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Search Results

Hymnal, Number:nhp1955

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Hymnals

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Published hymn books and other collections
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El Nuevo Himnario Popular (Edicion Revisada y Corregida)

Publication Date: 1955 Publisher: Casa Bautista de Publicaciones Publication Place: El Paso, Tex.

Texts

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Text authorities
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¡Cuán Firme Cimiento!

Author: Vicente Mendoza; G. Keith Appears in 25 hymnals First Line: ¡Cuan firme cimiento se ha dado a la fe Used With Tune: [¡Cuan firme cimiento se ha dado a la fe]
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Amén "Dresden"

Appears in 984 hymnals First Line: Amén Used With Tune: [Amén]
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La Tierna Voa Del Salvador

Author: Wm. Hunter; Pedro Castro Appears in 24 hymnals First Line: La tierna voz del Salvador Refrain First Line: Nunca los hombres cantarán Used With Tune: [La tierna voz del Salvador]

Tunes

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Tune authorities
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[En las aguas de la muerte]

Appears in 821 hymnals Composer and/or Arranger: John Wyeth Tune Key: E Flat Major Incipit: 32113 52235 65321 Used With Text: En La Aguas De La Muerte
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[Cantad alegres al Señor, mortales]

Appears in 1,458 hymnals Composer and/or Arranger: John Hatton Tune Key: E Flat Major Incipit: 13456 71765 55565 Used With Text: Cantad Alegres Al Señor
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[Del culto el tiempo llega]

Appears in 1,043 hymnals Composer and/or Arranger: S. S. Wesley Tune Key: E Flat Major Incipit: 33343 32116 54345 Used With Text: Del Culto el Tiempo Llega

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Al Nombre de Jesús Load

Author: Eduardo Perronet Hymnal: NHP1955 #1 (1955) Languages: Spanish Tune Title: [Al nombre de Jesús load]
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¡Hosanna!

Hymnal: NHP1955 #2 (1955) First Line: ¡Hosanna! ¡Hosanna! ¡Hosanna! El cielo y tierra es del Señor Languages: Spanish Tune Title: [¡Hosanna! ¡Hosanna! ¡Hosanna! El cielo y tierra es del Señor]
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Dad A Dios Inmortal Alabanza

Author: J. Mora Hymnal: NHP1955 #3 (1955) Languages: Spanish Tune Title: [Dad a Dios inmortal alabanza]

People

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Authors, composers, editors, etc.

George Duffield

1818 - 1888 Person Name: George Duffield, Jr. Hymnal Number: 124 Author of "¡Estad por Cristo firmes" in El Nuevo Himnario Popular (Edicion Revisada y Corregida) Duffield, George, Jr., D.D., son of the Rev. Dr. Duffield, a Presbyterian Minister, was born at Carlisle, Pennsylvania, Sept. 12, 1818, and graduated at Yale College, and at the Union Theological Seminary, New York. From 1840 to 1847 he was a Presbyterian Pastor at Brooklyn; 1847 to 1852, at Bloomfield, New Jersey; 1852 to 1861, at Philadelphia; 1861 to 1865, at Adrian, Michigan; 1865 to 1869, at Galesburg, Illinois; 1869, at Saginaw City, Michigan; and from 1869 at Ann Arbor and Lansing, Michigan. His hymns include;— 1. Blessed Saviour, Thee I love. Jesus only. One of four hymns contributed by him to Darius E. Jones's Temple Melodies, 1851. It is in 6 stanzas of 6 lines. In Dr. Hatfield's Church Hymnbook it is given in 3 stanzas. The remaining three hymns of the same date are:— 2. Parted for some anxious days. Family Hymn. 3. Praise to our heavenly Father, God. Family Union. 4. Slowly in sadness and in tears. Burial. 5. Stand up, stand up for Jesus. Soldiers of the Cross. The origin of this hymn is given in Lyra Sac. Americana, 1868, p. 298, as follows:— "I caught its inspiration from the dying words of that noble young clergyman, Rev. Dudley Atkins Tyng, rector of the Epiphany Church, Philadelphia, who died about 1854. His last words were, ‘Tell them to stand up for Jesus: now let us sing a hymn.' As he had been much persecuted in those pro-slavery days for his persistent course in pleading the cause of the oppressed, it was thought that these words had a peculiar significance in his mind; as if he had said, ‘Stand up for Jesus in the person of the downtrodden slave.' (Luke v. 18.)" Dr. Duffield gave it, in 1858, in manuscript to his Sunday School Superintendent, who published it on a small handbill for the children. In 1858 it was included in The Psalmist, in 6 stanzas of 8 lines. It was repeated in several collections and in Lyra Sac. Amer., 1868, from whence it passed, sometimes in an abbreviated form, into many English collections. [Rev. F. M. Bird, M.A.] - John Julian, Dictionary of Hymnology (1907) See also in: Hymn Writers of the Church

John Bacchus Dykes

1823 - 1876 Person Name: John B. Dykes Hymnal Number: 18 Composer of "[¡Santo! ¡Santo! ¡Santo! Señor Omnipotente]" in El Nuevo Himnario Popular (Edicion Revisada y Corregida) As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

Felice Giardini

1716 - 1796 Hymnal Number: 21 Composer of "[¡Oh! Padre, eterno Dios!]" in El Nuevo Himnario Popular (Edicion Revisada y Corregida) Felice Giardini, born in Italy. When young, he studied singing, harpsichord, and violin. He became a composer and violin virtuoso. By age 12 he was playing in theatre orchestras. His most instructive lesson: While playing a solo passage during an opera, he decided to show off his skills by improvising several bravura variations that the composer, Jommelli, had not written . Although the audience applauded loudly, Jomelli, who happened to be there, went up and slapped Giardini in the face. He learned a lesson from that. He toured Europe as a violinist, considered one of the greatest musical artists of his time. He served as orchestra leader and director of the Italian Opera in London, giving concerts. He tried to run a theatre in Naples, but encountered adversity. He went to Russia, but had little fortune there, where he died. John Perry