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Ludwig Andreas Gotter

1661 - 1735 Person Name: Ludwig A. Gotter Hymnal Number: 43 Author of "Herr, du kennest mein Verderben" in Neuestes Gemeinschaftliches Gesangbuch Gotter, Ludwig Andreas, son of Johann Christian Gotter, Court preacher and Superintendent at Gotha, was born at Gotha, May 26, 1661. He was at first privy secretary and then Hofrath at Gotha, where he died Sept. 19, 1735. He was a pious, spiritually-minded man, with tendencies towards Pietism; and one of the best hymnwriters of the period. Of his printed hymns the earliest appeared in the Geistliches Gesang-Buch, Halle, 1697. Of the 23 included in Freylinghausen's Geistleiches Gesang-Buch, 1704, and Neues, 1714, seven have been translated into English, besides his version of J. W. Petersen's "Salve, crux beata, salve (q. v.). J. C. Wetzel, who had become acquainted with him during a visit Gotter made to Römhild in 1733, mentions a complete version of the Psalter (now in manuscript in the Ducal Library at Wernigerode) by him, and quotes from his manuscript the first lines of 42 hymns still unprinted (Wetzel's Analecta Hymnica, ii. 22-30; Koch, iv. 400-402; Allegemeine Deutsche Biographie, ix. 456). Of his hymns those translated into English are:— i. In English common use:— i. Erquicke mich, du Heil der Sunder. [The Great Physician.] On the Gospel for the third Sunday in Advent (St. Matt, xi.), turning it into a prayer for cures of our moral nature similar to the miracles of physical healing there recorded. In Freylinghausen, 1714, No. 771, in 10 st. of 6 1., and in Knapp's Evangelisches Lieder-Schatz, 1837, No. 196. The only translation in common use is:— Saviour of sinners, now revive us, of st. i., ii., v., x., by Miss Borthwick, as No. 236, in Dr. Pagenstecher's Collection, 1864. ii. Treuer Vater, deine Liebe. [True and False Christianity.] 1697, as above, p. 608, in 23 st. of 6 1., repeated in Freylinghausen, 1704; and in Porst's Gesang-Buch, 1713 (1855, No. 324). The only translation in common use is:— Father, Thine eternal kindness, omitting st. x, in J. C. Jacobi's Psalmodia Germanica, 1720, p. 3. Considerably altered in his edition, 1722, p. 50, and 1732, p. 78; and from this 8 st. were included as No. 542 in pt. i. of the Moravian Hymn Book, 1754. The translations of st. xii., xiii., altered from the 1732, and beginning, "Has temptation well nigh won me," were included in the Scottish Evangelical Union Hymn Book, 1856, and in Dr. J. Paterson's Collection, Glasgow, 1867. iii. Womit soil ioh dich wohl loben. [Praise and Thanksgiving.] A beautiful hymn of Thanksgiving (founded on Ps. xci.) for the wonderful ways by which God in His love and goodness has led us, and of trust in the continuance of His love to the end. 1697, as above, p. 577, in 14 st. of 6 l., and the refrain (altered from Hornburg's "Jesus, meines Lebens Leben.") "Tausend, tausend Mai sei dir, Grosser König, Dank dafür." Repeated in Freylinghausen, 1704, and as No. 1033, in the Berlin Geistliche Lieder S., ed. 1863. Lauxmann, in Koch, viii. 348-9, relates that st. iv. was adopted as a thanksgiving by the German Missionaries in Abyssinia on their deliverance by the capture of Magdala in 1868, and st. xi., by C. H. Bogatzky, after a narrow escape on one of his journeys in Bohemia; and adds that as the hymn, with its Swabian melody, was a great favourite of the poet Uhland, it was accordingly played by the trumpeters from the tower of St. George's Church, on July 14,1873, at the ceremony of the unveiling of the statue erected to his memory in Tübingen. The only translation in common use is :— Lord of Hosts! how shall I render. A good and full translation in Dr. J. Guthrie's Sacred Lyrics, 1869, p. 131; and from this st. i., ii., ix., xiii., xiv., were included as No. 50 in the Ibrox Hymnal, 1871. Another translation is, "With what fervour of devotion," by J. C. Jacobi, 1732, p. 157. ii. Hymns not in English common use:— iv. Herr Jesu, Gnadensonne. [Sanctification.] Perhaps his finest hymn. 1697, as above, p. 525, in 8 st. The translations are: (1) "Lord Jesus! Sun of graces," In the Supplement to German Psalter, edition 1765, p. 43. (2) “O shed abroad, Lord Jesus," a translation of st. vi., as No. 1086, in the Supplement of 1808 to the Moravian Hymn Book, 1801. v. 0 Jesu meine Zurersicht. [Lent.] 1714, as above, No. 772, in 14 st. Translated by N. L. Frothingham, 1870, p. 213, beginning with st. vii. vi. Sei hochgelobt, barmherz'ger Gott. [Praise for Redemption.] On Eph. i. 3. first in the Geistleiches Gesang-Buch, Darmstadt, 1698, p. 485, in 16 st. Translated as, "High praise to Thee, all-gracious God," by J. Wesley, in Hymns and Sacred Poems, 1740 (P. Works, 1868-72, v. i. p. 339). vii. Wachet auf, ihr faulen Christen. [Spiritual Watchfulness.] On St. Matt. xxvi. 41. 1697, as above, p. 425, in 7 st., each beginning and ending with the word, "Wachet." Translated as, "Arise! ye lingering saints, arise!" by Mrs. Findlater, in Hymns from the Land of Luther 1854. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Johann Burchard Freystein

1671 - 1718 Person Name: Johann B. Freystein Hymnal Number: 308 Author of "Mache dich, mein Geist, bereit" in Neuestes Gemeinschaftliches Gesangbuch Freystein, Johann Burchard, son of A. S. Freystein, vice-chancellor of Duke August of Saxony and inspector of the Gymnasium at Weissenfels, was born at Weissenfels, April 18, 1671. At the University of Leipzig he studied law, mathematics, philosophy and architecture. He resided for some time at Berlin and Halle and then went to Dresden as assistant to a lawyer. After graduating L.L.D. at Jena in 1695, he began an independent legal practice at Dresden. In 1703 he became Rath at Gotha, but returned to Dresden in 1709 as Hof-und Justizrath, and was also, in 1713, appointed a member of the Board of Works. Enfeebled by his professional labours, he died of dropsy at Dresden, April 1, 1718 (Bode, p. 70; Blätter für Hymnologie, 1884, pp. 22-24; Koch, iv. 222). Of the six hymns of this pious lawyer and disciple of Spener, five seem to have first appeared in the Merseburg Gesang-Buch, 1716. The other (which has been translated into English) is:— Mache dich, mein Geist, bereit. [Watchfulness.] This fine hymn, a stirring call to fight against the World, the Flesh, and the Devil, founded on St. Matthew xxvi. 41; first appeared in the Geistreiches Gesang-Buch, Halle, 1697, p. 393, in 10 stanzas of 8 lines, entitled, "On the words Watch and Pray." It was repeated in Wagner's Gesang-Buch, Leipzig, 1697, vol. iv. p. 1280; in Freylinghausen's Gesang-buch, 1704, and many later collections, and in the Unverfälschter Liedersegen, 1851. The translations in common use are:— 1. Rise, my soul, to watch and pray, omitting stanzas 2, 4, 8, 10, by Miss Winkworth in her Chorale Book for England, 1863, No. 125, repeated in J. Robinson's Collection, 1869, No. 10. 2. Up, my soul, gird thee with power, omitting st. iv.-vi., by E. Cronenwett, as 396 in the Ohio Lutheran Hymnal, 1880. Other translations are: (l) "O my soul, with prayers and cries," in Lyra Davidica, 1708, p. 53. (2) "Wake, my soul, wake up from sleep," by J. S. Stallybrass in the Tonic Solfa Reporter, January, 1859. (3) “Have thy armour on, my soul," by Miss Burlingham in the British Herald, Feb. 1865, p. 29. The hymn "O my spirit, wake, prepare," by A. T. Russell, as No. 104 in the Dalston Hospital Hymn Book, 1848, and repeated as No. 196 in Dr. Pagenstecher's Collection, 1864, while not a translation, is based on st. iii., viii., ix. of the German. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology

Leopold Franz Friedrich Lehr

1709 - 1744 Person Name: L. F. F. Lehr Hymnal Number: 180 Author of "Mein Heiland nimmt die Sünder an" in Neuestes Gemeinschaftliches Gesangbuch Lehr, Leopold Franz Friedrich, son of Johann Jakob Lehr, Hofrath at Cronenburg (Cronberg, Kronberg), near Frankfurt-am-Main, was born at Cronenburg, Sept. 3, 1709, and entered the University of Jena in 1729, In 1730 he went to Halle to study under J. J. Rambach and G. A. Francke; and here he also acted as tutor to the children of J. A. Freylinghausen, and conducted devotional meetings at the Orphanage. In July 1731 he became a tutor at Cöthen (Köthen) to the princesses of Anhalt-Cöthen, and held this post till 1740, when he was appointed diaconus of the Lutheran church at Cöthen. While on a visit to his father-in-law at Magdeburg he was seized with fever, and died there, Jan. 26, 1744. (Koch, vi. 446, &c.) Lehr's hymns are full of love to Christ and of the wonders of the redeeming grace of God. They are allied to those of Allendorf (q.v.), and were also mostly contributed to the Cöthnische Lieder (p. 50, ii.). of which he was joint editor. In 1757 they were edited along with his other poetical works as his Himlisches Vergnügen in Gott und Christo, Halle, 1757. [Wernigerode Library] by Samuel Helmich, then court preacher at Glückstadt, Holstein, who had married Lehr's widow. Those which have passed into English are:— i. Mein Heiland nimmt die Sünder an. Lent, or The Friend of Sinners. Written in 1731 or 1732 as a companion to the hymn "Jesus nimmt die Sünder an" [see Neumeister]. First published in the Einige geistreiche Lieder, Cöthen, 1733, No. 9, in 11 stanzas of 10 lines, entitled "Luke xv. 2. This Jesus receiveth sinners and eateth with them." Included in J. J. Rambach's Haus Gesang-Buch 1735, No. 264, the Berlin Geistlicher Lieder Schatz, ed. 1863, No. 114, &c. The translations are:— (1) "My Saviour sinners doth receive, Whom with sin's." This is No. 217 in the Moravian Hymn Book, 1789. In the ed. of 1886, No. 258 begins with st. viii., "Come, all that heavy laden are." (2.) "My Saviour sinners doth receive, Whom under burden," by Dr. John Ker in the United Presbyterian Juvenile Missionary Magazine, May, 1858. ii. So hab' ich nun den Pels erreichet. The Rock of Ages. 1733 as above, No. 4, in 6 stanzas of 10 lines, entitled " Is. xxvi. 4. The Lord is a rock for ever " (so Luther's version). In Rambach's Haus Gesang-Buch, 1735, No. 303, and the Berlin Geistlicher Lieder Schatz. ed. 1863. The translations are:— (1) "I now have found the Rock of Ages," by Dr. H. Mills, 1845 (1856, p. 84). (2) "I have at last attained the Rock," by Mitt Warner, 1869, p. 34. iii. Was hinket ihr, betrogne Seelen. Confirmation. An exhortation to true and whole-hearted earnestness, founded on 1 Kings xviii. 21. 1733 as above, No. 1, in 12 stanzas of 6 lines, and the refrain "Hindurch." In J. J. Rambach's Haus Gesang-Buch, 1735, No. 338, and the Unverfälschter Liedersegen 1851, No. 345. Translated as:— “Why haltest thus, deluded heart," by Miss Winkworth, 1855, p. 142 (1856, p. 143, beginning "Why halt thus, O deluded heart"). [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Simon Graf

Person Name: S. Graf Hymnal Number: 635 Author of "Christus, der ist mein Leben" in Neuestes Gemeinschaftliches Gesangbuch

Justus Gesenius

1601 - 1673 Person Name: J. Gesenius Hymnal Number: 537 Author of "O Tod, wo ist dein Stachel nun" in Neuestes Gemeinschaftliches Gesangbuch Gesenius, Justus, D.D., son of Joachim Gesenius, pastor at Esbeck, near Lauenstein, Hannover; was born at Esbeck, July 6, 1601. He studied at the Universities of Helmstedt and Jena, graduating M.A at Jena in 1628. In 1629 he became pastor of St. Magnus's Church, Brunswick; in 1636 court chaplain and preacher at the Cathedral in Hildesheim; and in 1642 chief court preacher, consistorialrath, and general superintendent at Hannover. He died at Hannover, Sept. 18, 1673 (Koch, iii 230-237; Allgemeine Deutsche Biographie, ix. 87-88; Bode, p. 76, &c). Gesenius was an accomplished and influential theologian, a famous preacher, and distinguished himself by his efforts to further the catechetical instruction of the children of his district. Along with D. Denicke (q.v.) he edited the Hannoverian hymnbooks of 1646-1660. Both he and Denicke aimed at reducing the older German hymns to correctness of style according to the poetical canons of Martin Opitz; not so much interfering with the theology or making the authors speak a terminology foreign to them. Consequently their recasts, while setting a bad example, and while often destroying much of the force and freshness of the originals, were not by any means so objectionable as the recasts of the Rationalistic period, and moreover were soon widely accepted. As no authors' names are given in the Hannoverian hymnbooks, it is difficult to assign the authorship of the new hymns and recasts therein contained. The following is generally, and apparently with reason, ascribed to Gesenius: Wenn meine Sünd' mich kränken. Passiontide. His finest hymn as regards depth, warmth, and finish. First published in the Hannover Gesang-Buch 1646, No. 49, in 8 stanzas of 7 lines. It has been called a recast of the hymn "Hilf Gott, dass mir gelinge," but bears not the slightest resemblance to it. Included in Crüger's Praxis, 1656, and many later collections, as the Berlin Geistliche Lieder S., ed. 1863, No. 277. By a not unjust retribution it was soon recast, and appeared in the Lüneburg Gesang-Buch, 1661, as "Wenn mich die Sunden kränken." Translated as:— 1. When guilt and shame are raising. In full, by J. C. Jacobi, in pt. ii., 1725, of his Psalter Germanica, p. 4 (1732, p. 34). In the Moravian HymnBook of 1789, No. 106, it is altered to “O Lord, when condemnation"; and in the edition 1886, it begins with st. v., "Lord, let Thy bitter passion." A cento of stanzas ii., iii., v., from the Moravian Hymn Book, 1801, was adopted by Montgomery in his Christian Psalmist, 1825, beginning, "O wonder far exceeding," and this is in the New Zealand Hymnal. 1872. 2. 0 Lord, when my sins grieve me. A good translation of stanzas i., ii., iv., v., by A. T. Russell, as No. 81 in his Psalms & Hymns, 1851. 3. When sorrow and remorse. In full, by Miss Winkworth in her Lyra Germanica, 1st Ser., 1855, p. 74. A cento consisting of lines 1-4 of stanzas i., iv.—vi., and of stanza vii., rewritten to S.M., is in the Pennsylvanian Lutheran Church Book, 1868. 4. 0 Lord, when condemnation. A full and good translation, included as No. 84 in the 1857 ed. of Mercer's The Church Psalter and Hymnbook. Probably by Mr. Mercer, but mainly taken from the Moravian Hymnbook, 1789, and from Miss Winkworth. Repeated, abridged, in his Oxford ed., 1864, No. 149, and in the Toronto HymnBook, 1862. 5. When o'er my sins I sorrow. A good translation, based on her 1855 version, and omitting stanzas ii.—iv., by Miss Winkworth, as No. 48 in her Chorale Book for England, 1863. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Friedrich Funcke

1642 - 1699 Person Name: G. Funck Hymnal Number: 39 Author of "Du, der kein Böses thut" in Neuestes Gemeinschaftliches Gesangbuch Funcke, Friedrich, was born at Nossen in the Harz, where he was baptised March 27, 1642. After receiving a general and musical education at Freiberg and Dresden, he became cantor at Perleberg, and then, in 1664, Stadt Cantor at Luneburg. He was, in 1694, appointed pastor at Römstedt, a few miles south of Lüneburg, and died there Oct. 20, 1699. He revised the Lüneburg Gesangbuch, 1686, and contributed to it 43 melodies and 7 hymns (Blätter für Hymnologie, 1884, pp. 115, 135, 146; 1885, p. 121). One has passed into English, viz.:— Zeuch uns nach dir, so kommen wir. [Ascensiontide!] First published in the Lüneburg Stadt Gesang-Buch, 1686, No. 593y? in 5 st. of 4 l., signed "F. F.," and founded on Canticles i. 4. Repeated in Freylinghausen's Gesang-Buch, 1705, No. 699, the Berlin Geistliche Lieder , ed. 1863, No. 341, and many other collections. Often wrongly ascribed to Ludämilia Elizabeth (q.v.), or to Friedrich Fabricius (b. April 20, 1642, at Stettin, and died there Nov. 11, 1703, as Pastor of St. Nicholas's Church). The only translation in common use is:— Draw us to Thee, Lord Jesus. A somewhat free translation omitting st. ii. by Miss Winkworth in her Chorale Book for England, 1863, No. 68. Repeated in Dr. Thomas's Augustine Hymnbook, 1866, Marlborough College Hymnbook, 1889, and in America in the Pennsylvania Lutheran Church Book, 1868. Other translations are: (l) “Draw us, Saviour, then will we," by Miss Dunn, 1857, p. 102. (2) "Draw us to Thee, So shall we flee," by N. L. Frothingham, 1870, p. 275. The hymn beginning, "Draw us to Thee, in mind and heart," by A. T. Russell, in 4 st., as No. 269 in his Psalms & Hymns, 1851, while not a translation of, is based on this German hymn. Repeated in Dr. Pagenstecher's Collection, 1864, and in J. L. Porter's Collection, 1876. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology

Johann Eusebius Schmidt

1670 - 1745 Person Name: J. Eus. Schmidt Hymnal Number: 91 Author of "Es ist vollbracht! so ruft am Kreuze" in Neuestes Gemeinschaftliches Gesangbuch Schmidt, Johann Eusebius, son of Johann Jakob Schmidt, pastor at Hohenfelden, near Erfurt, was born at Hohenfelden, Jan. 12, 1670. He matriculated at the University of Jena in the autumn of 1688, and in 1691 went to Erfurt to attend lectures by Breithaupt and Francke. Part of 1692 he spent in travelling in North Germany, and during the years 1693-96 he was mostly employed in private tuition at Gotha. On the 12th Sunday after Trinity, 1697, he began work at Siebleben, near Gotha, as substitute (curate in charge), and on the 4th Sunday in Advent, 1698, as pastor there. He died at Siebleben, Dec. 25, 1745, with the character of "An edifying teacher in his parish, a good example to his flock, and a methodical man in his office." (G. G. Brückner's Kirchen und Schulenstaat, vol. iii. pt. iv. p. 59, Gotha, 1761, &c). Schmidt's hymns were contributed to Freylinghausen's Geistreiches Gesang-Buch, 1704, and Neues Geistreiches Gesang-Buch, 1714. In the latter Freylinghausen prints as a supplement (Zugabe) 17 so-called "Psalms for Festivals," being compositions in Ode or Psalm form and unrhymed, remarking in his preface that the author of these (i.e. Schmidt), had written similar compositions for all the Sundays in the year. Of his hymns in rhyme (4, 1st pub. 1704; 21, 1st pub. 1714), some have attained considerable popularity, being of moderate length, good in style, thoughtful and interesting. Of Schmidt's hymns those which have passed into English are:— i. Es ist vollbracht: vergissja nicht. Passiontide. This hymn on “It is finished," first appeared in 1714 as above, No. 72, in 5 stanzas of 5 lines. Included as No. 96 in the Unverf älschter Liedersegen, 1851. The translations in common use are:— 1. All is fulfill'd--my heart, record. By A. T. Russell, omitting st. iv., vi., as No. 100 in his Psalms & Hymns, 1851. 2. 'Tis finished : 0 glorious word. A full but rather free translation by Dr. Kennedy, in his Hymnologia Christiana, 1863, repeated, omitting st. ii., vi., in Reid's Praise Book, 1872. ii. Erhebe den Herren, der Alles in Allen. Thanksgiving. First published 1714 as above, No. 560, in 4 st. of 8 1. Included in Knapp's Evangelischer Lieder-Schatz, 1837 and 1865. Translated as, "The praises of him who is Grace's Dispenser." This is No. 550 in pt. i. of the Moravian Hymn Book, 1751. iii. Fahre fort, fahre fort. Faithfulness. Founded on Christ's Messages to the Seven Churches in Asia. First published 1704 as above, No. 667, in 7 stanzas of 7 lines. In the Unverfälschter Liedersegen. 1851, No. 223. The translations are:— (1) "Hasten on, hasten on," by Miss Burlingham, In the British Herald, Sept. 1865, p. 143, and Reid's Praise Book, 1872. (2) "Hold thy course," by E. Massie, 1867, p. 31. (3) "Onward go, onward go," by N. L. Frothingham, 1870, p. 238. iv. Gekreuzigter! mein Herze sucht. Passiontide. First published 1714 as above, No. 73, in 6 st. of 6 1. In Burg's Gesang-Buch, Breslau, 1746, No. 483. The translations are:— (l) "Christ crucify'd! my Soul by Faith Desires," in the Supp. to German Psalmody, ed. 1765, p. 23. (2) "Christ crucify'd, my soul by faith, With," as No. 424, based on the earlier tr., in the Moravian Hymn Book, 1789 (1886, No. 959). v. 0 Jesu der du dich. Easter. First published 1704 as above, No. 651, in 5 st. of 61., repeated in the Herrnhut Gesang-Buch 1735, No. 123. Translated as "0 Jesu, who now free," as No. 552 in pt. i. of the Moravian Hymn Book, 1754. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Salomon Liscovius

1640 - 1689 Person Name: S. Liskov Hymnal Number: 251 Author of "Ich freue mich, mein Gott, in dir" in Neuestes Gemeinschaftliches Gesangbuch Liscovius, Salomo, son of Johann Liscovius, or Lischkow, pastor at Niemitsch, near Guben, was born at Niemitsch, Oct. 25, 1640. He entered the University of Leipzig in 1660, and then went to Wittenberg, where he graduated M.A., and was crowned as a poet. Shortly thereafter he was appointed pastor at Otterwisch with Stockheim, near Lausigk, and ordained to this post April 21, 1664. He was then, on March 29, 1685, appointed second pastor of St. Wenceslaus's church, at Wurzen. He died at Wurzen, Dec. 5, 1689. (Koch, iii. 385; Rotermund's continuation of Jöcher's Gelehrten-Lexikon, iii. 1950, &c.) Liscovius was one of the best German hymn-writers of the second rank in the 17th century. That is, though his hymns are not lacking in intensity, in depth, or in beauty of form, yet neither by their intrinsic value nor by their adoption into German common use are they worthy to be ranked with the hymns of Gerhardt, Franck, Scheffler and others of this period. They appeared mostly in his Christlicher Frauenzimmers Geistlicher Tugend-Spiegel. The preface to this book is dated April 14, 1672, and it was probably published at Leipzig in 1672; but the earliest ed. extant is that at Leipzig, 1703. Dr. J. L. Pasig pub. 51 of his Geistliche Lieder, with a short biographical notice, at Halle, 1855. One of his hymns is translated:— Schatz über alle Schatze. Love to Christ. His finest hymn. 1672 as above, and Pasig, 1855, p. 53. In the Nürnberg Gesang-Buch 1676, No. 509, and the Berlin Geistlicher Lieder Schatz, ed. 1863, No. 826. It is in 7 stanzas of 8 lines, the initial letters of the stanzas forming his Christian name Salomon. The translations are:— (1) "Treasure above all treasure," as No. 441 in pt. i. of the

Friedrich Gottlieb Klopstock

1724 - 1803 Person Name: F. G. Klopstock Hymnal Number: 132 Author of "Der Spötter Strom reißt viele fort" in Neuestes Gemeinschaftliches Gesangbuch Klopstock, Friedrich Gottlieb, the eldest of the 17 children of Gottlob Heinrich Klopstock (then advocate and commissionsrath at Quedlinburg, and after 1735 amtmann at Friedeburg, on the Saale, near Halle), was born at Quedlinburg, July 2, 1724. From 1739 to 1745 he attended the famous school at Schulpforte, near Naumburg (where he conceived the first idea of his Messias); then he entered the University of Jena, in the autumn of 1745, as a student of theology, and the University of Leipzig at Easter, 1746. At Leipzig he made acquaintance with J. A. Cramer (q.v.); and became one of the contributors to the Bremer Beiträge, in which the first three books of his Messias appeared. In 1748 he became tutor in the house of a merchant named Weiss at Langensalza; and in 1750 accepted an invitation to visit Zurich (the literary capital of Switzerland), where his Messias had been received with great enthusiasm. He was then, in the spring of 1751, invited by the Danish prime minister, Count von Bernstorff, to take up his residence at the Court of King Frederick V., at Copenhagen, in order to be able to finish his Messias free from the cares of a profession; and was, in 1763, appointed Legationsrath. After the Count ceased, in the end of 1770, to be prime minister, Klopstock retired to Hamburg, in 1771, on a pension. The rest of his life was passed mainly at Hamburg, except about a year spent at Carlsruhe, at the Court of the Margave Carl Friedrich of Baden, who appointed him Hofrath. He d. at Hamburg, March 14, 1803, and was buried with civic honours on the 22nd, under a lime-tree in the churchyard at Ottensen (Koch, vi. 322; Allg. Deuteche Biog., xvi, 291, &c). Klopstock ranks among the classic poets of Germany. In his Oden (collected at Hamburg, 1771; enlarged, Leipzig, 1798; finally enlarged, Leipzig, 1804) he is seen at his best; his earlier compositions of this class being the finest modern examples for perfection of form, lyric grace, majesty, and purity of rhythm. His most famous work is his Messias, which on its first appearance created an enthusiasm such as had not been awakened by any German work for centuries. It was suggested by Milton's Paradise Lost, but Milton's calm majesty, firmness of touch, and unity of action were all foreign to Klopstock's nature—his genius was lyric rather than epic. With all its defects of style and construction, it is still a noble work, and could only have been written by a true poet and a sincere Christian; though to us its interest perhaps consists as much in its historical importance and results as in its intrinsic merits. (Books 1-3 written in prose at Jena, and then in hexameter verse at Leipzig, and first pub. in the Neue Beyträge, Bremen, 1748. Books 1-3 revised, and 4, 5 added at Halle, 1751; 6-10 added in the Copenhagen ed., 1755; 11-15, Copenhagen, 1768; 16-20, Halle, 1773. Finally revised ed. in 4 vols., Leipzig, 1800.) In his hymns Klopstock is not seen at his best. He seems to have had little apprecia¬tion of the requirements which the writer of hymns for use in public worship has to meet. His hymns are emotional and subjective, little suited to congregational tunes, and not sufficiently simple in style. In his first collection (1) Geistliche Lieder, Copenhagen, 1758, he included a number of indifferent recasts of earlier German hymns; his second collection (2) Geistliche Lieder, Copenhagen, 1769, consists entirely of original compositions. The only one of his hymns which is still much used in Germany is "Auferstehn, ja auferstehn, wirst du" (q.v.). The others which have passed into English common use are:— i. Deine heilige Geburt. Supplication. In his Geistliche Lieder, 1758, p. 44, in 141, repeated in Knapp's Evangelischer Lieder-Schatz, 1837, No. 468. Translated as "Saviour! by Thy holy birth," by Dr. W. L. Alexander, in 2 stanzas of 8 lines. It was written about 1830, but 1st published in the 2nd ed., 1858, of his Selection of Hymns, No. 339, entitled "Christ's aid invoked." ii. Herr, du wollst sie vollbereiten. Holy Communion. In his Geistliche Lieder, 1758, p. 135, arranged for antiphonal singing by choir and congregation. The form translated into English is "Herr, du wollst uns vorbereiten," being the first two stanzas for choir altered as No. 246 in the Württemberg Gesang-Buch, 1842, in 2 stanzas of 12 lines. Translated as "Grant us, Lord! due preparation," by L. Heyl, in the Ohio Lutheran Hymnal, 1880. Another tr. is, "O God, do Thou Thy folk prepare," by Dr. G. Walker, 1860, p. 64. iii. Nicht nur streiten, überwinden. Christian Warfare. 1st pub. in the G. B. für St. Petri Kopenhagen, 1760, No, 639; repeated in his Geistliche Lieder, 1769, p. 23, in 5 stanzas of 8 lines, entitled "The Victory of the Faithful." In the Berlin Geistliche Leidersegen, ed. 1863. Translated as “Labour ever, late and early," a full but rather free tr. by Dr. Kennedy, in his Hymnologia Christiana, 1863. iv, Zeige dich uns ohne Hülle. Sunday. In his Geistliche Lieder, 1769, p. 88, in 4 stanzas of 8 lines, entitled “Preparation for Divine Service." Included in the Berlin Geistliche Leidersegen, ed. 1863. It is the only hymn by Klopstock much used in English. Translated as "Lord, remove the veil away," a good and full tr. by Miss Borthwick,in Hymns from the Land of Luther, 3rd Ser., 1858, p. 47 (1884, p. 168). Included in full in Kennedy, 1863; Eng. Presbyterian Psalms & Hymns, 1867; Temple Hymn Book, 1867; Dale's English Hymn Book, 1875, and others. It is abridged in W. F. Stevenson's Hymns for Church & Home, 1873, Laudes Domini, N. Y., 1884, and others. Hymns not in English common use:-- v. Ach wie hat mein Herz gerungen. Strength in Weakness. 1769, p. 101, in 10 stanzas, Translated as “Ah me, what woes this heart have wrung," by J. Sheppard, in his Foreign Sacred Lyre , 1857, p. 68. vi. Du wollst erhoren Gott, ihr Flehn. For the Dying . 1758, p. 73, in 11 stanzas. The form translation is the recast (probably by J. S. Diterich), as No. 120, in the Berlin Gesang-Buch 1765, beginning "Dein sind wir Gott! in Ewigkeit." Translated as "We're Thine, O God, for evermore," by Dr. H. Mills, 1845 (1856, p. 241). vii. Selig sind des Himmels Erben. For the Dying; or, At Funerals. 1758, p. 15, in 4 pts., arranged for choir and congregation, in all 10 stanzas. Founded on Rev. xiv. 13. Sung at the funeral of J. C. Lavater, January 4, 1801. Translated as "Blessed are the heirs of heaven," by G. Moultrie, in his Hymns & Lyrics, 1867, p. 337. viii. Starke, die zu dieser Zeit. For the Dying , 1758, p. 1, in 3 stanzas. Translated as "Strengthen, Lord, the weary soul," by G. Moultrie, in his Hymns & Lyrics , 1867, p. 355, marked as an "orison for the departing spirit." ix. Um Erden wandeln Monde. The Lord's Prayer. In his Oden, vol. ii., Leipzig, 1798, p. 119, marked as written in 1789, and entitled "Psalm." It is an ode of 58 lines, embodying and amplifying the Lord's Prayer. Sung at his own funeral. Translated as, (1) "Moons round their planets roll," by J. Sheppard, 1857, p. 46. (2) "Round their planets roll the moons," by Miss Winkworth, 1869, p. 332. x. Wenn ich einst von jenem Schlummer. Morning. 1769, p. 57, in 3 stanzas. In the Württemberg Gesang-Buch, 1842, No. 562. The translations are, (1) "When I rise again to life," by W. Nind, in his Odes of Klopstock, 1848, p. 307. (2) "When I wake from out that slumber," in A. Baskerville's Poetry of Germany, 1854, p. 39, repeated in the Schaff-Gilman Library of Religious Poetry, ed. 1883, p. 282. (3) "Father, let no day to come" (the text used begins with stanza ii. altered to "Gieb dass keiner meiner Tage"), by J. Sheppard, 1857, p. 88. (4) "Since I one day from yonder sleeping," by Miss Warner, 1869, p. 40. xi. Zitternd freu ich mich. The Vision of God. First published in the Nordische Aufselier ed. by J. A. Cramer, vol. ii. (Kopenhagen, 1760). In his Oden, Hamburg, 1771, p. 25, in 90 lines, and marked as written in 1759. Translated as, (1) "With trembling I rejoice," by W. Nind, 1848, p. 130. (2) "I joy, but tremblingly," by J. Sheppard, 1857, p. 24. (3) "Trembling I rejoice," by Miss Winkworth, 1869, p. 329. Besides the above a considerable number of Klopstock's Oden are translated by J. Sheppard in his Foreign Sacred Lyre, 1857. A full selection from the Oden appeared as Odes of Klopstock from 1747 to 1780. Translated from the German by William Nind , London, W. Pickering, 1848. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

J. D. Herrnschmidt

1675 - 1723 Hymnal Number: 237 Author of "Lobe den Herren, o meine Seele!" in Neuestes Gemeinschaftliches Gesangbuch Herrnschmidt, Johann Daniel, was born April 11, 1675, at Bopfingen, in Württemberg, where his father, G. A. Herrnschmidt, was from 1673-1702 diaconus, and 1702-1714 Town preacher. He entered the University of Altdorf in 1696 (M.A. 1698), and in the autumn of 1698 went to Halle. In the spring of 1702 he became assistant to his father, and in July, 1702, Heifer at the Town church. In 1712 he became superintendent, court preacher and consistorialrath at Idstein, and in the same year graduated D.D. at Halle. He was finally, in 1715, appointed Professor of Theology at Halle, and in 1716 also sub-director of the Orphanage and the Padagogium there. He died at Halle, Feb. 5, 1723 (Koch, iv. 349-354, 569, &c). He was one of the best hymnwriters of the older Pietistic school. His hymns are Scriptural, and mirror his inner life, but do not possess much poetic force. They were almost all written during his first residence at Halle, 1698-1702, and appeared mostly in Freylinghausen's Geistreiches Gesang Buch1704. Three have passed into English, viz.:— i. Gott wills machen, dass die Sachen. Trust in God. 1704, No. 417, in 17 stanzas of 6 lines, repeated as No. 706 in the Unvfälschter Liedersegen, 1851. It is founded on the Gospel for the fourth Sunday after Epiphany (St. Matt. viii. 23-27); and is full of clear cut, almost proverbial sayings. Translated as: (1) "God will make it, canst thou take it," in the Supplement to German Psalmody, ed. 1765, p. 63. (2) "Storms and winds may blow and batter," as No. 455 in the Moravian Hymn Book 1789. In the 1801 and later eds. (1886, No. 626), it begins, "Storms of trouble may assail us." (3) “God so guides us, what betides us," by N. L. Frothingham, 1870, p. 251. The two remaining hymns (ii., iii.) are annotated under Various. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

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