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Father, hear thy children's call

Author: T. B. Pollock Appears in 98 hymnals Used With Tune: HERVEY

Meter: 7.7.7.6 Appears in 96 hymnals Composer and/or Arranger: Arthur Seymour Sullivan, 1842-1900 Tune Sources: Church Hymns, 1874 Tune Key: G Major Incipit: 33321 15112 23324 Used With Text: Father, hear Thy children's call

[Father, hear Thy children's call]

Appears in 58 hymnals Composer and/or Arranger: J. H. Gower Tune Key: D Major Incipit: 33235 22443 46555 Used With Text: Father, Hear Thy Children's Call

HERVEY

Appears in 70 hymnals Composer and/or Arranger: F. A. J. Hervey Incipit: 56711 67243 21653 Used With Text: Father, hear thy children's call

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Instances

Published text-tune combinations (hymns) from specific hymnals

Father, hear Thy children's call

Author: Rev. Thomas B. Pollock Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #529a (1894) Meter: 7.7.7.6 Lyrics: Part I: 1 Father, hear Thy children's call; Humbly at Thy feet we fall, Prodigals, confessing all: We beseech Thee, hear us. 2 Christ, beneath Thy cross we blame All our life of sin and shame; Penitent, we breathe Thy Name: We beseech Thee, hear us. 3 Holy Spirit, grieved and tried, Oft forgotten and defied, Now we mourn our stubborn pride: We beseech Thee, hear us. 4 Love, that caused us first to be, Love, that bled upon the tree, Love, that draws us lovingly: We beseech Thee, hear us. 5 We Thy call have disobeyed, Into paths of sin have strayed, And repentance have delayed: We beseech Thee, hear us. 6 Sick, we come to Thee for cure, Guilty, seek Thy mercy sure, Evil, long to be made pure: We beseech Thee, hear us. 7 Blind, we pray that we may see, Bound, we pray to be made free, Stained, we pray for sanctity: We beseech Thee, hear us. 8 Thou who hear'st each contrite sigh, Bidding sinful souls draw nigh, Willing not that one should die, We beseech Thee, hear us. Amen. Topics: Litany of Penitence; Parochial Missions; Penitence Languages: English Tune Title: [Father, hear Thy children's call]

Father, Hear Thy Children's Call

Author: Thomas B. Pollock Hymnal: The Majestic Hymnal, number two #58 (1959) Topics: Prayer; Prayer Languages: English Tune Title: [Father, hear Thy children's call]

Father, Hear Thy Children's Call

Author: Thomas B. Pollock Hymnal: Great Songs of the Church #53 (1921) Languages: English Tune Title: [Father, hear Thy children's call]

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People

Authors, composers, editors, etc.

Arthur Sullivan

1842 - 1900 Person Name: Arthur Seymour Sullivan, 1842-1900 Arranger of "LITANY (LEBBAEUS)" in The Book of Praise Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army bandmaster and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he composed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman

Thomas Benson Pollock

1836 - 1896 Person Name: Thomas Benson Pollock, 1836-1896 Author of "Father, hear Thy children's call" in The Book of Praise Pollock, Thomas Benson, M.A., was born in 1836, and graduated at Trinity College, Dublin, B.A. 1859, M.A. 1863, where he also gained the Vice-Chancellor's Prize for English Verse in 1855. Taking Holy Orders in 1861, he was Curate of St. Luke's, Leek, Staffordshire; St. Thomas's, Stamford Hill, London; and St. Alban's, Birmingham. Mr. Pollock is a most successful writer of metrical Litanies. His Metrical Litanies for Special Services and General Use, Mowbray, Oxford, 1870, and other compositions of the same kind contributed subsequently to various collections, have greatly enriched modern hymnbooks. To the 1889 Supplemental Hymns to Hymns Ancient & Modern, Mr. Pollock contributed two hymns, “We are soldiers of Christ, Who is mighty to save" (Soldiers of Christ), and "We have not known Thee as we ought" (Seeking God), but they are by no means equal to his Litanies in beauty and finish. -- John Julian, Dictionary of Hymnology (1907) =================== Pollock, T. B. , 900, i. We note:— 1. God of mercy, loving all. Litany for Quinquagesima. In the Gospeller, 1872. 2. Great Creator, Lord of all. Holy Trinity. In the Gospeller, 1876. 3. Holy Saviour, hear me; on Thy Name I call. Litany of the Contrite. In the Gospeller, 1870. From it "Faithful Shepherd, feed me in the pastures green," is taken. 4. Jesu, in Thy dying woes, p. 678, ii. 36. Given in Thring's Collection, 1882, in 7 parts, was written for the Gos¬peller. 5. My Lord, my Master, at Thy feet adoring. Passiontide. Translation of "Est-ce vous quo je vois, 6 mon Maître adorable!" (text in Moorsom's Historical Comp. to Hymns Ancient & Modern, 1889, p. 266), by Jacques Bridaine, b. 1701, d. 1767. Moorsom says he was born. at Chuselay, near Uzes, in Languedoc, and was a Priest in the French Church. The translation made in 1887 was included in the 1889 Supplemental Hymns to Hymns Ancient & Modern. 6. We are soldiers of Christ, p. 900, i. In the Gospeller, 1875. 7. Weep not for Him Who onward bears. Passiontide. No. 495 in the 1889 Suppl. Hymns to Hymns Ancient & Modern is part of a hymn in the Gospeller, 1870. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)