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Text Identifier:"^jesus_all_our_ransom_paid$"

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Lord, In Mercy Hear Us

Author: T. B. Pollock Appears in 9 hymnals First Line: Jesus, all our ransom paid Used With Tune: [Jesus, all our ransom paid]

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SEPTEM VERBA

Meter: 7.7.7.6 Appears in 11 hymnals Composer and/or Arranger: Bernhard Schumacher Tune Key: d minor Incipit: 12334 45345 56671 Used With Text: The Seven Words on the Cross: VI Jesus, All Our Ransom Paid
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HOPE

Appears in 9 hymnals Composer and/or Arranger: W. H. Monk Incipit: 11717 65117 17653 Used With Text: Jesus, all our ransom paid
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[Jesus, all our ransom paid]

Appears in 96 hymnals Composer and/or Arranger: Sir A. Sullivan Incipit: 33321 15112 23324 Used With Text: Lord, In Mercy Hear Us

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The Seven Words on the Cross: VI Jesus, All Our Ransom Paid

Author: Thomas B. Pollock Hymnal: The Lutheran Hymnal #185 (1941) Meter: 7.7.7.6 First Line: Jesus, all our ransom paid Lyrics: Part VI "It is finished." 1 Jesus, all our ransom paid, All Thy Father's will obeyed; By Thy sufferings perfect made: Hear us, Holy Jesus. 2 Save us in our soul's distress, Be our Help to cheer and bless While we grow in holiness: Hear us, Holy Jesus. 3 Brighten all our heavenward way, With an ever holier ray Till we pass to perfect day: Hear us, Holy Jesus. Amen. Topics: The Church Year Good Friday Scripture: John 19:30 Languages: English Tune Title: SEPTEM VERBA

Jesus, All Our Ransom Paid

Author: Thomas Benson Pollock Hymnal: Hymns of Faith and Life #167 (1976) Meter: 7.7.7.6 Topics: The Worship of God; The Son Suffering And Death Scripture: John 19:30 Languages: English

Jesus all our ransom paid

Author: Thomas Benson Pollock Hymnal: Our Songs of Praise #d68 (1953)

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Arthur Sullivan

1842 - 1900 Person Name: Sir A. Sullivan Composer of "[Jesus, all our ransom paid]" in Songs of the Covenant Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army band­master and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he com­posed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman

William Henry Monk

1823 - 1889 Person Name: W. H. Monk Composer of "HOPE" in Hymns of the Faith William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851). Bert Polman

Thomas Benson Pollock

1836 - 1896 Person Name: T. B. Pollock Author of "Lord, In Mercy Hear Us" in Songs of the Covenant Pollock, Thomas Benson, M.A., was born in 1836, and graduated at Trinity College, Dublin, B.A. 1859, M.A. 1863, where he also gained the Vice-Chancellor's Prize for English Verse in 1855. Taking Holy Orders in 1861, he was Curate of St. Luke's, Leek, Staffordshire; St. Thomas's, Stamford Hill, London; and St. Alban's, Birmingham. Mr. Pollock is a most successful writer of metrical Litanies. His Metrical Litanies for Special Services and General Use, Mowbray, Oxford, 1870, and other compositions of the same kind contributed subsequently to various collections, have greatly enriched modern hymnbooks. To the 1889 Supplemental Hymns to Hymns Ancient & Modern, Mr. Pollock contributed two hymns, “We are soldiers of Christ, Who is mighty to save" (Soldiers of Christ), and "We have not known Thee as we ought" (Seeking God), but they are by no means equal to his Litanies in beauty and finish. -- John Julian, Dictionary of Hymnology (1907) =================== Pollock, T. B. , 900, i. We note:— 1. God of mercy, loving all. Litany for Quinquagesima. In the Gospeller, 1872. 2. Great Creator, Lord of all. Holy Trinity. In the Gospeller, 1876. 3. Holy Saviour, hear me; on Thy Name I call. Litany of the Contrite. In the Gospeller, 1870. From it "Faithful Shepherd, feed me in the pastures green," is taken. 4. Jesu, in Thy dying woes, p. 678, ii. 36. Given in Thring's Collection, 1882, in 7 parts, was written for the Gos¬peller. 5. My Lord, my Master, at Thy feet adoring. Passiontide. Translation of "Est-ce vous quo je vois, 6 mon Maître adorable!" (text in Moorsom's Historical Comp. to Hymns Ancient & Modern, 1889, p. 266), by Jacques Bridaine, b. 1701, d. 1767. Moorsom says he was born. at Chuselay, near Uzes, in Languedoc, and was a Priest in the French Church. The translation made in 1887 was included in the 1889 Supplemental Hymns to Hymns Ancient & Modern. 6. We are soldiers of Christ, p. 900, i. In the Gospeller, 1875. 7. Weep not for Him Who onward bears. Passiontide. No. 495 in the 1889 Suppl. Hymns to Hymns Ancient & Modern is part of a hymn in the Gospeller, 1870. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)