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James John Cummins

1795 - 1867 Person Name: James J. Cummins Hymnal Number: 25 Author of "Jesus, Lord of life and glory" in Church Book Cummins, James John, son of a merchant in Cork, Ireland, was born in Cork, May 5, 1795. In 1834 he removed to London, and was for many years a Director of the Union Bank of Australia. He died at Wildecroft, Buckland, Surrey, Nov. 23, 1867. He devoted much time to the study of Hebrew and Theology. He prepared for the use of his children in their preparation for Confirmation, Seals of the Covenant Opened in the Sacraments. This work, including several hymns and poems, was published in 1839. The hymns and other poetical pieces were also published in 1839 as Poetical Meditations and Hymns by the Author of The Seals of the Covenant Opened. In 1849 this work was republished with additions as Hymns, Meditations, and other Poems. The title on the cover of this work is Lyra Evangelica, and by this title it is usually known. The hymns, "Jesus, Lord of life and glory," 1839, (A Litany); "Shall hymns of grateful love," 1839, (The New Song), and others are from this work. -- John Julian, Dictionary of Hymnology (1907) ================== Cummins, James John, p. 273, i. This author’s hymn, "Jesus, Lord of life and glory," is given in a few hymnals as, "Jesus, Lord, we kneel before Thee." --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Richard Massie

1800 - 1887 Hymnal Number: 424 Translator of "If God Himself be for me" in Church Book Massie, Richard, eldest son of the Rev. R. Massie, of Goddington, Cheshire, and Rector of Eccleston, was born at Chester, June 18, 1800, and resides at Pulford Hall, Coddington. Mr. Massie published a translation of Martin Luther’s Spiritual Songs, London, 1854. His Lyra Domestica, 1st series, London, 1860, contains translations of the 1st Series of Spitta's Psalter und Harfe. In 1864 he published vol. ii., containing translations of Spitta's 2nd Series, together with an Appendix of translations of German hymns by various authors. He also contributed many translations of German hymns to Mercer's Church Psalter & Hymn Book; to Reid's British Herald; to the Day of Rest, &c. He died Mar. 11,1887. -- John Julian, Dictionary of Hymnology (1907)

William M. Reynolds

1812 - 1876 Hymnal Number: 118 Translator of "Come, Thou Saviour of our race" in Church Book Born: March 4, 1812, Fayette County, Pennsylvania. Died: September 5, 1876, Oak Park, Illinois. Reynolds was educated at Jefferson College, Canonsburg, Pennsylvania, and Lutheran Gettysburg Seminary. He was a professor at Pennsylvania College (1833-50); president of Capital University, Columbus, Ohio (1850-53); and president of Illinois State University (1857-60). He became an ordained Episcopal minister in 1864, and founded the Evangelical Review. His last pastorate was at Christ Church, Harlem (Oak Park), Illinois, from 1872 until his death. Lyrics-- Come, Thou Savior of Our Race Come, Thou Soul Transforming Spirit Eternity, Terrific Word Jesus, My Lord, Thy Nearness Does Impart Lord Jesus Christ, to Thee We Pray O God, Look Down from Heaven, We Pray O Holy Ghost, Descend We Pray O Lord, Uphold Us by Thy Word O Lord, We Would Praise Thee Rejoice, Ye Ransomed of the Lord Translations-- "Savior of the Nations, Come" ---www.hymntime.com/tch

Albert Knapp

1798 - 1864 Hymnal Number: 319 Author of "Father, who hast created all" in Church Book Knapp, Albert, was born July 25, 1798, at Tübingen, where his father (1800, Oberanitmann at Alpirsbach in the Black Forest, and 1809, Oberamtmann at Rottweil) was then advocate at the Court of Appeal. In the autumn of 1814 he entered the Theological Seminary at Maulbronn, and in 1816 the Theological College at Tübingen, where he also graduated M.A. at the University. In November, 1820, he became assistant clergyman at Feuerbach, near Stuttgart; and in July, 1821, at Gaisburg, near Stuttgart. He was appointed, in Feb., 1825, diaconus (Heifer) at Sulz on the Neckar, and also pastor of the neighbouring village of Holzhausen; in June, 1831, archidiaconus at Kirchheim-unter-Teck, along with Bahnmaier (q.v.); in May, 1836, diaconus of the Hospitalkirche in Stuttgart ; and in October, 1837, archidiaconus of the Stiftskirche. He was finally appointed, in December, 1845, Stadtpfarrer at St. Leonhard's Church in Stuttgart, where, after having been for some time partially disabled by paralysis, he preached his last sermon, Feb. 13, 1863. He died at Stuttgart, June 18, 1864 (Koch, vii. 213; Allgemeine Deutsche Biographie xvi. 263, &c). Knapp as a Poet possessed not merely very considerable talent, but also natural originality. He was preeminently a lyric poet; the best of his secular poems being those which celebrate the history and the scenery of his beloved Swabia. His poems are characterised by rich play of fancy, wealth of ideas and of figures, masterly word-painting, capacity of feeling, ease of expression, and sonorous and musical rhythm. Unfortunately the very flow of his imagination betrayed him, for the greatest fault of his poems is that they are at once too numerous and too long (and it must be added sometimes too rhetorical and too eager to point a moral); what was easy writing becomes hard reading. As a Hymn-writer, among the recent hymn-writers of Germany, Knapp holds a high place, perhaps we might say the highest of all. To his hymn-writing he brought his powers as a poet, and the depth of his nature as an earnest and sincere disciple of Jesus Christ. In his hymns his aim was to make known the fulness of the grace of God, and to reveal the wealth and depth of Holy Scripture, and the love of God to all mankind. Their earnestness, their experimental Christianity, their Scripturalness and their beauty of form have gained for many of them a place in all recent German hymn-books. They have somewhat unaccountably been neglected by English translators. It is certainly surprising that in the Hymns from the Land of Luther not one version from Knapp finds a place. While all the hymns of Spitta's Psalter und Harfe have passed into English, and many of them in half a dozen different versions, comparatively few of Knapp's hymns have been translated, though they rank much higher as poetry, and are more suited for Church use than those by Spitta. As a Hymnologist Knapp did good service by his Christoterpe [complete set in Berlin], an annual which he edited from 1833 to 1853, in which many of his own pieces appeared, and also many of the best poems and, hymns of Hey, Meta Heusser-Schweizer, and various others. He was also the compiler of the Evangelischer Lieder-Schatz (frequently referred to in this Dictionary as Knapp's Evangelischer Lieder-Schatz), the most elaborate German hymnbook of recent times. Of this the first edition, with 3590 hymns, appeared at Stuttgart in 1837, and a Supplement entitled Christenlieder, 1841, added 250 more. In his second edition, 1850 (3067 hymns) he omitted many of the third-rate hymns of his first edition, added many of a higher class, and gave the hymns more nearly (but by no means exactly) as the authors wrote them. The third edition, 1865 (3130 hymns, concluded by his son), was further im¬proved, and the notices of the authors of the hymns were revised and enlarged. As a comprehensive collection with a specially full representation of good modern hymns it has no rival in German. He was also one of the editors of the Württemberg Gesang-Buch of 1842. The editions which he prepared of the Hymns of Gottfried Arnold (1845) and N. L. von Zinzendorf (1845) are of interest, but he took most unwarrantable liberties with the originals; many pieces being not merely abridged but rewritten "to suit the requirements of the 19th century." Knapp's original hymns appeared principally in his Christoterpe and Evangelischer Lieder-Schatz, as above; and also in his (1) Christliche Gedichte, 2 vols., Basel, 1829. (2) Neuere Gedichte, 2 yols., Basel, 1834, some¬times ranked as vols. iii., iv. of No. 1. (3) Gedichte, Neueste Folge, Stuttgart, 1843. (4) Herbstblüthen, Stuttgart, 1859. Those which have passed into English common use are:— i. Aus deiner Eltern Armen. Holy Baptism. This and No. iv. seem to have been written for the baptism of his own children. First published in his Christoterpe, 1850, p. 222, in 3 st. of 8 1., entitled "Baptismal Hymn," and repeated in his Evangelischer Lieder-Schatz, 1850, No. 846 (1865, No. 875). The translation in common use is Thy parent's arms now yield thee. In the original metre by Miss Winkworth in her Lyra Germanica, 2nd Ser., 1858, p. 89; and thence in Kennedy, 1863. Slightly altered for metrical reasons in her Chorale Book for England, 1863, No. 89. ii. Blick aus diesem Erdenthale (p. 150 i.). iii. Einst fahren wir vom Vaterlande (p. 326 ii.). iv. 0 Vaterherz, das Erd' und Himmel schuf. Holy Baptism. A beautiful hymn of supplication to (i.) God the Creator; (ii.) God the Redeemer; (iii.) God the Sanctifier; on behalf of the child, ending with a prayer to the Holy Trinity for guidance and blessing throughout its life. First published in his Christenlieder, 1841, No. 89, in 4 st. of 9 1., repeated in his Evangelischer Lieder-Schatz, 1850, No. 847 (1865, No. 876). The translation in common use is :— 0 Father-Heart, Who hast created all. A good and full translation by Miss Winkworth in herLyra Germanica, 2nd Ser., 1858, p. 87, repeated in the Schaff-Gilman Library of Religious Poetry, ed. 1883, p.437. In the hymnals it appears in the following forms, all beginning with st. i.:— 1. 0 Father, Thou Who hast created all. In Hymns Ancient & Modern, 1861 and 1875, and others. 2. Father! Who hast created all. In Adams's American Church Pastorals, 1864, being the Hymns Ancient & Modern version reduced to CM. 3. Father, Who hast created all. In the Pennsylvania Lutheran Church Book, 1868, in 8.6.8.6.8.8. metre. 4. Father of heaven, Who hast created all. In Kennedy, 1863; the Society for Promoting Christian Knowledge Church Hymns, 1871; Thring's Collection, 1882; and in America in M. W. Stryker's Christian Chorals, 1885. Hymns not in English common use :— v. Abend ist es; Herr, die Stunde. Evening. Written at Sulz, June 19, 1828 (Koch, vii. 224). First published in his Christliche Gedichte, 1829, i. p. 9, in 10 st. Translated as "It is evening, and the hour, Lord," by Miss Manington, 1863, p. 130. vi. Eines wünsch ich mir vor allem Andern. Love to Christ. First published in his Christliche Gedichte, 1829, i. p. 151, in 4 st., entitled "My Wish." Lauxmann, in Koch, viii. 59, says it was written, April 23, 1823, while Knapp was at Gaisburg, for the use of a young girl at Stuttgart who was about to be confirmed. Dr. Schaff classes it as the finest and most popular church hymn of its author. Translated as "More than all, one thing my heart is craving," by T. C. Porter, April 13, 1868, for Schaff's Christ in Song, 1869, p. 625. vii. Geh hin! der Herr hat dich gerufen. Burial of a child. Written, 1844, on the death of his son Manuel. First published in his Christoterpe, 1849, p. 139, in 4 st. Translated as “Go hence! the Lord hath called thee home," by Dr. J. Guthrie, in his Sacred Lyrics, 1869, p. 112. viii. Geh zum Schlummer ohne Kummer. Burial. Written in memory of his first wife, who died April 11, 1835. First published in Evangelischer Lieder-Schatz, 1837, No. 3432 (1865, No. 3006), in 5 st. Translated as "Softly slumber, softly slumber," by E. Massie, in the Day of Rest, 1878. ix. Geist des Lebens, heil'ge Gabe. Whitsuntide. Written at Sulz for Whitsuntide, 1828 (Koch, vii. 225). First published in his Christliche Gedichte, 1829, i. p. 86, in 13 st. Translated as "Thou Spirit, Who dost life impart," by J. Kelly, 1885, p. 63. x. Hättest du Licht und Heil. The Blessings of Salvation. In his Christliche Gedichte, 1829, i. p. 149, in 7 st. Translated as “Ob, Jesus! had'st Thou not brought near," by C. T. Astley, 1860, p. 30, xi. Heulend spielen Stürme mit den Schiffen. For those at Sea. First published in his Christliche Gedicht, 1829, ii. p. 26, in 10 st., entitled "The Walk on the Sea, Matthew xiv. 24-32." Translated as "Howling storms are sporting with the vessel," in L. Rehfuess's Church at Sea, 1868, p. 38. xii. Ihr Kinder lernt von Anfang gern. Children. Written 1839, and first published in his Christenlieder, 1841, No. 212, in 9 st., entitled "The Use of the Fourth (Fifth) Commandment." Translated as "Betimes O learn, ye children, well," by Dr. G. Walker, 1860, p. 68. xiii. Jesus, ew'ge Sonne. The Glory of Christ. In his Neuere Gedichte, 1834, ii. p. 50, in 1 st. Translated as “Jesus, everlasting Sun," by J. Kelly, 1885, p. 35. xiv. Schwellet sanft, ihr weissen Sege. For those at Sea. First published in his Evangelischer Lieder-Schatz,1837, No. 3109, in 5 st. Translated as "Gently swell, ye white sails, driven," in L. Rehfuess's Church at Sea, 1868, p. 13. xv. Sohn des Vaters, Herr der Ehren. Waiting on God. In his Christliche Gedichte, 1829, i. p. 162, in 3 st. Translated as (1) "Son of the Father! mighty Lord, An answer," by C. T. Astley, 1860, p. 1. (2) "Lord of glory, God's dear Son, Let this thing," &c, by R. Massie, 1864, p. 124. xvi. Streichet hin, ihr leisen Flügel. The Fleetness of Time. In his Evangelischer Lieder-Schatz, 1837, No. 2903, in 3 st. Translated as "O ye winds of time! still hieing," in L. Rehfuess's Church at Sea, 1868, p. 42. xvii. Weh' mich vom sanften Mittag an. The Wait¬ing Soul. The original of this hymn is J. Newton's “Breathe from the gentle South, O Lord " (Olney Hymns, 1779, Bk. iii., No. 10). Knapp's translation is full and good, and is included in his Christoterpe, 1837, p. 294, and Evangelischer Lieder-Schatz, 1837, No. 2251. The text tr. is that in S. Hofer's Pilgerharfe, Basel, 1863, No. 118, which begins with st. iii. altered to "O Herr, ich möchte stille sein." Mr. R. Massie was quite unconscious that he was reproducing a hymn of Newton's by a process of double translation. His versions are, (1) "O Lord, I gladly would be still," in the British Herald, June, 1865, p. 85. (2) "Lord, I would still and patient be," in the Day of Rest, 1877, vol. viii. p. 379. xviii. Wenn ich in stiller Frühe. Morning. In his Christliche Gedichte, 1829, i. p. 25, in 3 st., entitled "The Morning Star." Translated as, (1) "When in the cool, still morning," by R. Massie, in the British Herald, April, 1865, p. 56, and Reid's Praise Book, 1872. (2) "When from my sleep awaking," by R. Massie, in the Day of Res, 1877, p. 375. xix. Wie hold ist diese Stille. Sunday Morning. Written 1842. In his Gedichte, Neueste Folge, 1843, p. 3, in 7 st. In his Evangelischer Lieder-Schatz, 1850, No 1176 (1865, No. 1217), it begins "Wie süss." Translated as O quiet, silent sweetness," in L. Rehfuess's Church at Sea, 1868, p. 27. Five additional hymns by Knapp are translated by Dr. H. Mills in his Home Germanicae, 1845 and 1856. A version by Knapp from Caesar Malan is noted under "Non, ce nest pas mourir." [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907)

W. L. Reynolds

Person Name: Reynolds Hymnal Number: 366b Composer of "[Just as I am without one plea]" in Church Book

Friedrich Gottlieb Klopstock

1724 - 1803 Person Name: Frederick Gottlieb Klopstock Hymnal Number: 22 Author of "Lord, remove the veil away" in Church Book Klopstock, Friedrich Gottlieb, the eldest of the 17 children of Gottlob Heinrich Klopstock (then advocate and commissionsrath at Quedlinburg, and after 1735 amtmann at Friedeburg, on the Saale, near Halle), was born at Quedlinburg, July 2, 1724. From 1739 to 1745 he attended the famous school at Schulpforte, near Naumburg (where he conceived the first idea of his Messias); then he entered the University of Jena, in the autumn of 1745, as a student of theology, and the University of Leipzig at Easter, 1746. At Leipzig he made acquaintance with J. A. Cramer (q.v.); and became one of the contributors to the Bremer Beiträge, in which the first three books of his Messias appeared. In 1748 he became tutor in the house of a merchant named Weiss at Langensalza; and in 1750 accepted an invitation to visit Zurich (the literary capital of Switzerland), where his Messias had been received with great enthusiasm. He was then, in the spring of 1751, invited by the Danish prime minister, Count von Bernstorff, to take up his residence at the Court of King Frederick V., at Copenhagen, in order to be able to finish his Messias free from the cares of a profession; and was, in 1763, appointed Legationsrath. After the Count ceased, in the end of 1770, to be prime minister, Klopstock retired to Hamburg, in 1771, on a pension. The rest of his life was passed mainly at Hamburg, except about a year spent at Carlsruhe, at the Court of the Margave Carl Friedrich of Baden, who appointed him Hofrath. He d. at Hamburg, March 14, 1803, and was buried with civic honours on the 22nd, under a lime-tree in the churchyard at Ottensen (Koch, vi. 322; Allg. Deuteche Biog., xvi, 291, &c). Klopstock ranks among the classic poets of Germany. In his Oden (collected at Hamburg, 1771; enlarged, Leipzig, 1798; finally enlarged, Leipzig, 1804) he is seen at his best; his earlier compositions of this class being the finest modern examples for perfection of form, lyric grace, majesty, and purity of rhythm. His most famous work is his Messias, which on its first appearance created an enthusiasm such as had not been awakened by any German work for centuries. It was suggested by Milton's Paradise Lost, but Milton's calm majesty, firmness of touch, and unity of action were all foreign to Klopstock's nature—his genius was lyric rather than epic. With all its defects of style and construction, it is still a noble work, and could only have been written by a true poet and a sincere Christian; though to us its interest perhaps consists as much in its historical importance and results as in its intrinsic merits. (Books 1-3 written in prose at Jena, and then in hexameter verse at Leipzig, and first pub. in the Neue Beyträge, Bremen, 1748. Books 1-3 revised, and 4, 5 added at Halle, 1751; 6-10 added in the Copenhagen ed., 1755; 11-15, Copenhagen, 1768; 16-20, Halle, 1773. Finally revised ed. in 4 vols., Leipzig, 1800.) In his hymns Klopstock is not seen at his best. He seems to have had little apprecia¬tion of the requirements which the writer of hymns for use in public worship has to meet. His hymns are emotional and subjective, little suited to congregational tunes, and not sufficiently simple in style. In his first collection (1) Geistliche Lieder, Copenhagen, 1758, he included a number of indifferent recasts of earlier German hymns; his second collection (2) Geistliche Lieder, Copenhagen, 1769, consists entirely of original compositions. The only one of his hymns which is still much used in Germany is "Auferstehn, ja auferstehn, wirst du" (q.v.). The others which have passed into English common use are:— i. Deine heilige Geburt. Supplication. In his Geistliche Lieder, 1758, p. 44, in 141, repeated in Knapp's Evangelischer Lieder-Schatz, 1837, No. 468. Translated as "Saviour! by Thy holy birth," by Dr. W. L. Alexander, in 2 stanzas of 8 lines. It was written about 1830, but 1st published in the 2nd ed., 1858, of his Selection of Hymns, No. 339, entitled "Christ's aid invoked." ii. Herr, du wollst sie vollbereiten. Holy Communion. In his Geistliche Lieder, 1758, p. 135, arranged for antiphonal singing by choir and congregation. The form translated into English is "Herr, du wollst uns vorbereiten," being the first two stanzas for choir altered as No. 246 in the Württemberg Gesang-Buch, 1842, in 2 stanzas of 12 lines. Translated as "Grant us, Lord! due preparation," by L. Heyl, in the Ohio Lutheran Hymnal, 1880. Another tr. is, "O God, do Thou Thy folk prepare," by Dr. G. Walker, 1860, p. 64. iii. Nicht nur streiten, überwinden. Christian Warfare. 1st pub. in the G. B. für St. Petri Kopenhagen, 1760, No, 639; repeated in his Geistliche Lieder, 1769, p. 23, in 5 stanzas of 8 lines, entitled "The Victory of the Faithful." In the Berlin Geistliche Leidersegen, ed. 1863. Translated as “Labour ever, late and early," a full but rather free tr. by Dr. Kennedy, in his Hymnologia Christiana, 1863. iv, Zeige dich uns ohne Hülle. Sunday. In his Geistliche Lieder, 1769, p. 88, in 4 stanzas of 8 lines, entitled “Preparation for Divine Service." Included in the Berlin Geistliche Leidersegen, ed. 1863. It is the only hymn by Klopstock much used in English. Translated as "Lord, remove the veil away," a good and full tr. by Miss Borthwick,in Hymns from the Land of Luther, 3rd Ser., 1858, p. 47 (1884, p. 168). Included in full in Kennedy, 1863; Eng. Presbyterian Psalms & Hymns, 1867; Temple Hymn Book, 1867; Dale's English Hymn Book, 1875, and others. It is abridged in W. F. Stevenson's Hymns for Church & Home, 1873, Laudes Domini, N. Y., 1884, and others. Hymns not in English common use:-- v. Ach wie hat mein Herz gerungen. Strength in Weakness. 1769, p. 101, in 10 stanzas, Translated as “Ah me, what woes this heart have wrung," by J. Sheppard, in his Foreign Sacred Lyre , 1857, p. 68. vi. Du wollst erhoren Gott, ihr Flehn. For the Dying . 1758, p. 73, in 11 stanzas. The form translation is the recast (probably by J. S. Diterich), as No. 120, in the Berlin Gesang-Buch 1765, beginning "Dein sind wir Gott! in Ewigkeit." Translated as "We're Thine, O God, for evermore," by Dr. H. Mills, 1845 (1856, p. 241). vii. Selig sind des Himmels Erben. For the Dying; or, At Funerals. 1758, p. 15, in 4 pts., arranged for choir and congregation, in all 10 stanzas. Founded on Rev. xiv. 13. Sung at the funeral of J. C. Lavater, January 4, 1801. Translated as "Blessed are the heirs of heaven," by G. Moultrie, in his Hymns & Lyrics, 1867, p. 337. viii. Starke, die zu dieser Zeit. For the Dying , 1758, p. 1, in 3 stanzas. Translated as "Strengthen, Lord, the weary soul," by G. Moultrie, in his Hymns & Lyrics , 1867, p. 355, marked as an "orison for the departing spirit." ix. Um Erden wandeln Monde. The Lord's Prayer. In his Oden, vol. ii., Leipzig, 1798, p. 119, marked as written in 1789, and entitled "Psalm." It is an ode of 58 lines, embodying and amplifying the Lord's Prayer. Sung at his own funeral. Translated as, (1) "Moons round their planets roll," by J. Sheppard, 1857, p. 46. (2) "Round their planets roll the moons," by Miss Winkworth, 1869, p. 332. x. Wenn ich einst von jenem Schlummer. Morning. 1769, p. 57, in 3 stanzas. In the Württemberg Gesang-Buch, 1842, No. 562. The translations are, (1) "When I rise again to life," by W. Nind, in his Odes of Klopstock, 1848, p. 307. (2) "When I wake from out that slumber," in A. Baskerville's Poetry of Germany, 1854, p. 39, repeated in the Schaff-Gilman Library of Religious Poetry, ed. 1883, p. 282. (3) "Father, let no day to come" (the text used begins with stanza ii. altered to "Gieb dass keiner meiner Tage"), by J. Sheppard, 1857, p. 88. (4) "Since I one day from yonder sleeping," by Miss Warner, 1869, p. 40. xi. Zitternd freu ich mich. The Vision of God. First published in the Nordische Aufselier ed. by J. A. Cramer, vol. ii. (Kopenhagen, 1760). In his Oden, Hamburg, 1771, p. 25, in 90 lines, and marked as written in 1759. Translated as, (1) "With trembling I rejoice," by W. Nind, 1848, p. 130. (2) "I joy, but tremblingly," by J. Sheppard, 1857, p. 24. (3) "Trembling I rejoice," by Miss Winkworth, 1869, p. 329. Besides the above a considerable number of Klopstock's Oden are translated by J. Sheppard in his Foreign Sacred Lyre, 1857. A full selection from the Oden appeared as Odes of Klopstock from 1747 to 1780. Translated from the German by William Nind , London, W. Pickering, 1848. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Joseph Anstice

1808 - 1836 Hymnal Number: 276 Author of "Lord, in Thy kingdom there shall be" in Church Book Anstice, Joseph , M.A., son of William Anstice of Madeley, Shropshire, born 1808, and educated at Enmore, near Bridgwater, Westminster, and Ch. Church, Oxford, where he gained two English prizes and graduated as a double-first. Subsequently, at the ago of 22, he became Professor of Classical Literature at King's College, London; died at Torquay, Feb. 29, 1836, aged 28. His works include Richard Coeur de Lion, a prize poem, 1828; The Influence of the Roman Conquest upon Literature and the Arts in Rome (Oxford prize Essay); Selections from the Choice Poetry of the Greek Dramatic Writers, translated into English Verse, 1832, &c. His hymns were printed a few months after his death, as:— Hymns by the late Joseph Anstice, M.A., formerly Student of Christ Church, Oxford, and Professor of Classical Literature, King’s College, London, Bridgwater, 1836, and thus introduced:— "As none of the following Hymns had the advantage of being corrected and prepared for the press by their lamented Author, his family have not considered themselves at liberty to bring them before the public; but, having reason to believe that a large circle of surviving friends will be gratified by possessing a memorial of the manner in which some of his leisure hours were employed, and of the subjects which chiefly occupied his thoughts, during the last few months of his life, they have consented to their being printed for private distribution.—-Bridgwater, June, 1836." This work contains 52 hymns on various subjects, together with a poem "To my Hymn Book." The circumstances under which they were written are thus detailed by Mrs. Anstice in a communication to the Rev. Josiah Miller, author of Singers and Songs of the Church:— "The hymns were all dictated to his wife during the last few weeks of his life, and were composed just at the period of the day (the afternoon) when he felt the oppression of his illness—all his brighter morning hours being given to pupils up to the very day of his death."-—S. & S., p. 495. A few of the hymns are of a joyful character, but the circumstances under which they were written account for the prevailing tone of sadness by which they are chiefly characterized. About one half of these hymns were included by Mrs. Yonge in her Child's Christian Year, 1841. Being thus brought before the public, many soon came into common use. Those in most extensive use are: "Father, by Thy love and power;" "In all things like “Thy brethren, Thou;" "Lord of the harvest, once again;" and, "O Lord, how happy should we be." -- John Julian, Dictionary of Hymnology (1907)

A. Cleveland Coxe

1818 - 1896 Person Name: Arthur Cleveland Coxe Hymnal Number: 299 Author of "Saviour, sprinkle many nations" in Church Book Coxe, Arthur Cleveland, D.D. LL.D. One of the most distinguished of American prelates, and son of an eminent Presbyterian minister, the Rev. Samuel H. Cox, D.D., was born at Mendham, New Jersey, May 10,1818. Graduating at the University of New York in 1838, and taking Holy Orders in 1841, he became Rector of St. John's, Hartford, Connecticut, in the following year. In 1851 he visited England, and on his return was elected Rector of Grace Church, Baltimore, 1854, and Calvary, New York, 1863. His consecration as Bishop of the Western Diocese of New York took place in 1865. His residence is at Buffalo. Bishop Coxe is the author of numerous works. His poetical works were mostly written in early life, and include Advent, 1837; Athanasion, &c, 1842; Christian Ballads, 1840 (Preface to the English edition, April, 1848); Hallowe'en and Other Poems, 1844; Saul, a Mystery, 1845, &c. Some of Bishop Coxe's hymns are found in the collections of every religious body in America, except the official collections of his own. This is accounted for by his too scrupulous modesty. As a member of the Hymnal Committee, in 1869-71, he refused to permit the insertion of his own lyrics. As he has not preserved memoranda, and has no precise recollection of dates, several dates here given are somewhat uncertain. 1. Behold an Israelite indeed. St. Bartholomew. First appeared in "Poems," published with his Christian Ballads, 1840, and found in an altered form in the People's H. and the Hymnary. 2. Body of Jesus, 0 sweet Food. Holy Communion. Written at St. James's College, Maryland (since broken up by the Civil War), Ascension Day, 1858. It was first printed for private use, and then published in the Cantate Domino, Boston, 1859, No. 53, and again in other American collections. It is also in Schaff’s Christ in Song, 1869, and in The Churchman's Altar Manual, 2nd ed., 1883. 3. Breath of the Lord, 0 Spirit blest.Whitsuntide. Bishop Coxe considers this more worthy of being called a hymn than anything else from his pen. It was written long before it appeared in the New York Independent, Whitsuntide, 1878. It is in the Schaff-Gilman Library of Religious Poetry, 1881, and Brooke's Churchman's Manual of Private and Family Devotion, 1883. 4. Christ is arisen. Easter. This is suggested by, and partly translated from, the famous Easter Chorus in Goethe's Faust, "Christ ist erstanden" (see Goethe), and appeared in Hallowe'en, 1844. 5. He who for Christ hath left behind. St. Matthew. From his Christian Ballads, &c, 1840. 6. In the silent midnight watches. Christ knocking. From his Athanasion, &c, 1842; an impressive moral poem rather than a hymn on Christ knocking at the door, extensively used in America, and sometimes in England. Original text, Schaff's Christ in Song, 1869. 7. Lord, when Thou didst come from heaven. A hymn for Epiphany, on behalf of Western Missions, appeared among the "Lays "appended to Hallowe'en, 1844, and again in later editions of the Christian Ballad. It is sometimes abbreviated, as in Lyra Sac. Amer., " Westward, Lord, the world alluring." 8. Now pray we for our country. National Hymn. A stanza from Chronicles, or meditations on events in the history of England, called up by visiting her abbeys and cathedrals, and appeared in Christian Ballads, 1840. Originally it began, "Now pray we for our mother," and, with the succeeding stanza, was a call upon Americans to pray for their mother country. It is adopted by Dr. Martineau in his Hys., 1873. 9. 0 walk with God, and thou shalt find. Holiness. Appeared in his Hallowe’en, &c, 1844, and is found in Lyra Sac. Amer. 10. 0 where are kings and empires now! Church of God. The 6th stanza of his ballad "Chelsea," which appeared in the Churchman, 1839, and again in his Christian Ballads, 1840. 11. Saviour, sprinkle many nations. Missions. “Begun on Good Friday, 1850, and completed 1851, in the grounds of Magdalen College, Oxford." 1st published. in Verses for 1851, in Commemoration of the third Jubilee of the Society for the Propagation of the Gospel, edited by the Rev. Ernest Hawkins, 1851. It was subsequently appended to the English edition of his Christian Ballads. It is regarded as Bishop Coxe's best piece, and to many minds it is the loveliest of missionary hymns. Its use in England is very extensive. It is not found in the American Episcopal hymnal for the reason given above. 12. Still as our day our strength shall be. Temptation. Appeared in his Hallowe'en, &c, 1844, and Lyra Sac. Amer. 13. Soldier, to the contest pressing. Christian Conflict. From his Hallowe'en, &c, 1844, and Lyra Sac. Amer. It was written in 1834. 14. There is a land like Eden fair. From Hallowe'en, &c, into a few collections. 15. We are living, we are dwelling. Christian Soldiers. An impressive moral poem rather than a hymn, but extensively used. It appeared in his Athanasion, &c, 1840, and Lyra &xc. 16. Who is this, with garments gory. Passiontide. From his “Lays" appended to Hallowe'en, 1844, and again in his Christian Ballads. It is found in the Child's Christian Year, 4th ed. N.D., the People's Hymns, and other collections. It is in 4 stanza of 8 1. The last stanza is sometimes given as a separate hymn:—"Hail, all hail, Thou Lord of Glory." 17. When o'er Judea's vales and hills. Written cir. 1840, and published in his Hallowe'en, &c, 1844, and again, with the author's final corrections, made in 1869, in Schaff's Christ in Song (1870 ed. p. 112). Also in the English edition of his Christian Ballads. From this "Hymn to the Redeemer," two shorter hymns have been com¬piled : (1) " How beauteous were the marks divine." This is in almost universal American and occasional English use. (2) "O who like Thee, so calm, so bright," in the Hymnary, 1872. Bishop Coxe has also translated the Pange lingua gloriosi corporis (q. v.), and is the author of the beautiful Christmas Carol, "Carol, carol, Christians," given in his Christian Ballads, &c. [Rev. F. M. Bird] -- John Julian, Dictionary of Hymnology (1907)

Johannes Matthaeus Meyfart

1590 - 1642 Person Name: John Matthew Meyfart Hymnal Number: 578a Author of "Jerusalem, thou city fair and high" in Church Book Meyfart, Johann Matthäus, was born Nov. 9, 1590 at Jena, during a visit which his mother (wife of Pastor Meyfart of Wablwinkel, near Waltershausen, Gotha) was paying to her father. He studied at the Universities of Jena (M.A. 1611; D.D. 1624) and Wittenberg, and was thereafter for some time adjunct of the philosophical faculty at Jena. In 1616, he was appointed professor in the Gymnasium at Coburg and in 1623 director; and during his residence at Coburg was a great moral power. When his colleagues in the Gymnasium made a complaint to the government regarding a dissertation (De disciplina ecclesiastica) which he published in 1633, he accepted the offer of the professorship of theology in the revived University of Erfurt. He entered on his work at Erfurt, July, 1633, was rector of the University in 1634, and in 1636 became also pastor of the Prediger Kirche. He died at Erfurt, Jan. 26, 1642 (Koch iii. 117; Allgemeine Deutsche Biographie xxi. 646, &c.). Meyfart's devotional works (Tuba poenitentiae prophetica, 1625; Tuba Novissima, 1626; Höllisches Sodoma, 1629; Himmlisches Jerusalem, 1630; Jüngste Gericht, 1632) passed through various editions, and produced a great impression by their vivid picturing and their earnest calls to repentance and amendment of life. His well-meant efforts, by books and otherwise, towards raising the tone of student life in Germany, and his exposition of the excesses and defects in both academical and churchly life at that period, brought him much ill will and opposition, and did not produce useful fruit till much later. His hymns were few in number, and appeared mostly in his devotional books. Only one of Meyfart's hymns has passed into English, viz. :— Jerusalem, du hochgebaute Stadt. The New Jerusalem. This splendid hymn appeared in his Tuba Novissima, Coburg, 1626 [Ducal Library, Gotha], a volume containing four sermons preached at Coburg on the Four Last Things, viz. Death, Last Judgment, Eternal Life, and Eternal Punishment. It forms the conclusion of the third sermon (on St. Matt. xvii. 1-9) which is entitled "On the joy and glory which all the Elect are to expect in the Life everlasting." This conclusion is reprinted verbatim et literatim (i.e. with the introductory and closing sentences, and the connecting sentences between st. i., ii., iii. and iv.) in the Blätter für Hymnologie, 1883, pp. 120-124. The text of the hymn, in 8 st. of 8 1., is given unaltered, according to the marginal directions of the original (save st. vii. 1. 6, where the original is "Man spielt"), as No. 1537 in the Berlin Geistliche Lieder ed. 1863. Of it Lauxmann, in Koch viii. 669, says:— "The hymn is a precious gem in our Treasury of Song, in which one clearly sees that from it the whole heart of the poet shines out on us. Meyfart had his face turned wholly to the Future, to the Last Things; and with a richly fanciful mysticism full of deep and strong faith, he united a flaming zeal for the House of the Lord, and against the abuses of his times." He adds that the hymn was a great favourite with Charles Gützlaff, the apostle of China (died at Hong Kong, Aug. 9, 1851), whose last words were "Would God I were in thee" (st. i. 1. 3) ; and of Julius Schnorr of Carolsfeld, the well-known painter, whose last work was the illustrating of this hymn, and at whose funeral in 1872 it was sung. The popularity of the hymn was greatly aided by the magnificent melody, generally ascribed to Melchior Franck [born at Zittau, 1580 ; c. 1604, capellmeister at Coburg; died at Coburg, June 1,1639], but not yet traced earlier than to the Erfurt Gesang-Buch, 1663. Translations in common use:— 1. Jerusalem, thou city built on high. A good tranlation of st. i.-iv., vii., as No. 112 in the Dalston Hospital Hymn Book, 1848. 2. Jerusalem, thou city built on high. A good translation of st. i., iv., vi., vii., by A. T. Russell, as No. 261 in his Psalms & Hymns, 1851. St. i., 11. 1, 2, 4 are from the 1848 translation. The form in Dr. Pagenstecher's Collection, 1864, No. 288, is i. 11. 1-4, ii. as 1848; i. 11. 5-8, vii. as 1851. 3. Jerusalem, thou city fair and high. A good and full translation by Miss Winkworth, in her Lyra Germanica, 2nd Ser., 1858, p. 220; repeated in her Chorale Book for England, 1863, No. 193, set to the melody of 1663. Included in full in the Ohio Lutheran Hymnal, 1880, and, abridged, in the Pennsylvania Lutheran Church Book, 1868, and the Uppingham and Sherborne School Hymn Book, 1874. 4. Jerusalem! high tow’r thy glorious walls. A good and full translation, by Bishop W. R. Whittingham, in the American Episcopal Hymns for Church and Home, 1860, No. 414; and the American Episcopal Hymnal, 1871. St. i., iv., viii. are in M. W. Stryker's Christian Chorals, 1885. Translations not in common use:— (l) "Jerusalem, thou city of the skies." In the United PresbyterianJuvenile Mission Magazine, Dec. 1857. (2) "Jerusalem! thou glorious city-height." By Mrs. Sevan, 1858, p. 19, repeated in L. Rehfuess's Church at Sea, 1868. (3) “Jerusalem, thou high-built, fair abode." In the Christian Examiner (Boston, U. S.), Sept. 1860, p. 254. (4) "Jerusalem, thou city rear'd on high. By Miss Manington, 1863, p. 94. (5) "Jerusalem! thou city towering high." By Miss Cox, in her Hymns from the German, 1864, p. 101, and in Lyra Mystica, 1865, p. 365. (6) "Jerusalem! thou city builded high." By Miss Burlingham, in the British Herald, April, 1866, p. 249, and Reid's Praise Book, 1872. (7) "Jerusalem! high tow'r thy glorious walls." A full and spirited translation by J. H. Hopkins, in his Carols, Hymns and Songs, 1882, p. 182, dated 1862. St. i., 11. 1-2, are taken from Bishop Whittingham's version. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Carl Bernhard Garve

1763 - 1841 Person Name: Charles Bernard Garve Hymnal Number: 314 Author of "Thy Word, O Lord, like gentle dews" in Church Book Garve, Carl Bernhard, was born Jan. 24, 1763, at Jeinsen, near Hannover, where his father was a farmer. He was educated at the Moravian schools in Zeist, and Neuwied, at their Pädagogium at Niesky, and their Seminary at Barby. In 1784 he was appointed one of the tutors at Niesky, and in 1789 at Barby; but as his philosophical lectures were thought rather unsettling in their tendency, he was sent, in 1797, to arrange the documents of the archive at Zeist. After his ordination as diaconus of the Moravian church, he was appointed, in 1799, preacher at Amsterdam; in 1801 at Ebersdorf (where he was also inspector of the training school); in 1809 at Berlin; and in 1816 at Neusalza on the Oder. Feeling the burden of years and infirmities he resigned the active duties of the ministry in 1836, and retired to Herrnhut, where he died June 21, 1841. (Koch, vii. 334-342; (Allgemeine Deutsche Biographie, viii. 392-94, &c.) Garve ranks as the most important of recent Moravian hymnwriters, Albertini being perhaps his superior in poetical gifts, but certainly not in adaptability to church use. His better productions are almost entirely free from typically Moravian features; and in them Holy Scripture is used in a sound and healthful spirit. They are distinguished by force and at the same time elegance of style, and are full of deep love and devotion to the Saviour. Many of them have passed into the German Evangelical hymnbooks, no less than 36 being included in the Berlin Gesange-Buch 1829; and of those noted below No. i. is to be found in almost all recent German collections. They appeared mostly in the two following collections, both of which are to be found in the Town Library, Hamburg: (1) Christliche Gesänge, Görlitz, 1825, with 303 hymns, a few being recasts from other authors. (2) Brüdergesange, Gnadau, 1827, with 65 hymns intended principally for use in the Moravian Communion. Garve's hymns in English common use are:— i. Dein Wort, 0 Herr, ist milder Thau. Holy Scripture. Perhaps his finest hymn. 1825, as above, p. 51, in 7 st. of 8 l. Included, as No. 410, in the Berlin Geistliche Lieder S., ed. 1863, and in the German hymnbooks for Hannover, 1883, for the kingdom of Saxony, 1883, for the province of Saxony, 1882, &c." Translated as:— 1. Thy Word, 0 Lord, like gentle dews. A good translation of st. i.-iii, by Miss Winkworth, in the first Ser., 1855, of her Lyra Germanica, p. 36. In the Pennsylvania Lutheran Church Book, 1868, it is No. 314 in full, but rewritten to D.C.M. In 1864 it was included, altered, and with 11. 5-8 of each stanza omitted, as No. 681 in Hymns of the Spirit, Boston, U. S., and this has been repeated in Dr. Martineau's Hymns of Praise & Prayer, 1873, and Dr. Allon's Children's Worship, 1878. 2. Thy Word, 0 Lord, is gentle dew. A good translation of st. i.-iii., based on the Lyra Germanica, by Miss Winkworth, as No. 102 in her Chorale Book for England, 1863, and thence, in the Ohio Lutheran Hymnal, 1880. ii. Hallelujah, Christus lebt. Easter. 1825, as above, p. 105, in 8 st. of 6 1. Included in Knapp's Evangelical Lutheran Songbook, 1850, No. 565. Translated as:— Hallelujah! Jesus lives! A good translation (omitting st. iv., vi.) by Miss Borthwick, in the 4th Ser., 1862, of the Hymns from the Land of Luther, p. 30 (1884, p. 201). In Lyra Messianica, 1864, p. 295, and in G. S. Jellicoe's Collection, 1867, No. 103, it begins, "Alleluia ! Jesus lives." iii. O Vater der Gemeine. Trinity Sunday. 1825, as above, p. 18, in 3 st. of 7 l. Included as No. 107 in Knapp's Evangelischer Lieder-Schatz, 1837. Translated as: -- Father of all created. In full, as No. 159, in Dr. Pagenstecher's Collection, 1864, signed " F. C. C." Another translation is, "0 Father, we adore Thee," in the British Herald, Oct. 1866, p. 324, repeated as No. 416 in Reid's Praise Book, 1872. Hymns not in English common use:— « iv. Der Herr ist treu, Der Herr ist ewig treu. God's Faithfulness. 1825, p. 5, in 6 st., repeated in the Berlin Gesang-Buch, 1829, No. 60, beginning "Gott ist treu." Translated by N. L. Frothingham, 1870, p. 253. v. Geduld! Geduld! ob's stürmisch weht. Trust in God. 1825, p. 180, in 3 st., repeated in the Berlin Gesang-Buch 1829, No. 593, beginning "Geduld! wie sehr der Sturm auch weht." Translated by N. L. Frothingham, 1870, p. 265. vi. Sagt was hat die weite Welt. Holy Scripture. 1825, p 49, in 6 st. Translated as “Tell me, can the world display," in the British Herald, Nov. 1866, p. 360, repeated as No. 420 in Reid's Praise Book, 1872. vii. Wer bin ich, Herr, in deinem Licht. Self-Examination, 1825, p. 216, in 15 st. Translated by N. L. Frothingham, 1870, p. 258. viii. Zur Arbeit winkt mir mein Beruf. Before Work, 1825, p. 233, in 9 st. Translated by E. Massie, l861. A hymn sometimes ascribed to Garve is noted under "Gib deinen Frieden uns." [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907)