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Henry Thomas Smart

1813 - 1879 Person Name: Henry Thomas Smart, 1813-79 Scripture: Ephesians 4:1-6 Composer of "REGENT SQUARE" in Together in Song Henry Smart (b. Marylebone, London, England, 1813; d. Hampstead, London, 1879), a capable composer of church music who wrote some very fine hymn tunes (REGENT SQUARE, 354, is the best-known). Smart gave up a career in the legal profession for one in music. Although largely self taught, he became proficient in organ playing and composition, and he was a music teacher and critic. Organist in a number of London churches, including St. Luke's, Old Street (1844-1864), and St. Pancras (1864-1869), Smart was famous for his extemporizations and for his accompaniment of congregational singing. He became completely blind at the age of fifty-two, but his remarkable memory enabled him to continue playing the organ. Fascinated by organs as a youth, Smart designed organs for important places such as St. Andrew Hall in Glasgow and the Town Hall in Leeds. He composed an opera, oratorios, part-songs, some instrumental music, and many hymn tunes, as well as a large number of works for organ and choir. He edited the Choralebook (1858), the English Presbyterian Psalms and Hymns for Divine Worship (1867), and the Scottish Presbyterian Hymnal (1875). Some of his hymn tunes were first published in Hymns Ancient and Modern (1861). Bert Polman

Federico J. Pagura

1923 - 2016 Person Name: Federico J. Pagura, 1923-2016 Scripture: Ephesians 4:1-6 Translator of "For the Beauty of the Earth" in Santo, Santo, Santo Federico José Pagura was an Argentine Methodist bishop and author and translator of hymns. Leland Bryant Ross

John Newton

1725 - 1807 Scripture: Ephesians 4:3 Author of "Benediction" in Trinity Hymnal (Rev. ed.) John Newton (b. London, England, 1725; d. London, 1807) was born into a Christian home, but his godly mother died when he was seven, and he joined his father at sea when he was eleven. His licentious and tumultuous sailing life included a flogging for attempted desertion from the Royal Navy and captivity by a slave trader in West Africa. After his escape he himself became the captain of a slave ship. Several factors contributed to Newton's conversion: a near-drowning in 1748, the piety of his friend Mary Catlett, (whom he married in 1750), and his reading of Thomas à Kempis' Imitation of Christ. In 1754 he gave up the slave trade and, in association with William Wilberforce, eventually became an ardent abolitionist. After becoming a tide-surveyor in Liverpool, England, Newton came under the influence of George Whitefield and John and Charles Wesley and began to study for the ministry. He was ordained in the Church of England and served in Olney (1764-1780) and St. Mary Woolnoth, London (1780-1807). His legacy to the Christian church includes his hymns as well as his collaboration with William Cowper (PHH 434) in publishing Olney Hymns (1779), to which Newton contributed 280 hymns, including “Amazing Grace.” Bert Polman ================== Newton, John, who was born in London, July 24, 1725, and died there Dec. 21, 1807, occupied an unique position among the founders of the Evangelical School, due as much to the romance of his young life and the striking history of his conversion, as to his force of character. His mother, a pious Dissenter, stored his childish mind with Scripture, but died when he was seven years old. At the age of eleven, after two years' schooling, during which he learned the rudiments of Latin, he went to sea with his father. His life at sea teems with wonderful escapes, vivid dreams, and sailor recklessness. He grew into an abandoned and godless sailor. The religious fits of his boyhood changed into settled infidelity, through the study of Shaftesbury and the instruction of one of his comrades. Disappointing repeatedly the plans of his father, he was flogged as a deserter from the navy, and for fifteen months lived, half-starved and ill-treated, in abject degradation under a slave-dealer in Africa. The one restraining influence of his life was his faithful love for his future wife, Mary Catlett, formed when he was seventeen, and she only in her fourteenth year. A chance reading of Thomas à Kempis sowed the seed of his conversion; which quickened under the awful contemplations of a night spent in steering a water-logged vessel in the face of apparent death (1748). He was then twenty-three. The six following years, during which he commanded a slave ship, matured his Christian belief. Nine years more, spent chiefly at Liverpool, in intercourse with Whitefield, Wesley, and Nonconformists, in the study of Hebrew and Greek, in exercises of devotion and occasional preaching among the Dissenters, elapsed before his ordination to the curacy of Olney, Bucks (1764). The Olney period was the most fruitful of his life. His zeal in pastoral visiting, preaching and prayer-meetings was unwearied. He formed his lifelong friendship with Cowper, and became the spiritual father of Scott the commentator. At Olney his best works—-Omicron's Letters (1774); Olney Hymns (1779); Cardiphonia, written from Olney, though published 1781—were composed. As rector of St. Mary Woolnoth, London, in the centre of the Evangelical movement (1780-1807) his zeal was as ardent as before. In 1805, when no longer able to read his text, his reply when pressed to discontinue preaching, was, "What, shall the old African blasphemer stop while he can speak!" The story of his sins and his conversion, published by himself, and the subject of lifelong allusion, was the base of his influence; but it would have been little but for the vigour of his mind (shown even in Africa by his reading Euclid drawing its figures on the sand), his warm heart, candour, tolerance, and piety. These qualities gained him the friendship of Hannah More, Cecil, Wilberforce, and others; and his renown as a guide in experimental religion made him the centre of a host of inquirers, with whom he maintained patient, loving, and generally judicious correspondence, of which a monument remains in the often beautiful letters of Cardiphonia. As a hymnwriter, Montgomery says that he was distanced by Cowper. But Lord Selborne's contrast of the "manliness" of Newton and the "tenderness" of Cowper is far juster. A comparison of the hymns of both in The Book of Praise will show no great inequality between them. Amid much that is bald, tame, and matter-of-fact, his rich acquaintance with Scripture, knowledge of the heart, directness and force, and a certain sailor imagination, tell strongly. The one splendid hymn of praise, "Glorious things of thee are spoken," in the Olney collection, is his. "One there is above all others" has a depth of realizing love, sustained excellence of expression, and ease of development. "How sweet the name of Jesus sounds" is in Scriptural richness superior, and in structure, cadence, and almost tenderness, equal to Cowper's "Oh! for a closer walk with God." The most characteristic hymns are those which depict in the language of intense humiliation his mourning for the abiding sins of his regenerate life, and the sense of the withdrawal of God's face, coincident with the never-failing conviction of acceptance in The Beloved. The feeling may be seen in the speeches, writings, and diaries of his whole life. [Rev. H. Leigh Bennett, M.A.] A large number of Newton's hymns have some personal history connected with them, or were associated with circumstances of importance. These are annotated under their respective first lines. Of the rest, the known history of which is confined to the fact that they appeared in the Olney Hymns, 1779, the following are in common use:— 1. Be still, my heart, these anxious cares. Conflict. 2. Begone, unbelief, my Saviour is near. Trust. 3. By the poor widow's oil and meal. Providence. 4. Chief Shepherd of Thy chosen sheep. On behalf of Ministers. 5. Darkness overspreads us here. Hope. 6. Does the Gospel-word proclaim. Rest in Christ. 7. Fix my heart and eyes on Thine. True Happiness. 8. From Egypt lately freed. The Pilgrim's Song. 9. He Who on earth as man was Known. Christ the Rock. 10. How blest are they to whom the Lord. Gospel Privileges. 11. How blest the righteous are. Death of the Righteous. 12. How lost was my [our] condition. Christ the Physician. 13. How tedious and tasteless the hours. Fellowship with Christ. 14. How welcome to the saints [soul] when pressed. Sunday. 15. Hungry, and faint, and poor. Before Sermon. 16. In mercy, not in wrath, rebuke. Pleading for Mercy. 17. In themselves, as weak as worms. Power of Prayer. 18. Incarnate God, the soul that knows. The Believer's Safety. 19. Jesus, Who bought us with His blood. The God of Israel. "Teach us, 0 Lord, aright to plead," is from this hymn. 20. Joy is a [the] fruit that will not grow. Joy. 21. Let hearts and tongues unite. Close of the Year. From this "Now, through another year," is taken. 22. Let us adore the grace that seeks. New Year. 23. Mary to her [the] Saviour's tomb. Easter. 24. Mercy, 0 Thou Son of David. Blind Bartimeus. 25. My harp untun'd and laid aside. Hoping for a Revival. From this "While I to grief my soul gave way" is taken. 26. Nay, I cannot let thee go. Prayer. Sometimes, "Lord, I cannot let Thee go." 27. Now may He Who from the dead. After Sermon. 28. 0 happy they who know the Lord, With whom He deigns to dwell. Gospel Privilege. 29. O Lord, how vile am I. Lent. 30. On man in His own Image made. Adam. 31. 0 speak that gracious word again. Peace through Pardon. 32. Our Lord, Who knows full well. The Importunate Widow. Sometimes altered to "Jesus, Who knows full well," and again, "The Lord, Who truly knows." 33. Physician of my sin-sick soul. Lent. 34. Pleasing spring again is here. Spring. 35. Poor, weak, and worthless, though I am. Jesus the Friend. 36. Prepare a thankful song. Praise to Jesus. 37. Refreshed by the bread and wine. Holy Communion. Sometimes given as "Refreshed by sacred bread and wine." 38. Rejoice, believer, in the Lord. Sometimes “Let us rejoice in Christ the Lord." Perseverance. 39. Salvation, what a glorious plan. Salvation. 40. Saviour, shine and cheer my soul. Trust in Jesus. The cento "Once I thought my mountain strong," is from this hymn. 41. Saviour, visit Thy plantation. Prayer for the Church. 42. See another year [week] is gone. Uncertainty of Life. 43. See the corn again in ear. Harvest. 44. Sinner, art thou still secure? Preparation for the Future. 45. Sinners, hear the [thy] Saviour's call. Invitation. 46. Sovereign grace has power alone. The two Malefactors. 47. Stop, poor sinner, stop and think. Caution and Alarm. 48. Sweeter sounds than music knows. Christmas. 49. Sweet was the time when first I felt. Joy in Believing. 50. Ten thousand talents once I owed. Forgiveness and Peace. 51. The grass and flowers, which clothe the field. Hay-time. 52. The peace which God alone reveals. Close of Service. 53. Thy promise, Lord, and Thy command. Before Sermon. 54. Time, by moments, steals away. The New Year. 55. To Thee our wants are known. Close of Divine Service. 56. We seek a rest beyond the skies. Heaven anticipated. 57. When any turn from Zion's way. Jesus only. 58. When Israel, by divine command. God, the Guide and Sustainer of Life. 59. With Israel's God who can compare? After Sermon. 60. Yes, since God Himself has said it. Confidence. 61. Zion, the city of our God. Journeying Zionward. -- John Julian, Dictionary of Hymnology (1907) ================= Newton, J., p. 803, i. Another hymn in common use from the Olney Hymns, 1779, is "Let me dwell on Golgotha" (Holy Communion). --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ----- John Newton was born in London, July 24, 1725. His mother died when he was seven years old. In his eleventh year he accompanied his father, a sea captain, on a voyage. For several years his life was one of dissipation and crime. He was disgraced while in the navy. Afterwards he engaged in the slave trade. Returning to England in 1748, the vessel was nearly wrecked in a storm. This peril forced solemn reflection upon him, and from that time he was a changed man. It was six years, however, before he relinquished the slave trade, which was not then regarded as an unlawful occupation. But in 1754, he gave up sea-faring life, and holding some favourable civil position, began also religious work. In 1764, in his thirty-ninth year, he entered upon a regular ministry as the Curate of Olney. In this position he had intimate intercourse with Cowper, and with him produced the "Olney Hymns." In 1779, Newton became Rector of S. Mary Woolnoth, in London, in which position he became more widely known. It was here he died, Dec. 21, 1807, His published works are quite numerous, consisting of sermons, letters, devotional aids, and hymns. He calls his hymns "The fruit and expression of his own experience." --Annotations of the Hymnal, Charles Hutchins, M.A. 1872 See also in: Hymn Writers of the Church =======================

John Stainer

1840 - 1901 Scripture: Ephesians 4:3 Composer of "EVENING PRAYER (STAINER)" in Trinity Hymnal (Rev. ed.)

Thomas Cotterill

1779 - 1823 Scripture: Ephesians 4:8 Author of "Hail the Day That Sees Him Rise" in Baptist Hymnal 1991 Thomas Cotterill (b. Cannock, Staffordshire, England, 1779; d. Sheffield, Yorkshire, England, 1823) studied at St. John's College, Cambridge, England, and became an Anglican clergyman. A central figure in the dispute about the propriety of singing hymns, Cotterill published a popular collection of hymns (including many of his own as well as alterations of other hymns), Selection of Psalms and Hymns in 1810. But when he tried to introduce a later edition of this book in Sheffield in 1819, his congregation protested. Many believed strongly that the Church of England should maintain its tradition of exclusive psalm singing. In a church court the Archbishop of York and Cotterill reached a compromise: the later edition of Selection was withdrawn, and Cotterill was invited to submit a new edition for the archbishop's approval. The new edition was published in 1820 and approved as the first hymnal for the Anglican church of that region. Cotterill's suppressed book, however, set the pattern for Anglican hymnals for the next generation, and many of its hymns are still found in modern hymnals. Bert Polman =============== Thomas Cotterill was born in 1779; studied at S. John's College, Cambridge, graduating M.A.; ordained in 1806, and enterred upon parochial work at Tutbury; afterwards removed to Lane End, where he remained for nine years among the Potteries; in 1817, became perpetual Curate of S. Paul's, Sheffield. He died in 1823. He was the author of several books; among them, "A Selection of Psalms and Hymns for Public and Private Use, adapted to the Services of the Church of England." In the preparation of this collection (the 8th ed., 1819), he had the assistance of Montgomery, who in this work did what he condemned in others, viz., altering and remodeling other authors' hymns. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872. ====================== Cotterill, Thomas, M.A., was the son of a woolstapler at Cannock, Staffordshire, where he was born Dec. 4, 1779. After attending the local boarding-school of the Rev. J. Lomax, he proceeded to the Free School, Birmingham. He graduated at St. John's College, Cambridge (B.A. 1801, M.A. 1805), of which he became a Fellow. Taking Holy Orders, he became Curate of Tutbury in June, 1803 (not 1806, as stated by Miller in Singers & Songs of the Church). His subsequent charges were the Incumbency of Lane End, Staffordshire, 1808-17, and the Perpetual Curacy of St. Paul's Sheffield, 1817-23. He died at Sheffield Dec. 29, 1823 (not Jan. 5, 1824, as in the Gentleman’s Magazine), aged 44. His volume of Family Prayers attained to the sixth edi¬tion in 1824. As a hymn-writer, Cotterill is less known than as the compiler of a Selection of Psalms and Hymns which has had a most marked effect on modern hymnals. The first edition of that Selection was published in 1810, and the 9th in 1820. All subsequent issues were reprints of the last. The most important edition is the 8th, 1819. To that Selection Cotterill contributed at various dates 25 original hymns and versions of individual psalms. These, in common with all the hymns in the Selection, are given without author's name. Through the aid, however, of marked copies [in the collections of Brooke and Julian] and of members of Cotterill's family, we are enabled to identify most, if not all, of his original productions. In addition to those which are annotated under their first lines, we have— i. In his Selection of Psalms & Hymns for Public and Private Use, adapted to the Festivals of the Church of England, &c, 1st ed., 1810:— 1. Awake, O sword, the Father cried. Atonement. 2. Before Thy throne of grace, O Lord. Lent. 3. From Sinai's mount, in might array'd. The Law and the Gospel. 4. From Thine all-seeing Spirit, Lord. Ps. 139. 5. In all the ways and works of God. Ps. 145. 6. Out of the deeps, O Lord, we call. Ps. 130. 7. The Lord, who once on Calvary. The Intercessor. This is based on “Where high the heavenly temple stands," q. v. ii. In the Appendix to the 6th ed. of the same Selection, Staffordshire, 1815:— 8. Blessed are they who mourn for sin. Lent. 9. Father of mercies, let our songs [way, ways]. Thanksgiving. 10. I was alive without the law. Lent. 11. Lord of the Sabbath, 'tis Thy day. Sunday. iii. In the 8th edition of the same, 1819 :— 12. Help us, O Lord, Thy yoke to wear. Charity Sermons. This is sometimes given as "Lord, let us learn Thy yoke to wear," as in Kennedy, 1863, &c. 13. I love the Lord, for He hath heard. Ps. 116. 14. Lo in the East a star appears. Epiphany. This in an altered form begins in Kennedy, 1863, No. 188, with stanza ii., "The ancient sages from afar." 15. Lord, cause Thy face on us to shine. For Unity. 16. When Christ, victorious from the grave. Easter. The 9th ed. of the Selection, 1820, was practically a new work. It was compiled by Cotterill, but revised by Dr. Harcourt, the Archbishop of York, and was dedi¬cated to him. It was the outcome of the compromise in the legal proceedings over the 8th ed., 1819. The 8th ed. contained 367 hymns in addition to 128 versions of the Psalms and 6 Doxologies, the 9th only 152. Its full title was A Selection of Psalms and Hymns for Public Worship, Lond., T. Cadell, 1820. It may be noted that copies of the 8th ed., 1819, are found with two distinct title-pages. One of these, accompanied with the preface, was for the general public, the second, without the preface, for the use of the congregations of St. James's and St. Paul's, Sheffield. Of Cotterill's hymns the most popular are, "O'er the realms of pagan darkness," "Let songs of praises fill the sky," and "Jesus exalted far on high," but these are not distinguished by any striking features of excellence. He was more happy in some of his alterations of older hymns, and in the com¬piling of centos. Many of the readings introduced into the great hymns of the Church first appeared in his Selection. The most notable amongst these are, "Rock of Ages," in 3 stanzas, as in Hymns Ancient & Modern, 1861, the Wesleyan Hymn Book, and other collections; "Lo! He comes with clouds descending;" and “Great God, what do I see and hear." Cotterill's connection with the Uttoxeter Psalms & Hymns, 1805, is given in detail in the article on Staffordshire Hymn-books, and his lawsuit over the 8th ed. of his Selection, 1819, in the article on England Hymnody, Church of. --John Julian, Dictionary of Hymnology (1907)

Martin Shaw

1875 - 1958 Scripture: Ephesians 4:4 Composer of "MARCHING" in Rejoice in the Lord Martin F. Shaw was educated at the Royal College of Music in London and was organist and choirmaster at St. Mary's, Primrose Hill (1908-1920), St. Martin's in the Fields (1920-1924), and the Eccleston Guild House (1924-1935). From 1935 to 1945 he served as music director for the diocese of Chelmsford. He established the Purcell Operatic Society and was a founder of the Plainsong and Medieval Society and what later became the Royal Society of Church Music. Author of The Principles of English Church Music Composition (1921), Shaw was a notable reformer of English church music. He worked with Percy Dearmer (his rector at St. Mary's in Primrose Hill); Ralph Vaughan Williams, and his brother Geoffrey Shaw in publishing hymnals such as Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). A leader in the revival of English opera and folk music scholarship, Shaw composed some one hundred songs as well as anthems and service music; some of his best hymn tunes were published in his Additional Tunes in Use at St. Mary's (1915). Bert Polman

John Ellerton

1826 - 1893 Person Name: J. Ellerton Scripture: Ephesians 4:8 Translator of "Easter chant" in Hymnal of the Methodist Episcopal Church John Ellerton (b. London, England, 1826; d. Torquay, Devonshire, England, 1893) Educated at King William's College on the Isle of Man and at Trinity College, Cambridge, England, he was ordained in the Church of England in 1851. He served six parishes, spending the longest time in Crewe Green (1860-1872), a church of steelworkers and farmers. Ellerton wrote and translated about eighty hymns, many of which are still sung today. He helped to compile Church Hymns and wrote its handbook, Notes and Illustrations to Church Hymns (1882). Some of his other hymn texts were published in The London Mission Hymn Book (1884). Bert Polman ========================= Ellerton, John, M.A., son of George Ellerton, was born in London, Dec. 16, 1826, and educated at Trinity College, Cambridge (B.A. 1849; M.A. 1854). Taking Holy Orders he was successively Curate of Easebourne, Sussex, 1850; Brighton, and Lecturer of St. Peter's, Brighton, 1852; Vicar of Crewe Green, and Chaplain to Lord Crewe, 1860; Rector of Hinstock, 1872; of Barnes, 1876; and of White Roding, 1886. Mr. Ellerton's prose writings include The Holiest Manhood, 1882; Our Infirmities, 1883, &c. It is, however, as a hymnologist, editor, hymnwriter, and translator, that he is most widely known. As editor he published: Hymns for Schools and Bible Classes, Brighton, 1859. He was also co-editor with Bishop How and others of the Society for Promoting Christian Knowledge Church Hymns, 1871. His Notes and Illustrations of Church Hymns, their authors and translators, were published in the folio edition of 1881. The notes on the hymns which are special to the collection, and many of which were contributed thereto, are full, accurate, and of special value. Those on the older hymns are too general for accuracy. They are written in a popular form, which necessarily precludes extended research, fulness, and exactness of detail. The result is acceptable to the general public, but disappointing to the hymnological expert. Mr. Ellerton's original hymns number about fifty, and his translations from the Latin ten or more. Nearly every one of these are in common use and include:— 1. Before the day draws near its ending. Afternoon. Written April 22, 1880, for a Festival of Choirs at Nantwich, and first published in the Nantwich Festival Book, 1880. In 1883 it passed into the Westminster Abbey Hymn Book. 2. Behold us, Lord, a little space. General for Weekdays. Written in 1870 for a mid-day service in a City Church, and published in Church Hymns in 1871. It has passed into several collections. 3. Come forth, 0 Christian brothers. Processional for Choral Festival. Written for a Festival of Parochial Choirs held at Chester, May, 1870, and 1st printed in the Service-book of the same. In 1871 it passed into Church Hymns. 4. Father, Name of love and fear. Confirmation. Written in 1871 for a Confirmation in the North of England, and published in Church Hymns, 1871, and other collections. 5. God, Creator and Preserver. In Time of Scarcity. Written for and first published in The Hymnary, 1870; and again in the revised edition, 1872, and other hymnbooks. 6. Hail to the Lord Who comes. Presentation of Christ in the Temple. Written Oct. 6, 1880, for Mrs. Brock's Children's Hymn Book, and published therein, 1881. 7. In the Name which earth and heaven. Foundation of a Church. Written for and first published in Church Hymns, 1871, and repeated in several collections. The hymn sung at the re-opening of the Nave of Chester Cathedral, January 25, 1872, was compiled by Mr. Ellerton from this hymn, and his "Lift the strain of high thanksgiving.” 8 King Messiah, long expected. The Circumcision. Written Jan. 14, 1871, and first published in Church Hymns, 1871. It has passed into other collections. 9. King of Saints, to Whom the number. St. Bartholomew. Written for and first published in Church Hymns., 1871. It is very popular, and has been repeated in many hymnals. 10. Mary at the Master's feet. Catechizing. Written for and first published in Church Hymns, 1871. 11. O Father, all-creating. Holy Matrimony. Written Jan. 29, 1876, at the request of the Duke of Westminster, for the marriage of his daughter to the Marquess of Ormonde. It was published in Thring's Collection, 1880 and 1882. 12 O! how fair the morning broke. Septuagesima. Written March 13, 1880, for Mrs. Brock's Children's Hymn Book, and included therein, 1881. 13. O Lord of life and death, welcome. In Time of Pestilence. Written for and first published in Church Hymns, 1871. 14. O shining city of our God. Concerning the Hereafter. First published in the Rev. R. Brown-Borthwick's Sixteen Hymns with Tunes, &c, 1870; and again in Church Hymns, 1871. 15. O Son of God, our Captain of Salvation. St. Barnabas. Written April 5, 1871, and first published in Church Hymns, 1871; and again in Hymns Ancient & Modern, 1875, Thring's Collection, 1882, and others. 16. O Thou in Whom Thy saints repose. Consecration of a Burial Ground. Written for the consecration of an addition to the Parish Churchyard of Tarporley, Cheshire, 1870, and published in Church Hymns, 1871. 17. O Thou Whose bounty fills the earth. Flower Services. Written for a Flower Service at St. Luke's Church, Chelsea, June 6, 1880, and published in Mrs. Brock's Children's Hymn Book, 1881. 18. Praise to our God, Whose bounteous hand. National Thanksgiving. Written in 1870 for Church Hymns, but first published in the Rev. R. Brown-Borthwick's Select Hymns, &c., 1871, and then in Church Hymns later the same year. 19. The day Thou gavest, Lord, is ended. The darkness, &c. Evening. Written in 1870 for A Liturgy for Missionary Meetings (Frome, Hodges), and revised for Church Hymns, 1871. The revised form has passed into other collections. 20. The Lord be with us when we bend. Close of Afternoon Service. Written [in 1870] at the request of a friend for use at the close of Service on Sunday afternoons when (as in summer) strictly Evening hymns would be unsuitable. It was published in Church Hymns, 1871, Thring's Collection, 1882, and others. 21. This day the Lord's disciples met. Whitsuntide. "Originally written in 1855 for a class of children, as a hymn of 8 verses of 5 lines each, beginning, 'The Fiftieth day was come at last.’ It was abridged, revised, and compressed into C.M. for Mrs. Brock's Children's Hymn Book, 1880," and published therein, 1881. 22. Thou in Whose Name the two or three. Wednesday. Appeared in the Parish Magazine, May, 1871, as a hymn for Wednesday. After revision it was included in Church Hymns, 1871, and repeated in other collections. 23. Thou Who sentest Thine Apostles. SS. Simon and Jude. Written in June, 1874, for the revised edition of Hymns Ancient & Modern, and published in the same in 1875. 24. We sing the glorious conquest. Conversion of St. Paul. Written Feb. 28, 1871, for and published later the same year in Church Hymns. It was repeated in Hymns Ancient & Modern, 1875. 25. When the day of toil is done. Eternal Best. Written in Jan., 1870, and first published in the Rev. R. Brown-Borthwick's Sixteen Hymns with Tunes, &c. 1870, Church Hymns, 1871, and subsequently in several Scottish hymn-books. The tune "Preston," in Church Hymns was written for this hymn. To these hymns must be added those which are annotated under their respective first lines, and the translations from the Latin. The grandest of his original compositions is, "Throned upon the awful tree," and the most beautiful and tender, "Saviour, again to Thy dear Name we raise"; and of his translations, "Sing Alleluia forth in duteous praise," and "Welcome, happy morning, age to age shall say," are the most successful and popular. The subjects of Mr. Ellerton's hymns, and the circumstances under which they were written, had much to do with the concentration of thought and terseness of expression by which they are characterized. The words which he uses are usually short and simple; the thought is clear and well stated; the rhythm is good and stately. Ordinary facts in sacred history and in daily life are lifted above the commonplace rhymes with which they are usually associated, thereby rendering the hymns bearable to the cultured, and instructive to the devout. His antitheses are frequent and terse, almost too much so for devotional verse, and are in danger of interrupting the tranquil flow of devotion. His sympathy with nature, especially in her sadder moods, is great; he loves the fading light and the peace of eve, and lingers in the shadows. Unlike many writers who set forth their illustrations in detail, and then tie to them the moral which they are to teach, he weaves his moral into his metaphor, and pleases the imagination and refreshes the spirit together. Now and again he falls into the weakness of ringing changes on words; but taken as a whole his verse is elevated in tone, devotional in spirit, and elegant in diction. -- John Julian, Dictionary of Hymnology (1907) ===================== Ellerton, John, p. 326, i. Other hymns are:— 1. O Father, bless the children. Holy Baptism. Written in 1886, and published in his Hymns, &c, 1888, in 4 stanzas of 8 lines. Also in the 1889 Suppl. Hymns to Hymns Ancient & Modern. 2. O Thou Who givest food to all. Temperance. Written Aug. 30, 1882, and printed in the Church of England Temperance Chronicle, Sept. 1882. Also in his Hymns, &c, 1888. 3. Praise our God for all the wonders. St. Nicholas's Day. Dated in his Hymns, 1888, "December 1882." It was written for the Dedication Festival of St. Nicholas's Church, Brighton, and first printed as a leaflet in 1882. 4. Praise our God, Whose open hand. Bad Harvest. Written as a hymn for the bad harvest of 1881, and printed in the Guardian in August of that year. Also in his Hymns, &c, 1888. 5. Praise to the Heavenly Wisdom. St. Matthias's Day. Dated in his Hymns, &c, 1888, "January, 1888." Also in the 1889 Suppl. Hymns to Hymns Ancient & Modern. 6. Shine Thou upon us, Lord. For a Teachers' Meeting. Contributed to the 1889 Suppl. Hymns to Hymns Ancient & Modern. 7. Thou Who wearied by the well. Temperance. Written for the Opening of a Workmen's Coffee Tavern, and dated in his Hymns, &c, 1888, "September 23, 1882." It was printed in the Church of England Temperance Chronicle the same year. 8. Throned upon the awful Tree. Good Friday. Written in 1875, and published in the 1875 ed. of Hymns Ancient & Modern. It has passed into many collections, and is one of the finest of Mr. Ellerton's productions. Mr. Ellerton's original and translated hymns to the number of 76 were collected, and published by Skeffington & Son in 1888, as Hymns, Original and Translated. By John Ellerton, Rector of White Roding. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) =================== Ellerton, J., pp. 326, ii.; 1561, ii. He was appointed Hon. Canon of St. Albans in 1892. and died June 15, 1893. His Life and Works, by H. Housman, was published in 1896. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Gerard Moultrie

1829 - 1885 Person Name: Gerard Moultrie, 1829-1885 Scripture: Ephesians 4:7-10 Paraphraser of "Let All Mortal Flesh Keep Silence" in Glory and Praise (3rd. ed.) Moultrie, Gerard, M.A., son of the Rev. John Moultrie, was born at Rugby Rectory, Sept. 16, 1829, and educated at Rugby and Exeter College, Oxford (B.A. 1851, M.A. 1856). Taking Holy Orders, he became Third Master and Chaplain in Shrewsbury School; Chaplain to the Dowager Marchioness of Londonderry, 1855-59; curate of Brightwaltham, 1859; and of Brinfield, Berks, 1860; Chaplain of the Donative of Barrow Gurney, Bristol, 1864: Vicar of Southleigh, 1869, and Warden of St. James's College, Southleigh,1873. He died April 25, 1885. His publications include: 1) The Primer set forth at large for the use of the Faithful. In Family and Private Prayer. Edited from the Post Reformation editions, 1864. (2) Hymns and Lyrics for the Seasons and Saints' Days of the Church, 1867. The hymns of his sister, Mary Dunlop Moultrie (q.v.), were included in this volume. (3) The Espousals of S. Dorothea and Other Verses, 1870. (5) The Devout Communicant, 1867. (6) Six Years' work in Southleigh, 1875. (7) Cantica Sanctorum, or Hymns for the Black Letter Saints Days in the English and Scottish Calendars, to which are added a few Hymns for Special Occasions, 1880. Mr. Moultrie's hymns include translations from the Greek, Latin, and German, in addition to original compositions. A large number appeared in the Church Times, and other papers; and many were written for special Saints' Days, and Other Festivals, for the People's Hymnal, 1867, in which some were signed "D. P." (i.e. Desiderius Pastor). The following are in common use:— i. In The Primer, 1864. 1. Father of all, to Thee we pray. Lord's Prayer. 2. In the Name of God the Father. Laying Foundation Stone. (2nd stanza: "And as on the morning stillness.") First appeared in the Church Times, Oct. 1, 1864, and again (as rewritten for the laying of the foundation stone of St. Margaret's, East Grinstead), July 29, 1865. ii. In Hymns and Lyrics, 1867. 3. Bishop of the souls of men. St. Matthias. 4. Come, faithful people, come away. Palm Sunday. 5. Easter-day is here, and we. Easter. 6. Heavenly Father, God alone. Harvest. 7. Mother, from whose bosom's veil. St. Anne. July 26. 8. 0 Jesu, 0 Redeemer. St. Luke. 9. Mary, maiden undefiled. Visitation of the Blessed Virgin Mary. 10. Silence reigns at eventide. Whitsuntide. In the Altar Hymnal, 1884, it begins with st. iii., "Hark, a rushing mighty sound." 11. The Marriage feast is ready. All Saints. Usually given in an abbreviated form. 12. Virgin-born the King of heaven. Christmas Midnight Hymn. ("To be sung at the Midnight Cele¬bration.") In the Church Times, Nov. 26, 1864, and revised for Hymns & Lyrics. 13. We march, we march to victory. Processional. In the Church Times, Aug, 19, 1865, and headed "Processional hymn before service (written expressly for use during present troubles)." 14. Who is this that shines so bright! St. Laurence. In the People's Hymnal, 1867. 15. Who keeps his birthday feast tonight? Beheading of St. John Baptist. In the People's Hymnal, 1867. iii. In The People's Hymnal, 1867. 16. Heart to heart, and side by side. Holy Matrimony. 17. I know that my Redeemer liveth. Burial. A paraphrase of the Responsory in the Roman Office for the Dead. 18. Jesus Christ, we humbly pray. Opening of a School House. 19. Lord of heaven, Whose faithful love. Ember Days. 20. Lord, today we bring to Thee. Reception of a Privately Baptized Child. 21. Lord, we come today to Thee. Choir Festival. 22. 0 God, Who bad'st Thine angel sheathe. National Thanksgiving for restored Public Health. This is given in the Society for Promoting Christian Knowledge Church Hymns, 1871, as "0 God, Whose angel stayed his hand," and in the Hymnary, 1872, as "Lord, Who didst bid Thine angel sheathe." 23. 0 Lord of Hosts, Thou God of might. National Thanksgiving for Peace. In several collections. 24. Sevenfold Spirit, Lord of life. Consecration of a Bishop. First sung at the consecration of an American bishop at New York, in 1867. Included in the author's Espousals of St. Dorothea, 1870. 25. Sounds the bell in solemn cadence. Burial. In The Espousals of S. Dorothea, 1870, p. 82, the note is added, "This hymn was first sung at the funeral of the Rev. Warwick Wroth of Clerkenwell." It is headed "Funeral Hymn for a Priest." iv. In Cantica Sanctorum, 1880. 26. In the midst of gladness, sorrow. Annunciation in Holy Week. 27. Jesus, tender Shepherd. Holy Communion. 28. Swing the censer, wave the banner. Processional. v. In The Altar Hymnal, 1884. 29. Our great High Priest is standing. Holy Communion. 30. Lo, the Sacrifice atoning. Holy Communion. vi. Various. 31. Forward, Christians, forward. Processional. Written for the Church of England Working Men's Society in 1879, and issued as a leaflet, of which 40,000 copies were sold during the first year. 32. Laid in this garden full of bloom. Easter Eve. In the Churchman's Companion, April, 1879. 33. On the wings of the wind fell a hymn from the sky. Christmas. In Husband's Supplemental Hymns, N.D. [1873]. 34. Shades of night are falling round us. Evening. Novello & Co., with Music by Shad Frost. 35. There is a sound of rejoicing around the great throne. Processional. Written for St. Michael's Church, Folkestone, and published in E. Husband's Appendix to Hymns Ancient & Modern, N.D. [1873]. It was set to music by Mr. Husband, and is commonly known as "The Folkestone Processional." 36. This is the festal day of jubilation. Sunday School Anniversary. A hymn to be sung alternately by men and boys during the collection, written in 1877 for St. Agnes's, Kennington, London. 37. This is the hour of peace and blest communion. Holy Communion. Written for the English Church Union Commemoration held at St. Agnes's, Kennington Park, London, June 9, 1880. From the subjects of the hymns noted above it will be seen that Mr. Moultrie wrote principally on matters not usually dealt with by hymnwriters. This is specially the case with his Cantica Sanctorum, in which most of the 103 hymns are for "Black Letter Saints' Days." --John Julian, Dictionary of Hymnology (1907) =================== Moultrie, G., p. 771, ii. We find that Mr. Moultrie wrote the preface to the Cantica Sanctorum, 1880, but did not edit the book. He and others contributed some thirteen hymns thereto. It was edited by Miss Isabella Leefe, p. 1663, i., who wrote 90 of the hymns. --John Julian, Dictionary of Hymnology, New Supplement (1907) See also in: Hymn Writers of the Church

William Jones

1726 - 1800 Person Name: William Jones, 1726-1800 Scripture: Ephesians 4:1-4 Composer of "ST. STEPHEN" in Common Praise Born: July 30, 1726, Lowick, Northamptonshire, England. Died: January 6, 1800, Hollingbourne, Kent, England. Pseudonym: Jones of Nayland. Jones was educated at Charterhouse and University College, Oxford. He became Vicar of Bethersden, Kent (1764); Pluckley, Kent; and Paston, Northamptonshire; perpetual Curate of Nayland, Suffolk (1777); and Rector of Hollingbourne, Kent (1798). He became a Fellow of the Royal Society in 1775. His works include: The Catholic Doctrine of the Trinity, 1756 Fairchild Discourses, 1775 Physiological Disquisitions, 1781 A Treatise on the Art of Music, 1784 Church Pieces for the Organ with Four Anthems in Score, 1789 Jones was a descendant of the Col. J. Jones, who was one of the signatories to the death warrant of King Charles I of England. He used to regularly observe January 30 as a day of fasting and humiliation for his ancestor’s sin. Music: ST. STEPHEN --www.hymntime.com/tch/

Richard Frederick Littledale

1833 - 1890 Person Name: Richard F. Littledale Scripture: Ephesians 4:2 Author of "Come Down, O Love Divine!" in The Worshiping Church Richard Frederick Littledale (b. Dublin, 1833; d. London, 1890) entered Trinity College, Dublin, as a foundation scholar, graduated with a bachelors degree in classics, a Masters of Divinity in 1858, then a Bachelors and Doctorate in Civil Law at Oxford in 1862. From 1856 to 1857 he was the curate of St. Matthew in Thorpe Hamlet, Norfolk, and from 1857 to 1861 was the curate of St. Mary the Virgin, in Soho, London. For the remainder of his life he suffered from chronic illness and spent most of his time writing. He authored many books and pamphlets on Anglican liturgy, theology, and the church’s engagement with society, and completed his good friend John Mason Neale’s work on the psalms after Neale died in 1866. Laura de Jong ================ Littledale, Richard Frederick, LL.D., D.C.L., son of John Richard Littledale, merchant, was born at Dublin on the 14th of Sept, 1833, and was educated at Bective House Seminary, and Trinity College, Dublin. His University course was distinguished. In 1852 he became a University Scholar; in 1854 he was first class in Classics and gold medallist; in 1856 he won the Berkeley gold medal (for Greek), and other honours. He graduated B.A., 1855, M.A., 1858, LL.D., 1862, and D.C.L. at Oxford, 1862. Taking Holy Orders in 1856, he was Curate of St. Matthew's, in Thorpe Hamlet, Norwich, from 1856 to 1857, and of St. Mary the Virgin, Soho, London, from 1857 to 1861. Through ill-health he retired from parochial work in 1861, and devoted himself to literature. Dr. Littledale's publications amount to about fifty in all, and embrace Theological, Historical, Liturgical, and Hymnological subjects chiefly. His prose works include:— (1) Application of Colour to the Decoration of Churches, 1857; (2) Religious Communities of Women in the Early Church, 1862; (3) Catholic Ritual in the Church of England, 1861; (4) Continuation of Dr. Neale's Commentary on the Psalms, vols. ii., iii., iv., 1868-74; (5) Commentary on the Song of Songs, 1869; (6) The Petrine Claims, 1878-84; (7) Plain Reasons against joining the Church of Rome, 1880, &c.; (8) Short History of the Council of Trent; and several articles in the Encyclopaedia Britannica, 1882-88. His contributions to periodical literature have been also extensive and valuable. Dr. Littledale's Liturgical, Devotional, and Hymnological works include:— (1) Offices of the Holy Eastern Church, in the Original Greek, with translation into English, Notes, &c, 1863; (2) Carols for Christmas and Other Seasons, 1863; (3)The Priest's Prayer Book, with hymns, 1864, and with Brief Pontifical in 1870 and later editions; (4)The People's Hymnal, 1867 ; (5) The Children's Bread. A Communion Office for the Young, with hymns, 1868; (6) Primitive Liturgies and Translations, 1868-69; (7) Children at Calvary: being The Stations of the Cross in Metre for Singing, 1872; (8) the Christian Passover, 1873; (9) The Altar Manual, 1863-77. He was joint Editor of Nos. 3, 4, 8 and 9 with the Rev. J. E. Vaux; and of No. 6 with Dr. Neale. In addition to a large number of hymns, original and translated, in the above works, Dr. Littledale has also directly contributed original and translated hymns to:— (1) Lyra Eucharistica, 1863; (2) Lyra Messianica, 1864; (3) Lyra Mystica, 1865; (4) The Eucharistic Hymnal, 1877; (5) The Roman Breviary in English, by the Marquess of Bute, 1879; (6) The Altar Hymnal, 1884; (7) Supplement to Hymns Ancient & Modern, 1889; (8) to the Night Hours of the Church; (9) to the St. Margaret's Hymnal [East Grinstead], 1875; and (10) to the Church Times, The Guardian, &c, &c. Dr. Littledale's Hymnological works in verse consist of translations of Danish, Swedish, Greek, Latin, Syriac, German, and Italian hymns, together with original Carols, Hymns, and Metrical Litanies. His original hymns remain to be noted. These include the following:— i. In the Priest's Prayer Book, 1864 :— 1. Captain of Salvation. Christian Warfare. 2. Christ, on Whose Face the soldiers. Passiontide. 3. Christ, Who hast for sinners suffered. Passiontide. 4. God the Father, from on high. For the Sick. 5. Lord Jesu, by Thy passion. Passiontide. 6. Lord, Who in pain and weariness. Passiontide. 7. 0 Jesu, in Thy torture. Passiontide. In Meditations and Prayers on the Passion of Our Lord Jesus Christ, 1863. 8. 0 Lord, to Whom the spirits live. All Souls. 9. The clouds of sorrow rest upon mine eyes. For the Sorrowing. ii. In the People's Hymnal, 1867:— 10. Christ, our song we lift to Thee. Blessed Virgin Mary. 11. Christ, our Sun, on us arose. Whitsuntide. In Carols for Christmas, &c, 3rd series, 1864. 12. Christ, the Lord, Whose mighty hand. Prayer for Peace. 13. Day is past and gone. Evening. In the Church Times, Feb. 17, 1866. 14. Eternal Shepherd, God most high. Vacancy of a See or Parish. 15. Eternal Wisdom, God most high. Common of Doctors. 16. God eternal, infinite. Septuagesima. 17. Hidden Saviour, great High Priest. Holy Communion. 18. I believe in God the Father. The Creed. 19. I worship Thee, Lord Jesu. Holy Communion. In the Church Times, May 10, 1865. 20. In Paradise reposing. Burial of a Child. 21. In songs of glad thanksgiving. General Thanksgiving. 22. Lord, Whose goodwill is ever sure. In time of Famine. 23. Now the sun is in the skies. Morning. In the Church Times, Jan. 27, 1866. 24. 0 God of mercy, God of love. For Rain. 25. 0 God, Who metest in Thine hand. For those at Sea. 26. 0 God, Whose Sole-Begotten left. Almsgiving. 27. 0 sing to the Lord, Whose bountiful hand. Thanksgiving for Rain. 28. Set upon Sion's wall. Ember Days. 29. The Cedar of Lebanon, Plant of renown. Christmas. First published in Sedding's Christmas Carols, 1863. 30. The fight is o'er, the crown is won. Burial of a Sister of Mercy. 31. The wintry time hath ended. Thanksgiving for Fair Weather. 32. We are marching through the desert. Processional. 33. When the day hath come at last. The Judgment. In addition to these, a few of the more widely used of Dr. Littledale's original hymns, as "From hidden source arising," and others, are annotated under their respective first lines. In the People's Hymnal, 1867, Dr. Littledale adopted the following signatures:— A. L. P., i.e., A London Priest. B., i.e., An initial of a former address. B. T., i.e., The initials of a former address. D. L., i.e. Dr. Littledale. F., i.e., Frederick. F. R., i.e., Frederick Richard. L., i.e., Littledale. P. C. E., i.e., Priest of the Church of England. P. P. Bk., i.e., Priest's Prayer Book. Taken as a whole, Dr. Littledale's translations from the seven languages named above are characterised by general faithfulness to the originals, great simplicity of diction, good metre, smooth rhythm, and deep earnestness. His original compositions are usually on special subjects, for which, at th$ time they were written, there were few hymns, and are marked by the same excellent features of a good hymn as his translations. His main object throughout is to teach through Praise and Prayer. --John Julian, Dictionary of Hymnology (1907) ====================== Littledale, Richard F., p. 679, ii. He died at Red Lion Square, London, Jan. 11, 1890. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)