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Richard Mant

1776 - 1848 Person Name: Bishop Mant Hymnal Number: 31a Author of "The way, the truth, the life" in The New Hymnary Mant, Richard D.D., son of the Rev. Richard Mant, Master of the Grammar School, Southampton, was born at Southampton, Feb. 12, 1776. He was educated at Winchester and Trinity, Oxford (B.A. 1797, M.A., 1799). At Oxford he won the Chancellor's prize for an English essay: was a Fellow of Oriel, and for some time College Tutor. On taking Holy Orders he was successively curate to his father, then of one or two other places, Vicar of Coggeshall, Essex, 1810; Domestic Chaplain to the Archbishop of Canterbury, 1813, Rector of St. Botolph, Bishopsgate, London. 1816, and East Horsley, 1818, Bishop of Killaloe, 1820, of Down and Connor, 1823, and of Dromore, 1842. He was also Bampton Lecturer in 1811. He died Nov. 2, 1848. His prose works were numerous, and although now somewhat obsolete, they were useful and popular in their day. His poetical works, and other works which contain poetical pieces, are:— (1) The Country Curate, 1804; (2) Poems in three Parts, 1806; (3) The Slave, 1807; (4) The Book of Psalms in an English Metrical Version, &c, 1824; (5) The Holydays of the Church; or Scripture Narratives of Our Blessed Lord's Life and Ministry, and Biographical Notices of the Apostles, Evangelists, and Other Saints, with Reflections, Collects, and Metrical Sketches, vol. i., 1828; vol. ii., 1831; (6) The Gospel Miracles in a series of Poetical Sketches, &c., 1832; (7) The British Months, 2 vols., 1836; (8) Ancient Hymns from the Roman Breviary, for Domestick Use. . . .To which are added Original Hymns, principally of Commemoration and Thanksgiving for Christ's Holy Ordinances, 1837: new ed., 1871. (9) The Happiness of the Blessed Dead, 1847. Bishop Mant is known chiefly through his translations from the Latin. He was one of the earliest of the later translators, I. Williams and J. Chandler being his contemporaries. Concerning his translations, Mr. Ellerton, in his Notes on Church Hymns, 1881, p. xlviii. (folio ed.), says justly that:— "Mant had little knowledge of hymns, and merely took those of the existing Roman Breviary as he found them: consequently he had to omit many, and so to alter others that they have in fact become different hymns: nor was he always happy in his manipulation of them. But his book has much good taste and devout feeling, and has fallen into undeserved neglect." His metrical version of the Psalms has yielded very few pieces to the hymnals, the larger portion of his original compositions being from his work of 1837. The most popular of these is "Come Holy Ghost, my soul inspire, Spirit of," &c, and its altered forms; "Bright the vision that delighted," and its altered form of "Round the Lord in glory seated;" and "For all Thy saints, O Lord." His hymns in common use which are not annotated under their respective first lines are:— i. From his Metrical Version of the Psalms, 1824. 1. God, my King, Thy might confessing. Ps. cxlv. 2. Lord, to Thee I make my vows. Ps. xxvii. 3. Blessed be the Lord most High. Ps. xxviii. Pt. ii. 4. My trust is in the highest Name. Ps. xi. 5. Reign, Jehovah, King supreme. Ps. xcix. 6. Thy listening ear, O Lord, incline. Ps. Ixxxvi. 7. To God my earnest voice I raise. Ps. cxlii. 8. To Jehovah hymn the lay. Ps. cxviii. Two centos in Spurgeon's Our Own Hymn Book, 1866. (1) st. i., ii., v.; and (2) "Thee, Jehovah, will I bless" from st. vii.-x. ii. From his Holydays of the Church, &c, 1828-31. 9. Lo, the day the Lord hath made. Easter. 10. There is a dwelling place above. All Saints. iii. From his Ancient Hymns, &c, 1837. 11. Before Thy mercy's throne. Lent. 12. Father of all, from Whom we trace. Unity. 13. For these who first proclaimed Thy word. Apostles. 14. No! when He bids me seek His face. Holy Communion. 15. Oft as in God's own house we sit. Divine Worship. 16. Put off thy shoes, 'tis holy ground. The House of God . 17. Saviour of men, our Hope [Life] and Rest. The Greater Festivals. 18. Thy House each day of hallowed rest. Holy Communion. 19. We bless Thee for Thy Church, 0 Lord. Thanksgiving for the Church. 26. We deem and own it, Lord, a proof. Divine Grace. When all Bishop Mant's translations of original hymns, and versions of the Psalms in common use are taken into account, it is found that he is somewhat strongly represented in modern hymnody. -- John Julian, Dictionary of Hymnology (1907) ==================== http://en.wikipedia.org/wiki/Richard_Mant

Isaac Williams

1802 - 1865 Person Name: Rev. Isaac Williams, D.D., 1802-1844 Hymnal Number: 17b Author of "Lord, in this Thy mercy's day" in The New Hymnary Isaac Williams was born in London, in 1802. His father was a barrister. The son studied at Trinity College, Oxford, where he gained the prize for Latin verse. He graduated B.A. 1826, M.A. 1831, and B.D. 1839. He was ordained Deacon in 1829, and Priest in 1831. His clerical appointments were Windrush (1829), S. Mary the Virgin's, Oxford (1832), and Bisley (1842-1845). He was Fellow of Trinity College, Oxford, from 1832 to 1842. During the last twenty years of his life his health was so poor as to permit but occasional ministerial services. He died in 1865. He was the author of some prose writings, amongst which are Nos. 80, 86 and 87 of the "Oxford Tracts." His commentaries are favourably known. He also published quite a large number of poems and hymns and translations. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872 ========================== Williams, Isaac, B.D., was born at Cwmcynfelin in Cardiganshire, Dec. 12, 1802, where his mother happened to be staying at her father's house at the time of his birth. But his parents' house was in Bloomsbury, London, his father beiug a Chancery barrister at Lincoln's Inn. He received his early education from a clergyman named Polehampton, with whom he was at first a day pupil in London, but whom he afterwards accompanied to a curacy at Worplesdon, near Guildford. All Mr. Polehampton's pupils (15), with the exception of Isaac Williams and his two elder brothers, were being prepared for Eton, where great stress was laid upon Latin versification; and it was in these early years that Isaac Williams acquired his fondness for, and proficiency in, this species of composition. In 1814 he was removed to Harrow, where Mr. Drury was his private tutor. He gained several school prizes, and became so used, not only to write, but to think, in Latin, that when he had to write an English theme he was obliged to translate his ideas, which were in Latin, into English. In 1821 he proceeded to Trinity College, Oxford, that college being chosen on the advice of Mr. Drury; and in his second term he was elected scholar of Trinity. In 1823 he won the University Prize for Latin Verse, the subject being Ars Geologica. The gaining of this prize was indirectly the turning point of his life, for it brought him into close relationship with John Keble, who may be termed his spiritual father. He had been previously introduced to Mr. Keble by the Vicar of Aberystwith, Mr. Richards, whom he had met at his grandfather's house. But there was no intimacy between them until he had won the Latin Verse Prize, when Mr. Keble came to his rooms and offered to look over the poem with him before it was recited and printed. This led to an intimate acquaintance which ripened into a warm friendship of infinite benefit to Isaac Williams's spiritual life. Mr. Keble offered to take him with him into the country and read with him during the Long Vacation, without any payment. Robert Wilberforce, then an undergraduate of Oriel, was also to be of the party. They settled at Southrop, near Fahford, a name familiar to the readers of Keble Life. Here Isaac Williams made the acquaintance of Hurrell Froude, who was also reading with Mr. Keble, and this acquaintance also ripened into a friendship which was terminated only by death. Keble was like a boy with his pupils, entering with zest into all their amusements, but he also exercised a deep influence over their religious characters, especially that of Isaac Williams. Williams spent this and all his subsequent Long Vacations at Southrop, and became more and more influenced for good by Mr. Keble. He also became a great friend of Sir George Prevost, then an undergraduate of Oriel, who afterwards married his only sister. During one of these sojourns at Southrop, Keble showed Williams and Froude a manuscript copy of the Christian Year, but, strange to say, the young men did not appreciate its beauties. Williams's intimacy with Keble caused alarm to Mr. Hughes, the successor of the Vicar of Aberystwith who had first brought the two together; Mr. Hughes was greatly shocked to hear that he was a friend of Mr. Keble of Oriel, and said he would introduce him to a most excellent and promising person there, a Mr. Newman, whom the evangelical vicar knew in connexion with the Church Missionary Society, and who would, he doubtless thought, supply an antidote to Keble's High Church opinions. While Williams was an undergraduate at Oxford, though he was a member of Trinity College, he spent much of his time at Oriel, attracted thither, not only because it was Keble's college, but also because he had many friends there, the chief of whom were the Wilberforces, Ryder, Anderson (now Sir C. Anderson), Hurrell Froude, and Sir G. Prevost. As an accomplished scholar who had the benefit of Keble's tuition, it was naturally expected that he would take a high degree; and so, no doubt, he would have done, had he not attempted too much. In spite of the warnings of friends, he resolved to aim at a "double first," and, as mathematical studies were not to his taste, the labour over this uncongenial work in addition to the necessary preparation for the classical school was too severe for him; his health broke down, and he was obliged to be content with a pass degree. In 1829 he was ordained to the curacy of Windrush, about twelve miles from Fairford where Keble then lived, and about twenty from Bisley, where his brother-in-law, Sir George Prevost, who was now married, was curate. But he did not stay long at Windrush. Passman though he was, he competed successfully for a Trinity Fellowship, and had to return to Oxford the same year as college tutor. He lived on terms of great intimacy with Hurrell Froude, then Fellow of Oriel, and was introduced by him to J. H. Newman, to whom he was much attracted, like almost all who were brought into contact with that remarkable man. The attraction appears to have been mutual, and Williams became Newman's curate at S. Mary's, Oxford, which then included the village or rather hamlet of Littlemore. In 1842 he married Caroline, the third daughter of Arthur Champernown, of Dartington Hall, Devon, left Oxford, and went to Bisley as curate to Mr. T. Keble. So far as his outer life went, little more need be said. Nothing seems to have occurred to ruffle its placid course, except one episode which occurred in 1841-2. When John Keble resigned the Poetry Professorship at Oxford, he was naturally anxious that his friend Williams should be his successor. Not only was there a warm personal friendship and an entire sympathy of opinion on the most important of all matters between the two men, but on the score of poetical merit, Williams seemed to him obviously the proper person. He had already published several of his poetical works, and his reputation as a sacred poet was second only to that of Keble himself. But he was also identified in a peculiar way with the Tract writers. He had actually written that Tract which, next to the memorable Tract 90, had given the greatest offence of all, viz.: Tract 80, on Reserve in the Communication of Religious Knowledge, and he was also known as the especial friend and late coadjutor of Newman. It is not, therefore, surprising that vehement opposition was raised against his election. A rival candidate was found in the person of Mr. Edward Garbett, of Brasenose, a First Classman, but quite unknown in the domain of poetry. There was really no comparison whatever between the fitness of the two candidates, but that counted for little when men's minds were heated by the "odium theologicum." It became simply a party question; but a public contest was happily averted by a private comparison of votes, when it was found that there was a large majority of votes in favour of Mr. Garbett. Mr. Williams was much hurt—not by the opposition of the Low Churchmen, for he expected that,—but by the desertion of several whom he counted upon as friends. He withdrew from Oxford and from public life (which had never possessed much attraction to a man of his retiring and studious habits) altogether. He remained at Bisley until 1848, when he removed to Stinchcombe; and there he lived until his death. From time to time some cultured and thoughtful work from his pen was given to the world, but that was all; and when the announcement that he had quietly passed away on SS. Philip and James Day, May 1, 1865, appeared, the outer world had almost forgotten that he was still living, though it had not forgotten, and will not, it is hoped, while the English language lasts, ever forget his writings. He died of a decline, the seeds of which had long been sown. As a devotional writer both in prose and verse the name of Isaac Williams stands deservedly high, but as a writer of hymns for congregational use, he does not, either for quantity or quality, at all reach the first rank. Indeed, it would have been very distressing to him if he had done so, for he shared the distaste which most of the early leaders of the Oxford movement felt for the congregational use of any metrical hymns apart from the Psalter, and it is said that he purposely made his translations of the Hymns from the Parisian Breviary rough, in order to prevent them from being so used. His poetical works are:— (1.) The Cathedral, his first publication in verse, issued in the early part of 1838. It was written about the same time as the famous Tract on Reserve, and "in pursuance of the same great object we had undertaken " (in the Tracts for the Times). What that object was is intimated in the alternative title, The Cathedral, or the Catholic and Apostolic Church in England. It followed very much the same lines as George Herbert's Temple, only it worked out the ideas far more in detail, connecting each part of the edifice with some portion of church doctrine or discipline. The whole volume is written in the true spirit of poetry, and some of the sonnets in it are good specimens of that difficult form of composition; but it contains scarcely any verses out of which even centos of hymns can be formed. (2.) Later on in the same year (1838) he published a volume, entitled Thoughts in Past Years, though, as the title implies, many of its contents were written at an earlier date. In fact the composition ranged over a period of at least twelve years. In the writer's own opinion there was more true, poetry in this volume than in The Cathedral, but the latter had the advantage of being written on one systematic plan, while the Thoughts was a collection of detached poems. The connexion between the four divisions of the volume was, that they were all suggested by the writer's surroundings. Thus the “Golden Valley" was the beautiful district in the neighbourhood of Stroud known by that name; "The Mountain Home" was the writer's own birthplace, Cwmcynfelin in Cardiganshire; "The River's Bank" was the River Windrush, on the banks of which was the writer's first curacy; "The Sacred City" is Oxford. In a later edition (1852) there is an additional division entitled "The side of the Hill," that is, Stinchcombe Hill, Gloucestershire. Like The Cathedral, this is rather a volume of sonnets and sacred poems for private use, than of hymns in the popular sense of the term. The same volume contains his Beliquiae Latinae; or Harrow School Exercises, and his Oxford Prize Poem, Ars Geologica. The Latinity of these poems fully bears out the writer's own remark, that in his early years he was more at home in Latin than he was in his own language. It also contained a translation of the "Dies Irse, Dies Ilia," to which, in the revised and enlarged edition of 1848, were added, under the title of Lyra Ecclesiastica, a number of translations from other Latin and Greek Hymns. These translations are for the most part very free, and are not adapted, as they were certainly not intended, for congregational use. (3.) His next publication was Hymns translated from the Parisian Breviary, 1839. He thought that "the ancient Latin hymns were the best source from which our acknowledged deficiency in metrical psalmody should be supplied, as being much more congenial to the spirit of our own Liturgy than those hymns which are too often made to take part in our ancient services;" and he had already published many of the translations which appear in this volume, at intervals from 1833 to 1837, in the British Magazine, the church organ which was edited by Hugh James Rose. A few hymns from this volume, e.g. "0 Heavenly Jerusalem," "Disposer Supreme," "0 Word of God above," have been adopted for congregational use, but most of these are, perhaps purposely, done into such irregular metres, that they are not available for the purpose. Indirectly, however, they have been highly serviceable to the cause of congregational psalmody, for Mr. Chandler tells us in the Preface to his Hymns of the Primitive Church that Mr. Williams's translations in the British Magazine led him to produce that work. (4.) The next little volume, Hymns on the Catechism, was written at Bisley and published in 1842. Its object was strictly practical; it was intended as "an aid towards following out that catechetical instruction which is so essential a part of the church system." It cannot be said that these hymns are likely to be so attractive to children, as, for example, those of Mrs. Alexander, but they are suitable for congregational, or at any rate, for Sunday school use, and one of them, "Be Thou my Guardian and my Guide," has found its way deservedly into most collections. (5.) In the same year (1842) a much more ambitious work, The Baptistery, also saw the light. One seems to recognize in this work the pupil of John Keble, for its leading idea is very much the same as that of Tract , viz.: that earthly things are a shadow of heavenly. It is divided into thirty-two "Images," as the author terms them; it is not easy reading, but it well repays the careful attention which it requires, for both in form and matter it is the product of a true poet. One of the "Images," the 20th, "The Day of Days, or the Great Manifestation," has supplied our well-known hymn, "Lord, in this, Thy mercy's day," but the general tenour of the work is quite apart from hymnody. (6.) The same may be said of The Altar, published in 1847, which takes the second great Sacrament of the Gospel, as The Baptistery took the first, for the basis of a series of devout meditations, 34 in number. The first edition was illustrated by 34 pictures, one to each meditation, after the fashion of a foreign book which the writer had seen; but the illustrations were thought unworthy of the subject, and the later editions appeared without them. The object of the work was to connect the various events which occurred at the time of our Blessed Lord's Passion with the Eucharistic Service. It consists exclusively of a series of sonnets, and supplies no hymns for congregational use. (7.) In the same year (1849) appeared another work of a very different type. It is entitled The Christian Scholar, and its object is "to render the study of the classics subservient to a higher wisdom." It incidentally gives us an interesting insight into the author's own training under Mr. Keble, for he tells us in the Preface that he himself "derived, not merely moral benefit, but actual religious training from this indirect mode of instruction in another to whom he owes everything that renders life valuable." The plan of the book is, in a word, to take passages from all the chief classical authors, and to give Christian comments on each. (8.) His only other poetical work was Ancient Hymns for Children, 1842, which consisted of a reprint, with slight alterations, of 30 of his translations from the Latin, previously published in 1838 and 1839 as above. Although Isaac Williams's prose writings are as valuable, and perhaps more popular than his verse, yet from the point of view of this article it will suffice to enumerate the principal of them. They include— Several reviews for The British Critic at various dates; Thoughts on the Study of the Gospels, 1842; Sermons on the Characters of the Old Testament, 1856; The Beginning of the Book of Genesis, with Notes and Reflections, 1861; The Psalms interpreted of Christ, vol. i., 1864 (no other volumes were published); A Memoir of the Rev. R. A. Suckling, late Perpetual Curate of Bussage, 1852; A Harmony of the Four Gospels, 1850; Sermons on the Epistles and Gospels, 3 vols., 1853; Sermons on the Female Characters of Holy Scripture, 1859; The Apocalypse, 1851, and many other minor works. Besides these, he edited a large number of Plain Sermons at different dates by various writers, and he also wrote some of the Tracts for the Times, notably Tract 80 (1838), and 87 (1840), on Reserve in Communicating Religious Knowledge. It is difficult to see why these should have given so much offence. The principles on which the conclusion is based are obviously correct. Perhaps the title Reserve was alarming when men's minds were excited by the fear that they were being led by the new Oxford school they knew not whither. These two Tracts, with Tract 86, also by Isaac Williams, would fill an octavo volume of more than 200 pages. Both the character and the writings of Isaac Williams are singularly attractive. They both present a striking combination of qualities which are not often found in union. He was as firm as a rock in the maintenance and expression of his principles, but so quiet and retiring that his personality came far less before the public than that of any of the other leaders of the Oxford movement. His writings are so Christian and unaggressive in their tone that we are won over to his side almost without knowing it. He was a most valuable ally on this very account to his party, and the hymnologist may well regret that he did not devote his exquisite poetical taste, his refined culture, and his ardent piety more to hymnwriting than he did. [Rev. J. H. Overton, D.D.] Isaac Williams's position in hymnody does not lie so much in the actual work which he did, as in the influence he had over others. His translation from the Latin, mainly through the metres which he deliberately adopted, have not had a wide acceptance in the hymnody of the Church. J. Chandler, however, has left it on record that Williams's translations in the British Magazine led him to undertake kindred work, and Chandlers translations are amongst the most popular in the English language. Williams's Hymns on the Catechism, 1842, were with, Dr. Neale's Hymns for Children of the same year the forerunners of the more popular productions on the same lines by later writers. Of his original hymns the following are also in common use:- 1. How solemn, silent, and how still. Obedience (1842.) 2. Jesus, most loving Lord. Hymn to Christ (1844.) 3. Lord, Thou dost abhor the proud. Humility. 4. Members of Christ are we. Members of Christ. 5. The child leans on its parent's breast. Trust in God. (1842.) 6. The High Priest once a year. Ascension. (1842.) The dates here given indicate the works in which these hymns appeared. -- John Julian, Dictionary of Hymnology (1907)

Elizabeth Rundle Charles

1828 - 1896 Person Name: Mrs. Elizabeth Charles, 1828- Hymnal Number: 95 Author of "Praise ye the Father! for His loving kindness" in The New Hymnary Charles, Elizabeth, née Rundle, is the author of numerous and very popular works intended to popularize the history of early Christian life in Great Britain; of Luther and his times; of Wesley and his work; the struggles of English civil wars; and kindred subjects as embodied in the Chronicles of the Schönherg-Cotta Family, the Diary of Kitty Trevelyan, &c, was born at Tavistock, Devonshire, Her father was John Rundle, M.P., and her husband, Andrew Paton Charles, Barrister-at-Law. Mrs. Charles has made some valuable contributions to hymnology, including original hymns and translations from the Latin and German. These were given in her:— (1) The Voice of Christian Life in Song; or, Hymns and Hymn-writers of Many Lands and Ages, 1858; (2) The Three Wakings, and other Poems, 1859; and (3) The Chronicles of the Schönberg-Cotta Family; (4) Poems, New York, 1867. This has some additional pieces. Her hymn on the Annunciation, "Age after age shall call thee [her] blessed," appeared in her Three Wakings, &c., 1859. --John Julian, Dictionary of Hymnology (1907) ========================= Charles, Elizabeth, née Rundle. Mrs. Charles has assumed the name of "Rundle-Charles," as given in the 1890 edition of the Hymnal Companion. Other hymns in common use are:— 1. Around a Table, not a tomb. Holy Communion. Dated Oct. 1862. In her Poems, 1868, in 6 stanzas of 4 lines. 2. Come, and rejoice with me. Joy in Christ. Some-times dated 1846. From her Three Wakings, 1859, p. 146, in 7 stanzas of 4 lines, and headed "Eureka." 3. Jesus, what once Thou wast. Jesus the Unchangeable One. In Mrs. Brock's Children's Hymn Book, 1881. 4. Never further than Thy Cross. Passiontide. In The Family Treasury, Feb. 1860. 5. What marks the dawning of the Year? New Year. From her Three Wakings, 1859, p. 155. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ====================== Charles, Elizabeth, née Rundle, pp. 218, ii.; 1556, i. Mrs. Rundle-Charles was born Jan. 2, 1828, married in 1851, and died March 28, 1896. Her hymn, "The little birds fill all the air with their glee" (Thankfulness), was published in her Three Waitings, 1859, p. 165, as a "Song for an Infant School." It is found in The Sunday School Hymnary, 1905, and others. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907)

James Drummond Burns

1823 - 1864 Person Name: James Drummond Burns, 1823-1864 Hymnal Number: 144 Author of "Hushed was the evening hymn" in The New Hymnary Burns, James Drummond, M.A., was born at Edinburgh, February 18, 1823. He studied and graduated M.A. at the University of Edinburgh. In 1845 he became Free Church minister of Dunblane, but resigned through failing health, in 1848, and took charge of the Presbyterian Church at Funchal, Madeira. In 1855 he became minister of Hampstead Presbyterian Church, London. Died at Mentone, Nov. 27, 1864, and was buried in Highgate Cemetery, London. His hymns appeared in:— (l) The Vision of Prophecy: and other Poems (Edin., Edmonston and Douglas). This was originally published in 1854, and enlarged in 1858. The Poems are distinguished by vivid colouring and poetic imagination, along with directness, delicacy of execution, pensive sweetness, and tenderness. They have never however become widely popular. Included are 29 "Hymns and Meditations," many of which rank among the very best of our modern hymns for beauty, simplicity of diction, and depth of religious feeling. (2) The Evening Hymn (Lond., T. Nelson & Sons), 1857. This consists of an original hymn and an original prayer for every evening in the month— 31 in all. The Hymns and Prayers alike are characterised by reverence, beauty, simplicity, and pathos. Some of the hymns in this volume are now well known; e.g. "Still with Thee, 0 my God," "Hushed was the evening hymn," "As helpless as a child who clings." (3) Memoir and Remains of the late Rev. James D. Burns, M.A., of Hampstead. By the late Rev. James Hamilton, D.D. (London, J. Nisbet & Co.), 1869. Besides 13 Sermons and the Memoir, this work includes 40 “Hymns and Miscellaneous Pieces." A number of these had appeared in periodicals. Some of them are very good though not equal to those previously published. Also 39 translations of German hymns, which appeared in the Family Treasury, &c., are rendered exactly in the metres of the originals and many had not previously been translated. The translations are generally very good. (4) Burns also wrote the article Hymn in the 8th edition of the Encyclopedia Britannica. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907) ===================== Burns, James Drummond, p, 197, i. Additional hymns in common use are:— 1. Not, Lord, unto that mount of dread. Safety in Christ. From Vision of Prophecy, 1st ed., 1854, p. 266. 2. O Thou whose tender [sacred] feet have trod. Resignation. From Vision of Prophecy, 1st ed., 1854, p. 227. 3. Thou, Lord, art love, and everywhere. Divine Love. From Vision of Prophecy, 2nd ed., 1858, p. 275. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) See also in: Hymn Writers of the Church

Laurentius Laurenti

1660 - 1722 Person Name: Laurenti Hymnal Number: 54 Author of "Rejoice, rejoice, believers! And let your lights appear" in The New Hymnary Laurenti, Laurentius, son of Herr Lorenz, or Laurenti, a burgess of Husum, in Schleswig, was born at Husum, June 8, 1660. He entered the University of Rostock in 1681, and after a year and a half spent there, went to Kiel to study music. In 1684 he was appointed cantor and director of the music at the cathedral church at Bremen. He died at Bremen, May 29, 1722 (Koch, iv. 281; Rotermund's continuation of Jöcher's Gelehrten-Lexicon, iii. 1405, &c). Laurenti was one of the best hymn-writers of the Pietistic school. His hymns are founded on the Gospels for Sundays and Festivals, and they draw out the bearing on the Christian life of the leading thoughts therein contained. They are of noble simplicity; are Scriptural, fervent, and often of genuine poetical worth. In Freylinghausen's Gesang-Buch, 1704 and 1714, no less than 34 are included, and many of these, with others by him, are still in extensive German use. They appeared in his:— Evangelia Melodica, das ist: Geistliche Lieder,und Lobgesange, nach den Sinn der ordentlichen Sonn-und Festages Evangelien, &c. Bremen, 1700 [Royal Library, Berlin], with 148 hymns on the Gospels, and two others. Of his hymns those which have passed into English are:—— i. Du wesentliches Wort. Christmas. Founded on St. John i. 1-12. In his Evangelia Melodica, 1700, p. 30, in 8 stanzas of 8 lines, entitled, "For the Third Day of Christmas." Included in Freylinghausen's Gesang-Buch, 1704, No. 20; and, recently, as No. 83, in the Berlin Geistliche Lieder, 1863. The translations in common use are:— 1. 0 Thou essential Word, Who from. A good translation, omitting st. iii., v., by Miss Winkworth, in her Lyra Germanica, first Ser., 1855, p. 15 (2nd edition, 1856, considerably altered); and repeated, abridged, in Flett's Collection, Paisley, 1871. Varying centos, beginning with st. i., 1. 5, altered to "O Saviour of our race," are found in America, as in Boardman's Selections, Philadelphia, 1861; the Pennsylvania Lutheran Church Book, 1868; and the Dutch Ref. Hymns of the Church, 1869. 2. 0 Thou essential Word, Who wast. By Miss Winkworth, in her Chorale Book for England, 1863, No. 54. This is her 1856 version (as above) rewritten to the original metre. Repeated, in full, in Dr. Thomas's Augustine Hymn Book, 1866, and the Ohio Lutheran Hymnal, 1880; and, abridged, in the English Presbyterian Psalms & Hymns, 1867, and Laudes Domini, N. Y., 1884. ii. Ermuntert euch, ihr Frommen. Second Advent. This is his finest hymn. In his Evangelia Melodica, 1700, p. 353, in 10 stanzas of 8 lines, entitled, "For the 27th Sunday after Trinity." It is founded on St. Matt. xxv. 1-13; and unites the imagery of the parable of the Ten Virgins with that of Rev. xx., xxi. Included, as No. 578, in Freylinghausen's Gesang-Buch, 1704; and, recently, as No. 1519, in the Berlin Geistliche Lieder, ed. 1863. The translation in common use is:— Rejoice, all ye believers. By Mrs. Findlater, in Hymns from the Land of Luther, 1st Ser., 1854, p. 61 (1884, p. 62), a good translation of st. i.-iii., vii., viii., x. In full, but altered to the original metre, in Schaff’s Christ in Song, 1869 and 1870. This version is found in a large number of English and American hymnals, under the following forms:— (1) Rejoice, all ye believers (st. i.). Varying centos are found in Mercer, 1864, Hymnal Companion, 1876, &c.; and in America in Hatfield's Church Hymn Book, 1872, Evangelical Hymnal, N. Y., 1880, and others. (2)

St. Joseph the Hymnographer

810 - 886 Person Name: Rev. John M. Neale, D.D. Hymnal Number: 55 Author of "Let our choir new anthems raise" in The New Hymnary Joseph, St., the Hymnographer. A native of Sicily, and of the Sicilian school of poets is called by Dr. Neale (in his Hymns of the Eastern Church), Joseph of the Studium, in error. He left Sicily in 830 for a monastic life at Thessalonica. Thence he went to Constantinople; but left it, during the Iconoclastic persecution, for Rome. He was for many years a slave in Crete, having been captured by pirates. After regaining his liberty, he returned to Constantinople. He established there a monastery, in connection with the Church of St. John Chrysostom, which was filled with inmates by his eloquence. He was banished to the Chersonese for defence of the Icons, but was recalled by the empress Theodora, and made Sceuophylax (keeper of the sacred vessels) in the Great Church of Constantinople, through the favour of the patriarch Ignatius. He stood high also in the favour of Photius, the rival and successor of Ignatius, and accompanied him into banishment. He died at an advanced age in 883. He is commemorated in the Calendars of the Greek Church on April 3rd. He is the most voluminous of the Greek hymnwriters. There are more than two hundred Canons under the acrostic of his name, in the Menaea. Cardinal Pitra says he is reported to have composed a thousand. There is some difficulty in distinguishing his works from those of the brother of Theodore of the Studium, Joseph of Thessalonica. This latter poet, and not the more celebrated Joseph the Hymnographer, was named Joseph of the Studium. [Rev. H. Leigh Bennett, M.A.] -- John Julian, Dictionary of Hymnology (1907) See also in: Wikipedia

Mary Lundie Duncan

1814 - 1840 Person Name: Mrs. Mary Lundie Duncan, 1814-1840 Hymnal Number: 117 Author of "Jesus, tender Shepherd, hear me" in The New Hymnary Duncan, Mary, née Lundie, daughter of the Rev. Robert Lundie, Parish Minister of Kelso, and Mary Grey Lundie Duncan, was born at Kelso, April 26, 1814. On July 11, 1836, she was married to the William Wallace Duncan, the son of Rev. Henry Duncan, D.D., founder of the Savings Bank movement and minister in Ruthwell, Dumfriesshire, Scotland. In the end of December, 1839, she took a chill, which resulted in a fever and died on Jan. 5, 1840. Her hymns, mostly written for her children between July and December, 1839, appeared, in 1841, in her Memoir, by her mother, and were issued separately, in 1842, as Rhymes for my Children, to the number of 23. The best known are, "Jesus, tender Shepherd, hear me," and "My Saviour, be Thou near me." Dianne Shapiro, from John Julian "Dictionary of Hymnology" and email from Prof. Charles W. Munn (biographer of Henry Duncan)

George Washington Doane

1799 - 1859 Person Name: Bishop George Washington Doane, D.D., 1799-1859 Hymnal Number: 105 Author of "Uplift the banner! Let it float" in The New Hymnary Doane, George Washington, D.D. Bishop Doane was born at Trenton, New Jersey, May 27, 1799, and graduated at Union College, Schenectady, New York. Ordained in 1821, he was Assistant Minister at Trinity Church, New York, till 1824. In 1824 he became a Professor at Trinity College, Hartford, Conn.; in 1828 Rector of Trinity Church, Boston; and, in 1832, Bishop of New Jersey. He founded St. Mary's Hall, Burlington, 1837, and Burlington College, Burlington, 1846. Died April 27, 1859. Bishop Doane's exceptional talents, learning, and force of character, made him one of the great prelates of his time. His warmth of heart secured devoted friends, who still cherish his memory with revering affection. He passed through many and severe troubles, which left their mark upon his later verse. He was no mean poet, and a few of his lyrics are among our best. His Works, in 4 volumes with Memoir by his son, were published in 1860. He issued in 1824 Songs by the Way, a small volume of great merit and interest. This edition is now rare. A second edition, much enlarged, appeared after his death, in 1859, and a third, in small 4to, in 1875. These include much matter of a private nature, such as he would not himself have given to the world, and by no means equal to his graver and more careful lyrics, on which alone his poetic fame must rest.The edition of 1824 contains several important hymns, some of which have often circulated without his name. Two of these are universally known as his, having been adopted by the American Prayer Book Collection, 1826:-- 1. Softly now the light of day. Evening. This, in addition to its use in American hymnals, is also found in the English Collections, including Snepp's Songs of Grace & Glory. Written in 1824. 2. Thou art the way, to Thee alone. Christ the Way. This, in the judgment of many, is the first of American hymns, and one of the most admirable and useful in the English language. In the United States its use is most extensive, and since its introduction into the English Collections by Bickersteth in 1833, Hall in his Mitre, in 1836, and others, it has grown in favour until it ranks with the most popular of the great English hymns. Near in merit to the foregoing stands a companion piece in the same work, which deserves to be better known :— 3. Lord, should we leave Thy hallowed feet. The next three have been overlooked at home, but have obtained considerable circulation in English Collections. 4. Father of mercies hear, Thy pardon we implore. Ash Wednesday or Lent. A translation of "Audi, benigne Conditor" q.v.), published in his Songs by the Way, 1824, together with several other translations, thus anticipating by twelve years the great English movement in that direction. Original translation in his Songs by the Way, 1875Miller (S. & S., p. 12) attributes this translation to Dr. Neale in error. 5. Return and come to God. Invitation. In his Songs, &c, 1824. It is found in Hall’s Mitre, 1836; the Baptist Hymnal, 1879, and several others. 6. To thee, 0 Lord, with dawning light. Morning. This hymn is attributed to Heber by Miller (S. & S. , p. 381) in error. It is included in the Society for Promoting Christian Knowledge Hymns, 1852; in Windle and others. It is from the Songs, &c, 1824. His later hymns, the dates of which are generally preserved in the last edition of his Songs by the Way, include the following, which are more or less in use :— 7. Beloved, it is well. All well in Christ. This is entitled "To my wife"; is dated Mar. 12, 1833, and was written in a copy of Dr. Bedell's "It is well." It is given in Kennedy, 1863. 8. Broken-hearted, weep no more. Assurance of Peace. The date of this hymn is not preserved. It is found as early as 1829, when it appeared in the 2nd edition of Cleland's (Baptist) Hymns. 9. Fling out the banner, let it float. Missions, Home & Foreign. This hymn, sometimes dated 1824 in error, was written at Riverside, 2nd Sunday in Advent, 1848, and is one of the author's latest effusions. It is in extensive use both in Great Britain and America. 10. He came not with His heavenly crown. The two Advents. In his Songs by the Way, edition 1875, this poem is dated Dec. 1827. In Dale's English Hymnbook, 1879, it is given with the omission of stanza iii., and in the American Protestant Episcopal Hymnal, 1871, it begins with stanza iv., "Once more, O Lord, Thy sign shall be." Full text in Lyra Sac. Amer., p. 92. 11. Lift not thou the wailing voice. Burial. A funeral hymn, adopted by the Anglican Hymnbook, but dated 1826 in error, for 1830. 12. What is that, mother? The lark, my child. This is not a hymn, but a familiar and long popular song. 13. "When darkness erst [once] at God's command. Israel in Egypt. In Kennedy, 1863, No. 722. 14. Young and happy while thou art. Youth for Christ. A favourite piece in many juvenile collections. It is dated Sept., 1827, and is given in Songs by the Way, 1875. The Lyra Sacra Americana also contains the following:— 15. Brightness of the Father's glory. Morning. A tr. of "Consors Paterni luminis " (q.v.). It is from the Songs, &c, 1824. 16. Child that kneelest meekly there. Child at Prayer. Suggested by a cast from a piece of sculpture by Greenough representing a child at prayer. 17. Grant me, Lord, Thy graces three. Faith, Hope, and Charity desired. 18. Perfect through suffering may it be. Uses of suffering. Dated in Songs by the Way, "The Breakers, June 1, 1853." 19. Yes, it is a faithful saying. Redemption. In his Songs, &c, 1824. [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Henry Kirke White

1785 - 1806 Hymnal Number: 59 Author of "Oft in danger, oft in woe" in The New Hymnary White, Henry Kirke, a gifted English poet who died early in life, was born in Nottingham, England, March 21, 1785. Very early he manifested a remarkable love for books and a decided talent for composition. But his parents were poor, and he was apprenticed in early boyhood to a stocking weaver, from which uncongenial servitude he escaped as soon as he could and began the study of law; but later he was converted and felt called to the ministry. The story of his conversion from deism to Christianity is briefly but beautifully told in the poem titled "The Star of Bethlehem." He entered St. John's College, Cambridge, in 1805 as a servitor; but died October 19, 1806, in the second year of his college course, when only twenty-one years of age. In 1803 he published a small volume of poems. Some of them are very fine, but no doubt he would have produced others far better if he had lived to the ordinary age of man. His rare poetic genius, his victory over skepticism and subsequent faith and piety, his hard struggle with poverty and early death invest the story of his life with more than ordinary pathos. His hymns, ten in number, appeared in Collyer's Collection, 1812. Oft in danger, oft in woe 412 The Lord our God is clothed with 99 When marshaled on the mighty 124 Hymn Writers of the Church, 1911 ============================ White, Henry Kirk, remarkable both for the early development of his genius and for the untimely termination of his brief life of splendid promise, was born at Nottingham, March 21, 1785. His father was a butcher, but his mother must have been a superior woman, since for a number of years she successfully conducted a boarding-school for girls. The writing-master in her establishment was for some time Henry's teacher, and under his instruction he made remarkable progress in Latin and other subjects. At the age of 13 he composed the lines "To an early Primrose," which were subsequently printed with his poems. At 14 he left school, and was put to the stocking-frame in order to learn prac¬tically the business of a hosier; but, disliking the employment, he was removed to an attorney's office in Nottingham, with a view to the legal profession. All his spare time was now devoted to literary pursuits, the acquisition of languages, and the composition of poetical and other contributions for the periodicals of the day. At the age of 15 he obtained from the Monthly Preceptor a silver medal for a translation from Horace, and a pair of globes for the best description of an imaginary tour from London to Edinburgh. When only 17 he was encouraged to publish his Clifton Grove and other Poems, which were certainly excellent as the compositions of a mere boy. About this time he was inclined to scepticism, but. through the perusal of Scott's Force of Truth and the arguments and appeals of a young friend, R. W. Almond (afterwards Rector of St. Peter's, Nottingham), he was led to earnest faith in Christianity. His well-known hymn "When marshall'd on the nightly plain" is understood to be a figurative description of his spiritual experience at this period. He now desired to become a Christian minister, and through the generosity of his employers he was released from his articles in 1804. With the help of the Rev. C. Simeon and other friends, he became a student of St. John's College, Cambridge. There he speedily distinguished himself, and the highest honours seemed within his grasp; but over application to study destroyed his health, and he fell ill and died Oct. 19, 1806, in the 22nd year of his age. Universal regret was expressed at his untimely end. Southey published his Remains, accompanied by a short memoir. Lord Byron composed some beautiful lines on the sad event. Josiah Conder and others wrote commemorative verses. The entire literary young manhood of England and America seemed moved with sympathy. A monumental tablet, with a medallion by Chantrey, was erected in All Saints Church, Cambridge, at the expense of a citizen of Boston, in the United States. Ten hymns are ascribed to H. K. White, which were printed by the Rev. Dr. W. B. Collyer in his Supplement to Dr. Watts's Psalms & Hymns, London, 1812. Of these four of the most popular are annotated as follows: "Awake, sweet harp of Judah, wake"; "Christians, brethren, ere we part"; "Much in sorrow, oft in woe"; “When marshalled on the nightly plain." These are all in extensive use. The rest, all in common use at the present time, are:— 1. 0 Lord, another day has flown. Evening. From this the hymn "0 let Thy grace perform its part" is taken. 2. 0 Lord, my God, in mercy turn. Penitence and Faith. 3. The Lord our God is full [clothed in] of might. Divine Sovereignty. 4. The Lord our God is Lord of all. Divine Sovereignty. 5. Through sorrow's night and danger's path. The Resurrection. Sometimes given as "When sorrow's path and danger's road." 6. What is this passing scene? Human Frailty. This hymn consists of selected stanzas from his “Ode on Disappointment." [Rev. W. R. Stevenson, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Clarence A. Walworth

1820 - 1900 Person Name: Rev. 0Clarence Alphonsus Walworth, 1820- Hymnal Number: 32 Author of "Holy God, we praise Thy name!" in The New Hymnary Walworth, Clarence Alphonsus, born in 1820, graduated at Union College, 1838, admitted to the Bar 1841, studied for the ministry of Protestant Episcopal Church, but subsequently was ordained as a priest of the Roman Catholic communion, and became Rector of St. Mary's, Albany, in 1864. He was one of the founders of the Order of the Paulists in the U.S.A. He published The Gentle Skeptic, N.Y., 1863, and Andiatoroctè, or the Eve of Lady Day, &c, N.Y., 1888. His paraphrase of the Te Deum, "Holy God, we. praise Thy name," p. 1133, ii. 7, is in the Catholic Psalmist, Dublin, 1858, p. 170. In the American Episcopal Hymnal, 1892, it begins with stanza ii., slightly altered, as "Hark, the loud celestial hymn." He died in 1900. [Rev. L. F. Benson, D.D.] --John Julian, Dictionary of Hymnology, New Supplement (1907)