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Praise to the Trinity
Appears in 204 hymnals Topics: Adoration, Praise, Thanksgiving First Line: Glory to the Father give Used With Tune: [Glory to the Father give]
Praise to the Trinity
To God be the Glory
Author: Fanny J. Crosby Appears in 228 hymnals Topics: Adoration, Praise, Thanksgiving First Line: To God be the glory, great things He hath done Refrain First Line: Praise the Lord, praise the Lord Used With Tune: [To God be the glory, great things He hath done]
To God be the Glory
Ye servants of God, your Master proclaim
Author: Philip Doddridge Appears in 669 hymnals Topics: Adoration, Praise, Thanksgiving Used With Tune: LYONS
Ye servants of God, your Master proclaim
CONTEMPLATION
Meter: 8.6.8.6 Appears in 21 hymnals Composer and/or Arranger: Frederick Arthur Gore Ouseley (1825-1889) Topics: Adoration; Praise; Stages of Life; Thanksgiving Tune Key: D Major Incipit: 35235 43213 65342 Used With Text: When all thy mercies, O my God
CONTEMPLATION
NICAEA
Meter: 11.12.12.10 Appears in 1,058 hymnals Composer and/or Arranger: John B. Dykes Topics: The Glory of the Triune God Praise and Thanksgiving; Particular Times of Worship Morning; Adoration and Praise; Christian Year Trinity Sunday; Holy Communion; Processionals; Service Music Doxology; Trinity Tune Key: D Major Incipit: 11335 56666 53555 Used With Text: Holy, Holy, Holy! Lord God Almighty
NICAEA
LYONS
Meter: 10.10.11.11 Appears in 783 hymnals Composer and/or Arranger: Johann Michael Haydn; William Gardiner Topics: The Glory of the Triune God Praise and Thanksgiving; Adoration and Praise; Opening Hymns; Processionals; Providence; Testimony and Witness; Trust Tune Key: G Major Incipit: 51123 14432 51123 Used With Text: O Worship the King
LYONS
Praise and Thanks and Adoration
Author: Thomas H. Kingo, 1634-1703 Hymnal: Evangelical Lutheran Worship #783 (2006) Meter: 8.7.8.7.7.7.8.8 Topics: Adoration; Trust, Guidance; Adoration; Praise, Thanksgiving; Sending; Trust, Guidance Languages: English Tune Title: FREU DICH SEHR
Praise and Thanks and Adoration
Praise to the Trinity
Hymnal: Westminster Sabbath School Hymnal, a collection of hymns and tunes for use in sabbath-schools and social meetings #112 (1883) Topics: Adoration, Praise, Thanksgiving First Line: Glory to the Father give Tune Title: [Glory to the Father give]
Praise to the Trinity
Praise to Thee
Author: John Fawcett Hymnal: Westminster Sabbath School Hymnal, a collection of hymns and tunes for use in sabbath-schools and social meetings #5 (1883) Topics: Adoration, Praise, Thanksgiving First Line: Praise to thee, thou great Creator Tune Title: [Praise to thee, thou great Creator]
Praise to Thee
Joseph Barnby
1838 - 1896 Topics: Adoration, Praise, Thanksgiving Composer of "[When morning gilds the skies]" in Westminster Sabbath School Hymnal, a collection of hymns and tunes for use in sabbath-schools and social meetings Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873).
Bert Polman
Joseph Barnby
W. G. Fischer
1835 - 1912 Person Name: Wm. G. Fischer Topics: Adoration, Praise, Thanksgiving Composer of "[God loved the world of sinners, lost]" in Westminster Sabbath School Hymnal, a collection of hymns and tunes for use in sabbath-schools and social meetings William Gustavus Fischer In his youth, William G. Fischer (b. Baltimore, MD, 1835; d. Philadelphia, PA, 1912) developed an interest in music while attending singing schools. His career included working in the book bindery of J. B. Lippencott Publishing Company, teaching music at Girard College, and co-owning a piano business and music store–all in Philadelphia. Fischer eventually became a popular director of music at revival meetings and choral festivals. In 1876 he conducted a thousand-voice choir at the Dwight L. Moody/Ira D. Sankey revival meeting in Philadelphia. Fischer composed some two hundred tunes for Sunday school hymns and gospel songs.
Bert Polman
W. G. Fischer
Arthur Sullivan
1842 - 1900 Person Name: A. S. Sullivan Topics: Adoration, Praise, Thanksgiving Composer of "[Angel voices, ever singing]" in Westminster Sabbath School Hymnal, a collection of hymns and tunes for use in sabbath-schools and social meetings Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army bandmaster and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he composed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas.
Bert Polman
Arthur Sullivan
