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O Lord, by Thee Delivered
Meter: 7.6.7.6 D Appears in 25 hymnals Topics: Deliverance from Death; Deliverance From Enemies; Deliverance From Trouble; Praise To God, Jesus Christ; Prosperity; Sickness; Chastening Scripture: Psalm 30 Used With Tune: GREENLAND
O Lord, by Thee Delivered
O Lord, by Thee Delivered
Hymnal: Psalter Hymnal (Red) #57 (1934) Meter: 7.6.7.6 D Lyrics: 1 O Lord, by Thee delivered,
I Thee with songs extol;
My foes Thou hast not suffered
To glory o'er my fall.
O Lord, my God, I sought Thee,
And Thou didst heal and save;
Thou, Lord, from death didst ransom,
And keep me from the grave.
2 His holy Name remember,
Ye saints, Jehovah praise;
His anger lasts a moment,
His favor all our days;
For sorrow, like a pilgrim,
May tarry for a night,
But joy the heart will gladden
When dawns the morning light.
3 In prosperous days I boasted,
Unmoved I shall remain,
For, Lord, by Thy good favor
My cause Thou didst maintain;
I soon was sorely troubled,
For Thou didst hide Thy face;
I cried to Thee, Jehovah,
I sought Jehovah's grace.
4 What profit if I perish,
If life Thou dost not spare?
Shall dust repeat Thy praises,
Shall it Thy truth declare?
O Lord, on me have mercy,
And my petition hear;
That Thou mayst be my Helper,
In mercy, Lord, appear.
5 My grief is turned to gladness,
To Thee my thanks I raise,
Who hast removed my sorrow
And girded me with praise;
And now, no longer silent,
My heart Thy praise will sing;
O Lord, my God, for ever
My thanks to Thee I bring.
Topics: Chastisements; Death; Deliverance from Death; Deliverance From Trouble; Healing; Joy; Praise for Blessings; Prayer; Prosperity; Sickness; Thanksgiving Scripture: Psalm 30 Languages: English Tune Title: CRUCIFIX
O Lord, by Thee Delivered
O Lord, by Thee Delivered
Hymnal: The Cyber Hymnal #5058 Meter: 7.6.7.6 D Lyrics: 1. O Lord, by Thee delivered,
I Thee with songs extol;
My foes Thou hast not suffered
to glory o’er my fall.
O Lord, my God, I sought Thee,
and Thou didst heal and save;
Thou, Lord, from death didst
ransom and keep me from the grave.
2. His holy name remember,
ye saints, Jehovah praise;
His anger lasts a moment,
His favor all our days;
For sorrow, like a pilgrim,
may tarry for a night,
But joy the heart will gladden
when dawns the morning light.
3. In prosperous days I boasted,
Unmoved I shall remain;
For Lord, by Thy good favor,
my cause Thou didst maintain;
I soon was sorely troubled,
for Thou didst hide Thy face;
I cried to Thee, Jehovah,
I sought Jehovah’s grace.
4. What profit if I perish,
if life Thou dost not spare?
Shall dust repeat Thy praises,
shall it Thy truth declare?
O Lord, on me have mercy,
and my petition hear;
That Thou mayst be my helper,
in mercy, Lord, appear.
5. My grief is turned to gladness,
to Thee my thanks I raise;
Who hast removed my sorrow
and girded me with praise;
And now, no longer silent,
my heart Thy praise will sing;
O Lord, my God, forever
my thanks to Thee I bring. Languages: English Tune Title: ELLACOMBE
O Lord, by Thee Delivered
By Thee Delivered
Hymnal: Bible Songs No. 4 #65 (1917) First Line: O Lord, by Thee delivered Scripture: Psalm 30 Languages: English Tune Title: [O Lord, by Thee delivered]
By Thee Delivered
William Henry Monk
1823 - 1889 Person Name: William H. Monk Adapter & Harmonizer of "ELLACOMBE" in The Cyber Hymnal William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851).
Bert Polman
William Henry Monk
Michael Haydn
1737 - 1806 Person Name: J. M. Haydn Composer of "GREENLAND" in Psalter Hymnal (Blue) Johann Michael Haydn Austria 1737-1806. Born at Rohrau, Austria, the son of a wheelwright and town mayor (a very religious man who also played the harp and was a great influence on his sons' religious thinking), and the younger brother of Franz Joseph Haydn, he became a choirboy in his youth at the Cathedral of St. Stephen in Vienna, as did his brother, Joseph, an exceptional singer. For that reason boys both were taken into the church choir. Michael was a brighter student than Joseph, but was expelled from music school when his voice broke at age 17. The brothers remained close all their lives, and Joseph regarded Michael's religious works superior to his own. Michael played harpsichord, violin, and organ, earning a precarious living as a freelance musician in his early years. In 1757 he became kapellmeister to Archbishop, Sigismund of Grosswardein, in Hungary, and in 1762 concertmaster to Archbishop, Hieronymous of Salzburg, where he remained the rest of his life (over 40 years), also assuming the duties of organist at the Church of St. Peter in Salzburg, presided over by the Benedictines. He also taught violin at the court. He married the court singer, Maria Magdalena Lipp in 1768, daughter of the cathedral choir-master, who was a very pious women, and had such an affect on her husband, trending his inertia and slothfulness into wonderful activity. They had one daughter, Aloysia Josepha, in 1770, but she died within a year. He succeeded Wolfgang Amadeus Mozart, an intimate friend, as cathedral organist in 1781. He also taught music to Carl Maria von Weber. His musical reputation was not recognized fully until after World War II. He was a prolific composer of music, considered better than his well-known brother at composing religious works. He produced some 43 symphonies,12 concertos, 21 serenades, 6 quintets, 19 quartets, 10 trio sonatas, 4 due sonatas, 2 solo sonatas, 19 keyboard compositions, 3 ballets, 15 collections of minuets (English and German dances), 15 marches and miscellaneous secular music. He is best known for his religious works (well over 400 pieces), which include 47 antiphons, 5 cantatas, 65 canticles, 130 graduals, 16 hymns, 47 masses, 7 motets, 65 offertories, 7 oratorios, 19 Psalms settings, 2 requiems, and 42 other compositions. He also composed 253 secular vocals of various types. He did not like seeing his works in print, and kept most in manuscript form. He never compiled or cataloged his works, but others did it later, after his death. Lothar Perger catalogued his orchestral works in 1807 and Nikolaus Lang did a biographical sketch in 1808. In 1815 Anton Maria Klafsky cataloged his sacred music. More complete cataloging has been done in the 1980s and 1990s by Charles H Sherman and T Donley Thomas. Several of Michael Haydn's works influenced Mozart. Haydn died at Salzburg, Austria.
John Perry
Michael Haydn
Arthur Sullivan
1842 - 1900 Person Name: Arthur S. Sullivan Arranger of "NOEL" in Trinity Hymnal (Rev. ed.) Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army bandmaster and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he composed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas.
Bert Polman
Arthur Sullivan
