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Ábranse los cielos
Appears in 7 hymnals Topics: Adviento Text Sources: Tradicional
Ábranse los cielos
¡Mi Dios, qué mañana!
Author: Evelyn Robert-Olivieri Appears in 2 hymnals Topics: Adviento; Adviento First Line: La trompeta sonará Scripture: Matthew 24:29 Used With Tune: MY LORD WHAT A MORNING Text Sources: Espiritual áfrico-americano
¡Mi Dios, qué mañana!
Restáuranos, oh Dios (Restore Us, O God)
Author: Burt Burleson; Martin Tel; Carlos Colón, n. 1966 Appears in 1 hymnal Topics: Año Cristiano Adviento First Line: Oh Pastor, excelso Rey (Shepherd, guardian of your flock) Scripture: Psalm 80 Used With Tune: [Oh Pastor, excelso Rey]
Restáuranos, oh Dios (Restore Us, O God)
DUKE STREET
Meter: 8.8.8.8 Appears in 1,422 hymnals Composer and/or Arranger: John Hatton, c.1710-1793 Topics: Año Cristiano Adviento Tune Key: D Major Incipit: 13456 71765 55565 Used With Text: Jesus Shall Reign Where'er the Sun (Doquier alumbre el astro sol)
DUKE STREET
MACHT HOCH DIE TÜR
Meter: 8.8.8.8.8.8.6.6 Appears in 57 hymnals Composer and/or Arranger: J. A. Freylinghausen Topics: Jesucristo redentor Adviento Tune Sources: Geistreiches Gesangbuch Tune Key: F Major or modal Incipit: 35432 12325 44332 Used With Text: La puerta abrid de par en par
MACHT HOCH DIE TÜR
Abre Tu Tienda Al Señor
Author: Carmelo Erdozáin Hymnal: Flor y Canto #7 (1989) Topics: Adviento First Line: El Adviento es esperanza Refrain First Line: Abre tu tienda at Señor Languages: Spanish Tune Title: [El Adviento es esperanza]
Abre Tu Tienda Al Señor
¡Hosanna en el Adviento!
Author: Frieda M. Hoh, 1896-1962; Claudia Frances Hernamann, 1838-1898 Hymnal: Culto Cristiano #348 (1964) Meter: 7.6.7.6 Topics: Adviento Languages: Spanish Tune Title: LINBY
¡Hosanna en el Adviento!
Samuel Stennett
1727 - 1795 Person Name: Samuel Stennet, 1727-1795 Topics: Año Cristiano Adviento Author of "On Jordan's Stormy Banks I Stand (En las orillas del Jordán)" in Santo, Santo, Santo Samuel Stennett was born at Exeter, in 1727. His father was pastor of a Baptist congregation in that city; afterwards of the Baptist Chapel, Little Wild Street, London. In this latter pastorate the son succeeded the father in 1758. He died in 1795. Dr. Stennett was the author of several doctrinal works, and a few hymns.
--Annotations of the Hymnal, Charles Hutchins, M.A. 1872.
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Stennett, Samuel, D.D., grandson of Joseph Stennett, named above, and son of the Rev. Joseph Stennett, D.D., was born most pro;bably in 1727, at Exeter, where his father was at that time a Baptist minister. When quite young he removed to London, his father having become pastor of the Baptist Church in Little Wild Street, Lincoln's Inn Fields. In 1748, Samuel Stennett became assistant to his father in the ministry, and in 1758 succeeded him in the pastoral office at Little Wild Street. From that time until his death, on Aug. 24, 1795, he held a very prominent position among the Dissenting ministers of London. He was much respected by some of the statesmen of the time, and used his influence with them in support of the principles of religious freedom. The celebrated John Howard was a member of his congregation and an attached friend. In 1763, the University of Aberdeen conferred on him the degree of D.D. Dr. S. Stennett's prose publications consist of volumes of sermons, and pamphlets on Baptism and on Nonconformist Disabilities. He wrote one or two short poems, and contributed 38 hymns to the collection of his friend, Dr. Rippon (1787). His poetical genius was not of the highest order, and his best hymns have neither the originality nor the vigour of some of his grandfather's. The following, however, are pleasing in sentiment and expression, and are in common use more especially in Baptist congregations:—
1. And have I, Christ, no love for Thee? Love for Christ desired.
2. And will the offended God again? The Body the Temple of the Holy Ghost.
3. As on the Cross the Saviour hung. The Thief on the Cross.
4. Behold the leprous Jew. The healing of the Leper.
5. Come, every pious heart. Praise to Christ.
6. Father, at Thy call, I come. Lent.
7. Great God, amid the darksome night. God, a Sun.
8. Great God, what hosts of angels stand. Ministry of Angels.
9. Here at Thy Table, Lord, we meet. Holy Communion.
10. How charming is the place. Public Worship.
11. How shall the sons of men appear? Acceptance through Christ alone.
12. How soft the words my [the] Saviour speaks. Early Piety.
13. How various and how new. Divine Providence.
14. Not all the nobles of the earth. Christians as Sons of God.
15. On Jordan's stormy banks I stand. Heaven anticipated.
16. Prostrate, dear Jesus, at thy feet. Lent. Sometimes, "Dear Saviour, prostrate at Thy feet."
17. Should bounteous nature kindly pour. The greatest of these is Love. From this, "Had I the gift of tongues," st. iii., is taken.
18. Thy counsels of redeeming grace. Holy Scripture. From "Let avarice, from shore to shore."
19. Thy life 1 read, my dearest Lord. Death in Infancy. From this "'Tis Jesus speaks, I fold, says He."
20. 'Tis finished! so the Saviour cried. Good Friday.
21. To Christ, the Lord, let every tongue. Praise of Christ. From this,"Majestic sweetness sits enthroned," st. iii., is taken.
22. To God, my Saviour, and my King. Renewing Grace.
23. To God, the universal King. Praise to God.
24. What wisdom, majesty, and grace. The Gospel. Sometimes, “What majesty and grace."
25. Where two or three with sweet accord. Before the Sermon.
26. Why should a living man complain? Affliction. From this, "Lord, see what floods of sorrow rise," st. iii., is taken.
27. With tears of anguish I lament. Lent.
28. Yonder amazing sight I see. Good Friday.
All these hymns, with others by Stennett, were given in Rippon's Baptist Selection, 1787, a few having previously appeared in A Collection of Hymns for the use of Christians of all Denominations, London. Printed for the Booksellers, 1782; and No. 16, in the 1778 Supplement to the 3rd edition of the Bristol Baptist Selection of Ash and Evans. The whole of Stennett's poetical pieces and hymns were included in vol. ii. of his Works, together with a Memoir, by W. J. Jones. 4 vols., 1824. [Rev. W. R. Stevenson, M.A.]
--John Julian, Dictionary of Hymnology (1907)
Samuel Stennett
James M. Black
1856 - 1938 Person Name: James M. Black, 1856-1938 Topics: Año Cristiano Adviento Author of "When the Trumpet of the Lord Shall Sound (Cuando la trompeta suene)" in Santo, Santo, Santo James Milton Black USA 1856-1938 Born in South Hill, NY, Black was an American hymn composer, choir leader and Sunday school teacher. He worked, lived,and died in Williamsport, PA. An active member, he worked at the Pine Tree Methodist Episcopal Church there. He married Lucy Love Levan. He started his music career with John Howard of New York and Daniel B. Towner of the Moody Bible Institute in Chicago. He edited a dozen gospel song books and wrote nearly 1500 songs. He also served on the commission for the 1905 Methodist Hymnal.
John Perry
James M. Black
Henry J. Gauntlett
1805 - 1876 Person Name: Henry J. Gauntlett, 1805-1876 Topics: Año Cristiano Adviento Adapter of "STUTTGART" in Santo, Santo, Santo Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extended the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844).
Bert Polman
Henry J. Gauntlett
