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Aemilie Juliane, Gräfin von Schwarzburg Rudolstadt

1637 - 1706 Person Name: Aemilie Juliane von Schwarzburg-Rudolstadt Author of "Wer weiß, wie nahe mir mein Ende" in Gesangbuch der Evangelisch-reformierten Kirchen der deutschsprachigen Schweiz Emilie Juliane was daughter of Count Albert Friedrich of Barby and Mühlingen (on the Elbe, near its junction with the Saale). During the Thirty Years' war her father and family had to seek refuge in the Heidecksburg, the castle of his uncle, Count Ludwig Günther of Schwarzburg Rudolstadt, and Emilie was born at the Heidecksburg, Aug. 16, 1637. After the death of her father (1641) and mother (1642), she was adopted by her mother's sister (who was her godmother, and had become the wife of Count Ludwig Günther), and was educated at Rudolstadt with her cousins, under the care of Dr. Ahasuerus Fritsch, and other tutors. She became the wife of her cousin, Albert Anton, July 7, 1665, and died at Rudolstadt, Dec. 3, 1706 (Koch, iv. 56-63; Allg. Deutsche Biog, i. 127; Pasig's Introduction; Bode, pp. 63-64, &c). She was the most productive of German female hymn-writers, some 600 being attributed to her. Her early education in music and in poetry, and the influence of the kindred spirits of her cousin Ludamilia Elizabeth and of Dr. Ahasuerus Fritsch, no doubt fostered and developed her gifts. Her hymns, which are full of deep and child-like love to the Lamb of God, the Bridegroom of the Soul, partake too largely of the character of revelations of her inner life, and of reflections in verse, “improving" the events of her daily life, to be suited for Church use. A considerable number did, however, pass into the hymn-books, and the first here noted is a hymn of the first rank. Of those published in her lifetime the most appeared in her devotional works. (1) Geistliche Lieder und Gebete vor und nach Erlangung gottl Ehesegens, Rudolstadt, 1683. (2) Kühlwasser in grosser Hitze des Creutzes, Rudolstadt, 1685. (3) Tägliches Morgen- Mittags- und Abend-Opffer, Rudolstadt, 1685 (2nd ed., enlarged, 1699). Others appeared in the editions of the Rudolstadt Gesang-Buch, 1682-1704. After her death they appeared, collected, under the title of Der Freundin des Lammes Geistlicher Brautschmuck, pt. i., 1714, and enlarged 1742; pt. ii. 1742; pt. iii. 1770; a number of hymns by other authors, which the editors had found transcribed in the Countess's handwriting, being included by mistake. A selection of 108 of her Geistliche Lieder, ed. with an introduction, biographical and critical, by Dr. Pasig, appeared at Halle, 1855. Three have passed into English, viz.:— i. Wer weiss wie nahe mir mein Ende. For the Dying. This beautiful hymn was in last century the subject of an unpleasant controversy. It 1st appeared in the Appendix of 1688 to the Rudolstadt Gesang-Buch, 1682; and, like all the other hymns in that collection, it was given without an author's name. It at once passed into other collections, generally as anonymous, but sometimes under the name of the Countess. In the Schwartzburgische Denhmahl einer Christ-Gräflichen Lammes-Freundin, 1707, she was expressly named as author. On this G. M. Pfefferkorn (q.v.) claimed it as his own. The resulting controversy is given in detail in Wetzel, i. 4-26, ii. 294-307; iii. 156-191, and his A. Hymns i. 9-10, ii. 115-117; in Fischer, ii. 365-369; in Pasig's Introduction, xxiii.-xxxi.; and in Koch, viii. 637-639. The translations in common use are:— 1. Who knows how near my life's expended, omitting stanzas ix., x., in Dr. H. Mill's Horae Germanica, 1845 (1856, p. 245). His translations of stanzas i., vi.-viii. are included as No. 982 in the American Lutheran General Synod's Hymn Book, 1850-52, and as No. 430 in the Ohio Lutheran Hymnal, 1880. 2. Who knows how near my end may be! Time speeds away, a good and full translation by Miss Winkworth, in the 2nd Series of her Lyra Germanica, 1858, p. 204, and then as No. 187 in her Chorale Book for England, 1863. In the Pennsylvania Lutheran Church Book, 1868, stanzas i., vi., xi., xii., were included as No. 546. Other translations are: (1) "Who knows how soon my end may be," by Dr. G. Walker, I860, p. 97; (2) "Who knows how near my end may be? Time," &c, by E. Massie, 1867, p. 155. In addition the following have been translation, but are not in English common use:— ii. "Herr! mein Gott! lehre mich!" Evening, in No. iii., 1685, p. 30. iii. "Jesu Güte hat kein Ende." Morning, in No. ii., 1685, p. 228. Both translations are by H. J. Buckoll, 1842, p. 104. [Rev. James Mearns, M.A.] -- Excerpts from John Julian, Dictionary of Hymnology (1907) ===================== Emilie Juliane , p. 330, i. The title of her 1683 book begins Geistliches Weiber-Aqua-Vit [ VVolfenbüttel Library]. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Hans Adolf Brorson

1694 - 1764 Person Name: Brorson Translator (into Danish) of "Awaken From Your Idle Dreaming" in Hymnal for Church and Home

Johann Scheffler

1624 - 1677 Author of "O Love, Who Formedst Me to Wear" in The Cyber Hymnal Used Angelus Silesius as a pen name. See also Angelus Silesius, 1624-1677

Christian H. Rinck

1770 - 1846 Person Name: Rinck Arranger of "[Wer nur den lieben Gott läßt walten]" in Deutsches Liederbuch Johann Christian Heinrich Rinck; b. 1770, Elgersburg, Thueringen; d. 1846, Darmstadt Evangelical Lutheran Hymnal, 1908

Gracia Grindal

b. 1943 Person Name: G. Grindal, b. 1943 Translator of "When Earth with All Its Joys Defeats Me" in Evangelical Lutheran Hymnary Gracia Grindal (b. Powers Lake, ND, 1943). Grindal was educated at Augsburg College, Minneapolis, Minnesota; the University of Arkansas; and Luther-Northwestern Seminary, St. Paul, Minnesota, where she has served since 1984 as a professor of pastoral theology and communications. From 1968 to 1984 she was a professor of English and poet-in-residence at Luther College, Decorah, Iowa. Included in her publications are Sketches Against the Dark (1981), Scandinavian Folksongs (1983), Lessons in Hymnwriting (1986, 1991), We Are One in Christ: Hymns, Paraphrases, and Translations (1996), Good News of Great Joy: Advent Devotions for the Home (1994 with Karen E. Hong), Lina Sandell, the Story of Her Hymns (2001 with John Jansen), and A Revelry of Harvest: New and Selected Poems (2002). She was instrumental in producing the Lutheran Book of Worship (1978) and The United Methodist Hymnal (1989). Bert Polman

Johan Olof Wallin

1779 - 1839 Author of "Let, O My Soul, Thy God Direct Thee" in The Hymnal and Order of Service Johan Olaf Wallin was born at Stora Tuna, in 1779, and early displayed his poetical powers. In 1805, and again in 1809, he gained the chief prize for poetry at Upsala. In the latter year he became pastor at Solna; here his ability as a preacher was so striking that he was transferred to Stockholm, in 1815, as "pastor primarius," a title for which we have no exact equivalent. In 1818 he was made Dean of Westeras, and set about the task of editing a revised hymn-book for the whole of Sweden. This task he completed in 1819, and published it as, Den Swenska Psalmboken, af Konungen gillad och stadfästad (The Swedish hymn-book, approved and confirmed by the King). To it he contributed some 150 hymns of his own, besides translations and recastings; and the book remains now in the form in which he brought it out. It is highly prized by the Swedes, and is in use everywhere. --John Julian, Dictionary of Hymnology, p. 1000 (1907)

Ludvig Mathias Lindeman

1812 - 1887 Person Name: L. M. Lindeman, 1812-87 Arranger of "WER NUR DEN LIEBEN GOTT" in Evangelical Lutheran Hymnary Ludvig M. Lindeman (b. 1812; d. 1887) was a Norwegian composer and organist. Born in Trondheim, he studied theology in Oslo where he remained the rest of his life. In 1839 he succeeded his brother as the organist and cantor of Oslo Cathedral, a position he held for 48 years up until his death. Lindeman was appointed Knight of the Royal Norwegian Order of St. Olav, and was invited to both help christen the new organ in Royal Albert Hall in London, as well as compose for the coronation of King Oscar II and Queen Sophie of Sweden. In 1883, he and his son started the Organist School in Oslo. Lindeman is perhaps best known for his arrangements of Norwegiam folk tales; over the course of his life he collected over 3000 folk melodies and tunes. Laura de Jong

Adolfo Robleto

1917 - 1994 Person Name: Adolfo Robleto, 1917-1994 Translator (Spanish) of "If You But Trust in God to Guide You (Si dejas tú que Dios te guíe)" in Santo, Santo, Santo Born: January 4, 1917, Managua, Nicaragua. Died: April 1, 1994, Texas. Pseudonyms: Daniel R. Diaz Pablo Filós Robleto attended the Colegio Bautista in Managua (graduated 1940), and the Baptist Seminary in New Orleans, Louisiana, and pastored churches in Nicaragua, Costa Rica and Texas. He also directed the Department of Administration of Churches and Pastoral Leadership, edited The Christian Home for the Casa Bautista de Publicaciones, and translated about 200 hymns from English to Spanish. His works include: 501 Ilustraciones Nuevas Doctrina Cristiana Dramas y Poemas para Días Especiales Que Hacer En Tiempos de Cri Sermones para el Nuevo Milenio --www.hymntime.com/tch/

Salomo Franck

1659 - 1725 Person Name: Salomo Franck Author of "Es ist vollbracht. Er ist verschieden" in Gesangbuch der Evangelisch-reformierten Kirchen der deutschsprachigen Schweiz Franck, Salomo, son of Jakob Franck, financial secretary at Weimar, was born at Weimar, March 6, 1659. Little is known of his early history. He probably studied at Jena, and seems thereafter to have held some appointment at Zwickau. In 1689 he became secretary of the Schwarzburg ducal administration at Arnstadt; and in 1697 of the Saxon administration and of the consistory at Jena. He was then, in 1702, appointed secretary of the consistory, librarian, and curator of the ducal collection of coins and medals at Weimar. He died at Weimar July 11, 1725 (Koch, v. 420-426; Allgemeine Deutsche Biographie, vii. 213-214; Schauer's introduction, &c.) He was a member of the Fruitbearing Society, and the author of a considerable number of secular poems, which are almost all "occasional" pieces and now forgotten. A diligent worker and a man of true piety, he had severe family afflictions to bear, and an undercurrent of meditation on death is present in many of his hymns. As a hymnwriter he is distinguished for ease and correctness of style; for adaptation to popular understanding and to congregational singing; for his love of adding refrains to his hymns; and for his happiness in word-painting and in setting forth contrasts. Of his hymns (about 330 in all) which still continue in use in Germany, the most important appeared in his (1) Geistliche Poesie, Weimar, 1685, and in his (2) Geist und Weltliche Poesien, vol. i., Jena, 1711; vol. ii., Jena, 1716. A selection of 46 of his Geistliche Lieder with a biographical and critical intro¬duction by Dr. J. K. Schauer appeared at Halle, 1855. Eight of his hymns have passed into English, as follows:— i. Hymns in English common use: - i. Ach Gott verlass mich nicht. Supplication. A beautiful hymn of supplication for God's help founded on Ps. xxxviii. 22. It is No. 1 in the Appendix to the Anderer Theil des Naumburgischen Gesang Buchs, Naumburg, 1714, p. 106, in 5 st. of 8 1., marked "Salomon Francke" (ed. 1717, p. 487, marked "Gottgelassen Unverlassen, Salomon Francke.") The editor of this collection, J. M. Sehamelius, who was one of the best hymnologists of the time, evidently thus believed that it was by Franck, but it has not yet been found in any work published by Franck himself. Each stanza begins and ends with "Ach Gott verlass mich nicht." It is included in Schauer's introduction, and in many recent hymnals, as in the Berlin Gesang-Buch, 1829, the Württemberg Gesang-Buch, 1842, Hannover Gesang-Buch , 1883, &c. The translations in common use are:— 1. Forsake me not, my God . A full and good but rather free translation in the Family Treasury (Edinburgh: Nelson), 1859, pt. ii. p.168, and thence, in Boardman's Selection, Philadelphia, U.S., 1861, and in the Pennsylvania Lutheran Church Book, 1868. 2. 0 God, forsake me not! Thine hand, by M. W. Stryker, in his Hymns and Verses, 1883, p. 32, and repeated in his Christian Chorals, 1885. ii. Ich weiss es wird mein Ende kommen. For the Dying. 1711, as above, p. 91, in 7 st. of 6 l., entitled "The author's daily dying thoughts” Included by Schauer, 1855, p. 79; in Burg's Gesang-Buch, Breslau, 1746, &c. The translations in common use are :— 1. I know my end must surely come. A translation of stanza i., vii., in 2 st. of 6-8's, by Miss Winkworth, in the second series of her Lyra Germanica, 1858, p. 203. Thence in the Psalms & Hymns, Bedford, 1859, and in America in the Pennsylvania Lutheran Church Book , 1868. 2. I know the doom that must befall me. This is the above translation, rewritten by Miss Winkworth to the original metre, and given in her Chorale Book for England, 1863, No. 185. To this translation of stanzas iii., iv., vi., were added, and the others altered and beginning, "I know full well death must befall me," included in the Ohio Lutheran Hymnal, 1880. iii. So ruhest du, o meine Run. Easter Eve. 1685, as above, p. 29, in 7 st. of 4 1., entitled "On the burial of Jesus." It is a beautiful hymn on the entombment of Christ, founded on Rist's "0 Traurigkeit" (q. v.). Included in Schauer, 1855, p. 44, and in many German collections, as the Unv. L. S., 1851, No. 118. Frequently it appears in altered forms. Thus J. A. Schlegel, 1766, p. 86, altered it to "So schlummerst du in stiller Ruh," and the Berlin Gesang-Buch, 1780, No. 102, further alters it to "Zur Grabesruh entschliefest du." The translations in common use, all from the original, are:— 1. Thou who hast blest my soul with rest, a good translation, omitting st. ii., v., by A. T. Russell, as No. 103 in his Psalms & Hymns 1851. 2. Thou restest in the tomb beneath, a good translation, omitting stanza ii., v., as No. 83 in J. F. Thrupp's Psalms & Hymns, 1853. 3. Rest of the weary Thou! a somewhat expanded version, omitting stanza iii. by Miss Winkworth in her Lyra Germanica, 1st series, 1855, p. 85, repeated in the Pennsylvania Lutheran Church Book, 1868. 4. So rest, my Rest! a very good translation, omitting stanza iii., by R. Massie, as No. 93 in the edition, 1857, of Mercer's Chorale Psalms & Hymn Book (Ox. edition, 1864, No. 184). This has been included in Chope's Hymnal, 1862; Kennedy, 1863; the Hymnary, 1872; Thring's Collection, 1880-82, &c; and in America in the Evangelical Hymnal, N. Y., 1880, and Laudes Domini, 1884. The form in Allon's Supplemental Hymns, No. 324, is a recast partly taken from Miss Winkworth's translation of "Nun gingst auch du" (see Strauss, V. F.). Other translations are : (1) "Now to the tomb Thyself art come," from Schlegel, by Dr. H. Mills, 1845 (1856, p. 316). (2) "So dost Thou rest," in the British Herald, Dec., 1866, p. 376, repeated as No. 421 in Reid's Praise Book, 1872. (3) "So thou art resting, O my Rest," in the British Herald, April, 1869, p. 52. ii. Hymns not in English common use: iv. Ach was ist dooh unsre Zeit. For the Dying. 1685, as above, p. 64, in 6 st., and Schauer, p. 31, each stanza ending "Mensch, bedenke doch, das Ende." Translated as "Oh! what is human life below," by Miss Cox in Lyra Messianica, 1864, p. 47, repeated in her Hymns from the German, 1864, p. 135, in the original metre, beginning, “What is human life below." Also translated by Miss Dunn, 1857, p. 52; and by E. Massie, 1867, p. 3. v. Gott, du Licht, das ewig bleibet. Morning. 1716, as above, p. 160, in 5 st., entitled "Morning Devotion," and in Schauer, p. 4. Translated by H. J. Buckoll, 1842, p. 12; and by Miss Manington, 1863, p. 120. vi. Heil'ger Tisch! Den Jesus decket. Holy Communion. 1711, as above, p. 69, in 6 st., entitled “Another Communion Meditation." In Schauer, p. 67. Translated as, "This holy feast, by Jesus spread," by Miss Cox, in Lyra Eucharistica, 1863, p. 173. vii. Ich weiss, es kann mir nichts geschehen. God's Guidance. 1711, as above, p. 221, in 5 st. (1 l. 5, 6 of each st. being a refrain), entitled “On the words of Psalm lxxiii. 23, 24." In Schauer, p. 21. Translated by Miss Manington, 1863, p. 22. viii. Mein Gott, wie bist du so verborgen. Providence, 1711, as above, p. 76, in 6 st. (1 l. 5, 6 of each st. being a refrain), entitled "The wonderfully blessed leadings of God. In Schauer, p. 16. Translated by Miss Manington, 1863, p. 7. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology

William Bourn Oliver Peabody

1799 - 1847 Person Name: William B. O. Peabody Author of "O when the hours of life are past" in Jubilate Deo Peabody, William Bourne Oliver, D.D., twin brother of Oliver William Bourne, was born at Exeter, New Hampshire, July 9, 1799, and educated in his native town and at Harvard College. Leaving Harvard in 1817, he taught for a year at an academy in Exeter, and then proceeded to study theology at the Cambridge Divinity School. He began to preach in 1819, and became the Pastor of the Unitarian Congregation at Springfield, Massachusetts, in October, 1820. This charge he held to his death on May 28, 1847. His Memoir (written by his brother) was published with the 2nd ed. of his Sermons, 1849; and his Literary Remains followed in 1850. "He was a man of rare accomplishments, and consummate virtue," whose loveliness of character impressed many outside his own sect. In 1823 he published a Poetical Catechism for the Young to which were appended some original hymns. He also edited The Springfield Collection of Hymns for Sacred Worship, Springfield, 1835. A few of his hymns also appeared in that collection. His hymns in common use are:— 1. Behold the western evening light. Death of the Righteous, or Autumn Evening. Published in his Catechism, 1823, in 6 st. of 4 1., and again in his Springfield Collection, 1835, No. 484. It is in common use in its original form; also as altered in the Leeds Hymn Book, 1853; and again as altered by George Rawson in the Baptist Psalsm & Hymns, 1858, where it reads "How softly on the western hills." 2. God of the earth's extended plains. Hymn of Nature. This is in Griswold's Poets and Poetry of America, in 6 st. of 8 1. This is thought by some to be the production of his brother Oliver; but Putnam assigns it to William. It is given abbrevi¬ated in a few collections. The hymn "God of the rolling orbs above," in the Boston Unitarian Hymns [and Tune"] Book, 1868, and others, begins with st. v. 3. 0 when the hours of life are past. The Hereafter. This hymn, in 6 st. of 4 1., was given in his Catechism, 1823, as the Answer to "Question xiv. What do you learn of the Future State of Happiness." It is in use in its original form, and also altered as "When all the hours of life are past." 4. The moon is up: how calm and slow. Evening. A poem rather than a hymn, in 6 st. of 4 1., appended to his Catechism, 1823. 5. When brighter suns and milder skies. Spring. Appended to his Catechism, 1823, in 6 st. of 4 1. The full texts of all these hymns are in Putnam's Singers and Songs of the Liberal Faith, Boston, U. S. A., 1875. [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907)