Person Results

Switch back to the old search page.Advanced Search

Showing 71 - 80 of 476Results Per Page: 10 20 50

Omer Westendorf

1916 - 1997 Person Name: Omer Westendorf, 1916-1998 Topics: Service Music Benediction Author of "Sent Forth by God's Blessing" in Worship and Rejoice Omer Westendorf, one of the earliest lyricists for Roman Catholic liturgical music in English, died on October 22, 1997, at the age of eighty-one. Born on February 24, 1916, Omer got his start in music publishing after World War II, when he brought home for his parish choir in Cincinnati some of the Mass settings he had discovered in Holland. Interest in the new music being published in Europe led to his creation of the World Library of Sacred Music, initially a music-importing firm that brought much of this new European repertoire to U.S. parishes. Operating out of a garage in those early years, Omer often joked about the surprised expressions of visitors who stopped by and found a wide range of sheet music in various states of “storage” (read disarray). Later, as World Library Publications, the company began publishing some of its own music, including new works with English texts by some of those same Dutch composers, for example, Jan Vermulst. In 1955 World Library published the first edition of The Peoples Hymnal, which would become the People's Mass Book in 1964, one of the first hymnals to reflect the liturgical reforms proposed by Vatican II. Omer also introduced the music of Lucien Deiss to Catholic parishes through the two volumes of Biblical Hymns and Psalms. Using his own name and several pen names, Omer composed numerous compositions for liturgical use, though his best-known works may be the texts for the hymns “Where Charity and Love Prevail,” “Sent Forth by God’s Blessing,” and especially “Gift of Finest Wheat.” As he lay dying, his family and friends gathered around his bed to sing his text “Shepherd of Souls, in Love, Come, Feed Us.” NPM honored Omer as its Pastoral Musician of the Year in 1985. --liturgicalleaders.blogspot.com/2008 =========================== Pseudonyms: Paul Francis Mark Evans J. Clifford Evers --Letter from Tom Smith, Executive Director of The Hymn Society, to Leonard Ellinwood, 6 February 1980. DNAH Archives.

Mary Louise Bringle

b. 1953 Person Name: Mary Louise Bringle, n. 1953 Topics: Benediction Translator of "Dios te bendiga (May God Almighty Bless)" in Santo, Santo, Santo

George J. Elvey

1816 - 1893 Topics: Benediction Composer of "DIADEMATA" in Baptist Hymnal (1975 ed) George Job Elvey (b. Canterbury, England, 1816; d. Windlesham, Surrey, England, 1893) As a young boy, Elvey was a chorister in Canterbury Cathedral. Living and studying with his brother Stephen, he was educated at Oxford and at the Royal Academy of Music. At age nineteen Elvey became organist and master of the boys' choir at St. George Chapel, Windsor, where he remained until his retirement in 1882. He was frequently called upon to provide music for royal ceremonies such as Princess Louise's wedding in 1871 (after which he was knighted). Elvey also composed hymn tunes, anthems, oratorios, and service music. Bert Polman

John Stainer

1840 - 1901 Topics: Benediction Composer of "EVENING PRAYER (Stainer)" in The Hymnbook

I. B. Woodbury

1819 - 1858 Person Name: Isaac B. Woodbury Topics: Benediction Hymns Composer of "DORRNANCE" in Christian Praise Woodbury, Isaac Baker. (Beverly, Massachusetts, October 23, 1819--October 26, 1858, Columbia, South Carolina). Music editor. As a boy, he studied music in nearby Boston, then spent his nineteenth year in further study in London and Paris. He taught for six years in Boston, traveling throughout New England with the Bay State Glee Club. He later lived at Bellow Falls, Vermont, where he organized the New Hampshire and Vermont Musical Association. In 1849 he settled in New York City where he directed the music at the Rutgers Street Church until ill-health caused him to resign in 1851. He became editor of the New York Musical Review and made another trip to Europe in 1852 to collect material for the magazine. in the fall of 1858 his health broke down from overwork and he went south hoping to regain his strength, but died three days after reaching Columbia, South Carolina. He published a number of tune-books, of which the Dulcimer, of New York Collection of Sacred Music, went through a number of editions. His Elements of Musical Composition, 1844, was later issued as the Self-instructor in Musical Composition. He also assisted in the compilation of the Methodist Hymn Book of 1857. --Leonard Ellinwood, DNAH Archives

Elizabeth Mills

1805 - 1829 Person Name: Mrs. Elizabeth Mills Topics: Doxologies and Benedictions Author of "We'll Work Till Jesus Comes" in Worship and Service Mills, Elizabeth, née King, daughter of Philip King, was born at Stoke Newington in 1805; married to Thomas Mills, M.P., and died at Finsbury Place, London, April 21, 1829. Her popular hymn:— We speak of the realms of the blest. [Heaven] is thus annotated in Miller's Singers and Songs, &c, 1869, p. 483: "We are much indebted to John Remington Mills, Esq., M.P. for information about this hymn, written by his accomplished relative. The original has 6 st. and was composed after reading ‘Bridges on the 119th Psalm' (on ver. 44, p. 116), ‘We speak of heaven, but oh! to be there.' . . . Already deservedly a favourite, new interest will be added to this hymn when we know that the authoress was early called to ‘the realms of the blest,' of which she sang so sweetly, and that she wrote this hymn a few weeks before her death." The text of this hymn is usually given in an imperfect form. The corrections are supplied by W. F. Stevenson in his Hymns for Church and Home, 1873, "Children's Hymns," No. 151, and the note thereon. Few children's hymns have been received with more favour. It is found in almost every hymn-book published for Children in Great Britain and America during the last fifty years. In some collections it begins, "We sing of the land of the blest"; and in others,"We talk of the land of the blest," --John Julian, Dictionary of Hymnology (1907)

Jaroslav J. Vajda

1919 - 2008 Person Name: Jaroslav J. Vajda, 1919-2008 Topics: Benediction Author of "Go, My Children, with My Blessing" in Community of Christ Sings Jaroslav J. Vajda (b. Lorain, Ohio, 1919; d. 2008) Born of Czechoslovakian parents, Vajda was educated at Concordia College in Fort Wayne, Indiana, and Concordia Theological Seminary in St. Louis, Missouri. Ordained as a Lutheran pastor in 1944, he served congregations in Pennsylvania and Indiana until 1963. He was editor of the periodicals The Lutheran Beacon (1959-1963) and This Day (1963-1971) and book editor and developer for Concordia Publishing House in St. Louis from 1971 until his retirement in 1986. Working mainly with hymn texts, Vajda served on several Lutheran commissions of worship. A writer of original poetry since his teens, he was the author of They Followed the King (1965) and Follow the King (1977). His translations from Slovak include Bloody Sonnets (1950), Slovak Christmas (1960), An Anthology of Slovak Literature (1977), and contributions to the Lutheran Worship Supplement (1969) and the Lutheran Book of Worship (1978). A collection of his hymn texts, carols, and hymn translations was issued as Now the Joyful Celebration (1987); its sequel is So Much to Sing About (1991). Vajda's hymns are included in many modern hymnals, and he was honored as a Fellow of the Hymn Society in the United States and Canada in 1988. Bert Polman

Nikolaus Herman

1500 - 1561 Person Name: N. Herman, c. 1480-1561 Topics: Benediction Composer of "LOBT GOTT, IHR CHRISTEN" in Evangelical Lutheran Hymnary Herman, Nicolaus, is always associated with Joachimsthal in Bohemia, just over the mountains from Saxony. The town was not of importance till the mines began to be extensively worked about 1516. Whether Herman was a native of this place is not known, but he was apparently there in 1518, and was certainly in office there in 1524. For many years he held the post of Master in the Latin School, and Cantor or Organist and Choirmaster in the church. Towards the end of his life he suffered greatly from gout, and had to resign even his post as Cantor a number of years before his death. He died at Joachimsthal, May 3, 1561. (Koch, i. 390-398; Allgemeine Deutsche Biographie, xii. 186-188, &c.) He was a great friend and helper of J. Mathesius (q.v.) (who in 1532 became rector of the school, but in 1541 diaconus and in 1545 pastor of the church), and it was said that whenever Mathesius preached a specially good sermon Herman straightway embodied its leading ideas in a hymn. His hymns, however, were not primarily written for use in church, but were intended for the boys and girls in the schools, to supplant profane songs in the mouths of the young men and women, or for the daily life of the “housefathers and housemothers" in Joachimsthal, at home, and in their work in the mines. He is a poet of the people, homely, earnest, and picturesque in style; by his naiveté reminding us of Hans Sachs. He was an ardent lover of music and a very good organist. The chorales which he published with his hymns are apparently all of his own composition, and are among the best of the Reformation period. Many of Herman's hymns soon passed into Church use in Germany, and a number are found in almost all books in present use. About 190 in all, they appeared principally in:— (1) Die Sontags Evangelia uber des gantze Jar, in Gesenge verfasset, für die Kinder und christlichen Haussvetter, &c, Wittenberg, 1560 (dedication by Herman dated Trinity Sunday, 1559), with 101 hymns and 17 melodies. The best are those interspersed specially meant for children and not directly founded on the Gospel for the day. (2) Die Historien von der Sindfludt, Joseph, Mose, Helia, Elisa und der Susanna, sampt etlichen Historien aus den Evangelisten, &c., Wittenberg, 1562 (preface by Herman dated St. Bartholomew's Day, 1560), with 73 hymns and 20 melodies. In this case also the general hymns are the best. A selection of 60 (really 61) of his hymns, with a memoir by K. F. Ledderhose, was published at Halle, 1855. One of Herman's hymns is noted under “Wenn mein Stündlein vorhanden ist." The others which have passed into English are:— i. Bescher uns, Herr, das täglioh Brod. Grace before Meat. 1562, as above, and thence in Wackernagel, iii. p. 1228, in 6 stanzas of 4 lines; in Ledderhose, p. 70; and in the Berlin Geistliche Lieder, ed. 1863, No. 1133. Translated as:— 1. Thou art our Father and our God. This, by P. H. Molther, a translation of stanza vi., as No. 180 in the Moravian Hymn Book, 1789 (1849, No. 220, st. v.). 2. As children we are owned by Thee, a translation of stanza vi., as st. iii. of No. 191 in the Moravian Hymn Book, 1801 (1849, No. 220, stanza iii.). ii. Die helle Sonn leucht jetzt herfür. Morning. 1560, as above, and thence in Wackernagel, iii. p. 1184, in 4 stanzas of 4 lines, in Ledderhose, p. 87; and in the Unverfälschter Liedersegen, 1851, No. 450. Translated as:— The morning beam revives our eyes, a good and full translation by. A. T. Russell, as No. 71 in the Dalston Hospital Hymn Book 1848. iii. Erschienen ist der herrliche Tag. Easter. 1560, as above, in 14 stanzas of 4 lines, entitled, "A new Spiritual Song of the Joyful Resurrection of our Saviour Jesus Christ; for the maidens of the girls' school in Joachimsthal”; and thence in Wackernagel, iii. p. 1175; in Ledderhose p. 23, and Unverfälschter Liedersegen, 1851, No. 134. It has reminiscences of the "Erstanden ist der heil'ge Christ". Translated as:— The day hath dawn'd—-the day of days, a good translation by A. T. Russell of stanzas i., ii., xiii., xiv., as No. 113 in his Psalms & Hymns, 1851. Another tr. is, "At length appears the glorious day," by Dr. G. Walker, 1860, p. 28. iv. Hinunter ist der Sonnen Schein. Evening. 1560, as above, and thence in Wackernagel, iii. p. 1184, in 4 stanzas of 4 lines; in Ledderhose, p. 88; and in the Unverfälschter Liedersegen1851, No. 523. Some of the phrases may have been suggested by the "Christe qui lux es et dies" (q. v.). Translated as:— 1. Sunk is the sun's last beam of light, a full and good translation by Miss Cox in her Sacred Hymns from the German, 1841, p. 57. Included in Alford's Psalms & Hymns, 1844, and Tear of Praise, 1867; in Dale's English Hymn Book, 1875; in the Pennsylvania Lutheran Church Book, 1868, and others. It is also given considerably altered and beginning, "Sunk is the Sun! the daylight gone," in W. J. Blew's Church Hymn and Tune Book, 1851-55. 2. The happy sunshine all is gone, in full, by Miss Winkworth in her Lyra Germanica, 1st Ser., 1855, p. 225; repeated in her Chorale Book for England, 1863, and the Ohio Lutheran Hymnal, 1880. Other translations are: (1) "Did I perhaps Thee somewhat grieve," a translation of stanza iii. in the Moravian Hymn Book, 1789, No. 756. In the 1801 and later eds. (1886, No. 1181, st. iii.), it begins, "Where'er I Thee this day did grieve." (2) "The sun’s fair sheen is past and gone," by H. J. Buckoll, 1842, p. 68. (3) "The sun hath run his daily race," by Lady E. Fortescue, 1843, p. 14. v. Lobt Gott, ihr Christen alle gleich. Christmas. Written c. 1554, but first published 1560 as above, as the first of "Three Spiritual Christmas Songs of the new-born child Jesus, for the children in Joachimsthal." Thence in Wackernagel iii. p. 1169, in 8 stanzas of 4 lines; in Ledderhose, p. 1; and in the Unverfälschter Liedersegen, 1851, No. 47. It is one of the most popular German Christmas hymns. The melody set to it in 1560 is also by Herman; in 1554 to his "Kommt her ihr liebsten Schwesterlein" [in the Hymnal Companioncalled "St. George's (old)"]. Translated as :— 1. Let all together praise our God, a good translation of stanzas i., iii., vi., viii., by A. T. Russell, as No. 52 in his Psalms & Hymns, 1851. Repeated in Kennedy, 1863, adding a translation of st. ii., and beginning, "Let all creation praise our God." 2. Praise ye the Lord, ye Christians I yea, in full, by E. Cronenwett, as No. 31 in the Ohio Lutheran Hymnal 1880. Other translations are: (1) "A wondrous change He with us makes," a tr. of stanza viii., ix. as No. 438 in pt. i. of the Moravian Hymn Book, 1754, repeated 1789-1826. (2) "Come, brethren, lets the song arise," by Dr. G. Walker, 1860, p. 26. (3) "Praise God, now Christians, all alike," by Miss Manington, 1864, p. 9. (4) "Praise God, upon His throne on high," in the Sunday Magazine, 1874, p. 384, signed "P. J." The hymn “Shepherds rejoice, lift up your eyes," given by J. C. Jacobi in his Psalmodia Germanica, 1722, p. 8, to Herman's melody (which was first published 1554) is, as stated in his Preface, taken from Bk. i. of Isaac Watts's Horse Lyricae vi. So wahr ich leb, spricht Gott der Herr. Absolution. 1560, as above, in 11 stanzas of 4 lines, entitled "A hymn on the power of the keys and the virtue of holy absolution; for the children in Joachimsthal." Thence in Wackernagel, iii. p. 1183; in Ledderhose, p. 47; and the Unverfälschter Liedersegen, 1851, No. 429. It probably suggested the better known hymn, "So wahr ich lebe," q. v., by Johann Heermann. Translated as:— Yea, as I live, Jehovah saith, I do not wish the sinner's death, in full, by Dr. M. Loy, as No. 245, in the Ohio Lutheran Hymnal, 1880. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Gerard Moultrie

1829 - 1885 Person Name: Gerard Moultrie, 1829-1885 Topics: Eucharistic Adoration and Benediction Paraphraser of "Let All Mortal Flesh Keep Silence" in Gather (3rd ed.) Moultrie, Gerard, M.A., son of the Rev. John Moultrie, was born at Rugby Rectory, Sept. 16, 1829, and educated at Rugby and Exeter College, Oxford (B.A. 1851, M.A. 1856). Taking Holy Orders, he became Third Master and Chaplain in Shrewsbury School; Chaplain to the Dowager Marchioness of Londonderry, 1855-59; curate of Brightwaltham, 1859; and of Brinfield, Berks, 1860; Chaplain of the Donative of Barrow Gurney, Bristol, 1864: Vicar of Southleigh, 1869, and Warden of St. James's College, Southleigh,1873. He died April 25, 1885. His publications include: 1) The Primer set forth at large for the use of the Faithful. In Family and Private Prayer. Edited from the Post Reformation editions, 1864. (2) Hymns and Lyrics for the Seasons and Saints' Days of the Church, 1867. The hymns of his sister, Mary Dunlop Moultrie (q.v.), were included in this volume. (3) The Espousals of S. Dorothea and Other Verses, 1870. (5) The Devout Communicant, 1867. (6) Six Years' work in Southleigh, 1875. (7) Cantica Sanctorum, or Hymns for the Black Letter Saints Days in the English and Scottish Calendars, to which are added a few Hymns for Special Occasions, 1880. Mr. Moultrie's hymns include translations from the Greek, Latin, and German, in addition to original compositions. A large number appeared in the Church Times, and other papers; and many were written for special Saints' Days, and Other Festivals, for the People's Hymnal, 1867, in which some were signed "D. P." (i.e. Desiderius Pastor). The following are in common use:— i. In The Primer, 1864. 1. Father of all, to Thee we pray. Lord's Prayer. 2. In the Name of God the Father. Laying Foundation Stone. (2nd stanza: "And as on the morning stillness.") First appeared in the Church Times, Oct. 1, 1864, and again (as rewritten for the laying of the foundation stone of St. Margaret's, East Grinstead), July 29, 1865. ii. In Hymns and Lyrics, 1867. 3. Bishop of the souls of men. St. Matthias. 4. Come, faithful people, come away. Palm Sunday. 5. Easter-day is here, and we. Easter. 6. Heavenly Father, God alone. Harvest. 7. Mother, from whose bosom's veil. St. Anne. July 26. 8. 0 Jesu, 0 Redeemer. St. Luke. 9. Mary, maiden undefiled. Visitation of the Blessed Virgin Mary. 10. Silence reigns at eventide. Whitsuntide. In the Altar Hymnal, 1884, it begins with st. iii., "Hark, a rushing mighty sound." 11. The Marriage feast is ready. All Saints. Usually given in an abbreviated form. 12. Virgin-born the King of heaven. Christmas Midnight Hymn. ("To be sung at the Midnight Cele¬bration.") In the Church Times, Nov. 26, 1864, and revised for Hymns & Lyrics. 13. We march, we march to victory. Processional. In the Church Times, Aug, 19, 1865, and headed "Processional hymn before service (written expressly for use during present troubles)." 14. Who is this that shines so bright! St. Laurence. In the People's Hymnal, 1867. 15. Who keeps his birthday feast tonight? Beheading of St. John Baptist. In the People's Hymnal, 1867. iii. In The People's Hymnal, 1867. 16. Heart to heart, and side by side. Holy Matrimony. 17. I know that my Redeemer liveth. Burial. A paraphrase of the Responsory in the Roman Office for the Dead. 18. Jesus Christ, we humbly pray. Opening of a School House. 19. Lord of heaven, Whose faithful love. Ember Days. 20. Lord, today we bring to Thee. Reception of a Privately Baptized Child. 21. Lord, we come today to Thee. Choir Festival. 22. 0 God, Who bad'st Thine angel sheathe. National Thanksgiving for restored Public Health. This is given in the Society for Promoting Christian Knowledge Church Hymns, 1871, as "0 God, Whose angel stayed his hand," and in the Hymnary, 1872, as "Lord, Who didst bid Thine angel sheathe." 23. 0 Lord of Hosts, Thou God of might. National Thanksgiving for Peace. In several collections. 24. Sevenfold Spirit, Lord of life. Consecration of a Bishop. First sung at the consecration of an American bishop at New York, in 1867. Included in the author's Espousals of St. Dorothea, 1870. 25. Sounds the bell in solemn cadence. Burial. In The Espousals of S. Dorothea, 1870, p. 82, the note is added, "This hymn was first sung at the funeral of the Rev. Warwick Wroth of Clerkenwell." It is headed "Funeral Hymn for a Priest." iv. In Cantica Sanctorum, 1880. 26. In the midst of gladness, sorrow. Annunciation in Holy Week. 27. Jesus, tender Shepherd. Holy Communion. 28. Swing the censer, wave the banner. Processional. v. In The Altar Hymnal, 1884. 29. Our great High Priest is standing. Holy Communion. 30. Lo, the Sacrifice atoning. Holy Communion. vi. Various. 31. Forward, Christians, forward. Processional. Written for the Church of England Working Men's Society in 1879, and issued as a leaflet, of which 40,000 copies were sold during the first year. 32. Laid in this garden full of bloom. Easter Eve. In the Churchman's Companion, April, 1879. 33. On the wings of the wind fell a hymn from the sky. Christmas. In Husband's Supplemental Hymns, N.D. [1873]. 34. Shades of night are falling round us. Evening. Novello & Co., with Music by Shad Frost. 35. There is a sound of rejoicing around the great throne. Processional. Written for St. Michael's Church, Folkestone, and published in E. Husband's Appendix to Hymns Ancient & Modern, N.D. [1873]. It was set to music by Mr. Husband, and is commonly known as "The Folkestone Processional." 36. This is the festal day of jubilation. Sunday School Anniversary. A hymn to be sung alternately by men and boys during the collection, written in 1877 for St. Agnes's, Kennington, London. 37. This is the hour of peace and blest communion. Holy Communion. Written for the English Church Union Commemoration held at St. Agnes's, Kennington Park, London, June 9, 1880. From the subjects of the hymns noted above it will be seen that Mr. Moultrie wrote principally on matters not usually dealt with by hymnwriters. This is specially the case with his Cantica Sanctorum, in which most of the 103 hymns are for "Black Letter Saints' Days." --John Julian, Dictionary of Hymnology (1907) =================== Moultrie, G., p. 771, ii. We find that Mr. Moultrie wrote the preface to the Cantica Sanctorum, 1880, but did not edit the book. He and others contributed some thirteen hymns thereto. It was edited by Miss Isabella Leefe, p. 1663, i., who wrote 90 of the hymns. --John Julian, Dictionary of Hymnology, New Supplement (1907) See also in: Hymn Writers of the Church

Aaron R. Wolfe

1821 - 1902 Person Name: Rev. Aaron R. Wolfe Topics: Benedictions Author of "A Parting Hymn We Sing" in The New Church Hymnal Wolfe, Aaron Robarts, was born at Mendham, New Jersey, Sep. 6, 1821, and educated at Williams College, 1844; and the Union Theological Seminary, New York, 1851. On April 9, 1851, he was licensed by the Third Presbytery of New York. For some lime he had charge of a school for young ladies at Tallahassee, Florida; and in 1859 he established "The Hillside Seminary for Young Ladies" at Montclair, New Jersey. In 1858 he contributed 7 hymns under the signature "A. R. W." to Hastings's Church Melodies. These are:— 1. A Parting hymn we sing. Close of Holy Communion. 2. Complete in Thee, no work of mine. Complete in Christ. Published in the N. Y. Evangelist, 1850 or 51. 3. Draw near, O Holy Dove, draw near. Holy Communion. 4. How blest indeed are they. In the Likeness of Christ. 5. My God, I thank Thee for the guide. Conscience. 6. Mysterious influence divine. The Cross of Christ. 7. Thou Maker of our mortal frame. Chief end of Man. The most popular of these hymns are Nos. 1, 2, and 3. [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907)