is known as male choir and quartet music. Music he published included: “The choice”, “Harvest of song”, “Gospel Choir”,, “Gospel hymns #3,#4, #5, #6” (with Sankey and Stebbins), “Songs of the gospel”, and “Male chorus book”. The latter three were issued in England. In 1887 McGranahan’s health compelled him to give up active work in evangelism. He then built a beautiful home, Maplehurst, among friends at Kinsman, OH, and settled down to the composition of music, which would become an extension of his evangelistic work. Though his health limited his hours, of productivity, some of his best hymns were written during these days. McGranahan was a most lovable, gentle, modest, unassuming, gentleman, and a refined and cultured Christian. He loved good fellowship, and often treated guests to the most delightful social feast. He died of diabetes at Kinsman, OH, and went home to be with his Savior. John Perry

Arthur Sullivan

1842 - 1900 Person Name: Arthur S. Sullivan Scripture: Psalm 118:1 Composer of "CONSTANCE" in Psalter Hymnal (Gray) Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army bandmaster and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he composed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman

Herbert Brokering

1926 - 2009 Person Name: Herbert F. Brokering, 1926-2009 Scripture: Psalm 118 Author of "Psalm 118:14-24 (A Paraphrase for Easter)" in Psalms for All Seasons Herbert F. Brokering (b. Beatrice, Nebraska, May 21, 1926; d. Bloomington, Minnesota, November 7, 2009) was a Lutheran pastor with German roots, an author of more than forty books, and a poet and hymn writer known especially for two hymn texts, “Earth and All Stars” and “Alleluia! Christ Is Risen,” both set to the same tune. He was born in Nebraska, the son of a German Lutheran pastor; earned degrees from Wartburg College in Iowa, University of Iowa, and Trinity Lutheran Seminary in Columbus, OH, and pursued graduate study in Germany at the University of Kiel and the University of Erlangen. He served as a pastor of three Lutheran congregations, in Pennsylvania, New York, and Texas; taught at the Navy Chaplain’s Career School in Newport, Rhode Island, Luther Seminary and Trinity Seminary, and was also active in the Lutheran World Federation services and the World Council of Churches. Emily Brink