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John S. B. Monsell

1811 - 1875 Person Name: J. S. B. Monsell, 1811-75 Hymnal Number: 42 Author of "O worship the Lord in the beauty of holiness" in The English Hymnal John Samuel Bewley Monsell (b. St. Colomb's, Londonderry, Ireland, 1811; d. Guilford, Surrey, England, 1875) was educated at Trinity College in Dublin and served as a chaplain and rector of several churches in Ireland after his ordination in 1835. Transferred to England in 1853, he became rector of Egham in Surrey and was rector of St. Nicholas Church in Guilford from 1870 until his death (caused by a construction accident at his church). A prolific poet, Monsell published his verse in eleven volumes. His three hundred hymns, many celebrating the seasons of the church year, were issued in collections such as Hymns and Miscellaneous Poems (1837), Spiritual Songs (1857), Hymns of Love and Praise (1863), and The Parish Hymnal (1873). Bert Polman =============================== Monsell, John Samuel Bewley, L.L.D., son of Thomas Bewley Monsell, Archdeacon of Londonderry, was born at St. Columb's, Londonderry, March 2,1811, and educated at Trinity College, Dublin (B.A. 1832, LL.D. 1856). Taking Holy Orders in 1834, "he was successively Chaplain to Bishop Mant, Chancellor of the diocese of Connor, Rector of Ramoan, Vicar of Egham, diocese Worcester, and Rector of St. Nicholas's, Guildford. He died in consequence of a fall from the roof of his church, which was in the course of rebuilding, April 9, 1875. His prose works include Our New Vicar, 1867; The Winton Church Catechist, &c. His poetical works are:— (1) Hymns and Miscellaneous Poems, Dublin, W. Curry, Jun., & Co., 1837; (2) Parish Musings, or Devotional Poems, 1850; (3) Spiritual Songs for the Sundays and Holy Days throughout the Year. 1857 (People's Ed., 1875); (4) His Presence, not His Memory, 1855, 1858; (5) Hymns of Love and Praise for the Church's Year, 1863 (2nd ed. 1866); (6) The Passing Bell; Ode to The Nightingales, and Other Poems, 1867; (7) Litany Hymns, 1869; (8) The Parish Hymnal after the Order of The Book of Common Prayer, 1873; (9)Watches by the Cross, 1874; (10) Simon the Cyrenian; and Other Poems; (11) Nursery Carols. In these works several hymns which appeared in the earlier books are repeated in the later, and thus at first sight his compositions seem to be more in number than they really are. The total amounts to nearly 300, and of these about one-fourth are in common use. The most popular of these are, "God is love; that anthem olden"; "God of that glorious gift of grace"; "Holy offerings, rich and rare"; “Lord of the living harvest"; "Mighty Father, Blessed Son"; and "Sing to the Lord a joyful song." In addition to those which are annotated under their respective first lines, the following are in common use:— i. Appeared in his Hymns and Miscellaneous Poems, Dublin, 1837. 1. Birds have their quiet nests. Humility of Christ. 2. Dark and dim the day-light rose. Good Friday. 3. Friend of the friendless and the lone. Jesus, the Friend. 4. My God, what wondrous love was Thine. Whitsuntide. 5. O for a heart more fervent. Holiness desired. 6. O for the time when on the world. Missions. 7. The springtide hour brings leaf and flower. Spring. 8. This day the Lord is risen. Easter. 9. When cold our hearts and far from Thee. Teach us to Pray. 10. Why restless, why so weary? Providence. 11. Yes, I do feel, my God, that I am Thine. Assurance. ii. Appeared in his Parish Musings, 1850. 12. In Thee, my [O] God, will we rejoice. Trust in God. 13. Lord, dependent on Thy promise. Holy Baptism. 14. Members of Christ, Children of God. Confirmation. 15. So teach me, Lord, to number. The Old and New Year. 16. Soon [soon] and for ever. Death anticipated. 17. The broken, contrite heart oppress'd. Promises of God. 18. Thou art near, yes, Lord, I feel it. Divine Support. 19. Would'st thou learn the depths of sin? Passiontide. iii. Appeared in his Spiritual Songs, 1857. 20. A few bright leaders of her host. All Saints. 21. A happy, happy [merry, merry] Christmas. New Year's Day. 22. Blessed hope, that we the fallen [sinful]. Hope. 23. Heart in heart, and hand in hand. SS. Simon and Jude. 24. Jesus, my loving Lord! I know. Resignation. 25. Last Sunday of the work-day year. Sunday after Christmas Day. 26. Loved by God the Father. Holy Baptism. 27. Mercy, mercy, God the Father. Lent. 28. My head is low, my heart is sad. Confirmation. (Penitential.) 29. Oft doth the Christian's heart inquire. Christian Duty. 30. 0 God, most mighty, listen now. Charities. From "When languid frame or throbbing pulse." 31. 0 holy Sabbath day. Sunday. 32. 0 Lord, what records of Thy love. St. Barnabas. Sometimes, “Lord God, what records of Thy love." 33. 0 love, divine and golden. Holy Matrimony. From this, "Love divine and tender" is taken. 34. One lesson more the Church must learn. Waiting on God. From this, “One lesson Christ His own would teach" is taken. 35. Proudly in his [the] hall of judgment. Tuesday before Easter. 36. Sinful, sighing to be blest. Lent. 37. The Church of God, with equal care. St. James. 38. The journey done; The rest begun. Burial. 39. The simple trust that can confide. Trust. 40. Weary and sad, a wanderer from Thee. Lent. iv. Appeared, in his Hymns of Love and Praise, 1863, and 2nd ed., 1866. 41. Bounteous blesser of the seedtime. Sexagesima. Seed Time. 42. Brightly hopeful for the future. God's mercy through life. 43. Christ is risen! Alleluia! Easter. 44. Come and deck the grave with flowers. Easter Eve. 45. Fight the good fight with all thy might. Fight of Faith. 46. Holy Spirit, long expected. Whitsuntide. 47. Hours and days and months and years. The Circumcision. 48. I have no comfort but Thy love. The Comfort of Love. 49. I knew Thee in the land of drought. A Song of Love. 60. I think of Thee, my God by night. Evening. 61. Jesu, gentle Sufferer, say. Good Friday. 52. Labouring and heavy-laden. Lent. 53. Light of the world, we hail Thee. Missions. 54. Lord, to whom except to Thee? Holy Communion. 55. My sins, my sins, my Saviour. Ash Wednesday. 56. O'er the distant mountains breaking. Second Advent. 57. Other Name than our dear Lord's. Jesus All and in All. 58. Pity on us, heavenly Father. Litany Hymn for Lent. 59. Praise the Lord, rejoice, ye Gentiles. Advent, or Missions. 60. Rest of the weary, joy of the sad. Jesus, the Saviour and Friend. 61. Shadow of a mighty Rock. Jesus, the Rock of Ages. 62. Sing, 0 heaven; 0 earth rejoice. Ascension. 63. Sweet is the gentle voice of spring. Seed Time. 64. Sweet is Thy mercy, Lord. Divine Mercy. 65. Teach me to do the thing that pleaseth Thee. Divine Teaching. 66. The good old times, how glorious. Advent. 67. The world may in its wealth delight. Rejoicing in the Lord. An altered form of "Let others in their wealth delight." 68. Though Thou slay me, I will trust. Faith. 69. To Christ the Lord! The Incarnate Word. Christmas. 70. When I had wandered from His fold. The Love of God. v. Appeared in his Litany Hymns, 1869. 71. Lay the precious body, In the quiet grave. Burial. 72. My sins have taken such a hold on me. Litany of Repentance. vi. Appeared in his Parish Hymnal, 1873. 73. I hunger and I thirst. Septuagesima. Dr. Monsell’s hymns are as a whole bright, joyous, and musical; but they lack massiveness, concentration of thought, and strong emotion. A few only are of enduring excellence. --John Julian, Dictionary of Hymnology 1907 ===================== Monsell, J, S. B., p. 762, ii. Additional hymns in common use include:— 1. Blessed Lord, Who, till the morning. Holy Scriptures. From his Spiritual Songs, 1857. 2. Christ incarnate in His poor. Christ in His Poor. From his Hymns of Love and Praise, 1863. 3. We ask for life, and mean thereby. Life and Work. From his Hymns of Love and Praise, 1863. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ==================== Monsell, J. S. B. Since the article on pp. 762-3 was written, copies of the original editions of Dr. Monsell's works have come into our hands, and from them we have to make the following corrections, the numbers following being those given to the first lines of the hymns on pp. 762-3:— 15. So teach me, &c. Hymns and Misc. Poems, 1837, p. 30. 17. The broken, &c. Hymns and Misc. Poems, 1837, p. 49. 18. Thou art near, &c. Hymns and Misc. Poems, 1837, p. 21. 19. Would'st thou, &c. Hymns and Misc. Poems, 1837, p. 14. 26. Loved by God, &c. Parish Hymnal, 1873, No. 181. 27. Mercy, mercy, &c. Prayers and Litanies, 1861, p. 119. 28. My head is low, &c. Hymns of Love and Praise, 1866, p. 125. 33. O Love divine, &c. Hymns of Love and Praise, p. 131. 38. The journey done, &c. Hymns of Love and Praise, p. 134. 40. Weary and sad, &c. Parish Hymnal, 1873, No. 209. 41-50. Hymns of Love and Praise, 1863. 51. See "Day of loss," &c, p. 282, i. 52. Labouring, &c. Prayers and Litanies, 1861, p. 116. 53-57. Hymns of Love and Praise, 1863. 58. Pity on us, &c. Prayers and Litanies, 1861, p. 125. 59. Praise the Lord, &c. Hymns of Love and Praise, 1863, p. 13. 60. 61, 62, 64, 65. Prayers and Litanies, 1861. 63, 66-70. Hymns of Love and Praise, 1863. 72. My sins, &c. Hymns of Love and Praise, 1866, p. 34. 73. I hunger, &c. Hymns of Love and Praise, 1866, p. 128. It will be seen from this list of additions and corrections that Dr. Monsell multiplied his works by giving much the same material under new titles, and that his Prayers and Litanies of 1861 were unknown to us when the original article was written. "We can sincerely add that few hymn writers are so perplexing to the annotator as Dr. Monsell. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907)

Lewis Hartsough

1828 - 1919 Person Name: L. Hartsough Hymnal Number: 573 Author of "I hear thy welcome voice" in The English Hymnal Hartsough, Lewis, was born at Ithaca, New York, Aug. 31, 1823. Of his hymns the following are in common use:—- 1. I hear Thy welcome voice. The Divine Invitation. 2. In the rifted Rock I'm resting. Safety in Jesus. 3. Lead me to the Rock that's higher. Safety in Jesus. 4. O who'll stand up for Jesus? All for Jesus Nos. 1-3 are in I. D. Sankey's Sacred Songs & Solos, 1878 (1 and 3 with music by Hartsough). --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ================= Hartsough, Lewis, p. 1569, ii. Mr. Hartsough entered the ministry of the Methodist Episcopal Church in 1851, and is now (1905) residing in Mount Vernon, Indiana. He was musical editor of J. Hillman's Revivalist, Troy, 1868, and co-editor of The Sacred Harmonist, Boston, 1864, and Beulah Songs, Phila., 1879. In addition to the hymns named on p. 1569, ii., "Let me go where saints are going" [Heav'n desired] (1861) has come into common use. It appeared in W. B. Bradbury's Clarion, 1867, p. 83. Concerning his hymn, "I hear Thy welcome voice," Mr. Sankey says in his My Life and Sacred Songs, 1906, p. 11(3:— The words and music of this beautiful hymn were first published in a monthly, entitled, Guide to Holiness, a copy of which was sent to me in England. I immediately adopted it, and had it published in Sacred Songs and Solos. It proved to be one of the most helpful of the revival hymns, and was often used as an invitation hymn in England and America." [Rev. L. F. Benson, D.D.] --John Julian, Dictionary of Hymnology, New Supplement (1907) ================ Hartsough, Lewis. (August 31, 1823--January 1, 1919). Details of his early life are lacking. After being admitted to the Oneida, New York, Conference of the Methodist Episcopal Church in 1851 and serving several pastorates in that state, his health failed and he went to Utah where he was influential in establishing the Utah Mission, later becoming its superintendent. Upon relinquishing that position he moved to Mt. Vernon, Iowa, where he spent the remainder of his life. Bird's statement that he lived in Indiana is erroneous. He was minister of the South Street Methodist Episcopal Church, Utica, New York, when he first became associated with Joseph Hillman, who chose him to act as musical editor of The Revivalist, a gospel hymn book which went through eleven editions in five years, 1868-1872. This book had a remarkable sale and was doubtless used in more churches during the 1870s than any other of similar character. To it the Reverend Hartsough contributed, in one edition, twelve texts, fourteen tunes, and thirty arrangements of tunes, several of the latter being of the religio-folk variety which had been so popular in the early camp meetings. It is a valuable source work. "I love to think of the heavenly land" (p.1573) is by Hartsough. "I hear thy welcome voice (p.1569), originally in six four-line stanzas, with Refrain, in full S/1931; with the first three stanzas, slightly emended, Brethren/1951; with stanzas 1, 2, 3, and 5, also emended, in Hymns of the Living Faith, 1951. Writeen in 1872 with musical settings by the author, it is the only one of his many songs which has continued in use. Source: Metcalf, Frank J. American Writers and Compilers of Sacred Music; several editions of The Revivalist. --Robert G. McCutchan, DNAH Archives

Frederick Whitfield

1829 - 1904 Person Name: F. Whitfield, 1827-1904 Hymnal Number: 576 Author of "I need thee, precious Jesu" in The English Hymnal Whitfield, Frederick, B.A., son of H. Whitfield, was born at Threapwood, Shropshire, Jan. 7, 1829, and educated at Trinity College, Dublin, where he took his B.A. in 1859. On taking Holy Orders, he was successively curate of Otley, vicar of Kirby-Ravensworth, senior curate of Greenwich, and Vicar of Stanza John's, Bexley. In 1875 he was preferred to St. Mary's, Hastings. Mr. Whitfield's works in prose and verse number upwards of thirty, including Spiritual unfolding from the Word of Life; Voices from the Valley Testifying of Jesus; The Word Unveiled; Gleanings from Scripture, &c. Several of his hymns appeared in his Sacred Poems and Prose, 1861, 2nd Series, 1864; The Casket, and Quiet Hours in the Sanctuary. The hymn by which he is most widely known is I need Thee, precious Jesu.” Other hymns by him in common use include:~ 1. I have a Great High Priest above. Christ the High Priest. 2. I saw the Cross of Jesus. The Cross. 3. In spirit, Lord, we meet Thee now. Missions. This was written at the request of the Committee of the Irish Church Missions for one of their annual meetings in London. 4. Jesus, Thou Name of magic power. The Name of Jesus. Sometimes given as "Jesus, Thou Name of power divine." 5. The sprinkled blood is speaking. The Blood of Christ. 6. There is a day I long to see. Heaven Anticipated. 7. There is a Name I love to hear. The Name of Jesus. Published in 1855 in hymnsheets and leaflets in various languages. From this the hymn “Jesus, the Name I love so well" is taken. 8. There's naught on earth to rest upon. God Unchangeable. 9. When dead in sin and far from God. Redemption. All these hymns, with the exception of No. 3, are in his Sacred Poems and Prose, 1861, and several of them have been printed as leaflets, and set to special music. The Sacred Poems, &c, contains 26 hymns, some of which are of considerable merit. -- John Julian, Dictionary of Hymnology (1907)

Edward Caswall

1814 - 1878 Person Name: E. Caswall Hymnal Number: 5 Translator of "Hark! a thrilling voice is sounding" in The English Hymnal Edward Caswall was born in 1814, at Yately, in Hampshire, where his father was a clergyman. In 1832, he went to Brasenose College, Oxford, and in 1836, took a second-class in classics. His humorous work, "The Art of Pluck," was published in 1835; it is still selling at Oxford, having passed through many editions. In 1838, he was ordained Deacon, and in 1839, Priest. He became perpetural Curate of Stratford-sub-Castle in 1840. In 1841, he resigned his incumbency and visited Ireland. In 1847, he joined the Church of Rome. In 1850, he was admitted into the Congregation of the Oratory at Birmingham, where he has since remained. He has published several works in prose and poetry. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872 ===================== Caswall, Edward, M.A., son of the Rev. R. C. Caswall, sometime Vicar of Yately, Hampshire, born at Yately, July 15, 1814, and educated at Brasenose College, Oxford, graduating in honours in 1836. Taking Holy Orders in 1838, he became in 1840 Incumbent of Stratford-sub-Castle, near Salisbury, and resigned the same in 1847. In 1850 (Mrs. Caswall having died in 1849) he was received into the Roman Catholic communion, and joined Dr. Newman at the Oratory, Edgbaston. His life thenceforth, although void of stirring incidents, was marked by earnest devotion to his clerical duties and a loving interest in the poor, the sick, and in little children. His original poems and hymns were mostly written at the Oratory. He died at Edgbaston, Jan. 2, 1878, and was buried on Jan. 7 at Redwall, near Bromsgrove, by his leader and friend Cardinal Newman. Caswall's translations of Latin hymns from the Roman Breviary and other sources have a wider circulation in modern hymnals than those of any other translator, Dr. Neale alone excepted. This is owing to his general faithfulness to the originals, and the purity of his rhythm, the latter feature specially adapting his hymns to music, and for congregational purposes. His original compositions, although marked by considerable poetical ability, are not extensive in their use, their doctrinal teaching being against their general adoption outside the Roman communion. His hymns appeared in:— (1) Lyra Catholica, which contained 197 translations from the Roman Breviary, Missal, and other sources. First ed. London, James Burns, 1849. This was reprinted in New York in 1851, with several hymns from other sources added thereto. This edition is quoted in the indices to some American hymn-books as Lyra Cath., as in Beecher's Plymouth Collection, 1855, and others. (2) Masque of Mary, and Other Poems, having in addition to the opening poem and a few miscellaneous pieces, 53 translations, and 51 hymns. 1st ed. Lon., Burns and Lambert, 1858. (3) A May Pageant and Other Poems, including 10 original hymns. Lon., Burns and Lambert, 1865. (4) Hymns and Poems, being the three preceding volumes embodied in one, with many of the hymns rewritten or revised, together with elaborate indices. 1st ed. Lon., Burns, Oates & Co., 1873. Of his original hymns about 20 are given in the Roman Catholic Crown of Jesus Hymn Book, N.D; there are also several in the Hymns for the Year, N.D., and other Roman Catholic collections. --John Julian, Dictionary of Hymnology (1907) ====================== Caswall, E. , p. 214, ii. Additional original hymns by Caswall are in the Arundel Hymns, 1902, and other collections. The following are from the Masque of Mary, &c, 1858:— 1. Christian soul, dost thou desire. After Holy Communion. 2. Come, let me for a moment cast. Holy Communion. 3. O Jesu Christ [Lord], remember. Holy Communion. 4. Oft, my soul, thyself remind. Man's Chief End. 5. Sleep, Holy Babe. Christmas. Appeared in the Rambler, June 1850, p. 528. Sometimes given as "Sleep, Jesus, sleep." 6. The glory of summer. Autumn. 7. This is the image of the queen. B. V. M. His "See! amid the winter's snow,” p. 1037, i., was published in Easy Hymn Tunes, 1851, p. 36. In addition the following, mainly altered texts or centos of his translations are also in common use:— 1. A regal throne, for Christ's dear sake. From "Riches and regal throne," p. 870, ii. 2. Come, Holy Ghost, Thy grace inspire. From "Spirit of grace and union," p. 945, i. 3. Hail! ocean star, p. 99, ii,, as 1873. In the Birmingham Oratory Hymn Book, 1850, p. 158. 4. Lovely flow'rs of martyrs, hail. This is the 1849 text. His 1873 text is "Flowers of martyrdom," p. 947, i. 5. None of all the noble cities. From "Bethlehem! of noblest cities," p. 946, ii. 6. O Jesu, Saviour of the World. From “Jesu, Redeemer of the world," p. 228, ii. 7. 0 Lady, high in glory raised. From "O Lady, high in glory, Whose," p. 945, i. The Parochial Hymn Book, 1880, has also the following original hymns by Caswall. As their use is confined to this collection, we give the numbers only:— IS os. 1, 2, 3, 159 (Poems, 1873, p. 453), 209 (1873, p. 288), 299, 324 (1873, p. 323), 357, 402, 554, 555, 558, 569 (1873, p. 334). These are from his Masque of Mary 1858. Nos. 156, 207 (1873, p. 296), 208 (1873, p. 297), 518. These are from his May Pageant, 1865. As several of these hymns do not begin with the original first lines, the original texts are indicated as found in his Poems, 1873. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907)

Saint Patrick

372 - 466 Person Name: St Patrick, 372-466 Hymnal Number: 212 Author of "I bind unto myself today" in The English Hymnal Patrick, St., the 2nd Bishop and Patron Saint of Ireland, was the son of Calpurnius, a deacon, and grandson of Potitus, a presbyter, and great grandson of Odissus, a deacon, was born most probably near Dumbarton, in North Britain, in 372. According to his epistle to Coroticus, his father was also a decurio, a member of the local town council, and a Roman by descent. Hence probably the name Patricius. St. Patrick alludes in Coroticus, § 5, to his having been originally a freeman, and of noble birth. His birthplace is termed in his Confession, § 1, Bannavem Taberniæ. Some have identified that place with Boulogne-sur-Mer, in France. His mother's name was Concessa, said to have been sister of St. Martin of Tours. According to Tirechan's Collections (circa A.D. 690), Patrick had four names—-(1) Magonus, which Tirechan explains by clarus, illustrious; (2) Sucat (Succetus), god of war, or brave in war, said to have been his baptismal name; (3) Patricius; and (4) Cothraige (Cothrighe), given because he had been a slave to four masters. At the age of 16 he was carried off with many others to Ireland, and sold as a slave. There he remained six years with Milcho, or Miliuc. He was engaged in feeding cattle (pecora), though the later writers say that he fed swine. In his captivity he became acquainted with the Irish language. His misfortunes were the means of leading him to Christ, and be devoted himself to prayer, and often frequented, for that purpose, the woods on Mount Slemish. Having escaped after six years, he spent some years with his parents, and then was stirred up, when still a youth (puer), to devote himself to the evangelisation of Ireland. According to Secundinus's Hymn (St. Sechnall), which is probably not much later than the age of St. Patrick himself, the saint received his apostleship "from God," like St. Paul. No reference is made in that hymn, or in the later so-called Hymn of St. Fiacc, to any commission received from Pope Celestine, as is asserted by later writers. St. Patrick does not in his own writings allude to the external source whence he obtained ordination, and, as he speaks of his Roman descent, it would be strange for him not to have mentioned his Roman consecration, if it had been a fact. From some “sayings" of his, preserved on a separate page of the Book of Armagh, it is probable that he travelled through Gaul and Italy, and that he was ordained in Gaul as deacon, priest, and, afterwards, as bishop. He was probably a bishop when he commenced his missionary labours in Ireland. There were, however, Christians in Ireland before that period. Palladius, the senior Patrick, who preceded our saint by a few years, was, according to the chronicle of Prosper (the secretary of Pope Celestine), "ordained and sent to the Scots (the Irish) believing in Christ, by Pope Celestine, as their first bishop." Palladius's mission was a failure, while that of the second Patrick, which was quite independent of the former, was successful in a high degree. Its success, however, has been greatly exaggerated; for St. Patrick, in the close of his Confession, or autobiography, written in old age, speaks of the high probability of his having to lay down his life as a martyr for Christ. The date of St. Patrick's mission is not certain, but the internal evidence of his writings indicate that it was most probably about A.D. 425. The day and month of his death (March 17), but not the year [466] is mentioned in the Book of Armagh. St. Patrick's claim to a record in this Dictionary is associated with the celebrated hymn or “Breastplate," a history of which we now subjoin. 1. St. Patrick's Irish Hymn is referred to in Tirechan's Collections (A.D. 690). It was directed to be sung in "all monasteries and churches through the whole of Ireland," "canticum ejus scotticum semper canere," which is a proof that it was at that time universally acknowledged to be his composition. That regulation was very naturally lost sight of when the old Celtic Church lapsed into the Roman, (a) The expressions used in the hymn correspond entirely with the circumstances under which St. Patrick visited Tara. (b) Moreover, although all the ancient biographies of St. Patrick (with the exception of his own Confession, and of Secundinus's Hymn) speak of him as a worker of miracles, and as having performed miracles at Tara, there is no trace of such a fact in St. Patrick's Hymn, (c) Further, the phrase, "creator of doom," which twice occurs in it, according to the most approved translation, curiously corresponds with another fact that, "my God's doom," or “the doom," or "judgment of my God," was, according to the ancient biographies, one of St. Patrick's favourite expressions. 2. The first notice of the existence at the present time of an ancient manuscript copy of St. Patrick's "Hymn or Breastplate," was made known by the late Dr. Petrie in his Memoir of Tara, published in the Transactions of the Royal Irish Academy, 1839, vol. xviii. Dr. Petrie gave the original in Irish characters, an interlineary Latin version and an English translation by himself, together with copious notes. Dr. Petrie found the original in the Liber Hymnorum, in the Library of Trinity College, Dublin (iv. E. 4, 2, fol. 19 b). “The tradition respecting its primary use by the saint is that he recited it on Easter Sunday, when proceeding to encounter the droidical fire-worshippers, with their pagan king, Laoghaire, and his court, at Tara, the royal residence." (Lyra Hibernica Sacra, 1878, p. 2.) 3. Dr. Todd in his work, S. Patrick, Apostle of Ireland, 1864, gives a metrical rendering of the “Breastplate” which begins:— "I bind to myself today, The strong power of an invocation of the Trinity, The faith of the Trinity in Unity, The Creator of the elements." The translation, which extends to 78 lines, was mainly the work of Dr. Whitley Stokes. A more correct version by the same scholar is given in the Rolls's edition of the Tripartite Life, 1887; and that revised version, with a few modifications, accompanied with critical notes, explanatory of the alterations made on the former version, is given in the 2nd and 3rd editions of the Writings of St. Patrick, by Dr. V. H. H. Wright. Dr. Whitley Stokes, therefore, is to be regarded as the real translator from the original Irish. Dr. Petrie's translation, though highly meritorious as a first attempt, has been proved in many particulars to be erroneous. There is no mention of Tara in the hymn. An uncertainty yet exists as to the meaning of a few words. 4. In Dr. W. MacIlwaine's Lyra Hibernica Sacra, 1878, Dr. Todd's translation was repeated (with notes), together with a second translation by James Clarence Mangan, the opening lines of which are:— "At Tara to-day, in this awful hour, I call on the Holy Trinity! Glory to Him Who reigneth in power, The God of the elements, Father, and Son, And Paraclete Spirit, which Three are the One, The everlasting Divinity." 5. A popular version of the hymn for congregational use was written by Mrs. Cecil F. Alexander, for St. Patrick's Day, 1889, and sung generally throughout Ireland on that day. The opening lines are:— "I bind unto myself to-day The strong Name of the Trinity, By invocation of the same, The Three in One and One in Three. ”I bind this day to me for ever, By power of faith, Christ's Incarnation; His baptism in Jordan river; His death on Cross for my salvation; His bursting from the spiced tomb; His riding up the heav'nly way; His coming at the day of doom; I bind unto myself to-day." Mrs. Alexander's version is given, along with that of James Clarence Mangan, in the Appendix to the Writinqs of St. Patrick, edited by Dr. C. H. H. Wright (R.T.S.), 1889. 6. Another metrical version of this hymn was given in the Irish Ecclesiastical Gazette for April 5, 1889. It is by Joseph John Murphy, and the opening lines are:— "I bind as armour on my breast The Threefold Name whereon I call, Of Father, Son, and Spirit blest, The Maker and the Judge of all." 7. The translation in Stokes and Wright's edition of St. Patrick's writings was set to music as a cantata by Sir R. Stewart, and was performed for the first time in St. Patrick's Cathedral, Dublin, on St. Patrick's Day, 1888. 8. Mr. Thomas French, Assistant Librarian of Trinity College, Dublin, writes as follows respecting this hymn:— "The manuscript called the 'Liber Hymnorum' belonged to Archbishop Ussher, and forms one of the volumes of the Ussher Collection now in the Library of Trinity College, Dublin. There is no interlineary Latin translation in the original. It was given by Petrie in his account of the hymn 'for the satisfaction of the learned’ [The St. Patrick authorship is tradition only, so far as I know.] Dr. Todd in his S. Patrick, Apostle of Ireland, p. 426, says ‘It is undoubtedly of great antiquity, although it may now be difficult, if not impossible, to adduce proof in support of the tradition that St. Patrick was its author.'...... Petrie and Todd make the age of the manuscript 9th or 10th century, Whitley Stokes 11th or 12th." We may add that St. Patrick's Latin works were published by Sir James Ware, 1656, in the Acta Sanctorum of the Bollandist Fathers, 1668, by Villanueva, 1835, and by others, as B. S. Nicholson, 1868, Miss Cusack, 1871, and, above all, by Dr. Whitley Stokes, in the Rolls' Edition of the Tripartite Life, 1887. The latter three works contain also translations. Translations of the whole, or a portion of St. Patrick's writings, have been published by Rev. T. Olden, 1876; Sir S. Ferguson, LL.D. Transactions of Royal Irish Academy, 1885, and more completely in the Writings of St. Patrick, edited by Prof. G. T. Stokes and Dr. C. H. H. Wright, 1st ed. 1887, 2nd ed. 1888, 3rd ed., edited, with notes critical and historical, and an introduction by Dr. C. H. H. Wright revised and enlarged. London: Religious Tract Society, 1889. [Rev. Charles H. H. Wright, D.D., Ph.D.] --John Julian, Dictionary of Hymnology (1907) ==================== Patrick, St., p. 885, ii. (l) In the Oxford University Herald of April 6, 1889, is an anonymous paraphrase in 7 stanzas of 4 lines of a portion of "St. Patrick's Hymn," beginning- "Father, Son, and Holy Ghost! May Thine overshadowing might Be as armour to my soul, Be my weapon in the fight." (2) Note concerning § 3, on p. 885, i., that Dr., W. Stokes's translation appeared in its original form in the Saturday Review, Sept. 5, 1857. In his Goidilica, Calcutta, 1866, p. 66, in an altered form to that of 1857 and 1864. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Samuel Longfellow

1819 - 1892 Person Name: S. Longfellow, 1819-92 Hymnal Number: 288 Author of "The summer days are coming again" in The English Hymnal Longfellow, Samuel, B. A., brother of the Poet, was born at Portland, Maine, June 18, 1819, and educated at Harvard, where he graduated in Arts in 1839, and in Theology in 1846. On receiving ordination as an Unitarian Minister, he became Pastor at Fall River, Massachusetts, 1848; at Brooklyn, 1853; and at Germantown, Pennsylvania, 1860. In 1846 he edited, with the Rev. S. Johnson (q. v.), A Book of Hymns for Public and Private Devotion. This collection was enlarged and revised in 1848. In 1859 his Vespers was published, and in 1864 the Unitarian Hymns of the Spirit , under the joint editorship of the Rev. S. Johnson and himself. His Life of his brother, the Poet Longfellow, was published in 1886. To the works named he contributed the following hymns:— i. To A Book of Hymns , revised ed., 1848. 1. Beneath the shadow of the Cross. Love. 2. 0 God, thy children gathered here. Ordination. ii. To the Vespers 1859. 3. Again as evening's shadow falls. Evening. 4. Now on land and sea descending. Evening. iii. To the Hymns of the Spirit, 1864. 5. A voice by Jordan's shore. Advent. 6. Father, give Thy benediction. Ordination. 7. Go forth to life, 0 child of earth. Life's Mission. 8. God of ages and of nations. Holy Scriptures. 9. Holy Spirit, Truth divine. The Holy Spirit desired. 10. I look to Thee in every need. Trust in God. 11. In the beginning was the Word. The Word. 12. Love for all, and can it be? Lent. The Prodigal Son. 13. 0 God, in Whom we live and move. God's Law and Love. 14. 0 God, Thou Giver of all good. Prayer for Food. 15. O still in accents sweet and strong. Missions. 16. 0 Thou, Whose liberal sun and rain. Anniversary of Church dedication. 17. One holy Church of God appears. The Church Universal. 18. Out of the dark, the circling sphere. The Outlook. 19. Peace, peace on earth! the heart of man for ever. Peace on Earth. 20. The loving Friend to all who bowed. Jesus of Nazareth. 21. ’Tis winter now, the fallen snow. Winter. Of these, hymn No. 2 was written for the Ordination of E. E. Hale (q. v.), at Worcester, 1846. Several are included in Martineau's Hymns, 1873. Died Oct. 3, 1892. [Rev. F. M. Bird, M.A.] --John Julian, Dictionary of Hymnology (1907), p. 685 =============== Longfellow, S., p. 685, i. Since Mr. Longfellow's death on Oct. 3, 1892, his hymns have been collected by his niece, Miss Alice Longfellow, as Hymns and Verses(Houghton, Mifflin & Co., 1904.) From this work we find many of the hymns signed Anon, in the Index to Longfellow and Johnson's Hymns of the Spirit, 1864, were his; several of these, including E. Osier's "O God unseen, yet ever near," were popular English hymns which he rewrote from his own theological standpoint. These re¬written hymns are very widely used by Unitarians and others. During the last ten years the following additional hymns by S. Long¬fellow have come into common use:— 1. Eternal One, Thou living God. Faith in God. 2. God of the earth, the sky, the sea. God in Nature. 3. God's trumpet wakes the slumbering world. Call to duty. 4. Light of ages and of nations. God in and through all time. 5. Lo, the earth is risen again. Spring. (1876.) 6. Now while we sing our closing psalm. Close of Worship. 7. O Life that maketh all things new. Unity. (1874.) 8. O Thou in Whom we live and move. The Divine Law. 9. The summer days are come again. Summer. From his hymn,"The sweet[bright] June days are come again." 10. Thou Lord of lite, our saving health. In Sickness. (1886.) Of these hymns Nos. 2, 3 appeared in the Hymns of the Spirit, 1864, and all with the dates appended in Hymns and Verses, 1904. --John Julian, Dictionary of Hymnology, New Supplement (1907) ================== http://en.wikipedia.org/wiki/Samuel_Longfellow

Matthias Claudius

1740 - 1815 Person Name: M. Claudius, 1740-1815 Hymnal Number: 293 Author of "We plough the fields, and scatter" in The English Hymnal Claudius, Matthias, son of Matthias Claudius, Lutheran pastor at Reinfeld in Holstein (near Lübeck), was born at Reinfeld, Aug. 15, 1740. An ancestor, who died as a Lutheran pastor in 1586, had Latinized his name, Claus Paulsen, to Claudius Pauli, and his descendants had adopted Claudius as their surname. Claudius entered the University of Jena, in 1759, as a student of theology, but being troubled with an affection of the chest, and finding little attraction in the Rationalism of Jena, he turned his attention to law and languages. After a short visit to Copenhagen, as private secretary to a Danish count, he joined in 1768 the staff of the Hamburg News Agency (Adress-Comptoirnachrichten). Removing to Wandsbeck, near Hamburg, he undertook in 1771 the editing of the literary portion of the Wandsbecker Bote, and contributed a number of his poems to the Göttingen Musen-Almanach. In 1776 he was appointed one of the Commissioners of Agriculture and Manufactures of Hesse-Darmstadt, and in 1777 editor of the official Hesse-Darmstadt newspaper, which he conducted in the same spirit as his Wandsbeck Bote. At Darmstadt he became acquainted with Goethe (then living near by at Frankfurt), and with a circle of freethinking philosophers. During a severe illness in 1777, he realised, however, the spiritual emptiness of the life at Darmstadt; the buried seeds sown in his youth sprang up; and he once more became in faith as a little child. Renouncing position and income, he returned to Wandsbeck to re-edit the Bote, which he conducted in a distinctively Christian spirit. In 1788 he was appointed by the Crown Prince of Denmark auditor of the Scheswig-Holstein Bank at Altona, but continued to reside at Wandsbeck till 1813, when he was forced by the war to flee, and was unable to return till May, 1814. The next year he removed to the house of his eldest daughter in Hamburg, and died there Jan. 21, 1815 (Koch, vi. 417-429; Allg. Deutsche Biographie, iv. 279-281). His fugitive pieces appeared in two parts as Asmus omnia sua secum portans; oder sammtliche Werke des Wandsbecker Bothen, Wandsbeck and Hamburg, 1774 (pt. iii. 1777, iv. 1782, v. 1789, vi. 1797, vii. 1802, viii. 1812). While much of his poetry was distinctively Christian in its spirit, and many of his pieces might rank as popular sacred songs, yet he wrote no hymns designed for use in Church. Three pieces have, however, passed into the German hymn-books, all of which have been translated into English, viz.:— i. Das Grab ist leer, das Grab ist leer. [Easter.] First published in pt. viii., 1812, as above, p. 121, in 10 stanzas. Translated as "The grave is empty now, its prey," by Dr. H. Mills, 1859, printed in Schaff’s Christ in Song, 1870. ii. Der Mond ist aufgegangen. [Evening.] His finest hymn, conceived in a child-like, popular spirit—a companion to the more famous hymn, "Nun ruhen alle Walder " (q. v.). According to tradition it was composed during his residence at Darmstadt, 1762, while walking on the so-called Schnempelweg, a footpath leading by the river-side up to the Odenwald. First published in J. H. Voss's Musen-Almanach, Hamburg, 1770, p. 184, and then in pt. iv., 1782, as above, p. 57, in 7 stanzas of 6 lines. Included as No. 452 in the Oldenburg Gesang-Buch, 1791, as No. 570 in the Württemberg Gesang-Buch, 1842, and No. 509 in the Unverfälschter Liedersegen, 1851. The only translation in common use is:— The silent moon is risen, good and full, as No. 322, in the Ohio Lutheran Hymnal, 1880. Other translations are:— (1) "The fair moon hath ascended," in the British Magazine, Nov. 1837, p. 518. (2) "The moon on high Is beaming,",by H. J. Buckoll, 1842, p. 105. (3) "The moon hath risen on high," by Miss Winkworth, 1855, p. 229 (1876, p. 231). (4) "The moon up heaven is going," by J. D. Bums, in Family Treasury, 1860, p. 92, repeated in his Memoir, 1869, p. 269. (5) “The moon is upwards climbing," by Miss Manington, 1863, p. 124. (6) "The moon is up in splendour," by E. Massie, 1866, E. 115. (7) "The moon hath risen clear," in Alice Lucas's Trs.from German Poets, 1876, p. 12. (8) "The moon is up and beaming," in Mrs. A. W. Johns's Original Poems and Translations, 1882, p. 61. iii. Im Anfang war's auf Erden. [Harvest.] First published in pt. iv., 1782, as above, p. 42, in 17 stanzas of 4 lines, and chorus (see also G. W. Fink's Musikalischer Hausschatz der Deutschen, Altona, 1860, No. 77). It occurs in a sketch entitled, Paid Erdmann's Fest. The neighbours are represented as coming to Paul's house and there singing this so-called “Peasants' Song," the last four stanzas of which specially relate to the occasion; the stanzas being sung as a solo, and all joining in the chorus. It can hardly be called a hymn, though it has passed into a few German hymnals principally for use in school. Beginning, "Auf! Lasset Gott uns loben," 10 stanzas were included as No. 482 in the Oldenburg G. B., 1791. In T. Fliedner's Liederbuch, Kaiserswerth, 1842, No. 95 begins with stanza vii., "Was nah ist und was feme." The form most popular is that beginning with stanza iii., "Wir pflügen und wir streuen," as in Dr. Wichern's Unsere Lieder, Hamburg, 1844, No. 55, and other collections. Translations in common use:— 1. We plough the fields and scatter, by Miss J. M. Campbell, contributed to the Rev. C. S. Bere's Garland of Songs, Lond., 1861, p. 61 (later eds. p. 27). A free rendering in 3 stanzas of 8 lines, with chorus, entitled, "Thanksgiving for the Harvest." Since its reception into the Appendix to Hymns Ancient & Modern, 1868 (No. 360, ed. 1875, No. 383), it has passed into numerous hymnals in Great Britain, and America. In Thring's Collection, 1882, No. 609, st. iv., "Our souls, Blest Saviour, gather," is an original stanza by Rev. H. Downton, added to supply some distinctly Christian expressions to the hymn, and first published in the Record newspaper in 1875. 2. We plough the fertile meadows. Of this translation there are two forms greatly differing, both ascribed to Dr. S. F. Smith, but whether either form is really by him we have failed to ascertain. What seems to be the original form, in 6 stanzas of 4 lines and chorus, is found in the Methodist Free Church Sunday School Hymns; Curwen's New Child's Own Hymn Book &c. The other form, in 3 stanzas of 8 lines and chorus, is in Allon's Supplemental Hymns; New Congregational Hymn Book, &c. 3. We plough the ground, we sow the seed, in 4 stanzas of 8 lines with chorus, without name of translation, is No. 215 in G. S. Jellicoe's Collection, 1867. [Rev. James Mearns, M.A.] --Excerpts from John Julian, Dictionary of Hymnology (1907)

Folliott Sandford Pierpoint

1835 - 1917 Person Name: F. S. Pierpoint Hymnal Number: 309 Author of "For the beauty of the earth" in The English Hymnal In the spring of 1863, Folliott S. Pierpoint (b. Bath, Somerset, England, 1835; d. Newport, Monmouthshire, England, 1917) sat on a hilltop outside his native city of Bath, England, admiring the country view and the winding Avon River. Inspired by the view to think about God's gifts in creation and in the church, Pierpont wrote this text. Pierpont was educated at Queen's College, Cambridge, England, and periodically taught classics at Somersetshire College. But because he had received an inheritance, he did not need a regular teaching position and could afford the leisure of personal study and writing. His three volumes of poetry were collected in 1878; he contributed hymns to The Hymnal Noted (1852) and Lyra Eucharistica (1864). "For the Beauty of the Earth" is the only Pierpont hymn still sung today. Bert Polman ================== Pierpoint, Folliott Sandford, M.A., son of William Home Pierpoint of Bath, was born at Spa Villa, Bath, Oct. 7, 1835, and educated at Queen's College, Cambridge, graduating in classical honours in 1871. He has published The Chalice of Nature and Other Poems, Bath, N.D. This was republished in 1878 as Songs of Love, The Chalice of Nature, and Lyra Jesu. He also contributed hymns to the Churchman's Companion (London Masters), the Lyra Eucharistica, &c. His hymn on the Cross, "0 Cross, O Cross of shame," appeared in both these works. He is most widely known through:— "For the beauty of the earth." Holy Communion, or Flower Service. This was contributed to the 2nd edition of Orby Shipley's Lyra Eucharistica, 1864, in 8 stanzas of 6 lines, as a hymn to be sung at the celebration of Holy Communion. In this form it is not usually found, but in 4, or sometimes in 5, stanzas, it is extensively used for Flower Services and as a Children's hymn. --John Julian, Dictionary of Hymnology (1907)

Charlotte Elliott

1789 - 1871 Person Name: Charlotte Elliott, 1789-1871 Hymnal Number: 316 Author of "Just as I am, without one plea" in The English Hymnal Elliott, Charlotte, daughter of Charles Elliott, of Clapham and Brighton, and granddaughter of the Rev. H. Venn, of Huddersfield, was born March 18, 1789. The first 32 years of her life were spent mostly at Clapham. In 1823 she removed to Brighton, and died there Sept. 22, 1871. To her acquaintance with Dr. C. Malan, of Geneva, is attributed much of the deep spiritual-mindedness which is so prominent in her hymns. Though weak and feeble in body, she possessed a strong imagination, and a well-cultured and intellectual mind. Her love of poetry and music was great, and is reflected in her verse. Her hymns number about 150, a large percentage of which are in common use. The finest and most widely known of these are, "Just as I am” and "My God, my Father, while I stray." Her verse is characterized by tenderness of feeling, plaintive simplicity, deep devotion, and perfect rhythm. For those in sickness and sorrow she has sung as few others have done. Her hymns appeared in her brother's Psalms & Hymns and elsewhere as follows:— (1) Psalms and Hymns for Public, Private, and Social Worship; selected by the Rev. H. V. Elliott, &c., 1835-48. In this Selection her signature is "C. E." (2) The Christian Remembrancer Pocket Book. This was originally edited by Miss Kiernan, of Dublin. Miss Elliott undertook the editorship in 1834. (3) The Invalid's Hymn Book. This was originally compiled by Miss Kiernan, but before publication was re-arranged by Miss Elliott, who also added 23 hymns in the first edition., 1834. These were increased in the following edition to the sixth in 1854, when her contributions amounted to 112. From that date no change was made in the work. (4) Hours of Sorrow Cheered and Comforted; or, Thoughts in Verse, 1836. (5) Morning and Evening Hymns for a Week, printed privately in 1839 for sale for a benevolent institution in Brighton, and published in 1842. (6) Thoughts in Verse on Sacred Subjects, 1869. Miss Elliott's Poems were published, with a Memoir by her sister, Mrs. Babington, in 1873, and an additional volume of Leaves from her unpublished Journals and Poems, also appeared in 1870. In addition to her more important hymns, which are annotated under their respective first lines, there are in common use:— i. From The Invalid's Hymn-book, 1834-1841:— 1. Clouds and darkness round about thee. (1841.) Resignation. 2. Not willingly dost Thou afflict [reject]. (1841.) Divine Chastisement. 3. O God, may I look up to Thee. (1841.) Teach us to Pray. 4. This is enough; although 'twere sweet. (1834.) On being debarred from Divine Worship. 5. With tearful eyes I look around. (1841.) The Invitation "Come Unto Me." ii. From H. V. Elliott's Psalms & Hymns, 1835-1839:— 6. Glorious was that primal light. Christmas. 7. Hail, holy day, most blest, most dear. Easter. 8. My only Saviour, when I feel. Jesus His people's Rest. 9. Now let our heavenly plants and flowers. Monday Morning. 10. The Sabbath-day has reached its close. Sunday Evening. iii. From Miss Elliott's Hours of Sorrow, 1836:— 11. Father, when Thy child is dying. Prayer for a Departing Spirit. 12. Leaning on Thee, my Guide, my Friend. Death Anticipated. 13. My God, is any hour so sweet? The Hour of Prayer. 14. O faint and feeble-hearted. Resignation enforced. 15. There is a holy sacrifice. The Contrite Heart. iv. From her Hymns for a Week, 1839:— 16. Guard well thy lips; none, none can know. Thursday Morning. 17. There is a spot of consecrated ground. Pt. i. 18. This is the mount where Christ's disciples see. Pt. ii. Monday Evening. 19. This is the day to tune with care. Saturday Morning. v. From Thoughts in Verse on Sacred Subjects, 1869:— 20. As the new moons of old were given. On a Birthday. 21. I need no other plea. Pt. i. 22. I need no prayers to saints. Pt. ii. Christ, All in All. 23. Jesus, my Saviour, look on me. Christ, All in All. Several of the earlier of these hymns were repeated in the later works, and are thus sometimes attributed to the wrong work. [Rev. James Davidson, B.A.] -- John Julian, Dictionary of Hymnology (1907) ================ Elliott, Charlotte, p. 328, i. Other hymns are:— 1. O how I long to reach my home. Heaven desired. From the Invalid's Hymn Book, 1834. 2. The dawn approaches, golden streaks. Second Advent. From Thoughts in Verse, &c, 1869. Of her hymns noted on p. 328, Nos. 6, 7, 8, 9, 10,11, and 13, all appeared in the 1st edition of Elliott's Psalms & Hymns, 1835. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ======================== Elliott, Charlotte, pp. 328, i.; 1561, ii. Further research enables us to give amended dates to some of her hymns as follows:— 1. With tearful eyes I look around (No. 5). This is in the 1835 Appendix to The Invalid's Hymn Book. 2. My only Saviour, when I feel (No. 8). Also in the 1835 Appendix. 3. Father, when Thy child is dying (No. 11). In the 1833 Appendix. 4. I want that adorning divine, p. 559, i. In the Christian Remembrancer 1848, p. 22. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Johann Jakob Schütz

1640 - 1690 Person Name: J. J. Schütz, 1640-90 Hymnal Number: 478 Author of "Sing praise to God who reigns above" in The English Hymnal Schütz, Johann Jakob, was born Sept. 7, 1640, at Frankfurt am Main. After studying at Tübingen (where he became a licentiate in civil and canon law), he began to practise as an advocate in Frankfurt, and in later years with the title of Rath. He seems to have been a man of considerable legal learning as well as of deep piety. He was an intimate friend of P. J. Spener; and it was, in great measure, at his suggestion, that Spener began his famous Collegia Pietatis. After Spener left Frankfurt, in 1686, Schütz came under the influence of J. W. Petersen; and carrying out Petersen's prin¬ciples to their logical conclusion, he became a Separatist, and ceased to attend the Lutheran services or to communicate. He died at Frankfurt, May 22, 1690 (Koch, iv. 220; Blätter fur Hymnologie, Feb. 1883). Schütz is known as an author by two tractates; one being his Christliche Lebensregeln, Frankfurt, 1677; the other, that which contains his hymns, Christliches Gedenckbüchlein, zu Beforderung eines anfangenden neuen Lebens, &c, Frankfurt am Main, 1675 [Library of the Predigerministerium at Frankfurt]. This work includes 5 hymns, in a separate section, which is headed, “Hierauf folgen etliche Gesänge." These hymns are:— i. Die Wollust dieser Welt. ii. Was inich auf dieser Welt betrübt. iii. So komm, geliebte Todes-Stund. iv. Scheuet ihr, ihr matten Glieder. v. Sei Lob und Ehr dem höchsten Gut. Of these No. v. is undoubtedly by Schütz, and the other four exhibit much the same style of thought as, and frequent parallels to, the prose portions of the work. None of these have been traced earlier than 1675; and until this has been done, it is pretty safe to ascribe them all to Schütz. Three of these hymns have passed into English, viz.:— i. Sei Lob und Ehr dem höchsten Gut. Praise and Thanksgiving. First published in 1675, as above, No. v. It is founded on Deut. xxxii. 3; entitled, "Hymn of Thanksgiving ;" and is in 9 stanzas of 6 lines, and the refrain, "Gebt unserm Gott die Ehre”. Koch, iv. 220, speaks of this hymn as "outweighing many hundred others; and a classical hymn, which, from its first appearance, attracted unusual attention." And Lauxmann, in Koch, viii. 334-339, relates how delighted J. J. Moser was, when, on entering church the first Sunday after his captivity at Hohentwiel, he heard this hymn, and how heartily he joined in it; how it comforted the dying G. C. Rieger, of Stuttgart, on Tuesday, in Easter Week, 1743, and many other incidents. Translations in common use:— 1. All Glory to the Sov'reign Good. This is a full and good translation by J. OJacobi, in his Psalter Germanica, 2nd ed., 1732, p. 151, where it is entitled, "The Malabarian Hymn." 2. All glory be to God most high. A good translation by A. T. Russell, of st. i., iv., viii., for the Dalston Hospital Hymn Book, 1848, No. 59. 3. All praise and thanks to God most high. This is a good tr., omitting st. ix., by Miss Winkworth, in her Lyra Germanica, 2nd Ser., 1858, p. 146. 4. Sing praise to God Who reigns above. A good tr., omitting st. ix., contributed by Miss Cox to Lyra Eucharistica, 1864, p. 33, and included in her Hymns from the German, 1864, p. 235. 5. To God a joyful anthem raise. A good tr. of st. i., ii., iv., v., viii., by J. M. Sloan, as No. 314, in J. H. Wilson's Service of Praise, 1865. The following are also translated into English:— ii. So komm, geliebte Todes-Stund. For the Dying. First published in 1675, as above, No. iii., in 11 st. of 8 1., entitled, "The thoughts on Death of a Royal Princess, after the usual interpretation of Job xix. 25." This Princess was Sophie Elisabethe. daughter of Duke Philipp Ludwig, of Holstein-Sonderburg (b. at Homburg vor der Hohe, May 4, 1653; married, in 1676. to Duke Moritz, of Sachse-Zeitz; d. at Schleusingen, Aug. 19, 1684), who had been a regular attender at Spener's conferences at Frankfurt, and thus associated with Schütz. This hymn has often been ascribed to her; and she had already chosen Job xix. 25, as the text of her funeral sermon. But it is more probable that both hymns were written by Schütz for her use, or in her honour. The trs. are :—(1) "Come, happy hour of death, and close." By Dr. G. Walker, 1860, p. 56. (2) "O come, delightful hour of death." By Dr. G. Walker, 1860, p. 106. iii. Was mich auf dieser Welt betriibt. Earthly Vanities. This hymn, on Renunciation of the World, first appeared in 1675, as above, No. ii., in 4 st. of 10 1., and entitled "From the World to God." It has sometimes been erroneously ascribed to Michael Franck. It is tr. as "The woes that weigh my body down." By Miss Manington, 1863, p. 32. [Rev. James Mearns, M.A.] --Excerpts from John Julian, Dictionary of Hymnology (1907)