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Text Identifier:"^lord_we_thank_thee_for_the_pleasure$"

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Lord, we thank Thee for the pleasure

Author: T. W. Jex Blake Appears in 8 hymnals Used With Tune: STUTTGART

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LUX EOI

Appears in 159 hymnals Composer and/or Arranger: Sir A. S. Sullivan, Mus. Doc. Incipit: 55155 44366 53212 Used With Text: Lord, we thank Thee for the pleasure
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BIBERACH

Appears in 11 hymnals Composer and/or Arranger: J. H. Knecht Incipit: 51171 33211 165 Used With Text: Lord, we thank Thee for the pleasure
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ABBOT'S LEIGH

Meter: 8.7.8.7 D with refrain Appears in 164 hymnals Composer and/or Arranger: Cyril Vincent Taylor Tune Key: C Major Incipit: 53117 66563 45654 Used With Text: Lord, We Thank Thee for the Pleasure

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Lord, We Thank Thee for the Pleasure

Author: Thomas W. Jex-Blake Hymnal: The Cyber Hymnal #4116 Meter: 8.7.8.7 D with refrain Lyrics: 1. Lord, we thank Thee for the pleasure That our happy lifetime gives, For the boundless worth and treasure Of a soul that ever lives; Mind that looks before and after, Lifting eyes to things above; Human tears, and human laughter, And the depths of human love. 2. For the thrill, the leap, the gladness Of our pulses flowing free; E’en for every touch of sadness That may bring us nearer Thee; But, above all other kindness, Thine unutterable love, Which, to heal our sin and blindness, Sent Thy dear Son from above. 3. Teach us so our days to number That we may be early wise; Dreamy mist, or cloud, or slumber, Never dull our heav’nward eyes. Hearty be our work and willing, As to Thee, and not to men; For we know our soul’s fulfilling Is in Heav’n, and not ’til then. The music for ABBOT'S LEIGH is under copyright. If you wish to print, copy, cut/paste or duplicate it, you must obtain permission from Hope Publishing Company (800-323-1049). Languages: English Tune Title: ABBOT'S LEIGH
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Lord, we thank Thee for the pleasure

Author: Rev. T. W. Jex-Blake, D.D. Hymnal: The Day School Hymn Book #83 (1896) Languages: English Tune Title: BIBERACH

Lord, we thank thee for the pleasure

Author: T. W. Jex-Blake Hymnal: Unitarian Service Book, and Hymns for Church and Home. Abridged ed. #d211 (1904)

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Authors, composers, editors, etc.

Arthur Sullivan

1842 - 1900 Person Name: Sir A. S. Sullivan, Mus. Doc. Composer of "LUX EOI" in Worship Song Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army band­master and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he com­posed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman

Cyril Taylor

1907 - 1991 Person Name: Cyril Vincent Taylor Composer of "ABBOT'S LEIGH" in The Cyber Hymnal Cyril V. Taylor (b. Wigan, Lancashire, England, 1907; d. Petersfield, England, 1992) was a chorister at Magdalen College School, Oxford, and studied at Christ Church, Oxford, and Westcott House, Cambridge. Ordained a priest in the Church of England in 1932, he served the church as both pastor and musician. His positions included being a producer in the religious broadcasting department of the BBC (1939­1953), chaplain of the Royal School of Church Music (1953-1958), vicar of Cerne Abbas in Dorsetshire (1958-1969), and precentor of Salisbury Cathedral (1969-1975). He contributed twenty hymn tunes to the BBC Hymn Book (1951), which he edited, and other tunes to the Methodist Hymns and Psalms (1983). He also edited 100 Hymns for Today (1969) and More Hymns for Today (1980). Writer of the booklet Hymns for Today Discussed (1984), Taylor was chairman of the Hymn Society of Great Britain and Ireland from 1975 to 1980. Bert Polman

Justin Heinrich Knecht

1752 - 1817 Person Name: J. H. Knecht Composer of "BIBERACH" in The Day School Hymn Book Justin Heinrich Knecht Germany 1752-1817. Born at Biberach Baden-Wurttemberg, Germany, he attended a Lutheran college in Esslingen am Neckar from 1768-1771. Having learned the organ, keyboard, violin and oratory, he became a Lutheran preceptor (professor of literature) and music director in Biberach. It was a free imperial city until 1803 and had a rich cultural life. He became organist of St. Martin’s Church in 1792, used by both Lutherans and Catholics, and was there for many years. He led an energetic, busy musical life, composing for both the theatre and church, organizing subscription concerts, teaching music theory, acoustics, aesthetics, composition, and instruments at the Gymnasium, affiliated to the Musikschule in 1806. He went to Stuttgart in 1806 in hopes of a post there as Kapellmeister, serving two years as Konzertmeister, but he was appointed Direktor Beim Orchester by the King of Wurttemberg in 1807. However, he returned to his former life in 1808 and remained there the rest of his life. He died at Biberach. He wrote 10 vocals, 11 opera and stage works, one symphony, 3 chamber music instrumentals, 7 organ works, 4 piano works, and 6 music theories. He was an author composer, editor, contributor, musician, compiler, and lyricist. John Perry