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Author: Charles Wesley Meter: 7.7.7.7 D Appears in 3,213 hymnals First Line: Jesus, lover of my soul, Let me to Thy bosom fly Lyrics: 1 Jesus, lover of my soul, let me to thy bosom fly, while the nearer waters roll, while the tempest still is high; hide me, O my Savior, hide, till the storm of life is past; safe into the haven guide, O receive my soul at last! 2 Other refuge have I none; hangs my helpless soul on thee; leave, ah! leave me not alone, still support and comfort me. All my trust on thee is stayed, all my help from thee I bring; cover my defenseless head with the shadow of thy wing. 3 Plenteous grace with thee is found, grace to cover all my sin; let the healing streams abound; make and keep me pure within. Thou of life the fountain art; freely let me take of thee; spring thou up within my heart, rise to all eternity. Psalter Hymnal, 1987 Topics: Choir; Choir; Christ Refuge; Christ Refuge; Repentance; Repentance; liturgical Songs of Response

Glory be to God on high

Author: Charles Wesley; John Taylor Meter: 7.7.7.7 D Appears in 54 hymnals Used With Tune: BENEVENTO

Holy Spirit, Faithful Guide

Author: M. M. Wells Meter: 7.7.7.7 D Appears in 681 hymnals Topics: Jesus Christ The Holy Spirit Used With Tune: GUIDE

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Tunes

Tune authorities

ST. GEORGE'S WINDSOR

Meter: 7.7.7.7 D Appears in 645 hymnals Composer and/or Arranger: George J. Elvey Tune Key: F Major Incipit: 33531 23335 31233 Used With Text: Come, Ye Thankful People Come

MESSIAH

Meter: 7.7.7.7 D Appears in 107 hymnals Composer and/or Arranger: Louis J. F. Hérold; George Kingsley Tune Key: F Major Incipit: 32114 32566 53123 Used With Text: Take My Life, and Let It Be

HOLLINGSIDE

Meter: 7.7.7.7 D Appears in 283 hymnals Composer and/or Arranger: John Bacchus Dykes, 1823-1876 Tune Key: D Major Incipit: 35655 43176 53123 Used With Text: Take my life, and let it be

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Instances

Published text-tune combinations (hymns) from specific hymnals

Holy Spirit, Faithful Guide

Author: Marcus M. Wells Hymnal: Lutherförbundets Sångbok #E79 (1913) Meter: 7.7.7.7 D Lyrics: 1 Holy Spirit, faithful Guide, Ever near the Christian’s side: Gently lead us by the hand, Pilgrims in a desert land. Weary souls fore’er rejoice While they hear that sweetest voice, Whisp'ring softly, “Wand'rer, come, Follow Me, I’ll guide thee home.” 2 Ever present, truest Friend, Ever near Thine aid to lend, Leave us not to doubt and fear, Groping on in darkness here; When the storms are raging sore, Hearts grow faint, and hopes give o’er, Whisper softly, “Wand'rer, come, Follow Me, I’ll guide thee home.” 3 When our days of toil shall cease, Waiting still for sweet release, Nothing left but heav'n and prayer, Trusting that our names are there, Wading deep the dismal flood, Pleading naught but Jesus’ blood, Whisper softly, “Wand'rer, come, Follow Me, I’ll guide thee home.” Topics: Pentecost - Holy Spirit Languages: English Tune Title: WELLS

Hvarje stund vid Jesu bröst

Hymnal: Lutherförbundets Sångbok #S41 (1913) Meter: 7.7.7.7 D Refrain First Line: Tröst i blodet hvarje stund Lyrics: 1 Hvarje stund vid Jesu bröst Får jag njuta frid och tröst, Äfven när min tro är svag, Tröst i blodet äger jag. Kör: Tröst i blodet hvarje stund, Hvilken säker ankargrund! Hända hvad som händ vill, Evigt hör jag Jesus till. 2 Ljus af Kristi klarhets ljus Lyser i mitt hjärtas hus. Han mig leder med sin hand Genom detta ökenland. [Kör] 3 Sång, när Jesus gläder mig Bön, när han fördöljer sig! Uti fara städs' han vill Hjärtats nödrop lyssna till. [Kör] 4 Lita på hans dyra namn, Ljufligt somna i hans famn, Bäras ini himlens slott, Det är barnens sälla lott. [Kör] Topics: Sinnesändring och Tro; Conversion and Faith Languages: Swedish Tune Title: [Hvarje stund vid Jesu bröst]

Jesus, Lover of My Soul

Author: Charles Wesley Hymnal: Lutherförbundets Sångbok #E77 (1913) Meter: 7.7.7.7 D Lyrics: 1 Jesus, Lover of my soul, Let me to Thy bosom fly, While the nearer waters roll, While the tempest still is high! Hide me, O my Saviour, hide, Till the storm of life is past; Safe into the haven guide; Oh, receive my soul at last! 2 Other refuge have I none; Hangs my helpless soul on Thee: Leave, ah, leave me not alone, Still support and comfort me! All my trust on Thee is stayed, All my help from Thee I bring: Cover my defenseless head With the shadow of Thy wing. 3 Thou, O Christ, art all I want; More than all in Thee I find: Raise the fallen, cheer the faint, Heal the sick, and lead the blind. Just and holy is Thy Name: I am all unrighteousness; False and full of sin I am; Thou art full of truth and grace. 4 Plenteous grace with Thee is found, Grace to cover all my sin; Let the healing streams abound; Make, and keep me pure within. Thou of life the Fountain art, Freely let me take of Thee: Spring Thou up within my heart, Rise to all eternity. Topics: Atonement-Justification; Care and Guidance Languages: English Tune Title: MARTYN

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People

Authors, composers, editors, etc.

Catherine Winkworth

1827 - 1878 Person Name: Catherine Winkworth Meter: 7.7.7.7 D Translator of "What Within Me And Without" in The Cyber Hymnal Catherine Winkworth (b. Holborn, London, England, 1827; d. Monnetier, Savoy, France, 1878) is well known for her English translations of German hymns; her translations were polished and yet remained close to the original. Educated initially by her mother, she lived with relatives in Dresden, Germany, in 1845, where she acquired her knowledge of German and interest in German hymnody. After residing near Manchester until 1862, she moved to Clifton, near Bristol. A pioneer in promoting women's rights, Winkworth put much of her energy into the encouragement of higher education for women. She translated a large number of German hymn texts from hymnals owned by a friend, Baron Bunsen. Though often altered, these translations continue to be used in many modern hymnals. Her work was published in two series of Lyra Germanica (1855, 1858) and in The Chorale Book for England (1863), which included the appropriate German tune with each text as provided by Sterndale Bennett and Otto Goldschmidt. Winkworth also translated biographies of German Christians who promoted ministries to the poor and sick and compiled a handbook of biographies of German hymn authors, Christian Singers of Germany (1869). Bert Polman ======================== Winkworth, Catherine, daughter of Henry Winkworth, of Alderley Edge, Cheshire, was born in London, Sep. 13, 1829. Most of her early life was spent in the neighbourhood of Manchester. Subsequently she removed with the family to Clifton, near Bristol. She died suddenly of heart disease, at Monnetier, in Savoy, in July, 1878. Miss Winkworth published:— Translations from the German of the Life of Pastor Fliedner, the Founder of the Sisterhood of Protestant Deaconesses at Kaiserworth, 1861; and of the Life of Amelia Sieveking, 1863. Her sympathy with practical efforts for the benefit of women, and with a pure devotional life, as seen in these translations, received from her the most practical illustration possible in the deep and active interest which she took in educational work in connection with the Clifton Association for the Higher Education of Women, and kindred societies there and elsewhere. Our interest, however, is mainly centred in her hymnological work as embodied in her:— (1) Lyra Germanica, 1st Ser., 1855. (2) Lyra Germanica, 2nd Ser., 1858. (3) The Chorale Book for England (containing translations from the German, together with music), 1863; and (4) her charming biographical work, the Christian Singers of Germany, 1869. In a sympathetic article on Miss Winkworth in the Inquirer of July 20, 1878, Dr. Martineau says:— "The translations contained in these volumes are invariably faithful, and for the most part both terse and delicate; and an admirable art is applied to the management of complex and difficult versification. They have not quite the fire of John Wesley's versions of Moravian hymns, or the wonderful fusion and reproduction of thought which may be found in Coleridge. But if less flowing they are more conscientious than either, and attain a result as poetical as severe exactitude admits, being only a little short of ‘native music'" Dr. Percival, then Principal of Clifton College, also wrote concerning her (in the Bristol Times and Mirror), in July, 1878:— "She was a person of remarkable intellectual and social gifts, and very unusual attainments; but what specially distinguished her was her combination of rare ability and great knowledge with a certain tender and sympathetic refinement which constitutes the special charm of the true womanly character." Dr. Martineau (as above) says her religious life afforded "a happy example of the piety which the Church of England discipline may implant.....The fast hold she retained of her discipleship of Christ was no example of ‘feminine simplicity,' carrying on the childish mind into maturer years, but the clear allegiance of a firm mind, familiar with the pretensions of non-Christian schools, well able to test them, and undiverted by them from her first love." Miss Winkworth, although not the earliest of modern translators from the German into English, is certainly the foremost in rank and popularity. Her translations are the most widely used of any from that language, and have had more to do with the modern revival of the English use of German hymns than the versions of any other writer. -- John Julian, Dictionary of Hymnology (1907) ============================ See also in: Hymn Writers of the Church

William Cowper

1731 - 1800 Meter: 7.7.7.7 D Author of "'Tis My Happiness Below" in The Cyber Hymnal William Cowper (pronounced "Cooper"; b. Berkampstead, Hertfordshire, England, 1731; d. East Dereham, Norfolk, England, 1800) is regarded as one of the best early Romantic poets. To biographers he is also known as "mad Cowper." His literary talents produced some of the finest English hymn texts, but his chronic depression accounts for the somber tone of many of those texts. Educated to become an attorney, Cowper was called to the bar in 1754 but never practiced law. In 1763 he had the opportunity to become a clerk for the House of Lords, but the dread of the required public examination triggered his tendency to depression, and he attempted suicide. His subsequent hospitalization and friendship with Morley and Mary Unwin provided emotional stability, but the periods of severe depression returned. His depression was deepened by a religious bent, which often stressed the wrath of God, and at times Cowper felt that God had predestined him to damnation. For the last two decades of his life Cowper lived in Olney, where John Newton became his pastor. There he assisted Newton in his pastoral duties, and the two collaborated on the important hymn collection Olney Hymns (1779), to which Cowper contributed sixty-eight hymn texts. Bert Polman ============ Cowper, William, the poet. The leading events in the life of Cowper are: born in his father's rectory, Berkhampstead, Nov. 26, 1731; educated at Westminster; called to the Bar, 1754; madness, 1763; residence at Huntingdon, 1765; removal to Olney, 1768; to Weston, 1786; to East Dereham, 1795; death there, April 25, 1800. The simple life of Cowper, marked chiefly by its innocent recreations and tender friendships, was in reality a tragedy. His mother, whom he commemorated in the exquisite "Lines on her picture," a vivid delineation of his childhood, written in his 60th year, died when he was six years old. At his first school he was profoundly wretched, but happier at Westminster; excelling at cricket and football, and numbering Warren Hastings, Colman, and the future model of his versification. Churchill, among his contemporaries or friends. Destined for the Bar, he was articled to a solicitor, along with Thurlow. During this period he fell in love with his cousin, Theodora Cowper, sister to Lady Hesketh, and wrote love poems to her. The marriage was forbidden by her father, but she never forgot him, and in after years secretly aided his necessities. Fits of melancholy, from which he had suffered in school days, began to increase, as he entered on life, much straitened in means after his father's death. But on the whole, it is the playful, humorous side of him that is most prominent in the nine years after his call to the Bar; spent in the society of Colman, Bonnell Thornton, and Lloyd, and in writing satires for The Connoisseur and St. James's Chronicle and halfpenny ballads. Then came the awful calamity, which destroyed all hopes of distinction, and made him a sedentary invalid, dependent on his friends. He had been nominated to the Clerkship of the Journals of the House of Lords, but the dread of appearing before them to show his fitness for the appointment overthrew his reason. He attempted his life with "laudanum, knife and cord,"—-in the third attempt nearly succeeding. The dark delusion of his life now first showed itself—a belief in his reprobation by God. But for the present, under the wise and Christian treatment of Dr. Cotton (q. v.) at St. Albans, it passed away; and the eight years that followed, of which the two first were spent at Huntingdon (where he formed his lifelong friendship with Mrs. Unwin), and the remainder at Olney in active piety among the poor, and enthusiastic devotions under the guidance of John Newton (q. v.), were full of the realisation of God's favour, and the happiest, most lucid period of his life. But the tension of long religious exercises, the nervous excitement of leading at prayer meetings, and the extreme despondence (far more than the Calvinism) of Newton, could scarcely have been a healthy atmosphere for a shy, sensitive spirit, that needed most of all the joyous sunlight of Christianity. A year after his brother's death, madness returned. Under the conviction that it was the command of God, he attempted suicide; and he then settled down into a belief in stark contradiction to his Calvinistic creed, "that the Lord, after having renewed him in holiness, had doomed him to everlasting perdition" (Southey). In its darkest form his affliction lasted sixteen months, during which he chiefly resided in J. Newton's house, patiently tended by him and by his devoted nurse, Mrs. Unwin. Gradually he became interested in carpentering, gardening, glazing, and the tendance of some tame hares and other playmates. At the close of 1780, Mrs. Unwin suggested to him some serious poetical work; and the occupation proved so congenial, that his first volume was published in 1782. To a gay episode in 1783 (his fascination by the wit of Lady Austen) his greatest poem, The Task, and also John Gilpin were owing. His other principal work was his Homer, published in 1791. The dark cloud had greatly lifted from his life when Lady Hesketh's care accomplished his removal to Weston (1786): but the loss of his dear friend William Unwin lowered it again for some months. The five years' illness of Mrs. Unwin, during which his nurse of old became his tenderly-watched patient, deepened the darkness more and more. And her death (1796) brought “fixed despair," of which his last poem, The Castaway, is the terrible memorial. Perhaps no more beautiful sentence has been written of him, than the testimony of one, who saw him after death, that with the "composure and calmness" of the face there “mingled, as it were, a holy surprise." Cowper's poetry marks the dawn of the return from the conventionality of Pope to natural expression, and the study of quiet nature. His ambition was higher than this, to be the Bard of Christianity. His great poems show no trace of his monomania, and are full of healthy piety. His fame as a poet is less than as a letter-writer: the charm of his letters is unsurpassed. Though the most considerable poet, who has written hymns, he has contributed little to the development of their structure, adopting the traditional modes of his time and Newton's severe canons. The spiritual ideas of the hymns are identical with Newton's: their highest note is peace and thankful contemplation, rather than joy: more than half of them are full of trustful or reassuring faith: ten of them are either submissive (44), self-reproachful (17, 42, 43), full of sad yearning (1, 34), questioning (9), or dark spiritual conflict (38-40). The specialty of Cowper's handling is a greater plaintiveness, tenderness, and refinement. A study of these hymns as they stood originally under the classified heads of the Olney Hymns, 1779, which in some cases probably indicate the aim of Cowper as well as the ultimate arrangement of the book by Newton, shows that one or two hymns were more the history of his conversion, than transcripts of present feelings; and the study of Newton's hymns in the same volume, full of heavy indictment against the sins of his own regenerate life, brings out the peculiar danger of his friendship to the poet: it tends also to modify considerably the conclusions of Southey as to the signs of incipient madness in Cowper's maddest hymns. Cowper's best hymns are given in The Book of Praise by Lord Selborne. Two may be selected from them; the exquisitely tender "Hark! my soul, it is the Lord" (q. v.), and "Oh, for a closer walk with God" (q. v.). Anyone who knows Mrs. Browning's noble lines on Cowper's grave will find even a deeper beauty in the latter, which is a purely English hymn of perfect structure and streamlike cadence, by connecting its sadness and its aspiration not only with the “discord on the music" and the "darkness on the glory," but the rapture of his heavenly waking beneath the "pathetic eyes” of Christ. Authorities. Lives, by Hayley; Grimshaw; Southey; Professor Goldwin Smith; Mr. Benham (attached to Globe Edition); Life of Newton, by Rev. Josiah Bull; and the Olney Hymns. The numbers of the hymns quoted refer to the Olney Hymns. [Rev. H. Leigh Bennett, M.A.] --John Julian, Dictionary of Hymnology (1907) ================ Cowper, W. , p. 265, i. Other hymns are:— 1. Holy Lord God, I love Thy truth. Hatred of Sin. 2. I was a grovelling creature once. Hope and Confidence. 3. No strength of nature can suffice. Obedience through love. 4. The Lord receives His highest praise. Faith. 5. The saints should never be dismayed. Providence. All these hymns appeared in the Olney Hymns, 1779. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ===================== Cowper, W., p. 265, i. Prof. John E. B. Mayor, of Cambridge, contributed some letters by Cowper, hitherto unpublished, together with notes thereon, to Notes and Queries, July 2 to Sept. 24, 1904. These letters are dated from Huntingdon, where he spent two years after leaving St. Alban's (see p. 265, i.), and Olney. The first is dated "Huntingdon, June 24, 1765," and the last "From Olney, July 14, 1772." They together with extracts from other letters by J. Newton (dated respectively Aug. 8, 1772, Nov. 4, 1772), two quotations without date, followed by the last in the N. & Q. series, Aug. 1773, are of intense interest to all students of Cowper, and especially to those who have given attention to the religious side of the poet's life, with its faint lights and deep and awful shadows. From the hymnological standpoint the additional information which we gather is not important, except concerning the hymns "0 for a closer walk with God," "God moves in a mysterious way," "Tis my happiness below," and "Hear what God, the Lord, hath spoken." Concerning the last three, their position in the manuscripts, and the date of the last from J. Newton in the above order, "Aug. 1773," is conclusive proof against the common belief that "God moves in a mysterious way" was written as the outpouring of Cowper's soul in gratitude for the frustration of his attempted suicide in October 1773. --John Julian, Dictionary of Hymnology, New Supplement (1907)

E. O. Excell

1851 - 1921 Meter: 7.7.7.7 D Composer of "BOOK DIVINE" in Redemption Songs Edwin Othello Excel USA 1851-1921. Born at Uniontown, OH, he started working as a bricklayer and plasterer. He loved music and went to Chicago to study it under George Root. He married Eliza Jane “Jennie” Bell in 1871. They had a son, William, in 1874. A member of the Methodist Episcopal Church, he became a prominent publisher, composer, song leader, and singer of music for church, Sunday school, and evangelistic meetings. He founded singing schools at various locations in the country and worked with evangelist, Sam Jones, as his song leader for two decades. He established a music publishing house in Chicago and authored or composed over 2,000 gospel songs. While assisting Gypsy Smith in an evangelistic campaign in Louisville, KY, he became ill, and died in Chicago, IL. He published 15 gospel music books between 1882-1925. He left an estate valued at $300,000. John Perry

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Hymnals

Published hymn books and other collections

Small Church Music

Meter: 7.7.7.7 D Editors: Charles Wesley Description: The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid 1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano with organ versions. All recordings are in MP3 format. Churches all around the world use the recordings, with downloads averaging over 60,000 per month. The recordings normally have an introduction, several verses and a slowdown on the last verse. Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo and pitch to suit their local needs. Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org. Home/Music(smallchurchmusic.com) List SongsAlphabetically List Songsby Meter List Songs byTune Name About