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Philipp Friedrich Hiller

1699 - 1769 Person Name: P. F. Hiller Hymnal Number: 378 Author of "We Wait For Thee, O Son o God" in Hymns of Grace and Truth Hiller, Philipp Friedrich, son of Johann Jakob Hiller, pastor at Mühlhausen on the the Enz, Württemberg, was born at Mühlhausen, Jan. 6, 1699. He was educated at the clergy training schools at Denkendorf (under J. A. Bengel) and Maulbronn, and the University of Tübingen (M.A. 1720). His first clerical appointment was as assistant at Brettach, near Neckarsulm, 1724-27. He afterwards held similar posts at Hessigheim and elsewhere, and was also, from 1729-31, a private tutor at Nürnberg. He was then, on St. Bartholomew's Day, 1732, instituted as pastor of Neckargröningen, on the Neckar, near Marbach. In 1736 he became pastor of his native place, and in 1748 pastor at Steinheim, near Heidenheim. In his third year of residence at Steinheim he lost his voice, and had to employ an assistant to preach. He died at Steinheim, April 24, 1769. (Koch, v. 107-126; Allgemeine Deutsche Biographie, xii. 425-426, &c.) Of Hiller’s hymns the best appeared in:— (1) Arndt's Paradiss-Gartlein…..in teutsche Lieder, Nürnberg, N.D. [the copy in Berlin has a frontispiece dated 1730]. This was written during the time he was tutor at Nürnberg. P. Gerhardt had founded the fine hymn "O Jesu Christ, mein schönstes Licht," (q.v.) on one of the prayers in the volume of devotions which Johann Arndt had published, 1612, under the title of Paradies-Gärtlein; and Gerhardt's example led Hiller to think of turning the whole of these prayers into hymns. The book is in four parts, and contains 301 hymns, 297 being founded on Arndt and four original. (2) Geistliches Liederkästlein, Stuttgart, 1762, and a second series, Stuttgart, 1767. Each series contains 366 short hymns, one for each day of the year. A complete reprint of these and the other hymns of Hiller (1075 in all) wased. by C. C. E. Ehmann in 1844 (2nd ed. 1858). Hiller is the most productive and most important of the earlier hymnwriters of Württemberg; and is the poetical exponent of the practical theology of his friend J. A. Bengel. The hymns of his Paradiss-Gärtlein, while clear and Scriptural, are decidedly spun out (see No. xii. below). His Liederkästlein, contains the hymns of his riper years, and reveals a depth of spiritual wisdom, an almost proverbial conciseness, an adaptation to console and direct in the most diverse events of life, and the most varied experiences of the soul, a suitability as a manual for daily devotion, and a simple popularity of style that speedily endeared it to the pious in Southern Germany. It has passed through many editions in Germany, while colonists (especially from Württemberg) have carried it from thence wherever they went. It is said, e.g., that when a German colony in the Caucasus was attacked by a hostile Circassian tribe some fifty years ago the parents cut up their copies of the Liederkästlein and divided the leaves among their children as they were being torn from them into slavery. The use of Hiller's hymns in Germany has principally been in the hymnbooks of Württemberg, and, through J. J. Bambach's Haus Gesang-Buch, 1735, in Hannover. The following have passed into English:— I. Hymns in English common use: i. Herr über Leben und der Tod. Cross and Consolation. 1730, pt. iii. p. 332, founded on Arndt's Prayer, 26 (28) of Class iii. The part translated is stanzas viii.-xiv., "Herr, meine Burg, Herr Zebaoth," which is founded on the fourth part of the third section of Arndt's Prayer. The text is in Ehmann's Hiller, Nos. 885, 886. Translated as:— 0 God of Hosts! 0 mighty Lord, a translation of stanzas viii., xiii., xiv., signed "F. C. C.," as No. 162 in Dr. Pagenstecher's Collection, 1864. ii. Mein Gott in deine Hände. For the Dying. Liederkästlein, pt. ii., 1767, for August 3, in 9 stanzas of 4 lines, founded on Ps. xxxi. 6. In Ehmann, No. 986, and in Knapp's Evangelischer Lieder-Schatz, 1837 and 1865. Translated as:— My God, to Thee I now commend, a good translation of stanzas i., iii., iv., vi., viii., ix., by Miss Winkworth, in her Lyra Germanica, 1st Ser., 1855, p. 245. In her 2nd ed., 1856, she substituted a translation of st. vii. for that of stanza vi. The text of 1856 is in her Chorale Book for England, 1863, No. 194, and in the Ohio Evangelical Lutheran Hymnal, 1880; and the text of 1855 in the Pennsylvania Lutheran Church Book, 1868. Another translation is: "My God, within Thy hand," by Miss Warner, 1858, p. 480. iii. Mein Hers, du mustt im Himmel sein. Eternal Life. Liederkästlein, p. ii., 1767, for Jan. 26, in 4 stanzas of 7 lines, founded on St. Matt. vi. 21. In Ehmann, No. 639, and Knapp's Evangelischer Lieder-Schatz, 1837. Translated as :— Aspire, my heart, on high to live, in full, by Dr. H. Mills, in his Horae Germanicae, 1845 (1856, p. 86), repeated, omitting stanzas iv., as No. 220 in the American Lutheran General Synod's Collection, 1850-52. iv. Wir warten dein, o Gottes Sehn. Second Advent. Liederkästlein, pt. ii., 1767, for Jan. 24, in 4 stanzas of 8 lines, founded on 1 Thess. i. 9, 10. In Ehmann, No. 1041, and the Württemberg Gesang-Buch, 1842, No. 640. Translated as:-— We wait for Thee, all glorious One, a good and full translation by J. D. Burns, in the Family Treasury, 1859, pt. ii. p. 111, and his Remains, 1869, p. 264. Included in the Christian Hymn Book, Cincinnati, 1865, and in H. L. Hastings's Songs of Pilgrimage, 1886. Another translation is: "We wait for Thee, O Son of God," in the British Herald, April, 1866, p. 252, and Reid's Praise Book, 1872. This follows the altered form in C. B. Garve's Christliche Gesänge, 1825. II. Hymns not in English common use: v. Abgrund wesentlicher Liebe. Love of God. 1730, pt. ii. p. 25, founded on Prayer 4 in Class II. of Arndt, which is "Thanksgiving for the Love of God, and prayer for it." Translated as, "Thou fathomless Abyss of Love," by Miss Winkworth, 1869, p. 281. vi. Angenehmes Krankenbette. For the Sick. Liederkästlein, 1762, p. 338, for Dec. 3, in 3 stanzas, founded on St. Luke v. 18. Translated as, "Bed of Sickness! thou art sweet," by Miss Winkworth, 1869, p. 283. vii. Betet an, verlorne Sünder. Lent. Liederkästlein, 1762, p. 43, for Feb. 18, in 3 stanzas, founded on St. Matt, xviii. 14. Translated as, "Sinners, pray! for mercy pleading," by Dr. H. Mills, 1856, p. 50. viii. Das Lamm, am Kreuzesstamme. For the Dying. Liederkästlein, pt. ii., 1767, for Feb. 12, in 8 stanzas, founded on Acts vii. 59. In the Württemberg Gesang-Buch, 1842, No. 609, altered to “Der Hirt, am Kreuz gestorben." This form is translated as, "The Shepherd by His passion," by J. D. Burns, in the Family Treasury, 1859, pt. ii. p. 61, and his Remains, 1869, p. 266. ix. Die Liebe darf wohl weinen. Burial of the Dead. Liederkästlein, 1762, p. 286, for Oct. 12, in 7 stanzas, founded on l Thess. iv. 13. Translated as, "Love over the departed," by J. D. Burns in his Remains, 1869, p. 253. x. Die Welt kommt einst zusammen. Second Advent. Liederkästlein, pt. ii., 1767, for Jan. 2, in 5 stanzas, founded on 2 Cor. v. 10. Translated as, "The world shall yet be cited," by J. D. Burns in the Family Treasury, 1859, pt. ii. P. 111, and his Remains, 1869, p. 263. xi. Herr, meine Leibeshütte. For the Dying. Liederkästlein, pt. ii., 1767, for Feb. 18, in 8 stanzas, founded on 2 Peter, i. 14. The translations are: (l) "Lord, my house of clay," by Miss Warner, 1858, p. 605. (2) "My fleshly house is sinking now," by Dr. G. Walker, 1860, p. 102. xii. Mein Jesus sitzt zur rechten Hand. Ascensiontide. 1730, pt iii. p. 408, as stanzas 118-125 of the hymn on Arndt's prayer 27 (29) in Class III. This prayer is a long paraphrase of the Apostles' Creed. Translated as, "Our Jesus now at God's right hand," by Dr. H. Mills, 1845 (1856, p. 330). xiii. Singet Gott, denn Gott ist liebe. The Love of God. Liederkästlein, 1762, p. 51, for Feb. 20, in 3 stanzas, founded on 1 John iv. 16. The translations are: (1) "God is love—-then sing His praises," by Dr. H. Mills, 1845 (1856, p. 16). (2) "God is love, sing loud before Him," by J. D. Burns in his Remains, 1869, p. 231. xiv. Singt doch unserm König. Ascensiontide. Liederkästlein, 1762, p. 328, for Nov. 23, in 3 stanzas, founded on Ps. xcvi. 10. Translated as, “Laud your King and Saviour," by J. Sheppard in bis Foreign Sacred Lyre. 1857, p. 94. xv. Untheilbare Dreifaltigkeit. Trinity Sunday. 1730, pt. ii. p. 226, founded on Arndt’s prayer 25 in Class II., entitled “Thanksgiving for the revelation of the Holy Trinity." The translation is from the recast of st. vi.-xii. made by J. S. Diterich for the Berlin Gesang-Buch, 1765, No. 51, and beginning "Lob, Ehre, Preis und Dank sel dir." Translated as, "Love, honour, thanks, to Thee we raise," by Dr. H. Mills, 1845 (1856, p. 110). xvi. Was freut mich noch wenn du's nicht bist. Joy in God. Liederkästlein, 1762, for June 20, in 2 stanzas, founded on Ps. xliii. 4. Translated as, "What earthly joy can fill my heart," by R. Massie in the British Herald, Nov. 1865, p. 175. xvii. Wer ausharrt bis ans Ende. Cross and Consolation. Liederkästlein, pt. ii., 1767, for May 19, in 4 stanzas, founded on St. Matt. xxiv. 13. Translated as,"He who to death maintaineth," by J. D. Burns in his Remains, 1869, p. 261. xviii. Wer kann dein Thun begreifen. God's Power. Liederkästlein, 1762, p. 18, for Jan. 18, in 3 stanzas, founded on Is. xlv. 7. Translated as, "Who, Lord, Thy deeds can measure," by Dr. H. Mills, 1845 (1856, p. 15). [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907) =============================== Hiller, Philipp F., p. 524, ii. His hymn "Gottes Sohn, in Fleisch gekleidet" (Christmas), from his Liederkastlein, 1762, is translation by Dr. Loy, in the Ohio Lutheran Hymnal, 1880, as "God in human flesh appearing." --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Louis M. Gottschalk

1829 - 1869 Person Name: L. M. Gottschalk Hymnal Number: 107 Composer of "GOTTSCHALK" in Hymns of Grace and Truth Louis Moreau Gottschalk USA 1829-1869. Born in New Orleans, LA, to a Jewish father and Creole mother, he had six siblings and half-siblings. They lived in a small cottage in New Orleans. He later moved in with relatives (his grandmother and a nurse). He played the piano from an early age and was soon recognized as a prodigy by new Orleans bourgeois establishments. He made a performance debut at the new St. Charles Hotel in 1840. At 13 he left the U.S. And went to Europe with his father, as they realized he needed classical training to fulfill his musical ambitions. The Paris Conservatory rejected him without hearing him play on the grounds of his nationality. Chopin heard him play a concert there and remarked, “Give me your hand, my child, I predict that you will become the king of pianists. Franz Liszt and Charles Valentin Alkan also recognized his extreme talent. He became a composer and piano virtuoso, traveling far and wide performing, first back to the U.S., then Cuba, Puerto Rico, Central and South America. He was taken with music he heard in those places and composed his own. He returned to the States, resting in NJ, then went to New York City. There he mentored a young Venezuelan student, Carreno, and became concerned that she succeed. He was only able to give her a few lessons, yet she would remember him fondly and play his music the rest of her days. A year after meeting Gottschalk, she performed for President Lincoln and went on to become a renowned concern pianist, earning the nickname “Valkyrie of the Piano”. Gottschalk was also interested in art and made connections with notable figures of the New York art world. He traded one of his compositions to his art friend, Frederic Church, for one of Church's landscape paintings. By 1860 Gootschalk had established himself as the best known pianist in the New World. He supported the Union cause during the Civil War and returned to New Orleans only occasionally for concerts. He traveled some 95,000 miles and gave 1000 concerts by 1865. He was forced to leave the U.S. later that year as a result of a scandelous affair with a student at Oakland Female Seminary in Oakland, CA. He never came back to the U.S. He went to South America giving frequent concerts. At one, in Rio de Janeiro, Brazil, he collapsed from yellow fever as he played a concert. He died three weeks later, never recovering from the collapse, possibly from an overdose of quinine or an abdominal infection. He was buried in Brooklyn, NY. Though some of his works were destroyed or disappeared after his death, a number of them remain and have been recorded by various artists. John Perry

Nicolaus Ludwig, Graf von Zinzendorf

1700 - 1760 Person Name: Zinzendorf Hymnal Number: 283 Author of "Jesus, the Lord! Our Righteousness" in Hymns of Grace and Truth Zinzendorf, Count Nicolaus Ludwig, the founder of the religious community of Herrnhut and the apostle of the United Brethren, was born at Dresden May 26, 1700. It is not often that noble blood and worldly wealth are allied with true piety and missionary zeal. Such, however, was the case with Count Zinzendorf. In 1731 Zinzendorf resigned all public duties and devoted himself to missionary work. He traveled extensively on the Continent, in Great Britain, and in America, preaching "Christ, and him crucified," and organizing societies of Moravian brethren. John Wesley is said to have been under obligation to Zinzendorf for some ideas on singing, organization of classes, and Church government. Zinzendorf was the author of some two thousand hymns. Many of them are of little worth, but a few are very valuable, full of gospel sweetness and holy fervor. He died at Herrnhut May 6, 1760. —Hymn Writers of the Church by Charles Nutter ================ Zinzendorf, Nicolaus Ludwig, Count von, was born at Dresden, May 26, 1700; was educated at the Paedagogium at Halle (1710-1716), and at the University of Wittenberg (1716-1719); became Hof-und Justizrath at the Saxon court at Dresden in the autumn of 1721; received a license to preach from the Theological Faculty of the University of Tubingen in 1734; was consecrated Bishop of the Moravian Brethren's Unity at Berlin, May 10, 1737; and died at Herrnhut, May 9, 1760. An adequate sketch of the life and labours of this remarkable man would far exceed the limits of our space. The details of his life are fully given in his Leben, by A. G. Spangenberg, 8 vols., Barby, 1772-75 (English version, abridged, by Samuel Jackson, London, 1838); and good sketches, with references to the fuller biographies, will be found in Koch, v. 248, Herzog's Real-Encyklopädie, xvii. 513, &c. The English reader may also consult T. Kübler's Historical Notes to the Lyra Germanica, 1865, p. 107; Josiah Miller's Singers and Songs, 1869, p. 160; Miss Winkworth's Christian Singers of Germany, 1869, p. 305, &c. It is impossible to speak of Zinzendorf apart from the religious Communion of which he was the Second Founder. Zinzendorf's first hymn was written at Halle in 1712, and his last at Herrnhut, May 4, 1760. Between these dates he wrote more than 2000 hymns. He himself published an edition of his poems as his Teutsche Gedichte at Herrnhut, 1735 (2nd ed., Barby, 1766), but this only contains 128 hymns. The fullest representation of them is in Albert Knapp's Geistliche Gedichte des Graf en von Zinzendorf, published at Stuttgart in 1845 (hereafter, in this article, referred to as Knapp, 1845). This contains 770 pieces, arranged in three books, with an introduction and a biographical sketch by Knapp. In preparing this edition Knapp had access to much unpublished material in the archives at Herrnhut, and found there many of the hymns in Zinzendorf's autograph. But too much of the labour he bestowed thereon was spent in endeavouring, not so much to reconstruct the text from the original sources, as to modernise it. In various instances the hymns are altogether rewritten, so that the form in which they appear is not that in which, as a matter of fact, Zinzendorf did write them, but that in which he might have written them had he been Albert Knapp, and lived in the year of grace 1845. So much is this the case, that comparatively few of the hymns are given in Knapp's edition in their original form. If not altered they are often either abridged or else combined with others. The keynote of Zinzendorf's hymns, and of his religious character, was a deep and earnest personal devotion to and fellowship with the crucified Saviour. This is seen even in his worst pieces, where it is his perverted fervour that leads him into objectionable familiarity with sacred things both in thought and in expression. If his self-restraint had been equal to his imaginative and productive powers, he would have ranked as one of the greatest German hymnwriters. As it is, most even of his best pieces err in some way or other, for if they are reverent and in good taste, they are apt to lack concentration and to be far too diffuse. His best hymns, and those which have been most popular in German and English beyond the Moravian connection, are those of the period prior to 1734. Among the characteristically Moravian hymns of the period 1734 to 1742 there are also, various noble pieces. The later productions, especially from 1743 to 1750, are as a rule one-sided, unreal, and exaggerated in sentiment, and debased in style; exemplifying a tendency inherited from Scheffler, and suffered to run to riot. Without doubt he wrote too much (especially considering the limited range of subjects treated of in his hymns), and gave too little care to revision and condensation. Yet many of his hymns are worthy of note, and are distinguished by a certain noble simplicity, true sweetness, lyric grace, unshaken faith in the reconciling grace of Christ, entire self-consecration, willingness to spend and be spent in the Master's service, and fervent brotherly love. The more important hymnbooks in which Zinzendorf’s productions mainly appeared may for convenience be briefly noted here, as follows:— (1) Sammlung geistlicher und lieblicher Lieder, Leipzig, 1725, with 889 hymns. The 2nd edition was published circa 1728, and contains anAnhäng with Nos. 890-1078 [Berlin Library, Ei. 2017]; while some copies have a Zugabe with Nos. 1079-1149 [Berlin, Ei. 2016], and others have also an Andere Zugabe, circa 1730, with hymns 1-44, bound up with them [Berlin, Ei, 2014, and British Museum]. The 3rd edition, with 1416 hymns in all, was published at Görlitz in 1731. A copy of this, now in the Hamburg Library, has bound up with Nachlese einiger geistlicher Lieder, dated 1733. (2) Herrnhut Gesang-Buch 1735 (Das Gesang-Buch der Gemeine in Herrn-Huth) with its various Anhange and Zugaben up to 1748. (3) London Gesang-Buch 1753-54 (Etwas vom Liede Mosis ... das ist: Alt- und neuer Brüder-Gesang, &c), published at London, vol. i. 1753, ii. 1754. (4) Brüder Gesang-Buch 1778 (Gesangbuch zum Gebrauch der evangelischen Brüdergemeinen), published at Barby in 1778. Zinzendorf's hymns passed into German non-Moravian use mainly through the Ebersdorf Gesang-Buch, 1742 (Evangelisches Gesangbuch in einen hinlänglichen Auszug der Alten, Neuern und Neuesten Lieder, &c), and in recent times through Knapp's Evangelischer Lieder-Schatz, 1837-1865. Comparatively few are found in non-Moravian English hymnbooks prior to 1840, save in the versions made by John Wesley. The translations made by the English Moravians have been very little used by others, except by those who were connected by birth with the Moravians, such as James Montgomery (through whose influence several were included in Mercer's Church Psalter & Hymn Book, 1855 and 1857), J. A. Latrobe and C. H. Bateman. The versions made by English non-Moravians since 1840 have been mostly of hymns which the Moravians themselves had not thought good to translate. In the larger edition of the English Moravian Hymn Book of 1886, hymns which are by Zinzendorf may easily be traced, his name being added to them, and the first line of the original German prefixed. The others which have passed into use outside the Moravian connection, or have been translated by non-Moravians, are here noted as follows:— i. Ach Bein von meinen Beinen. Longing for Heaven. Written circa 1750 (Knapp, 1845, p. 176). Included in the Kleine Brüder Gesang-Buch, 2nd ed. Barby, 1761, No. 2110, in 2 stanzas of 8 lines; repeated, altered, in the Brüder Gesang-Buch,1778. No. 1681. Translated as:— 1. The seasons, Lord! are Thine—how soon. A free version as No. 479 in J. A. Latrobe's Psalms & Hymns, 1841. 2. How soon, exalted Jesus. This is No. 838 in the Moravian Hymn Book, 1789 (1886, No. 1233). ii. Ach! mein verwundter Fürste. Union with Christ. Written Aug. 1737 (Knapp, 1845, p. 125). First published in Appendix viii., circa 1738, to the Herrnhut Gesang-Buch as No. 1197, and in 4 stanzas of 6 lines. In the Brüder Gesang-Buch, 1778, No. 774, stanza iv. was omitted. The translation in common use is of stanzas i., ii. Another translation is, "My wounded Prince enthron'd on high," by C. Kinchen, as No. 85 in the Moravian Hymn Book, 1742. In the 1808 and later editions(1886, No. 352), stanza iii. altered to "Lord, take my sinful, worthless heart "is continued. iii. Der Gott von unserm Bunde. Supplication. Written in 1737 ( Knap , 1845, p. 231). First published in Appendix vii., circa 1738, to the Herrnhut Gesang-Buch, as No. 1201, in 5 stanzas of 6 lines, entitled, "Hymn for the Hours of Prayer." In the Brüder Gesang-Buch, 1778, No. 1474. The translation in common use is based on stanza i., ii. Other translations are (1) "The God to whom we homage pay." This is No. 97 in pt. iii. 1748 of the Moravian Hymn Book. (2) "O may the God of mercies." This is No. 592 in the Moravian Hymn Book, 1801. In the ed. of 1886, No. 706, it begins with stanza iii., "Lord, our High Priest and Saviour." iv. Die Bäume blühen ab. Autumn . In the Teutsche Gedichte, 1735, No. 12, dated Autumn, 1721, and entitled "Comforting thoughts on Death." It is in Knapp, 1845, p. 17. Further noted under "Wie wird mir einst doch sein". v. Du Vater aller Kreatur. Work for Christ. Written 1722 (Knapp, 1845, p. 26). First published in Appendix. vi., circa 1737, to the Herrnhut Gesang-Buch, as No. 1159, and in 13 stanzas of 4 lines. In the Brüder Gesang-Buch, 1778, No. 1717 consists of stanza viii.-xiii. beginning, "Des Lebens abgestecktes Ziel." Translated as:— Whether the period of this life. This is a translation of stanza viii.-x. as No. 847 in the Moravian Hymn Book, 1789. To this in later eds. (1886, No. 1235) No. 848 was added. This is "Lord may 1 live to Thee by faith," and is a translation of an anonymous 17th century stanza, "Herr Jesu! dir leb ich," which is No. 1686 in the Brüder Gesang-Buch, 1778. The full form is in J. A. Latrobe's Psalms & Hymns, 1841. vi. Geschwister! wir geben uns Herzen und Hände. Christian Work. Written 1737 (Knap p, 1845, p. 234). First published in Appendix vii., circa 1738, to the Herrnhut Gesang-Buch as No. 1217, and in 8 stanzas of 4 lines. In the Brüder Gesang-Buch, 1778, No. 1391, it is united, as in Knapp, with "Gesinde des Heilands". Translated as:— Grace! how good, how cheap, how free. This is a translation, by C. Kinchen, of stanza v., as No. 28 in the Moravian Hymn Book, 1742. Included in Spurgeon's Our Own Hymn Book, 1866. vii. Glanz der Ewigkeit. Morning. In the Teutsche Gedichte, 1735, p. 13, dated Berlin, May, 1721. First published as No. 470 in the Sammlung, 1725, in 15 stanzas of 6 lines. In Knapp, 1845, p. 16. The only stanza translated into English is stanza xi. as part of "Jesu, geh' voran”. viii. Grosser Bundes-Engel. Ascensiontide. Written for Ascension Day (his birthday), 1740 (Knapp, 1845, p. 144, dated May 26, 1740). First published in Appendix xi., circa 1741, to the Herrnhut Gesang-Buch as No. 1426, in 27 stanzas of 8 lines. In the Brüder Gesang-Buch, 1778, No. 603. Translated as:— Lord, when Thou saidst, So let it be. This is a translation, by C. G. Clemens, of stanza iii., as No. 156 in the Moravian Hymn Book , 1789 (1849, No. 190). Included in the Congregational Hymn Book, 1836, and in Dr. Martineau's Hymns, 1840 and 1873. ix. Heiliger, heiliger, heiliger Herr Zebaoth. Eternal Life. Heaven Anticipated. The Rev. J. T. Müller, of Herrnhut, informs me that this was written in 1723 on the occasion of the birthday (Oct.6) of Zinzendorf s grandmother, H. C. von Gersdorf. Knapp, 1845, p. 193, dates it Oct. 18, 1723. First published as No. 1078 (2) in the 2nd ed., circa 1728, of the Sammlung in 7 stanzas of 7 lines, entitled, Closing Hymn. In the Brüder Gesang-Buch, 1778, stanza ii., iii., beginning "Hatten wir," are included as stanzas i., ii., of No. 1739. Translated as:— Had we nought, had we nought. This is a translation of stanzas ii., iii., by W. O. Keley, as No. 1189 in the 1808 Supplement to the Moravian Hymn Book, 1801 (1849, No. 1186), and repeated in J. A. Latrobe's Psalms & Hymns, 1841, No. 475. x. Ich bin ein kleines Kindelein. Children. This is No. 1022 in the 3rd ed., 1731, of the Sammlung, in 13 stanzas of 4 lines. In the Brüder Gesang-Buch, 1778, No. 1214, and in the Hist. Nachricht thereto (1835, p. 188) marked as a catechetical hymn for children, and dated 1723. Knapp, 1845, p. 40, dates it June, 1723, and alters it to "Ich bin ein Kindlein, arm und klein." It is a simple and beautiful hymn, and is contained in a number of recent German non-Moravian collections, e.g. in the Berlin Geistliche Lieder, ed. 1863, No. 1408. Translated as:— 1. Saviour, who didst from Heaven come down. This is a free translation of stanzas ii.,iii., v., made by James Bullivant Tomalin in 1860, and contributed to Lord Selborne's Book of Praise, ed. 1866, Appendix, No. 27, with the note at p. 500, "I am indebted for this to the kindness of the translator." Repeated in S. D. Major's Book of Praise for Home & School, 1869, and in America in the Baptist Service of Song, 1871, &c. In M. W. Stryker's Christian Chorals, 1885, and Church Song, 1889, it is altered, beginning, "O Saviour, Who from Heav'n came down." 2. I am a little child you see. By C. Kinchen, as No. 49 in the Moravian Hymn Book 1742. This form is followed in the edition of 1886, No. 1038, and in the Bible Hymn Book, 1845. In the Moravian Hymn Book, 1789, it begins with stanza ii., "Thou, gracious Saviour, for my good;" and this form altered to, "My Saviour dear, Thou for my good," is in Montgomery's Christian Psalmist, 1825. xi. Kommt, Sünder, und blicket dem ewigen Sohne. Repentance or Lent. Mr. Müller informs me that this was written in Aug. 1736, at , 1845, p. 130, dates it Nov. 22,1738. First published in Appendix viii., circa 1739, to the Herrnhut Gesang-Buch as No. 1308, in 9 stanzas of 4 lines. In the Brüder Gesang-Buch 1778, No. 321. Translated as:— Sinners! come; the Saviour see. This a good and full translation by C. Kinchen, as No. 120, in the Moravian Hymn Book, 1742. Of this stanzas i., ii. are included in Spurgeon's Our Own Hymn Book, 1866. Other forms are (1) "Are you formed a creature new" (stanza vi.). In the Moravian Hymn Book, 1769 (1886, No. 1280), Montgomery's Christian Psalmist, 1825, &c. (2) "Rise, go forth to meet the Lamb" (stanza viii. alt.). In J. A. Latrobe's Psalms & Hymns, 1852, No. 457. xii. Kron' und Lohn behertzter Ringer. The Beatitudes. Founded on St. Matt. v. 3-12. In his Teutsche Gedichte, 1735. p. 41, dated, Sept. 7, 1722 (his marriage day), and entitled, "Thoughts on my own marriage." First published as No. 700 in the Sammlung, 1725, in 16 stanzas of 12 lines. In Knapp, 1845, p. 30. In the Brüder Gesang-Buch, 1778, No. 513, beginning, "Jesu, der du uns erworben." Translated as:— Jesu! Lord so great and glorious. This, omitting stanzas xiv., xv., is No. 226 in pt. ii. of the Moravian Hymn Book, 1754, as "Jesus, Lord most great and glorious"). The versions of stanzas i., ix., xvi., from the Moravian Hymn Book, 1789, were included in the Dalston Hospital Hymn Book, 1848. xiii. Naht heran, ihr lieben Glieder. Holy Communion. Written in 1731 (Knapp, 1845, p. 212). 1st published in the 3rd ed., 1731, of the Sammlung as No. 1416 in 16 stanzas of 4 lines. Also in the Brüder Gesang-Buch 1778, No. 1148. Translated as:— 1. Friends in Jesus, now draw near. This is a free translation, omitting stanza v., vi., viii.-x.,xiv., by Miss Borthwick in Hymns from the Land of Luther, 4th ser., 1862, p. 57, the German being quoted as "Kommt herein, ihr lieben Glieder." This translation is repeated in full in Lyra Eucharistica, 1863, p. 34, and abridged in G. S. Jellicoe's Collection 1867, Windle, No. 480, and Harland, 1876, No. 451. 2. Come, approach to Jesu's table. This is No. 556 in the Moravian Hymn Book, 1789 (1849, No. 965), xiv. 0 du Hüter Ephraim. Supplication for Grace. In his Teutsche Gedichte, 1735,p. 158, dated 1728,entitled, "On his wife's 28th birthday " (she was born Nov. 7, 1700), and with the note, "This poem was written for the birthday festival of the Countess, was sung by a company or coterie of friends, each member of which was indicated according to their circumstances at the time." It had previously appeared, without the first stanza, and this form, which begins, "Herz der göttlichen Natur". xv. Rath, Kraft, und Held, und Wunderbar. Christmas. Founded on Is. ix. 6. In his Teutsche Gedichte, 1735, p. 25, in 9 stanzas of 6 lines, entitled, "Christmas Thoughts," and dated 1721; and in the Herrnhut Gesang-Buch,1735, No. 827. In Knapp, 1845, p. 21. In the Brüder Gesang-Buch, 1778, No. 488, it begins with stanza vi., "Mein alles! mehr als alle Welt." Translated as:— My all things more than earth and sky. This is a translation of stanza vi., by C. G. Clemens, as No. 306 in the Moravian Hymn Book, 1789. In 1801 altered to "My all in all, my faithful Friend;" and to this in 1826, trs. of stanzas ii., vii.-ix.,by P. Latrobe, were added (1886.No. 399). From this form a cento in 5 stanzas of L. M., beginning, "O Lord! Thou art my rock, my guide," was included in Dr. Martineau's Hymns, 1840. xvi. Ruht aus von eurer Mühe. Christian Church. Written in 1737 (Knapp 1845, p. 232, as Du gestern und auch heute). First published in Appendix vi., circa 1737, to the Herrnhut Gesang-Buch, as No. 1183, in 8 stanzas of 8 lines, entitled, "Hymn of the witnesses." In the Brüder Gesang-Buch, 1778, stanza iv. is given as No. 1042. Translated as:— 0 Jesus Christ, most holy. This is a translation of stanza iv. by C. G. Clemens, as No. 487 in the Moravian Hymn Book, 1789 (1849, No. 807 ; 1886, No. 795, beginning, "Lord Jesus Christ") Included in Spurgeon's Our Own Hymn Book, 1866. xvii. Seligs Volk der Zeugenwolk. Holy Communion. Written in 1739 (Knapp, 1845, p. 138, beginning, "Christi Blut, Die Segensfluth," and p. 256, "Selig Volk.") First published in Appendix viii., circa 1739, to the Herrnhut Gesang-Buch, as No. 1340, in 14 stanzas of 8 lines, entitled, "Hymn at the Feast of Love." In the Brüder Gesang-Buch, 1778, as Nos. 1127 and 1422, the latter beginning, "Werther Tod und Wunden roth; " and including stanza xi. ("Wisst ihr was? So heisst der Pass"), xiii., xiv. Translated as:— 1. Would the world our passport see. This is a translation of stanza xi., xiii. as No. 1152 in the 1808 Supplement to the Moravian Hymn Book of 1801 (1886, No. 895). Included as No. 212 in J. A. Latrobe's Psalms & Hymns, 1841. 2. Flock of Grace, ye Witnesses. This is No. 40 in pt. iii. 1748 of the Moravian Hymn Book. 3. Happy race of witnesses. By C. Kinchen as No. 551 in the Moravian Hymn Book, 1789. In 1886 four stanzas are given as No. 951, and the other two beginning, "Eat and rest at this great feast" (stanza viii.) as No. 1022. xviii. Was hatten wir für Freude oder Ehre . Repentance. Written in 1739 (Knapp, 1845, p. 139). First published in Appendix viii., circa 1739, to the Herrnhut Gesang-Buch as No. 1349, and in 48 stanza of 2 lines. In the Brüder Gesang-Buch, 1778, No. 396, reduced to 19 stanzas. Translated as:— What Joy or Honour could we have. In full as No. 161 in the Moravian Hymn Book, 1742; abridged in 1789 to 12, and in 1801 to 7 stanzas. The 1801 version, which represents stanzas i.-iv., viii., ix., xi. was included in Montgomery's Christian Psalmist, 1825; and with the trs. of stanzas iii., xi. omitted, and a hortatory stanza added, as No. 268 in J. A. Latrobe's Psalms & Hymns, 1841. In the Moravian Hymn Book, 1886, No. 322, it begins with the translation of stanza iii., "None is so holy, pure, and just." xix. Wenn sich die Kinder freuen. Christian Work. Written about 1752 (Knapp, 1845, p. 179, as "Wenn wir uns kindlich freuen"). Included as No. 2101 in the London Gesang-Buch (Etwas vom Liede Mosis, &c), 1753, in 15 stanzas of 4 lines. In the Brüder Gesang-Buch, 1778, No. 490 consists of stanzas i.—iii., vi., ix., xiii.-xv. beginning, "Wenu wir uns kindlich freuen." Translated as:— 1. When we seek with loving heart. By Miss Borthwick, in full from the 1778 (with an original stanza as stanza ix.) in the Family Treasury, 1861, pt. ii., p. 112, and in Hymns from the Land of Luther, 1862, p. 89 (1884, p. 250). Repeated, abridged, in E. T. Prust's Supplemental Hymn Book, 1869. 2. When the children joyful are. This is No. 312 in pt. ii. of the Moravian Hymn Book, 1754. 3. When children are rejoicing . This is at p. 373 of pt. ii. in the Moravian Hymn Book, 1754. xx. Wir sind nur dazu. Christian Warfare. Written in 1734 (Knapp, 1845, p. 113). First published in Appendix iii., circa 1737, to the Herrnhut Gesang-Buch, as No. 1073, and in 21 stanzas of 6 lines. In the Brüder Gesang-Buch, 1778, No. 1330 has 13 stanzas; while stanza xvii. ("Die Streitertreue") is given as stanza v. of No. 1394. Translated as:— Warrior, on thy station stand. This is a translation of stanza xvii. as No. 1161 in the 1808 Supplement to the Moravian Hymn Book, 1801 (1886, No. 896). Adopted by Dr. Martineau in his Hymns, 1840 and 1873, altered to "Warrior! to thy duty stand." Hymns not in English common use:— xxi. Auf, auf, es ist geschehe. Holy Communion. This is No. 166 in the Sammlung, 1725, in 12 stanzas of 4 lines, and in the Teutsche Gedichte, 1735, p. 2. In the Brüder Gesang-Buch, 1778, No. 1188 it begins, "Ich eil in Jesu Armen" (5 stanzas being added, and stanzas viii., xi. omitted), and in the Hist. Nachricht thereto (ed. 1851, p. 188) is marked as written on the occasion of his first communion in 1714. In Knapp, 1845, p. 6, it begins, "Ist's ja, es ist geschehen," Translated as "Happy, thrice happy hour of grace." By L. T. Nyberg, of stanzas i., xii., as No. 693 in the Moravian Hymn Book, 1789 (1886, No. 1021) ; repeated in C. H. Bateman's Congregational Psalmist, 1846. xxii. Christen sind ein göttlich Volk. Christian Life. In the Teutsche Gedichte, 1735, p. 231, dated 1731, and entitled, "Hymn for a Royal Princess-apparent," viz. for Charlotte Amelia, daughter of King Christian VI. of Denmark. It had appeared in the Nachlese of 1733 to Knapp, 1845, p. 97, and in the Brüder Gesang-Buch, 1778, No. 491. Translated as “Christians are a holy band, Gathered by the Saviour's hand." This is by Dr. J. F. Hurst in his translation of K. R. Hagenbach's History of the Church in the 18th and 19th Centuries, N. Y., 1869, vol. i., p. 434. xxiii. Das äussre Schifflein wälgert sich. For those at Sea. First published in the Zugabe, circa 1744, to Appendix xi. to the Herrnhut Gesang-Buch as No. 1855, in 16 stanzas of 4 lines entitled, "Hymn for the ship's company, February, 1743." Written during a stormy passage from America to Germany. In Knapp, 1845, p. 164. The translations are: (1) "Our ship upon the surging sea." In the British Herald, Aug. 1866, p. 313, repeated in Reid's Praise Book, 1872. (2) "Our little bark, it rocks itself." In L. Rehfuess's Church at Sea, 1868, p. 18. xxiv. Die Christen gehn von Ort zu Ort. Burial of the Dead. In the Teutsche Gedichte, 1735, p. 113, as part of No. 45, which is entitled "Over the grave of the grandmother" (Henriette Catharine von Gersdorf. She died March 6, 1726), and dated March, 1726. The hymn itself is entitled, "Air after the funeral rites." It had appeared in the Andere Zugabe, circa 1730, to the Sammlung as No. 6 (ed. 1731, No. 1246), in 3 stanzas of 8 lines entitled, “Funeral Hymn." In Knapp, 1845, p. 72, and in the Brüder Gesang-Buch, 1778, No. 1701. The translations are : 1) "Believers go from place to place." By Dr. J. Hunt in his Spiritual Songs of Martin Luther, 1853, p. 146. (2) "Through scenes of woe, from place to place." By Dr. G. Walker, 1860, p. 50. (3) "From place to place the Christian goes." By J. D. Burns in his Memoir & Remains, 1869, p. 263. (4) “From land to land the Christian goes." This is No. 1251 in the Moravian Hymn Book, 1886. xxv. Du innig geliebter Erloser der Sünder. Readiness to serve Christ. Written in 1735 (Knapp, 1845, p. 222). First published in Appendix iv., circa 1737, to the Herrnhut Gesang-Buch, as No. 1080, and in 6 stanzas of 4 lines. In the Brüder Gesang-Buch, 1778, No. 1335. Translated as "Sinners' Redeemer whom we only love." This is a translation of stanzas i., iv., v., by C. Kinchen, as No. 121 in the Moravian Hymn Book, 1742. In the 1789 and later editions (1886, No. 861), it begins, "Sinners' Redeemer, gracious Lamb of God." The text of 1742, slightly altered, is No. 206 in Lady Huntingdon's Selection, 1780. xxvi. Du Vater aller Geister. Evening. In the Teutsche Gedichte, 1735, p. 15, entitled, "Evening Thoughts," and dated Oct. 1721. It is No. 497 in the Sammlung, 1725, in 6 stanzas of 8 lines. In Knapp, 1845, p. 16, and in the Brüder Gesang-Buch, 1778, No. 235. Translated as “Father of living Nature." By H. J. Buckoll, 1842, p. 102. xxvii. Gesinde des Heilands des seligen Gottes. Christian Work. Written in 1737 (Knapp, 1845, p. 234), first published in Appendix vii., circa 1738, to the Herrnhut Gesang-Buch as No. 1216, and in 10 stanzas of 4 lines. In the Brüder Gesang-Buch, 1778, No. 1391. Translated as "Ye blest Domestics of the slaughter'd Lamb." In full as No. 178 in the Moravian Hymn Book, 1742 (1754, pt. ii., No. 250). Repeated, abridged, in the Bible Hymn Book, 1845, No. 286. xxviii. Ich bitt dich, herzliches Gottes-Lamm! Love to Christ. Written in Oct. 1741 (Knapp, 1845, p. 152, as "Ein selig Herze führt diese Sprach"). First published in Appendix xi., circa 1743, to the Herrnhut Gesang-Buch, as No. 1724, and in 12 stanzas of 5 lines, In the Brüder Gesang-Buch, 1778, No. 704, it begins, with stanza ii., altered to "Ein selges Herze führt diese Sprach." Translated as "When heavenwards my best affections move." By Miss Borthwick (from the 1778), dated April, 1861, in the Family Treasury , 1861, p. 328. In Hymns from the Land of Luther, 4th ser., 1862, p. 60 (1884, p. 223), altered to "When towards heaven." xxix. 0 du Hüter Ephraim. Burial of the Dead. This is included at p. 10 in the Nachlese of 1733 to the 3rd ed. 1731 of the Sammlung, and is in 8 stanzas of 8 lines, entitled, "Of departure to the Father;" and in the Teutsche Gedichte, 1735, p. 256, entitled, "In the name of the community." Included as No. 695 in the Herrnhut Gesang-Buch, 1735, beginning with stanza ii. altered to "Tödten ist dem Herrn erlaubt." In the Brüder Gesang-Buch, 1778, No. 1715, it begins with stanza iii., "Ehmals sollts gestorben sein," and in the Hist. Nachricht thereto (1835, p. 190) is marked as written on the death of Matthaus Linner in 1732. In Knapp, 1845, p. 101. Translated as "Once the sentence justly sounded." By Miss Borthwick in Hymns from the Land of Luther, 1862, p. 92 (1884, p. 252). xxx. 0 Liebe, die in fremde Noth. On Unity. In the Teutsche Gedichte, 1735, p. 94, dated 1725, and entitled, "On the Saviour's faithfulness." First published as No. 198 (b) in the 1725 Sammlung, in 18 stanzas of 4 lines. In the London Gesang-Buch, 1753, No. 1764, stanzas ix., x., beginning, " Der du noch in der letzten Nacht," were given as a separate hymn; and this form is repeated in the Brüder Gesang-Buch, 1778, No. 714, the Berlin Geistliches Lieder, ed. 1863, No. 1037, &c. In Knapp, 1845, p. 70. The translations, all of stanza ix., x., are: (1) "Lord Jesus, who that very night." By P. H. Molther, as stanzas ii., iii. of No. 387 in the Moravian Hymn Book, 1789 (1886, No. 477, beginning, "Lord Jesus, in that"). (2) "Thou Who didst die for all and each." By Miss Cox, 1841, p. 147. (3) "O Thou, Who with Thy latest breath." By Lady E. Fortescue, 1843, p. 66. (4) "Thou who in that bitter night." By Miss Warner, 1858, p. 436. (5) "Thou who in that last sad night." By Miss Fry, 1859, p. 151. (6) "Thou who upon that last sad night." In the Family Treasury, 1859, p. 200. (7) "O Thou who didst on that last night." By R. Massie in the British Herald, Feb. 1865, p. 28. (8) "O Thou, who on that last sad eve." By E. Massie, 1866, p. 69. xxxi. O wie so gliicklich waren wir. Love to Christ. On the blessedness of union with Christ. First published in Appendix vii., circa 1738, to the Herrnhut Gesang-Buch as No. 1237, and in 8 stanzas of 8 lines. In the Brüder Gesang-Buch, 1778, No. 829, and in the Hist. Nachricht thereto (1835, p. 186) marked as written for J. A. Rothe (p. 978, i.), and dated 1737. In Knapp, 1845, p. 236. Translated as "How full our cup of joy would be." By Miss Burlingham in the British Herald, Sept. 1865, p. 131, and in Reid's Praise Book, 1872. xxxii. Reiner Bräutgam meiner Seelen. Desire for Holiness. Written in 1721 (Knapp, 1845, p. 21). Included in the 2nd edition, circa 1728, of the Sammlung as No. 1001, and in the Christ-Catholisches Singe- und Bet-Büchlein, 1727, p. 133, in 30 stanzas of 4 lines. In the Brüder Gesang-Buch, 1778, No. 798. Translated as "Jesu, to Thee my heart I bow." This is a free translation of stanzas i., x.-xii., xvi., xvii., by J. Wesley in Psalms & Hymns, Charlestown, 1736-7, and Hymns and Sacred Poems, 1739 (Poetical Works 1868-72, vol i., p. 109). Repeated in the Wesley Hymns & Spiritual Songs, 1753, Moravian Hymn Book, 1754, Bayley's Selection, Manchester, 1789, Bateman's Congregational Psalmist, 1846. xxxiii. Schau von deinem Thron. Supplication. Written in 1720 (Knapp, 1845, p. 14), and founded on the Lord's Prayer. In the Sammlung, 1725, No. 443, in 6 stanzas of 6 lines. Translated as "All glory to the Eternal Three." By J. Wesley in Hymns & Sacred Poems, 1739 (Poetical Works, 1868-72, vol. i., p. 130). xxxiv. Solche Leute will der König küssen. Humility. First published in Appendix vii., circa 1738, to the Herrnhut Gesang-Buch, as No. 1241, and in 4 stanzas of 4 lines. Mr. Müller informs me that it was written in 1738, and was dedicated to Eva Maria Immig née Ziegelbauer, who on March 5,1740, became the wife of A. G. Spangenberg. In the Brüder Gesang-Buch, 1778, No. 842, stanzas ii., iii. are stanzas i., iv. of this Knapp, 1845, p. 89 dates it 1728. The translations are:—(1) "To such the King will give a kiss of Love." This is No. 154 in the Moravian Hymn Book, 1742 (1754, pt. ii., No. 62). (2) "His loving kindness those shall richly share." This is No. 508 in the Moravian Hymn Book, 1801. (3) "Such the King will stoop to and embrace." By Miss Winkworth, 1869, p. 310. xxxv. Verliebter in die Sünderschaft. Love to Christ. First published in Appendix iii., circa 1737, to the Herrnhut Gesang-Buch, as No. 1072, in 4 stanzas of 8 lines. In the Brüder Gesang-Buch

Karl Johann Philipp Spitta

1801 - 1859 Person Name: C. J. P. Spitta Hymnal Number: 373 Author of "O What Will Be That Day" in Hymns of Grace and Truth Spitta, Carl Johann Philipp, D.D., was born Aug. 1, 1801, at Hannover, where his father, Lebrecht Wilhelm Gottfried Spitta, was then living, as bookkeeper and teacher of the French language. In his eleventh year Spitta fell into a severe illness, which lasted for four years, and so threw him back that his mother (the father died in 1805) abandoned the idea of a professional career, and apprenticed him to a watchmaker. This occupation did not prove at all congenial to him, but he would not confess his dislike, and his family were ignorant of it till an old friend, who was trying to comfort him after the death of a younger brother, discovered his true feelings. The younger brother had been preparing for ordination, and so Carl was now invited by the family to adopt this career. He joyfully accepted the offer, left the workshop in the autumn of 1818, and succeeded, by dint of hard study during the winter, in gaining admission to the highest class in the Gymnasium (Lyceum) at Hannover, which he entered at Easter, 1819. He was thus able, at Easter, 1821, to proceed to the University of Göttingen, where he completed his theological course, under professors of pronounced Rationalistic opinions, at Easter, 1824 (D.D. from Gottingen, 1855). He then became, in the beginning of May, a tutor in the family of Judge (Oberamlmann) Jochnius, at Lüine, near Lüneburg. Here he remained till his ordination on Dec. 10, 1828, as assistant pastor at Sudwalde, near Hoya. In Nov., 1830, he became assistant chaplain to the garrison and to the prison at Hameln on the Weser, and would have succeeded as permanent chaplain there, in the beginning of 1837, had not the military authorities, alarmed by reports which described him as a Pietist and a Mystic, refused to sanction the arrangement. As a compensation, he was appointed pastor at Wechold, near Hoya, in Oct., 1837, and married just before settling there. On his birthday, Aug. 1, 1847, he was instituted as Lutheran superintendent at Wittingen; in Oct., 1853, at Peine; and in July, 1859, at Burgdorf—all his appointments having been in the kingdom of Hannover. A few weeks after removing to Burgdorf he was seized with gastric fever, but had apparently recovered, when, on Sept. 28, 1859, while sitting at his writing table, he was seized with cramp of the heart, and died in a quarter of an hour. Spitta had begun to write in verse when he was eight years old, along with his brother Heinrich. During his university course he continued to write songs and secular poems, and published a collection of songs anonymously as a Sangbüchlein der Liebe für Handwerksleute. At Göttingen he formed a life-long friendship with Adolf Peters. He was also on intimate terms with Heinrich Heine, who was a fellow member with them of the Burschenschaft, or student's patriotic union (see K. Goedeke'sGrundriss, vol. iii., 1881, p. 259); and this friendship continued till Heine, while visiting him at Ltine, so jested at things sacred, even in the presence of Spitta's pupils, that their friendship came to an end. After the spiritual change, which began about the end of his university course, Spitta ceased to write secular pieces. His hymnwriting proper seems to have begun in 1821. In writing to a friend on May 5, 1826, he says, "In the manner in which I formerly sang I sing no more. To the Lord I consecrate my life and my love, and likewise my song. His love is the one great theme of all my songs; to praise and exalt it worthily is the desire of the Christian singer. He gave to me song and melody; I give it back to Him." The most fruitful period of his hymnwriting was at Lüne, where many of his most popular hymns were composed in the quiet evenings, in his own room, often after fasting, and when, sitting at the piano or at his harp, he had tuned his spirit to song. Many others were inspired by the beautiful scenery of the valley of the Weser, and by the intercourse with friends during his residence at Hameln. In his later years his ecclesiastical duties absorbed his attention, and hardly any of his hymns were written after 1847. A number of them were first printed in the Christliche Monatsschrift zur häuslichen Erbauung für alle Stände, which appeared from Jan. to June, 1826, and was edited by Spitta and by Pastor Deichmann, of Lüneburg. Various causes doubtless contributed to the popularity of Spitta's Psalter und Harfe. The hymns therein are, as a rule, of moderate length, are clear and simple in style, refined in diction, sweet, flowing and melodious. Their quiet beauty, their tone of earnest, sincere, and childlike piety, of glowing devotion to the Saviour, and of calm resting on, what to Spitta were, the eternal verities, endeared them to all ranks and classes. They form a faithful mirror of his inner life and Chritian experience. They at once met and ministered to the revival of Evangelical religion in Germany, and thus enjoyed somewhat of the same good fortune and popularity which the renewed churchly life in England brought to Keble's Christian Year. As the title adopted shows Spitta meant them for family and private use, and for this they are best fitted, being, for the most part, subjective and individnal. They speedily, however, passed into the German hymnbooks for church use, both at home and abroad, and translations of them are found in almost all recent English and American collections. Another element of Spitta's popularity in Germany has been contributed by the very numerous musical settings which have appeared to his hymns. Koch, vii., 246, gives a list of the more important of the collective editions, but, besides these, many of the separate pieces have been set to music by various composers, the "Angel of Patience" being one of the greatest favourites. A number of Spitta's hymns are annotated under their original first lines. Of the rest we may note here the following:— I. From his Psalter und Harfe. 1st Series, Pirna, 1833, and the 2nd ed. Leipzig, 1834; 2nd Series, Leipzig, 1843. i. Allen ist ein Heil beschieden. Communion of Saints. First published at Pirna, 1833, as above, p. 27, in 5 stanzas of 7 lines, entitled "Unity in spirit." Another translation is:—“Salvation is a boon." By Miss Fry, 1859, p. 75. ii. Es wird mein Herz mit Freuden wach. Sunday Morning. First published at Leipzig, 1843, p. 61, in 7 st. of 4 1., entitled "Sunday Morning." Translated as:— My heart wakes with a joyful lay. This is a good and full tr. by Mrs. Findlater, in Hymns from the Land of Luther, 4th Ser. 1862, p. 82. Repeated, abridged and beginning "Awake! all hearts and joyful say," in G. S. Jellicoe's Collection, 1867, No. 26. Other trs. are: (1) "My heart awakes with holy glee." By Miss Manington, 1863, p. 143. (2) "Awake, my heart, this day of rest." By R. Massie, 1864, p. 51. (3) "My heart is bright with joy." By Lady Durand, 1873, p. 25. iii. Gottes Stadt steht festgegründet. Christian Church. First published at Leipzig, 1843, p. 97, in 6 stanzas of 12 lines, entitled "The City of God," and founded on Ps. lxxxvii. Tr. as:— By the holy hills surrounded, In full, by R.. Massie, in his Lyra Domestica, 1864, p. 82, repeated in the Wesleyan Hymn Book1875, No. 595. iv. Hochgesegnet seid ihr Boten. Foreign Missions. First pub. at Pirna, 1833, as above, p. 24, in 6 stanzas of 8 lines, entitled "The Missionaries to the Heathen." Tr. as:— Blest are ye, ye chosen bearers. In full, by R. Massie, in his Lyra Domestica, 1860, p. 95. Other trs. are: (1) "Ye messengers of Christ, By Him commissioned forth." By Miss Fry, 1859, p. 147. (2) "0 blessed are ye messengers, sent forth." By Lady Durand, 1873, p. 52. v. Ich glaube, darum rede ich. Faith. First published at Pirna, 1833, as above, p. 56, in 5 st. of 8 1., entitled " I believe." Tr. as:— I believe, and so have spoken. By R. Massie, in his Lyra Domestica, 1860, p. 55. vi. Ich höre deine Stimme. Ps. xxiii. First pub. at Pirna, 1833, as above, p. 44, in 7 st. of 8 1., entitled "The Lord is my Shepherd." Tr. as:— 1. I hear my Shepherd calling. This is a good and full tr. by R. Massie, in his Lyra Domestic, 1860, p. 44 2. Jesu, my Lord, my Shepherd. This is a very good translation, omitting st. vi., in the Catholic Apostolic Hymns for the Use of the Churches, n.d. [1868], marked as tr. by "M. E. A. 1867." Other trs. are: (1) "Shepherd of souls. Thy voice I hear, As stage." By Dr. R. Maguire, 1872, p. 166. (2) “I know Thy voice, my Shepherd.” By Lady Durand, 1873, p. 11. vii. Ich und mein Haus, wir sind bereit. Family Use. A fine hymn, founded on Joshua xxiv., 15. First pub. at Pirna, 1833, as above, p. 110, in 6 st. of 10 1., entitled “I and my house will serve the Lord." Tr. as:— I and my house are ready, Lord. In full, by R. Massie, in his Lyra Domestica, 1860, p. 103. viii. Im Osten flammt empor der gol'dne Morgen. Morning. First published at Pirna, 1833, as above, p. 91, in 7 st. of 6 1., entitled "At Morning." Tr. as:— The golden morn flames up the Eastern sky. This is a good and full tr. by Miss Winkworth, in the Lyra Germanica, 2nd Ser., 1858, p. 74. Other trs. are: (1) “The golden morn is in the East arisen." By the Hon. S. R. Maxwell in his Sacred Poems, 1857, p. 114. (2) "On the far East now flames the golden Morning." By S. A. Storrs, in her Thoughts and Sketches, 1857, p. 74. (3) "Lo! in the East the golden morn appearing." By Miss Fry, 1859, p. 1. (4) “The purple morning gilds the Eastern skies." By R. Massie, 1860, p. 6. (5) "Out from the East, the golden morn is riding." By Miss Manington. 1863, p. 113. (6) “See from the East the golden morn." By Dr. R. Maguire, 1883, p. 27. ix. Kehre wieder, kehre wieder. Lent. Founded on Jer. iii. 12, 13. First pub. at Pirna, 1833, as above, p. 29, in 5 st. of 10 l., entitled " Turn again." Translated as:— 1. Return, return! Poor long-lost wanderer, home. This is a free tr. by Miss Borthwick in Hymns from the Land of Luther, 2nd Ser., 1855, p. 25. 2. Turn, poor wanderer, ere the sentence. In full, by R. Massie, in his Lyra Domestic, 1860, p. 69. Other trs. are: (1) "Turn, O turn, no more delaying." By the Hon. S. R. Maxwell, in his Sacred Poems, 1857, p. 101. (2) "Return, return, thou lost one." By Lady Durand, 1873, p. 59. (3) "Return again! return again." By J. Kelly, in his Hymns of the Present Century, 1885, p. 60. x. Meine Stund' ist noch nicht kommen. Cross and Consolation. First published at Pirna, 1833, as above, p. 37, in 7 st. of 6 1., entitled "The Lord's Hour.” Tr. as:— Jesus' hour is not yet come. This is a free tr., omitting st. v., by Miss Borthwick, in Hymns from the Land of Luther, 2nd ser. 1855, p.43. Other trs. are:—(1) "'Tis not yet the time appointed." By R. Massie, 1860, p. 47, and in Reid's Praise Book, 1872. (2) " My times, O Lord, are in Thy hand." By Dr. R. Maguire, 1883, p. 99. xi. Kimm hin, was dein ist, Gott, nimms hin. Surrender to God. This beautiful hymn was first pub. at Leipzig, 1843, as above, p. 58, in 5 st. of 10 1., entitled "Resignation." Translated as:— I give Thee back Thine own again. A good and full tr. by R. Massie, in hisLyra Domestica, 1864, p. 49. xii. 0 du, der uns begegnet. Christian Service. First pub. at Leipzig, 1843, as above, p. 92, in 4 st. of 4 1., entitled "The Blessing of the Blest." Tr. as:— 0 Thou Whose grace first found us, Whose love. In full, by R. Massie, in his Lyra Domestica, 1864. xiii. O komm, du Geist der Wahrheit. Whitsuntide. First pub. at Pirna, 1833, as above, p. 12, in 7 st. of 8 1., entitled "Whitsunday." Tr. as:— 1. Draw, Holy Spirit, nearer. In full, by R. Massie, in his Lyra Domestica, 1860, p. 27. 2. 0 come, Eternal Spirit, Of truth, diffuse Thou light. xiv. 0 Vaterhand, die mich so treu geführet. Holy Trinity. A fine hymn, first pub. at Pirna, 1833, as above, p. 128, in 3 st. of 8 1., entitled "Father, Son, and Spirit.” Tr. as:— 1. O Father-Eye, that hath so truly watch'd. By Miss Winkworth, in her Lyra Germanica, 2nd Ser., 1858, p. 63. 2. Father whose hand hath led me so securely. xv. 0 welche fromme schöne Sitte. Spiritual Conversation. First pub. at Pirna, 1833, as above, p. 101, in 6 st. of 8 1., entitled "The Blessing of Christian fellowship." Tr. as:— It is a practice greatly blest. In full, by R. Massie, in his Lyra Domestica, 1860, p. 89. xvi. 0 wie freun wir uns der Stunde. Fellowship with Christ. First pub. at Leipzig, 1843, as above, p. 3, in 6 st. of 8 1., entitled "Thou hast the words of Eternal Life". Tr. as:— Oh J how blest the hour, Lord Jesus. In full, by R. Massie, in his Lyra Domestica, 1864, p. 5. Another tr. is: "How great the joy, how blest the hour." By Dr. R. Maguire, 1872, p. 182. xvii. 0 wie manche schone Stunde. Cross and Consolation. First published at Pirna, 1833, as above, p. 130, in 10 st. of 4 1., entitled "Comfort." Tr. as:— 1. O how many hours of gladness, Hath the Lord. In full, by R. Massie, in his Lyra Domestica, 1860, p. 126, repeated, abridged, in the Book of Common Praise, 1863. 2. O how many hours of beauty. This is a good and full tr., by Mrs. Findlater, in Hymns from the Land of Luther, 4th Ser., 1862, p. 11. Another tr. is: "O how many an hour of gladness." By Lady Durand, 1873, p. 16. xviii. Sehet, sehet, welche Liebe. The Love of the Holy Trinity. First pub. at Pirna, 1833, as above, p. 19, in 3 st. of 8 1., entitled " See what Love." Tr. as:— See, O see, what love the Father. In full, by R. Massie, in his Lyra Domestica, 1860, p. 50. Other trs. are : (1) "Behold the Father's love." By Miss Fry, 1859, p. 9. (2) "See! what wondrous love, how matchless." By Miss Manington, 1863, p. 33. (3) “Behold what love the Father hath—how great." By Dr. R. Maguire, 1872, p. 68. xix. Unser Wandel ist im Himmel! Wie ein Mensch in sich versenkt. The Christian Life. First pub. at Pirna, 1833, as above, p. 75, in 7 st. of 8 1., entitled "Our Conversation is in Heaven," and suggested by Philipp. iii. 20. Tr. as:— As a traveller returning. In full, by R. Massie, in his Lyra Domestica, 1860, p. 73. This is found in two centos :— 1. Jesus, like the magnet, raises (st. iii., v., vi.) in the Methodist New Congregational Hymn Book 1863. 2. Can we have our hearts in heaven (st. v., vii.) in Adams's Church Pastorals, Boston, U.S., 1864. Another tr. is: "We are citizens of heaven." In the British Herald, January, 1866, p. 205. xx. Wandle leuchtender und schöner. Easter. First published at Pirna, 1833, as above, p. 8, in 9 st. of 8 1., entitled "Easter Festival." Tr. as:— Sun, shine forth in all thy splendour. This is a full and good tr. by R. Massie, in his Lyra Domestica, 1860, p. 24. Another tr. is: "With brighter glory, Easter Sun." By Lady Durand, 1873, p. 4. xxi. Wir sind des Herrn, wir leben, oder sterben. Life in Christ. A fine hymn founded on Rom. xiv. 8. Tr. as:— 1. We are the Lord's; His all-sufficient merit. This is a good and full tr. by C. T. Astley, in his Songs in the Night, 1860, p. 32. 2. We are the Lord's, whether we live or die. Also a good and full tr. by R. Massie, in his Lyra Domestica, 1864, p. 81. Hymns not in English common use:— xxii. Ach, welche Marter, welche Flagen. Christ's Mercy. Tr. as "O Lord, what sorrows past expression." xxiii. Das Leben wird oft trübe. Spiritual Dryness. The trs. are: (1) "How weary and how worthless this life at times appears." (2) “Our life is often dark." (3) "This life is ofttimes gloomy." (4) "Life often seems so dreary.” xxiv. Der du in der Nacht des Todes. Epiphany. The trs. are: (1) "Thou Who in the night of death." (2) "Christ whose first appearance lighted." (3) "Thou who in death's night of terror." (4) "Christ, who in Death's night of darkness." xxv. Des Christen Schmuck und Ordensband. Rejoicing in Tribulation. The trs. are: (1) "The Christian's badge of honour here." (2) "The badge the Christian wears on earth." (3) "The Christian's star of honour here." (4) "The sign of faith, and love's true token xxvi. Du schöne Lilie auf dem Feld. Trust in God. The trs. are: (1) "Thou beauteous lily of the field, Who robed." (2) "Thou beauteous lily of the field! Who hath." (3) "Thou beauteous lily of the field, Thou child to Nature dear." (4) "Sweet lily of the field, declare." (5) "Thou pretty lily of the field." (6) "Thou lovely lily of the field." xxvii. Ein lieblich Loos ist uns gefallen. The Christian's Portion. xxviii. Ein Pilger schickt sich an zur Fahrt. For the Dying. Tr. as (1) "A pilgrim stands on Jordan's brink." (2) "A pilgrim for his new abode." xxix. Erhalt' in mir den Lebenstrieb, das Sehnen. The Plant of Grace. The trs. are (1) "Maintain in me the sap of life, the yearning." (2) "Excite in me, 0 Lord, an ardent thirst.” (3) "Uphold in me a living wish and longing." xxx. Es giebt ein Lied der Lieder. The Lord's Song. The trs. are: (1) "A Song of songs there is." (2) "There is a song so thrilling." (3) "There is a song now singing." (4) "One song of songs —the sweetest." (5) "A blessed Song of songs there is." xxxi. Freuet euch der schonen Erde. Joy in the Beauties of Nature. The trs. are: (1) "0 rejoice in Nature's beauties." (2) "In the beauteous earth rejoice ye." (3) "Rejoice in the beautiful earth! For well may." (4) "Rejoice in the beautiful earth For well she," &c. (5) "Joy ye o'er this earth so lovely." (6) "Rejoice in Earth's fair beauty." xxxii. Gehe hin in Gottes Namen. Before Work. The trs. are: (1) "Cheerfully to work proceed.” (2) "In the name of God advancing." (3) "In the Name of God go forward." xxxiii. Ich nehme, was du mir bestimmst. Submission to God's Will. The trs. are: (1) "What Thou appointest I receive." (2) "Give what Thou wilt oh Lord! my grateful heart." (3) "Thy will I cheerfully obey.” xxxiv. Ich steh' in xneines Herren Hand. Trust in God. Tr. as "I place myself in Jesus' hands." xxxv. In der Angst der Welt will ich nicht klagen. Christian Life. The trs. are: (1) "Amid the world's vexations." (2) "Uncomplaining, though with care grown hoary." (3) "In this earth—life's bitter anguish.” xxxvi. 0 du, den meine Seele liebt. Holy Communion. The trs. are: (1) "0 Thou, Who holdest in my heart." (2) "Oh Thou, my loving thoughts employ.” xxxvii. Still an deinem liebevollen Herzen. The Love of Christ. The trs. are: (1) "Safe on thy paternal breast." (2) "With calm repose, Oh let me lie." (3) "Still on Thy loving heart let me repose." xxxviii. Stimm' an das Lied vom Sterben. For the Dying. Sung at hisown funeral on Sunday, Oct. 1, 1859. The trs. are: (1) "I sing of death and dying." (2) "Sing now the Song of Dying." xxxix. Vom Oelberg' wogt es nieder. Christ weeping over Jerusalem. The trs. are: (1) "Hark! for loud notes of joy." (2) "Where yonder mount, with olives clad." (3) “From Olivet the surging crowd." xl. Was macht ihr dass ihr weinet. Communion of Saints. Founded on Acts xxi. 13. The trs. are: (1) "What mean ye by this wailing." (2) "What mean ye, dearly loved ones." (3) " What mean ye thus those tears to weep." (4) "How mean ye thus by weeping." (5) "Why is it that ye're weeping." xli. Weint nicht uber Jesu Schmerzen. Repentance. The trs. are: (1) "For Jesu's agony and death." (2) "Wherefore weep we over Jesus." (3) "Weep not over Jesu's sorrow." xlii. Wie wird uns sein, wenn endlich nach dent schweren. Eternal Life. The trs. are: (1) "How shall it be with us, when we, frail mortals." (2) "O what will be the day, when won at last." (3) "What shall we be, and whither shall we go?" (4) "How will it be? when past the conflict heavy.” (5) "O what shall we be, when the conflict o'er." xliii. Winter ist es. In dem weiten Reich. Winter. The trs. are: (1) "Winter is here, and none may dare intrude." (2) "It is winter. All seems dead or dying." (3) "Winter it is! o'er the mighty kingdom." (4) "It is Winter. The wide realm of Nature.” (5) "Winter is here. In Nature's wide domain." (6) "It is winter; and the wide domain.” xliv. Wohl uns, der Vater hat uns lieb. The Love of God. Founded on Rom. viii. 32. This was, according to Koch vii. 243, one of the hymns which Spitta wrote between Easter and July, 1824, while studying the Epistle to the Romans, and which on July 7, 1824, he sent to his brother Heinrich Spitta, professor of medicine at Rostock, but Ludwig Spitta dates it "Autumn, 1833." It is tr. as "How blest are we! that God of us." xlv. Wo ist göttliches Erbarmen. The Grace of Christ. The trs. are:— (1) "Oh where doth mercy dwell." (2) "Where is mercy and compassion." (3) "Where is Divine compassion, that." xlvi. Wort des Lebens, lautre Quelle. Holy Scripture. The trs. are: (1) "Word of Life! unsullied fountain." (2) "Thou word of Life, unsullied spring!" (3) "Word of Life, eternal Fountain." (4) "Word of Life, thou fountain bright.” II. From his Nachgelassene geistliche Lieder. Leipzig, 1861. Hardly any of these have come into use in Germany; and they have either remained unknown to or have been almost entirely ignored by translators into English. We need only note two, viz.:— xlvii. Die erste Ruhestatte die die Welt. Christmas. It is tr. as "The cradle which the world has drest." xlviii. 0 Herbst, du Abendstunde. Autumn. It is tr. as “0 autumn, fair pensive evening." By Miss Borthwick, in the Family Treasury, 1864, p. 191, dated September 1864, and included Thoughtful Hour, 1867, p. 181. [Rev. James Mearns, M.A.] --Excerpts from John Julian, Dictionary of Hymnology (1907) =================== Spitta, C. J. P. , p. 1076, ii. A new edition of the Psalter und Harfe (both parts), with biographical Introduction, was published at Gotha in 1890. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Henry Francis Lyte

1793 - 1847 Person Name: H. F. Lyte Hymnal Number: 121 Author of "Abide with Me, Fast Falls the Eventide" in Hymns of Grace and Truth Lyte, Henry Francis, M.A., son of Captain Thomas Lyte, was born at Ednam, near Kelso, June 1, 1793, and educated at Portora (the Royal School of Enniskillen), and at Trinity College, Dublin, of which he was a Scholar, and where he graduated in 1814. During his University course he distinguished himself by gaining the English prize poem on three occasions. At one time he had intended studying Medicine; but this he abandoned for Theology, and took Holy Orders in 1815, his first curacy being in the neighbourhood of Wexford. In 1817, he removed to Marazion, in Cornwall. There, in 1818, he underwent a great spiritual change, which shaped and influenced the whole of his after life, the immediate cause being the illness and death of a brother clergyman. Lyte says of him:— "He died happy under the belief that though he had deeply erred, there was One whose death and sufferings would atone for his delinquencies, and be accepted for all that he had incurred;" and concerning himself he adds:— "I was greatly affected by the whole matter, and brought to look at life and its issue with a different eye than before; and I began to study my Bible, and preach in another manner than I had previously done." From Marazion he removed, in 1819, to Lymington, where he composed his Tales on the Lord's Prayer in verse (pub. in 1826); and in 1823 he was appointed Perpetual Curate of Lower Brixham, Devon. That appointment he held until his death, on Nov. 20, 1847. His Poems of Henry Vaughan, with a Memoir, were published in 1846. His own Poetical works were:— (1) Poems chiefly Religious 1833; 2nd ed. enlarged, 1845. (2) The Spirit of the Psalms, 1834, written in the first instance for use in his own Church at Lower Brixham, and enlarged in 1836; (3) Miscellaneous Poems (posthumously) in 1868. This last is a reprint of the 1845 ed. of his Poems, with "Abide with me" added. (4) Remains, 1850. Lyte's Poems have been somewhat freely drawn upon by hymnal compilers; but by far the larger portion of his hymns found in modern collections are from his Spirit of the Psalms. In America his hymns are very popular. In many instances, however, through mistaking Miss Auber's (q. v.) Spirit of the Psalms, 1829, for his, he is credited with more than is his due. The Andover Sabbath Hymn Book, 1858, is specially at fault in this respect. The best known and most widely used of his compositions are "Abide with me, fast falls the eventide;” “Far from my heavenly home;" "God of mercy, God of grace;" "Pleasant are Thy courts above;" "Praise, my soul, the King of heaven;" and "There is a safe and secret place." These and several others are annotated under their respective first lines: the rest in common use are:— i. From his Poems chiefly Religious, 1833 and 1845. 1. Above me hangs the silent sky. For Use at Sea. 2. Again, 0 Lord, I ope mine eyes. Morning. 3. Hail to another Year. New Year. 4. How good, how faithful, Lord, art Thou. Divine care of Men. 5. In tears and trials we must sow (1845). Sorrow followed by Joy. 6. My [our] rest is in heaven, my [our] rest is not here. Heaven our Home. 7. 0 Lord, how infinite Thy love. The Love of God in Christ. 8. Omniscient God, Thine eye divine. The Holy Ghost Omniscient. 9. The leaves around me falling. Autumn. 10. The Lord hath builded for Himself. The Universe the Temple of God. 11. Vain were all our toil and labour. Success is of God. 12. When at Thy footstool, Lord, I bend. Lent. 13. When earthly joys glide swift away. Ps. cii. 14. Wilt Thou return to me, O Lord. Lent. 15. With joy we hail the sacred day. Sunday. ii. From his Spirit of the Psalms, 1834. 16. Be merciful to us, O God. Ps. lvii. 17. Blest is the man who knows the Lord. Ps. cxii. 18. Blest is the man whose spirit shares. Ps. xli. 19. From depths of woe to God I cry. Ps. cxxxx. 20. Gently, gently lay Thy rod. Ps. vi. 21. Glorious Shepherd of the sheep. Ps. xxiii. 22. Glory and praise to Jehovah on high. Ps. xxix. 23. God in His Church is known. Ps. lxxvi. 24. God is our Refuge, tried and proved. Ps. xlvi. 25. Great Source of my being. Ps. lxxiii. 26. Hear, O Lord, our supplication. Ps. lxiv. 27. How blest the man who fears the Lord. Ps.cxxviii. 28. Humble, Lord, my haughty spirit. Ps. cxxxi. 29. In this wide, weary world of care. Ps. cxxxii. 30. In vain the powers of darkness try. Ps.lii. 31. Jehovah speaks, let man be awed. Ps. xlix. 32. Judge me, O Lord, and try my heart. Ps. xxvi. 33. Judge me, O Lord, to Thee I fly. Ps. xliii. 34. Lord, I have sinned, but O forgive. Ps. xli. 35. Lord, my God, in Thee I trust. Ps. vii. 36. Lord of the realms above, Our Prophet, &c. Ps.xlv. 37. Lone amidst the dead and dying. Ps. lxii. 38. Lord God of my salvation. Ps. lxxxviii. 39. Lord, I look to Thee for all. Ps. xxxi. 40. Lord, I would stand with thoughtful eye. Ps. lxix. 41. Lord, my God, in Thee I trust. Ps. vii. 42. My God, my King, Thy praise I sing. Ps. cviii. 43. My God, what monuments I see. Ps. xxxvi. 44. My spirit on [to] Thy care. Ps. xxxi. 45. My trust is in the Lord. Ps. xi. 46. Not unto us, Almighty Lord [God]. Ps. cxv. 47. O God of glory, God of grace. Ps. xc. 48. O God of love, how blest are they. Ps. xxxvii. 49. O God of love, my God Thou art. Ps. lxiii. 50. O God of truth and grace. Ps. xviii. 51. O had I, my Saviour, the wings of a dove. Ps. lv. 52. O how blest the congregation. Ps. lxxxix. 53. O how safe and [how] happy he. Ps. xci. 54. O plead my cause, my Saviour plead. Ps. xxxv. 55. O praise the Lord, 'tis sweet to raise. Ps. cxlvii. 56. O praise the Lord; ye nations, pour. Ps. cxvii. 57. O praise ye the Lord With heart, &c. Ps. cxlix. 58. O that the Lord's salvation. Ps. xiv. 59. O Thou Whom thoughtless men condemn. Ps. xxxvi. 60. Of every earthly stay bereft. Ps. lxxiv. 61. Our hearts shall praise Thee, God of love. Ps. cxxxviii. 62. Pilgrims here on earth and strangers. Ps. xvi. 63. Praise for Thee, Lord, in Zion waits. Ps. lxv. 64. Praise to God on high be given. Ps. cxxxiv. 65. Praise ye the Lord, His servants, raise. Ps. cxiii. 66. Redeem'd from guilt, redeem'd from fears. Ps. cxvi. 67. Save me by Thy glorious name. Ps. liv. 68. Shout, ye people, clap your hands. Ps. xlvii. 69. Sing to the Lord our might. Ps. lxxxi. 70. Strangers and pilgrims here below. Ps. cix. 71. Sweet is the solemn voice that calls. Ps. cxxii. 72. The Church of God below. Ps. lxxxvii. 73. The Lord is King, let earth be glad. Ps. xcvii. 74. The Lord is on His throne. Ps. xciii. 75. The Lord is our Refuge, the Lord is our Guide. Ps. xlvii. 76. The mercies of my God and King. Ps. lxxxix. 77. The Lord Who died on earth for men. Ps. xxi. 78. Tis a pleasant thing to fee. Ps. cxxxiii. 79. Thy promise, Lord, is perfect peace. Ps. iii. 80. Unto Thee I lift mine [my] eyes. Ps. cxxiii. 81. Whom shall [should] we love like Thee? Ps. xviii. Lyte's versions of the Psalms are criticised where their sadness, tenderness and beauty are set forth. His hymns in the Poems are characterized by the same features, and rarely swell out into joy and gladness. --John Julian, Dictionary of Hymnology (1907) ================== Lyte, Henry Francis, p. 706, i. Additional versions of Psalms are in common use:-- 1. Lord, a thousand foes surround us. Psalms lix. 2. Praise, Lord, for Thee in Zion waits. Psalms lxv. 3. The Christian like his Lord of old. Psalms cxl. 4. The Lord of all my Shepherd is. Psalms xxiii. 5. The Lord of heaven to earth is come. Psalms xcviii. 6. Thy mercy, Lord, the sinner's hope. Psalms xxxvi. 7. To Thee, O Lord, in deep distress. Psalms cxlii. Sometimes given as "To God I turned in wild distress." 8. Uphold me, Lord, too prone to stray. Psalms i. 9. When Jesus to our [my] rescue came. Psalms cxxvi. These versions appeared in the 1st edition of Lyte's Spirit of the Psalms, 1834. It must be noted that the texts of the 1834, the 1836, and the 3rd ed., 1858, vary considerably, but Lyte was not responsible for the alterations and omissions in the last, which was edited by another hand for use at St. Mark's, Torquay. Lyte's version of Psalms xxix., "Glory and praise to Jehovah on high" (p. 706, ii., 22), first appeared in his Poems, 1st ed., 1833, p. 25. Read also No. 39 as "Lord, I look for all to Thee." --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Anna Letitia Waring

1823 - 1910 Person Name: Annie L. Waring Hymnal Number: 124 Author of "In Heavenly Love Abiding" in Hymns of Grace and Truth See also in: Hymn Writers of the Church ================ Waring, Anna Laetitia, daughter of Elijah Waring, and niece of Samuel Miller Waring, was born at Neath, Glamorganshire, in 1820. In 1850 she published her Hymns and Meditations, by A. L. W., a small book of 19 hymns. The 4th edition was published in 1854. The 10th edition, 1863, is enlarged to 38 hymns. She also published Additional Hymns, 1858, and contributed some pieces to the Sunday Magazine, 1871. Her most widely known hymns are: "Father, I know that all my life," "Go not far from me, O my Strength," and "My heart is resting, O my God." The rest in common use include:— 1. Dear Saviour of a dying world. Resurrection. (1854.) 2. In heavenly love abiding. Safety in God. (1850.) 3. Jesus, Lord of heaven above. Love to Jesus desired. (1854.) 4. Lord, a happy child of Thine. Evening. (1850.) 5. My Saviour, on the [Thy] words of truth. Hope in the Word of God. (1850.) Sometimes stanza iv., "It is not as Thou wilt with me," is given separately. 6. O this is blessing, this is rest. Rest in the Love of Jesus. (1854.) 7. O Thou Lord of heaven above. The Resurrection. 8. Source of my life's refreshing springs. Rest in God. (1850.) 9. Sunlight of the heavenly day. New Year (1854.) 10. Sweet is the solace of Thy love. Safety and Comfort in God. (1850.) 11. Tender mercies on my way. Praise of Divine Mercies. (1850.) 12. Thanksgiving and the voice of melody. New Year (1854). 13. Though some good things of lower worth. Love of God in Christ, (1860.) These hymns are marked by great simplicity, concentration of thought, and elegance of diction. They are popular, and deserve to be so. [George Arthur Crawford, M.A.] -- John Julian, Dictionary of Hymnology (1907) =============== Waring, Anna L., p. 1233, ii. Of her hymns we have found the following in Lovell Squire's Selection of Scriptural Poetry, 3rd ed., 1848: 1. Father, I know that all my life, p. 367, ii. 2. Sweet is the solace of Thy love, p. 1233, ii. 10. 3. Though some good things of, &c., p. 1233, ii. 13. The statement in J. Telford's The Methodist Hymn Book Illustrated, 1906, p. 271, that Miss Waring contributed to her uncle's (S. M. Waring's) Sacred Melodies, 182G, cannot be correct, as she was then only six years old. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907)

Samuel Sebastian Wesley

1810 - 1876 Person Name: S. S. Wesley Hymnal Number: 16 Composer of "AURELIA" in Hymns of Grace and Truth Samuel Sebastian Wesley (b. London, England, 1810; d. Gloucester, England, 1876) was an English organist and composer. The grandson of Charles Wesley, he was born in London, and sang in the choir of the Chapel Royal as a boy. He learned composition and organ from his father, Samuel, completed a doctorate in music at Oxford, and composed for piano, organ, and choir. He was organist at Hereford Cathedral (1832-1835), Exeter Cathedral (1835-1842), Leeds Parish Church (1842-1849), Winchester Cathedral (1849-1865), and Gloucester Cathedral (1865-1876). Wesley strove to improve the standards of church music and the status of church musicians; his observations and plans for reform were published as A Few Words on Cathedral Music and the Music System of the Church (1849). He was the musical editor of Charles Kemble's A Selection of Psalms and Hymns (1864) and of the Wellburn Appendix of Original Hymns and Tunes (1875) but is best known as the compiler of The European Psalmist (1872), in which some 130 of the 733 hymn tunes were written by him. Bert Polman

Ithamar Conkey

1815 - 1867 Hymnal Number: 158 Composer of "RATHBUN" in Hymns of Grace and Truth Ithamar D. Conkey USA 1815-1867. Born of Scottish ancestry in Shutesbury, MA, he became a wool merchant. He married Elizabeth Billings, and they had a daughter and two sons. He was organist at Central Baptist Church,Norwich, CN. After that, he went to NewYork City and served as bass soloist at Calvary Episcopal church and Grace Church. Later, he served as bass soloist and choir director of Madison Avenue Baptist Church. His famous hymn was written in 1849. Two years later, William Howard Doane was baptized in the same church. John Perry

Ludwig van Beethoven

1770 - 1827 Person Name: Beethoven Hymnal Number: 168 Composer of "SYMPATHY" in Hymns of Grace and Truth A giant in the history of music, Ludwig van Beethoven (b. Bonn, Germany, 1770; d. Vienna, Austria, 1827) progressed from early musical promise to worldwide, lasting fame. By the age of fourteen he was an accomplished viola and organ player, but he became famous primarily because of his compositions, including nine symphonies, eleven overtures, thirty piano sonatas, sixteen string quartets, the Mass in C, and the Missa Solemnis. He wrote no music for congregational use, but various arrangers adapted some of his musical themes as hymn tunes; the most famous of these is ODE TO JOY from the Ninth Symphony. Although it would appear that the great calamity of Beethoven's life was his loss of hearing, which turned to total deafness during the last decade of his life, he composed his greatest works during this period. Bert Polman

John Wesley

1703 - 1791 Person Name: J. Wesley Hymnal Number: 86 Translator of "Jesus, Thy Boundless Love to Me" in Hymns of Grace and Truth John Wesley, the son of Samuel, and brother of Charles Wesley, was born at Epworth, June 17, 1703. He was educated at the Charterhouse, London, and at Christ Church, Oxford. He became a Fellow of Lincoln College, Oxford, and graduated M.A. in 1726. At Oxford, he was one of the small band consisting of George Whitefield, Hames Hervey, Charles Wesley, and a few others, who were even then known for their piety; they were deridingly called "Methodists." After his ordination he went, in 1735, on a mission to Georgia. The mission was not successful, and he returned to England in 1738. From that time, his life was one of great labour, preaching the Gospel, and publishing his commentaries and other theological works. He died in London, in 1791, in his eighty-eighth year. His prose works are very numerous, but he did not write many useful hymns. It is to him, however, and not to his brother Charles, that we are indebted for the translations from the German. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872 ====================== John Wesley, M.A., was born at Epworth Rectory in 1703, and, like the rest of the family, received his early education from his mother. He narrowly escaped perishing in the fire which destroyed the rectory house in 1709, and his deliverance made a life-long impression upon him. In 1714 he was nominated on the foundation of Charterhouse by his father's patron, the Duke of Buckingham, and remained at that school until 1720, when he went up, with a scholarship, from Charterhouse to Christ Church, Oxford. Having taken his degree, he received Holy Orders from the Bishop of Oxford (Dr. Potter) in 1725. In 1726 he was elected Fellow of Lincoln College, and remained at Oxford until 1727, when he returned into Lincolnshire to assist his father as curate at Epworth and Wroot. In 1729 he was summoned back to Oxford by his firm friend, Dr. Morley, Rector of Lincoln, to assist in the College tuition. There he found already established the little band of "Oxford Methodists" who immediately placed themselves under his direction. In 1735 he went, as a Missionary of the Society for the Propagation of the Gospel, to Georgia, where a new colony had been founded under the governorship of General Oglethorpe. On his voyage out he was deeply impressed with the piety and Christian courage of some German fellow travellers, Moravians. During his short ministry in Georgia he met with many discouragements, and returned home saddened and dissatisfied both with himself and his work; but in London he again fell in with the Moravians, especially with Peter Bohler; and one memorable night (May 24, 1738) he went to a meeting in Aldersgate Street, where some one was reading Luther's preface to the Epistle to the Romans. There, "About a quarter before nine, while he was describing the change which God works in the heart through faith in Christ, I felt my heart strangely warmed. I felt I did trust in Christ, Christ alone, for salvation; and an assurance was given me, that He had taken away my sins, even mine, and saved me from the law of sin and death." From that moment his future course was sealed; and for more than half a century he laboured, through evil report and good report, to spread what he believed to be the everlasting Gospel, travelling more miles, preaching more sermons, publishing more books of a practical sort, and making more converts than any man of his day, or perhaps of any day, and dying at last, March 2, 1791, in harness, at the patriarchal age of 88. The popular conception of the division of labour between the two brothers in the Revival, is that John was the preacher, and Charles the hymnwriter. But this is not strictly accurate. On the one hand Charles was also a great preacher, second only to his brother and George Whitefield in the effects which he produced. On the other hand, John by no means relegated to Charles the exclusive task of supplying the people with their hymns. John Wesley was not the sort of man to depute any part of his work entirely to another: and this part was, in his opinion, one of vital importance. With that wonderful instinct for gauging the popular mind, which was one element in his success, he saw at once that hymns might be utilized, not only for raising the devotion, but also for instructing, and establishing the faith of his disciples. He intended the hymns to be not merely a constituent part of public worship, but also a kind of creed in verse. They were to be "a body of experimental and practical divinity." "In what other publication," he asks in his Preface to the Wesleyan Hymn Book, 1780 (Preface, Oct. 20,1779), "have you so distinct and full an account of Scriptural Christianity; such a declaration of the heights and depths of religion, speculative and practical; so strong cautions against the most plausible errors, particularly those now most prevalent; and so clear directions for making your calling and election sure; for perfecting holiness in the fear of God?" The part which he actually took in writing the hymns, it is not easy to ascertain; but it is certain that more than thirty translations from the German, French and Spanish (chiefly from the German) were exclusively his; and there are some original hymns, admittedly his composition, which are not unworthy to stand by the side of his brother's. His translations from the German especially have had a wide circulation. Although somewhat free as translations they embody the fire and energy of the originals. It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works. The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century. -- Excerpts from John Julian, Dictionary of Hymnology (1907) =================== See also in: Hymn Writers of the Church